and I see you with VTay for
(speaking in foreign language)
Hi! Hi, now I'm alive! Hi, good night! Hi! It's something from Twitter. So... Now I'll send this new link.
and then everything is right there everything is fine then a long time here but it's all fine there
Here is a heat, but it's not, it's all the same, it's all the same. No, we don't die. It's not the same in the interior. No, it's rain, it's not.
giving the track, right, wow, the bonyar is all lagged and let's see if someone will enter here I'll send here on twitter too
Here we have the model link.
So, let's start. So, people will enter there. Ok. So, I think first you can
to present to those who don't know you, who will listen to you then. Yes. This space. Yes. I'll call Carolina.
I've been working in the NINIA for more or less an hour and I think the concept of Eletric Neon, which is a
a game of storytelling, not linear and he started with a Gennephthé heart, just the arts and they were literally lying and then
After that, it started to turn into a game and at least that is the story of who I am in the world and in the time now.
But how did you get to this world of descriptions? Was it because of the influence of someone or you?
So, the two Celots started a little before me and then I went to his flower that I just got in there too and we started with the thesis, we are going to
and just doing the art, even looking for this niche that after the pandemic, the artists stayed in the middle, without having option. And then we started
I've been working on this project for a long time, and I've been working on it all over the world, and I've been working on it all over the world, and I've been working on it all over the world, and I've been working on it all over the world, and I've been working on it all over the world, and I've been working on it all over the world, and I've been working on it all over the world,#
At that time I didn't work with it. And we found it a niche that perfectly fits everything we were already working there, working there and doing and needed at the moment.
So, in fact, this community of the writing was what helped and brought a new horizon for your work, so to help
and we have to develop and have to move on to the first one, not only in a way that we can work on it, but we can develop something new. Yes, completely. And it's like that. It's developed completely new from scratch.
and every month that goes through and goes through, we will create more new things and it's very painful, every month is a very big revolution. I completely give another perspective to all the work.
I think the artist who is creating a project ends up growing together because everything is still in crypto. So you will also help to create
and we are editing the projects and editing the rules, because we are seeing that tomorrow, another problem happens in a blockchain, a corrector and that's the thing that's happening. So it's all new.
We have to create our own stability, they are certain modes that we don't depend on anything else. But it's my stability that in this world is not very confusing depending on the age.
because even if it's a big project we imagine that something very well structured but it's not true so entering this theme then
It's like it works to create, to have this idea where this idea of making a transformation to the art and the illustration in a game.
So, in fact, it would be my own way to invest, right? Normally, when people, when they will create a game, they create the concept of the game, create the idea, and then you contract the artist to create the visual. I created the visual and the game came to the point
The first collection of the couple, which are the scenes, which are animated, and the name itself, so all the process is completely organic and opposite of what it would be.
I think it's very interesting because it's part of the main part of the artist
and the enemy is not in the game, and the enemy is in the game, and the enemy is in the game, and the enemy is in the game, and the enemy is in the game, and the enemy is in the game, and the enemy is in the game, and the enemy is in the game, and the enemy is in the game, and the enemy is in the game, and the enemy is in the game, and the enemy is in the game#
in this world that is all... I have to be careful not to say no spoilers. He is all... how can I say? His energy is all based on this texture, our colors and...
I think it's the same art that I started. I'm changing visual changes, you can see that for example my current collection, the new ones I'm using now, they already have a different visual, but still, yes, they are from the metaverse, from the netcreen1.
and all the evolution is going to be in the future. From the first collection, the second and the third one, now I'm coming to the next ones, but all the same in Metaverse. There's a lot of knowledge about this process of artists, all within the Web 3.
Did you see the theme or did you create all this? I was a reference of books, films, studies,
I was there with me for a long time and I believed it. I didn't see it anywhere. It was all created from scratch. It's very interesting because it's a very impactful art.
and it has a kind of identity, I think it's very cool because it's very colorful and I think it will be a success because
I can't tell you what's going to be there, so I can imagine what's going to be the game. It's the first time you've been in the game.
and to have this story telling, not linear. So I think that to keep this mystery, because I want to communicate with the community, to have the community there and create this
And so you had a training outside of Brazil, between other communities, the NFTs and the Games,
I'm going to have to be interested.
So, actually we're starting now to present the Elettic Nion for Brazil. We're going to do a party now, Elettic Nion is going to be a rocker here in Brazil. The game show.
