FF Hangout w/ Denis | Mirror: onchain writing, on collecting & more

Recorded: Aug. 31, 2023 Duration: 0:39:00
Space Recording

Full Transcription

Nooo, can you hear me?
Hello, hello?
Okay, perfect.
What's up fam?
Nice to see everybody.
Steph and Dan, what's good?
but I can't hear you.
We got Dennis.
Dennis, if you want to come to stage,
Carlos, if you could make me host
so I can invite people to stage too,
that'd be great.
There we go.
Dennis, you there?
What's up?
What's up?
How are you today?
Doing well.
Good stuff.
We'll give it like two minutes
for people to trickle in.
I see Dwayne, Kiro.
What's up, guys?
I'm excited for this conversation.
Dennis was starting beef on the timeline,
so now I'm even more excited.
I'm just trying to get more people,
create some provocation
to get more listeners.
I appreciate it.
We'll see if it works.
We'll see how it works.
Alino, what's good?
Cool, cool.
Give it to like 04, let's say.
I think the way this will go
is in like a minute, Dennis.
I'll just have you give a quick introduction,
and then we'll just jump right
into like some of the topics
that we listed
and then maybe 20 minutes into it,
we'll open it up to Q&A
and we'll probably let this last
for like 35, 40 minutes max.
Just like keep it concise.
Some of the conversations
going really, really good.
Should be fun.
Well, welcome, everybody.
Appreciate folks who have joined already.
Usually in these,
like people are trickling in throughout,
so I'm sure we'll see some more phases,
but I already see some familiar ones,
so that's fun.
We got Dennis from Mirror today.
Dennis, if you want to give a quick introduction
and we can jump from there.
I'm Dennis, founder of Mirror XYZ.
Mirror is a Web3 publishing platform
that tightly integrates with NFTs.
We have some of the biggest projects
in this space,
sharing announcements,
publishing their Hello World posts,
also dropping NFTs on Mirror
and also smaller creators
use this to publish essays,
on-chain writing,
give context to their art,
to their NFTs.
And we've been going at it
for a little over two years.
Before Mirror,
I was at another crypto startup
called Media Chain.
Back in the Bitcoin days,
there we were just thinking about
kind of non-financial applications
of blockchain technology
for creators,
for content,
for attribution,
It existed before Ethereum existed.
That company was acquired by Spotify.
It was at Spotify for about a year
and then was in VC for about two years,
part of the founding team
at A16Z Crypto.
So it's kind of been a long journey
in the space.
And old friends with Forefront,
they've been Mirror supporters
for a long time
and a huge fan of what you guys
are doing with just,
one of the best newsletters
in the ecosystem.
Have a really amazing community,
really awesome kind of numbership,
integrated website,
reading experience,
that is a big inspiration for us.
I'm really excited to be here.
And big fan of Spotlight,
what you guys are doing recently.
Good to talk about that.
Heck yeah,
we'll definitely dig into that.
Appreciate you, Dennis.
I want to dig into a little bit,
you listed some of like the,
the archetypes of folks
and organizations
that are using Mirror currently.
Like how have the types of people
and communities
that are using Mirror evolved
over the last like year,
year and a half?
I think where things started was,
I think we,
Mirror started end of 2020
when I think kind of before,
the big NFT wave took off
kind of OpenSea blowing up
and just a lot of,
like the PFP activity happening.
I think like our original appeal was,
I think we,
we communicated
basically,
built products and experiments
around some of the ideas
people had at the time
around what's possible
both through technology,
blockchains.
I think a big unlock for us
was like things like,
are we coming online
and enabling this like data storage primitive,
like permanent data storage
real content-based applications
could exist.
Like when I was building media chain
back in 2015,
we didn't have like,
it was just early days of IPFS,
like Palcoin didn't exist,
are we the newest?
You can really put content on chain
to build content-based applications
around it.
So I think it really resonated
with people that you could
publish online
in a totally Web3 native way,
connect your wallet,
get a name on ENS,
have the content live on chain,
and then later we added
NFT monetization to that.
