I need to go to the place where my Christ goes. And my journey to off-field out of space.
Hello, all right, let's end Kevin. Kevin nice and you invite for being co-host.
All right, I'm sending a pen and a character invite as well.
Hello, Patricia. I'm going to invite you to speak.
Hi, how are you? Hi! Seeing you for the first time in Twitter space. Yes. Exactly. How's your Sunday going? Yes, good. It's a very chill. Yeah, it's great.
You've been relaxing all day? Well, just relaxing and working a bit on between us. Cool. Okay, perfect. Hello, Billard. Hello, Hugo. Hello there.
Yes, how is your Sunday? Great Sunday. Some sports, some nice foods, nice company and finishing with a little bit of work.
working I guess. What a great great way to end the Sunday right? By working. I had my second booster so my like my fourth vaccine.
effectively on Friday. So I've been, that's been kicking my ass. So I've been recovering from that. Yeah. I think I'm slightly better today than yesterday. So that's good. Chris, I didn't know there was a fourth vaccine going on.
I stopped at the third boost. This is for the Omicron. I see. Delta Omicron. A little bit little gangster there.
that of a plague does. Where are you? I am in Los Angeles. Okay, it must be what's close. 10 a.m. for you? Yeah, 10 a.m. Nice. Yeah.
Usually I sleep in these weekends, but this has been getting me. I've been waking up early because it's actually because of the vaccine. So yeah, it all worked out. That's cool.
Oh wow, so vaccine does the opposite effect to you then to me? Because every time I have a COVID vaccine, I'm just staying back for the whole day.
Yeah, that's pretty much. Actually, the first one I was fine, the second one was worse than the booster was really bad. This one was better.
See it reminds me of the second one. I heard that the stronger is your immune system the worse is the effect so. Really bad.
Hello everyone who have joined Hello Alexies. It's also the first time that I see you in a Twitter space.
Yeah, so I guess we went to wait for you. Sorry, I was writing a Twitter to share the public space, so I could not say it back to you, but hello, okay. No worries, and thank you.
for feeding out this space in actually everyone in this place. If you want to let's bring more people in and it would be really helpful if we all treat out this space. And I totally resonate with you. It's so hard to multitask when riding a treat and speaking at the same time.
So yeah, I did not tune it. Turn on the mic and writing the tweet at the same time. I didn't find the function to do that. So I had to cancel the tweet and come back to this pace. Yeah, I guess we lack some functions.
for the Twitter. So I guess to what we wait for more people to join maybe we can start with a roundtable for more introduction of everyone in this space. So I guess I'm going to start first
I'm going to do a very short one. So my name is Pei Yao. I work from PIRATS Labs as a growth manager and this house is part of PIRATS Lab as the tech-on. So I'm also working on the this house in its between mass projects. And yes, right now
Now I'm on the project account. So Alex Bilal, you want to get started and then maybe Kevin UK will start first and then Alex, Alex and Bilal, you introduce yourself and then Patricia Alexis and then you go as well.
Who am I in context of all this? I do DeFi stuff on Tezos mainly. That's my day job. My name is Kevin Holo. I live in Los Angeles. But I've been part of the Tezos ecosystem since 2017 crowds
sale working in Tezos and building stuff on it since 2018. Since the NFT space started, it has been a big advocate for that, evangelizing it wherever I can. I made a site called Tezos.art which offers
for you developer resources, for people wanting to onboard themselves into the Tezos space, and advocate for the community in general. Big fan of Pirates Labs and everything, but all touches in general.
Thank you and thank you for co-hosting the space with us. Villal, you go next. Yeah, thank you, Peo and thanks for your kind words. Well, I'm Villal.
I'm an entrepreneur, I like to create stuff, specifically in Web3, and I like to think I have an art sensibility, and that's why we're here.
Cool Alex you want to go next or because it taught me previously that your internet is not ideal so if your internet is back
Okay, we'll come back to you Alex. Browhouse, you want to be the next? Yeah, so this is Patricia, I'm Coffando Prohaus, which is a creative student in the web 3 space and we represent digital artists.
We're big fans of between-line projects and these are how so excited to be part of it and here to be part of this space Yes, and I personally also really like a brown house I just when I scroll down your Instagram. I feel I just get you know
like so many artists that are previously don't know and it's always like a really pleasant experience to look at your Instagram so good job and thank you for joining us. Totally, I love that. That's exactly for that, to inspire your people, get artists to be known and then make people have an idea of how does
the Lord, how can it look like? Exactly. Alex, your internet is bad? Can I try my chance? Is it better now? Yes. Super. Hi everybody. I don't know me. I'm Alex, the co-founder of Liza House. I was here at the Genesis of the project of Between Lines.