Before that, the acceptance was complete and the initial project was completely out. We started investing here in Brazil because the market of games is very big. The Brazilian Consome. So we will start now.
and we started to develop and promote here. We are growing more and more, and now people are already more in blockchain, web3.
It is certainly because sometimes, who is not very connected to the script, sometimes has the right fear of the investment, but having a game more logical.
and bring a good memory, to make people there, make people realize that they are in the middle of the world,
So, this is complicated, we saw in Brazil Game Show, we worked in the general public sector, we saw that there were
It's very small, still. Brazilian has a lot of research, even by lack of knowledge, of being very divulgated, even there, and within the whole faith, almost there, it seemed like our
I don't know if I can tell you. We need to invest in the web3 and the crypto knowledge to stop and get this fear.
We are trying to invest in a system of verification to avoid everything, and that makes everything part of the Ombodging. In Massa, for people with more information and more safety,
less will have a problem with the money, people lose money, in any case, several situations like that, then we can show our work, do people are there, like, consuming what is good too, not always just with rice, right?
Yes, the question of the games in FT here in Brazil, there were a lot of people who ended up losing money, right?
in that February of the games, or that had... Majority in the Red-Dit, the CSB, which was almost the same, so...
There is also a part of the public that has a certain recipe, which I had a lot of golf, but that makes more difference.
That's also to be able to pass the message and generate interest in people to show the project.
We, including the part of the time, they have a low cost and even to make the whole palette, everything is different, people don't even open the garden to people.
And how did you end up getting to Nier and then Aurora was because of you?
Did you research and went back? The violin? - The black Aurora. - The black Aurora. - The black one, first. - The black one was very funny, because I was there in that song artist selling NFT.
I was playing with T.H.T.S. and I was playing with the audience. I was playing with the audience. I was playing with the audience. I was playing with the audience. I was playing with the audience. I was playing with the audience. I was playing with the audience. I was playing with the audience. I was playing with the audience. I was playing with the audience. I was playing with the audience. I was playing with the audience#
And then, for the first projects that I had within NIA, I was the first project that I had in NIA, which was to be received by a discussion help to produce art. That was the beginning of Domente Beis there. And then I started.
I did my collections and started to sell NFTs. And from the beginning, everything was different. But I see that you have
So we still couldn't go there because Brazil is not going to pass the pass.
But we have a very good relationship, we are working on a time, building communities,
So we worked a lot, we know a lot of people, we were from the beginning of the project, so we have a relationship,
I think that's good. I think one of the best parts is not to be necessary, you know people are meant to create this income and this confidence of remote work. I think that makes it totally felt to be centralization, to give it to them.
I think it's around there.
And in that sense I wanted to ask, how is the team, how is the development of the game, how is it helping you, who does what inside the project,
Did you have the help of the indication? Did you have to run the chain? We have to always run behind the team. The team was me and the Celote.
We have several collaborators, we need to work with them, bring professionals. We have some indications, but it's very difficult to find professionals. This is something that happens.
It's studying and trying to make the maximum of everything we can. But the run behind the scenes has a lot of information, a lot of professional work in the whole world, which is in the Nier, in Aurora too.
I don't have much to do. I do everything. We can see the work people are doing there. And there are connections.
I want to help artists and developers, they don't have the time to play in FT Club, they have the time to play in the games, so I think that helps to give some other blockchains that don't have this stronger thing of community.
This is a great differential. We have a community there in the NIR in Aurora, which is amazing. There is a lot of professionalism in the industry. NIR also has jobs, and you have...
So what was more difficult for you to
to this day of the Pope's shot, this idea of the game and the metaverse. And even to start having more visibility,
What did you see that gave you the right to start the same thing? The father of the right, from the beginning, it's very funny because the first time in my life, when we had this,
But this is a new difficulty. Imagine, this is a month now. You don't have a manual there. You don't know how things are built.
Every week, there's a new thing, there's something different. It's certain, as well as it happens. And part of time, which I thought was going to take a while to make a different time, in fact, a lot of games.
I'm very happy. It's very detailed. Because the more I think about it, the more I know it's different. There are a lot of details. All the visual of the game, I'm very close to it. I want everything that's made in turn.
I think it's more or less this.
It's a very new world, so you don't have a... We are creating, as you said, the rules, we are creating paths, creating new things. So I think that at the same time our facilitator is also difficult.