So those were background,
but your question was around,
how has kind of usage evolved
over the past year,
year and a half?
I think that the most exciting thing
we're seeing is like
what we're calling
like the rise of on-chain brands
and it's seeing
both projects and creators,
I think this is originally
kind of inspired by creators,
so I think it's like really cool
to see bigger companies
and projects actually,
going after,
getting inspired by early adopters
and creators
and adopting like NFT strategies.
So I think basically blew it up
when with the base NFT
that they did on Zora,
I believe it was called
Base Introduced,
where they minted their logo.
So I think this kind of
emergent phenomenon,
I think this ties into like,
luxury media piece,
which we'll talk about
and just the idea of,
like how important storytelling,
how important,
creating lore,
the history of a project
is to building a strong brand,
building a strong community.
I think we see NFTs
as a new technology for,
before we had like,
companies had T-shirts,
maybe you had like,
you went to an event,
you got like a cool poster,
everyone knows about
like the kind of iconic,
New Yorker tote bag,
something you wear,
something you're proud of
to be part of the community,
you're excited to wear,
if you love a sports team
from your city
or whatever,
you wear that to,
represent your connection
to a certain community.
I think NFTs
are just this new technology
for brands
and for creators
release assets
that could be
owned digitally online.
Like all those examples
I gave were
in the physical world,
They were enabled
by physical property,
tote bags,
if you're like a skater kid,
everyone knows what you look like,
like a skater kid
recognizes another skater kid
like a mile away.
And I think finally,
we can upgrade
our presence online
through digital collectibles
to make much stronger
connections between,
community members
and the projects
and creators
they support.
brands can put their logo,
literally in the wallet
of their community.
It's this much stronger
kind of sense
of presence,
belonging.
I think ultimately,
if this really works,
like if Web3 really works,
spending time online
will be more meaningful,
downstream of that
new business models,
which we can talk
about as well,
but really excited
about all that.
I'm curious,
how do you see
that manifesting today?
if I collect a,
a mirror essay
from a brand,
if I collect an NFT
from a brand,
their logo,
like to quote you,
like their logo
is in my wallet,
like what are the ways
that that relationship
is actually being acted
where do you actually
see that relationship
going later?
I think it's,
I think the kind of,
the art direction,
the creative direction,
the kind of story arc
is really important
behind the project
for it actually
to be interesting
and engaging
for a community.
So I think it's not as,
if it's just going to be
mint the logo
and you're done,
I think those,
those would be less successful.
maybe like more speculative
collectors would be
just interested in,
collecting anything
a project does
except expecting an airdrop.
But I think the most
interesting projects
really investing
in a continuous narrative
and thinking about
how you could use
this new technology
giving your community
something to collect
to kind of create
no recurrent touch points.
I think like,
like for Vanillier,
just top of mind
because they're doing
a drop today
with part of,
on-chain summer
with base,
I think they've done
an incredible job
having this really cool
PFP project
over the months,
every month,
every couple of weeks,
there's like an interesting
collaboration they're doing.
they have this kind of,
strong aesthetic
that you immediately recognize.
They did collaborations
with projects like Rainbow.
I think there's an NFT
where it was basically
like updated in real time
depending on my guest,
guest prices
to be like,
happy and sad
and it was really cool.
But basically,
it's like a,
almost kind of like a universe
brand identity.
I think effectively,
there's a kind of
horizon of little mascots,
the return of the mascot,
Party Dao has a mascot.
that I'm trying to think
of like some of the best,
even like,
the reason CFPs
were so successful
is because like,
there's kind of this
anthropomorphized object
that the community member
So I think,
really interesting projects
are leading into,
thinking behind,
trying to come up
with like a coherent,
recurrent strategy
where you want to re-engage,
you want to come back
and kind of collect them all.
You feel good about
participating over and over again.