We've talked about the project in the last two years, and we've been working on the project in the last two years.
So a real enthusiast of new use cases possible. So together with Bill Aljac and Payo or so else we are trying to build a new application for art and artists working on democratization of tech for artists and access for the public to art in a few words.
Cool, I like the summary and we'll come back to the between class project later. So I love Sim Janario can introduce more in detail about the concept of the project and I know we are going to launch the ambassador drop the first drop of the project very soon. So maybe you can also go
going to detail in that. And the next one is we lock love Alexies. You want to, yes, go ahead. Yeah, sure. So thank you for inviting me. My name is Alexie. I'm the creator of We Lock Love, basically.
I photographed Lovelocks of the Pondésar in 2013 and I made them eternal online. I recreated the Pondésar online and all the famous Lovelocks are known on the
digital space. And basically I'm really happy to be an ambassador of the betweenline project because first together a lot of artistic talents here and you have a
strong vision and which you will explain later so it will be great for everybody to discover your project. And yes, you guys have a lot of nice
artistic projects. So either in the between line project or even at laser hours with the behind team. So it will be it will be a great discussion to them. I'm happy to be here. Yes, and we
We are happy to discover where you have been working on like over so many years for the love locks in Paris and utilizing NFT as a way to really immortalize in the treasures memory. So go ahead, Bilal. Is your mint today?
So we are on like pre-mins, like it's meant to a form that you can access the form on the Wheel of Love website and it basically it's an exclusive means for the
people that go on the website and we don't spread the words really hard. The first means yes. So I'm one of those. Yes, yes, yes, I hope. Thank you. Thank you for your support, Bill.
All right. All right. You go. You want to introduce yourself. Yeah. Hi everybody. Thanks for having me here also. I'm a designer at IBM and I work with
the first two, the first two, the first two, the first two, the first two, the first two, the first two, the first two, the first two, the first two, the first two, the first two, the first two, the first two, the first two, the first two, the first two, the first two, the first two, the first two, the first two, the first two, the first two, the first two,#
If anyone in the space has tried out the between lines AR filter, well if you have tried it out then it's actually thanks to the magic of Ugo. So thank you Ugo.
We're in London for the deep London fair tomorrow, so Jack I let you introduce to the community Hi everybody, so I'm Jack and I'm kind of the conductor of the bitwilling project and I'm glad to be here with all of you
Hi Jack! Nice hearing your voice again Jack and I hope I didn't sing Jack you have a nice trip to London for the deep arse fair for this house.
Yes, okay, so thank you everyone for like introducing yourself I guess maybe a deal in Alex or Jack if you want you can start with introducing a little bit more in detail about the between months because we know that between months is approaching
that has been already ongoing through like two or three years of R&D process. So there is some story behind and some exciting time is also coming soon with the ambassador job. So go ahead.
You want me to start, Alex? So yes, we can describe for those who don't know actually yet the project between Lines can be qualified as an artwork. I think it proposes an immersive experience. So basically off an artwork which is
both digital and physical. So concretely it consists on a pair of moving sculptures. So we explore the concept of moving sculpture, of course, which wouldn't be possible in real life in physical, but we try to make the link with the digital and the physical by
by proposing an experience of freezing the time on the evolutionary digital sculpture to make every shape of the dance, every frame of the dance that generates the dancing pair of sculpture printable into three different
So it's an experience of materialization of movement and a deep dive into time. So for the artistic reason of the artwork. So for it, the artwork together has been developed a long, long process of R&D that made possible the printing
of the pairs of sculptures generated through algorithm by the dancer into different materials. So each material's results actually in a kind of technological breakthrough. We have been working with 3D printers at IBUR for the launch of the project to print
three very innovative materials. So basically to have real art world, physical art world, in concrete in acrylic, which is a recycled plastic and a ceramic. Concretely, the project promises 10 different materials. So the world philosophy of the project is
to bring a question of the table which is the separation with the artwork in itself which is the core which is the dance which is the animation of the pair of sculpture and the experience we want to propose a beholder from it. So we have the artwork
It's what is going to be sold as an NFT with associated IP rights. We'll have more time to come back on it. It's very central in the project. And then the UTT, which is to choose either to bring the art
work into the metavers or into real life or both. And that's going to be an evolutionary project proposing incremental features a long time. So the word map is going to be for one year. And every month we promise to be mind blown by new
experiences in the first digital phase and then the physical phase will be possible for the public, for the orders of NFTs to print into real materials and physical sculpture their artwork. I have a question. If, for example, I own the NFT with the
acrylic material. Am I able to print another material with that same NFT file? So if you are on a very important, if you want NFT, you don't own the NFT in acrylic. You own the NFT, so you own the IP basically, the IP on the
shapes of the pair of sculptures. So you own the right on the 3D models. Then the UTT we promised to you is that you can print it as you own the AP and you have the representation rights, the role projects and rights, even the adaptation rights
and possible commercial user-vide, but on the reproduction right, you can print it into any material, including acrylic. So, printing in acrylic is not that simple.