And how did you say the question of the web 3 of the blockchain today is not very different than part of the world that the person is because it's all
It's all decentralized, right? You know someone on the internet and it starts to help. When I see it, I think the team is part of it. It's easy to explore a game outside the room, outside the room, outside the room, outside the room, outside the room, outside the room, outside the room, outside the room, outside the room, outside the room, outside the room, outside the room, outside the room, outside the room,#
and Aurora I think it would be a very complicated thing, right, it was the course too, right, and that also now Aurora has the grants too, right, so who has projects can
and make a proposal there that will be received. I am with... I am doing a lot of promotion of Aurora, right? We are with NFTs there to...
There are the GVS and the Aurora Paisa, the free transactions systems, it's great, it's very easy and it's really the price, everything is very good.
So, the idea was very good to bring the art to the inside of the NIR, to be very different in the course.
and this facility together with the NIRK, which always seeks to facilitate both the use of the user life as a developer, but it's also good that this
Good to have someone here in Brazil like you, who has a project of this level, so it's time to give them the parabens. Thank you. We are...
It's a very good work and it's great. We have all the opportunities we have and we are able to put together community and also to see your opportunities for many people.
So what are the plans for the future of your electric car? What do you think? Well, electric car is now in the end of the game.
I have been doing a lot of collections now leaving the roots of the Lithuanian, and I have just released an endemic one. I have been doing a list for a week now.
I'm based now on small collections and many collections. And then our book is also a book that will be the one that comes, but now in the future there are many things still.
We are now focused on making the launch of the card game. And we focus a lot on that, on decks and cards. And, as for now, it can't be said that many of the news, but we are very excited with Aurora too.
It's cool. Let's keep going. But there is a curiosity. How long does it take to create a collection of this, to make a art of this kind?
I don't know because of that we started working on the "Eletico Neon"
And it's time for everything. When we're not taking care of the child, it's just time for everything, just like it's my own. So I don't even have time to calculate a certain time, but it takes a lot of time.
and it's very detailed, everything. It's done with a lot of knowledge of a whole life, a lot of it, a lot of dedication.
If someone wants to ask me, ask me a question, you can also ask me if I want to ask you a question, you can ask me a question, you can ask me a question, you can ask me a question, you can ask me a question, you can ask me a question, you can ask me a question, you can ask me a question, you can ask me a question, you can ask me a question, you can ask me a question,#
We will have a lot of thoughts and projects in the end of the day, I also took the Brazilian community. And if everything is right, when we come, we will also be working there.
to create Brazilian communities, to create a job in the general community. We'll create artists, we'll create projects,
What is the best thing for you? I'm sure that this bad moment is happening
the crypto market, the outcones, and so they are increasing a little when we see it, it's almost arriving in the middle of what was a little while ago, but it's time that everything is normalised,
and even if you want to have a new project, you will increase it a lot and that will be more of a possibility. And also what we need and we will help you with it.
I think that's one of the values that will be diminishing and that's one thing that we also have to know, information for all communities that are there, to diversify and build and always doing various types of work there for you to
I couldn't lose much and I managed to keep up with it. I couldn't keep up with it. I kept on building it. It took a lot of time to get the opportunity.
With certainty, some people who spent a difficult time, for 100% involved with the script, right? So, the guy is rich and then he is poor.
We don't know when, but it's a great time. We work only with this, you know, it's very complicated.
But you have to believe that you have to work there always because there is no way to do it. I think it's important that you believe in the projects you are working on and keep building. You can see it by the mirror and by the Aurora, which is very solid.
So, that's it, it's time to go. When I was in the snow, it was $1.60. And I got the snow from 21.21. So...
and it's up to people to involve themselves. It's not that marketing business trying to promote any project.
But it's focused on development. And other things, not only that, but you see all the numbers and everything that's happening there. You, the best thing that nobody knows about it, that you see their solidarity there,
and then they are there for a while working too, everyone is very cool there but so I think
If anyone has a question, can we walk to the end?
So, I'm going to talk to you about this conversation and if you want to invite the person to continue and talk a little more about where you can follow or about the game or to follow your work, too.
I have my twitter and I have the twitter of the netkneeon that is the netkneeonft. It's having GVLW and it's going to have now and Discarraber is also having and we're doing a lot of promotions now until the end of the year.
And enjoy it because it's like professional and everything else. Because we're creating a lot of collection now. After the games were released, you'll be able to do the difference. You'll have this NFTs. So, you follow me there on the cable.
I have the link of the link too. There's a lot of Skyrugger NFT too on Twitter. And that's it guys! We're going to have a lot of news now. So...
So, I'm going to invite everyone. And I thank you. Thank you for the opportunity to participate here. Talk about your work and again I say
So that's it, let's keep going here and we'll meet in a next space. Thank you.