It's interesting
because I feel like
the archetypes
that you discussed
some of the bigger projects
that are publishing on Mir
and just on-chain
more broadly
who are really
trying to promote
their brands,
whereas you have like
smaller creators
who are maybe just trying
to publish an essay
and don't have that strategy.
Like those strategies
are beginning to converge,
Like smaller creators
are a little bit bigger
about how they should
strategically release on-chain.
Bigger brands
are starting to think about like,
how do we have consistent cadence
of like on-chain output
that isn't just like branded,
tokens that are commemorating
our product launch?
Like how do you see,
at least on Mir right now,
like smaller creators
and larger brands
learning from each other
and going headed
in like a converging direction?
I think like,
maybe talk about like essays
and writing as a use case.
I think it's,
I think like,
I think the psychology
is very similar,
that there's,
there's a sense of time
that there's,
a creator or project,
I think it first starts
doing something
you believe in
and something that resonates
whether it's,
if it's a company,
maybe it's the vision
what they're trying
to bring to the world.
And I think like what,
like the reason writing
is so important
Web3 is so,
ethos driven
and so values driven,
There's a strong
political argument.
There's a strong,
kind of values based argument.
Everyone's fed up with,
20 years of Web2
social platform centralization,
centralized control,
the advertising business model,
The promise of Web2
it's kind of like,
I think a lot of ways
green energy movement,
the organic movement
are these like strongly
the foundation of those
movements are very
values based,
but then they have
like enormous
embodiment in,
kind of downstream
consumer behavior,
Like you can,
Whole Foods is a great
example of,
kind of building like
this kind of aspirational
brand of consumption
where maybe like
at some point,
like some of the original
foundations are lost there.
Tesla is another example
it's about,
renewable energy,
it's an object to car,
but it's also becomes
the status symbol.
And I think like,
technology is very similar,
being pro innovation,
being an early adopter
is in many ways,
it's like a,
it's status signaling,
it's signaling that you're
part of a group of people
like-minded early adopters.
And I think what three
this example of,
having a wallet is showing
you believe in this technology
and you support these values
why did people,
why did everyone change
their Twitter handle
to an ENS name?
other people
in the call now,
with these handles
and I think it's saying
we are kind of fellow travelers
part of the same movement.
and tying it back to,
mirror essays again
and just stories,
like these visions
and these values
were put down in,
it started with
these white papers,
Would Bitcoin exist
without the Bitcoin white paper
that put out
a lot of these early values?
Vitalik is one of the best writers
of our generation.
how important was,
people talk about,
the quality of the Ethereum community
and the values
of the Ethereum community
and I think
Vitalik hugely propagated those
with all the great writing
his iconic essays
the potential of the psychology
and of its,
political implications,
ethical implications
and stuff like that.
And I think,
we strongly believe
that every project
begins with a story
and if a story resonates
and like I was saying before,
there's a new way
through the act of collecting
to be a part of that,
It's to say to the creator,
to the creator that to say,
I support you.
I believe in the story,
I'm aligned with the story
is you can do that
in a much stronger way
than liking something,
retweeting something
because we,
we finally have this new technology
digital ledgers
and basically
letting represent ideas
in this kind of scarce,
trackable way
what I was saying before,
I think the connection
between the creator
and the audience member
is heightened
when you can do
this new action
of collecting.
But then also,
collecting connects you
to every other collector
that's also participating.
So even like,
an essay might have,
but maybe only 10
mints on mirror.
But I think those mints
it connects
the readers
to the creator
in a much stronger way,
but it also establishes
a connection
between those community members.
And I think,
there's a lot more
I want to say.
I think like the first chapter
of the NFT space,
it was commerce driven,
OpenSea is a commerce platform.
It's about buying
and selling NFTs.
But I think the next chapter
is going to be
a lot more social
and a lot more community driven.
And we need
different product experiences.
So I think right now
it's like,
it's really hard to,
follow what other people
are collecting.
You know what I mean?
what did you have
in the past?
And there's some really cool
emergent applications
that surfaced that.