You have to find the 3D printers, etc. So what we propose as Lizar is that we open our network of tech partners and 3D printers and we propose to manage your print and to deliver to ship it to your place for a factory
So, concretely, the producer cost. So it enables the owner to acquire a real piece of art at a very affordable price, which is what we want to do as democratizer of art. And you can use it as you want. And if you want to print it as
second time you are totally the owner so you can do it you can do it as many times as you want as you own the IP and it's nice amazing and you actually seconded my other question which was if I don't have any plug into 3d printer factory if you guys were having a solution for that so yeah that's great yeah
Thank you for your question. I would only add that between line is an art project by a collective made called Behind and it will be exposed in an art gallery, a physical art gallery in Barcelona called Leza House. We've been mentioned
it earlier but we haven't defined it so yeah this is the art gallery. Yeah basically this is our house is operated by the collective behind and consists in four blocks it's a creative studio dedicated to work three so that made this transition to work three.
between lines is the first symbolic use case because we see through a concrete use case how we can bridge digital and physical and how NFT is central in the model. I have the habit to say that unless you prove that NFT adds a real added
value in a project, you shouldn't use it. But here it's very easy to see how the use of NSV is central in the development of an evolutionary project onboarding a world community. So the project is evolutionary. So it means that for starting, we start with three material and
the interest of the project is that through the sale of NFT, the collectors become totally investor of the project and finance the research and development that will be done to jointly between Lesart and Tech Partners to develop new materials.
So I'm not going to spoil which are the next ones. But anyway, a term, the community, will have the opportunity to interact and to choose and to vote which material would be good to complete the collection of possible printable material for between NIMS.
So it's an evolved project so we see how the NFT really helps it so laser is The company which is behind it Between lines the first use case. It's also an incubator that helps artists traditional or digital artists to make their first
steps into Web 3, we provide the tech in the creative process as well as in solutions of distribution, the blockchain layer to distribute with model, the NFT collection, to break their barrier of
and our company is in their new adventurer to disrode their art in the web3 communities. We have a blockchain platform, an NFT platform called Artos. It's the platform where between lines will be minted.
We have a set billal, the physical gallery, which is finalizing actually the model of digital to physical that we hold, providing a real physical space for digital and physical experience for the community in Barcelona.
I'm glad you mentioned it that way because I think especially for most people at this point, it can get a bit long-y trying to figure out what's what. Because there are actually three things going on here as this is, as what's being introduced at this time is
this overall mission of this collective behind. It's work with Les our house and what we can expect over this long arc of time, what we can see over the next months and years as it progresses. But it's really defined by this mission. And then
And then there's this technology that's been being developed over the last few years that I think that's kind of the meat of what's being talked about in terms of the innovation and how it's not necessarily going to extend to one thing or one type of drop, but that
That leads us to the third aspect, which is this drop, this between lines, mids, and how people can get involved in how that exemplifies the first step, the first coming out of what's been worked on by behind collective.
what can be expected and seen of Lesnar House as well as an exhibition house going forward. So in seeing things and those sort of, all right, there's behind, there's this overall collective and then what they're trying to do, there's this technology that's been incubated for this time and others between lines, this project which
is the first example because we can get so deep into any one of these things. But I think if anyone's new, that's the way to think of this. So yeah, and between lines is a great way. You can see it as
owning a piece of art history really to be a part of this project to be part of the men's because not it is a very limited group of people who can who are white listed who can be a part of it who can have these prints made but and it's not just like oh it's a drop and then
There's a physical element to it. It's like, no, no, no. This is the next level of that. This is where they're connected. This is a way that you can do the technology or that you could do digital to physical in a way that wasn't possible before. It could only be done with this technology. And that's why it's historic. So, yeah.
And if you want to go deeper into that as well, just the connection between Lesnar House and behind collective and what and how those two things are seen.
So it's Jack. So the link between behind