But I think being able
to show off
what's in your inventory,
what's in your wallet,
if someone has the same taste
how can I follow their taste?
I think we're going to see
a lot of experiences
like that emerging
and a lot of the things
we're experimenting
out with here.
So many things.
that was a lot.
This is great.
A couple of things
come to mind.
I think this thread
around not just the connection
between a collector
and a creator,
but like with amongst
collectors themselves
is really,
really fascinating.
There's a project
by a Forefront community
member called
Ghost Context.
and one of the
really cool things
that this project,
that this tool
is able to do
is you're able
to say like,
I select these three
NFTs that are in my wallet.
What other wallets
hold the combination
of these three
particular NFTs?
And I think that
overlapping context
not just who
owns like my
most recent essay,
but who collected
my most recent essay,
Dennis's essay
from three years ago,
and you know,
that Chame just dropped,
can lead to some
really interesting
context and overlap
that leads to
really cool social
experiences that
otherwise wouldn't
have been possible,
And I think the
second thing that
comes to mind here
is that like,
Carlos and I were
actually chatting
about this this morning,
those social experiences
don't need to be
permanent.
They don't need to be
things that are like
existing for long
periods of time.
If I'm going to
collect a token
a product's,
it commemorates
a product's drop
or commemorates
like a certain
moment in an artist's
I don't necessarily,
like I want that
token in my wallet
for an extended
period of time,
but I don't
necessarily need
the experiences
around that token
for more than
just like today
or the week,
where I can interact
with other people
who also collected
and are excited.
So both of those
things lead me to
what are the
different ways
that you see
collectors
interacting with
each other
after the action
of like collecting
whether it's
if there was?
I think it's
a great question.
I think it's
design space
interesting early
experiments
but so much
potential.
And I think
I think the,
at least like
my best framework
for thinking
about it is
I think it's,
these are,
these social behaviors
we're talking about
new to Web3.
Like they have
I think as kind of,
we've had like mass
culture for the past,
100 years.
Forms of it
have existed.
I think like,
like one framework
that I really like
like I think
I was saying
the first era
kind of like
OpenSea driven
was commerce based.
I feel like
there's another
parallel framework
you guys are,
read a lot,
you guys are
galaxy brains
but there's,
the theory of
conspicuous consumption,
where you kind of
and we can
maybe tie this
to luxury media.
This is like
next there
what is conspicuous consumption
it's a way for
people to signal
their position in society
through the objects
they consume
and in that world
it was saying that,
you are in a higher class
society because you can
essentially expensive things.
you have like a
extremely expensive house,
you would have an
expensive car
and you would wear,
by luxury fashion
and that would,
when people saw you,
on the street or whatever,
they knew your position
in society
through the objects
you consume.
I think this actually
maps really well
to the first cycle
the board apes,
the crypto punks,
which were extremely,
extremely expensive.
When you set your
PFP on Twitter
signaling that you owned
a board ape
or whatever
that was worth
tens of thousands
of dollars,
it was giving you
kind of like,
conspicuous status
saying that you spent
a lot of money
on something.
and kind of also
an economic theory,
there's this whole
framework of
the aspirational class
and the framing there
throughout the 20th century
the status of living
has increased
and actually consuming
kind of filling
the basic needs
has become cheaper
and cheaper,
for example,
if you want to drive
a fancy car,
if you have,
a decent salary,
you can probably lease,
a pretty expensive car.
before something
that was only available
to actually,
extremely rich people,
you can kind of signal
being able to afford luxury
because luxury
has become commoditized.
you can even rent,
a $20,000 handbag,
you can rent it for a night
to go out to a party.
you can get fancy clothes
much cheaper,
is much cheaper now.
that signaling
your status in society
is today shifting
to actually displays
of the knowledge
and kind of,
things that you need
that aren't an investment
but are an investment
what subcultures
are you in?
You know what I mean?
it's high status.
For example,
if you own solar panels,
is it about,
cutting costs
on the electricity bill
or is it signaling
to your neighbors
that you believe in,
you care about climate change,
you care about the environment,
you want to make a dent
in the world there,
anyone else
should be able
that you have these values.
when you go to
a fancy coffee shop,
I think it's kind of a,
you have the knowledge
to be a connoisseur
the coffee making process,
maybe the coffee shop
some crazy roasting process.
I think consuming that
shows other people
you have the knowledge,
you're a fellow traveler,
I think like tons of examples
Japanese denim,
it's this very kind of,
I think a lot of these things
a strong craft behind them,
a strong history behind them.
It's showing people that,
you have invested
in understanding
the deep knowledge
behind this
and you've invested
the time there.
So I think
and open editions
actually map really well
where it's not about
their price.
It's not about
flipping them
on a secondary market,
but actually collecting
is the strong signal
the luxury media essay
maybe only,
I forget how many minutes
15 minutes or something.
I'm part of this,
group of people
appreciate this take
Maybe I know a little bit
of all of McLuhan,
so those references
resonated with me.
So I think
by collecting that,
I'm showing to you,
the writer,
I'm down with these ideas,
but also I think,
I think my favorite
NFT collections
is when you open up
the collector list
and it's kind of human scale,
maybe it's a couple
of dozen people
and you can actually
go through all
of those profiles
and be like,
if you collected
this weird thing
you're probably into,
things I'm interested in as well.
when you open up
their profile,
maybe on Zora
or on other platforms,
you usually are able
to discover
really interesting things
that also resonate.
So I think
we're going to see
second chapter
more about,
interest graphs,
following people
have the same taste,
are investing knowledge
and in similar domains
as each other.
And again,
I think this is building up
on a lot of,
social media behaviors,
like Instagram has,
the craziest,
crazy Instagram accounts
whatever gardening
vinyl or whatever.
And I think
adding a way
to collect
in a digitally native
will heighten
those experiences.
And I think literally
why are billions of people
going to use NFTs?
Because it's just going to,
like elevate
being online.
I went on a little tangent there,
hopefully that was rolling.
this is fantastic.
And I think
I was actually having a conversation
with a friend
who's not in crypto.
And I basically,
I was expressing
a lot of the same ideas
that you just mentioned.
And the question
that continues to come up
when I share these ideas
is how do you,
this makes sense to you,
as people who,
work in this ecosystem.
This might make sense
to somebody
who is a fan
of a creator
gone really down,
deep down the crypto rabbit hole
and has sort of trained
their collectors
and their audience
on how to,
collect an NFT
why this is important,
Why does this matter
to the average,
very online person,
somebody who is,
very deep down Twitter rabbit holes,
is part of many different subcultures
across the internet,
is signaling
in many different ways
that are off-chain,
is not currently
collecting things on-chain,
what is the jump
that needs to be made
or what is the line
that needs to be drawn out
to bring those folks
into the ecosystem
and actually get them collecting?
absolutely.
And it's a great question
of how do we
cross that chasm,
but I think
if it's going to work,
it's going to make,
your online experience
10 times better
than it is today.
And I think
these subcultures
clearly exist,
you know what I mean?
there's all kinds
of weird shit
happening on Instagram,
all kinds of niches,
I think the beauty
of Instagram
photography as a medium
is it's universal,
You can have,
very diametrically
opposed subcultures,
you can have
gardening,
you can have,
powerlifting influencers,
and they can all coexist
in the same place
because there's a united,
a medium unites them,
images essentially.
And I think
NFTs is just as broad
as a medium.
you can collect
an object to say,
whatever is being shared,
whatever ideas
are circulating
resonate to you.
So I think,
on YouTube,
there's no crazy,
woodworking subcultures,
there's crazy
car subcultures,
and I think
all of them
should have something.
So I think it's,
I think we need
to bring people
that first experience
you meant something
and you join
a community,
like I think
some of my favorite
things are
combining,
collecting
with social media
and where is it
happening?
It's still on Twitter,
When there's a cool
collection dropping
and people
are so proud
with what they collected
that they share it,
You share on Twitter,
look at what I just minted.
Then you mentioned
the creator
and I think
kind of the magic
happens when
the creator reacts
and they say,
they like the
collector posting
that maybe they
follow the collector
maybe they retweet
the fact that
the collector
collected it
and a little
community forms
around it.
I always just see
like someone
is sharing
an NFT that
I also just
collected.
I want to connect
with those people.
I want to follow
them back.
So I think,
when I see
things like that
happening,
it feels like
this is a 10
times better
experience
of connecting
with people,
of finding
your community.
You know what I mean?
It's like,
it's just like
I don't know,
like some weird
art opening
or it's like
going to that,
that store
where the denim
the Japanese denim
heads can,
come together
because they've
a thousand hours
of research
in whatever
this niche is.
I think we can
finally scale
to the internet.
I think that's
explanation.
I'm going to
open it up
if anybody
has questions,
feel free to
raise your hand
and come to
the stage.
question that
and I know
you touched
a little bit
like a few
minutes ago,
mentioned the
luxury media
I'm curious
just like more
broadly what
your thoughts
are and where
your disagreements
I would love
to dig into
I was mostly
just being
controversial
I figured.
I think my
of luxury.
And I think
like luxury
know what you
but I think
it has this
connotation of
exclusivity
through kind
you know what
like a luxury
typically,
cite LDMH,
you know what
I think it's,
the point of
exclusivity,
price points.
And I think
there's like,
many examples
subcultures
barrier to
entry is not
it's knowledge.
investment of
something that
does not cost
but still has
And I think
the luxury,
the literal
the expensive
NFT use case
it will be
Those will be
big businesses,
there will be
big ways for
creators to make
They may be
complimentary
strategies,
but I think
social application
that will scale
social media
scale will be
price is not
the barrier to
it's knowledge,
I think it's
something that
perpetual open
edition that's
it's totally
The scarcity
is just that
someone cares
collect it,
and it may
or 50 people,
but that is
going to be a
very tightly
knit community
found each
really the
luxury prefix,
maybe limits,
I think what
I think what
you mean is
kind of what
I'm saying,
like it's just
about community
finding your
but I think
like I worry
luxury prefix
might limit
the initial
reaction might
limit people
to kind of
really understanding
what it means.
I think that's
I think it's
like to your
I think it's
provocative
so one of,
one of the
reasons that I
leaned into it
definition that
in my mind's
about like
the surplus
that you are
top of like
the actual
utility that
getting out
purposes or
So like it
going to make
up a number,
but it costs
a Louis Vuitton
but you're
thousand for
it because
Louis Vuitton.
costs nothing
the essay on
consume that
but you're
amount for
whatever the
mint price
is because
signaling of
collecting that
being part of
this community
that you're
describing,
it's like,
exorbitantly
expensive,
you actually
reason that
you're paying
that is for
support of the
signaling that
you get from
supporting the
Absolutely.
So I think
we're definitely
saying the
same thing.
being a bit
pretentious about
the phrase,
but I think
it definitely
it's helped
in getting
some conversation
going around
which is pretty
something we've
been talking
if collecting
why the hell
would somebody
pay a dollar
something?
it makes no
And I think
kind of like
be sustainable
of collecting
something has
to be a lot
and absolutely
a lot more
than a like,
you know what I
So I think
connection it
gives you to
the creator
and to the
community has
to be tangible
And I think
we're still in
the early days
where I think
the kinds of
experiences we
you know what I
I haven't lived
in New York
City for a few
years and I
just got back
this week and
I took the
train for the
first time.
it was kind
like incredible
to see somebody
reading a physical
issue of the
New Yorker as
like this object
and it just
it just like
meant a lot
you know what
it's like,
it's not just
the information
of the New
but like the
New Yorker
as an object
means so much
it said so
much to me
the person,
kind of like
what intersections
culturally.
And I think
like the New
Yorker toe
bag was another
it just like,
it carries so
much meaning,
it's a freaking,
piece of canvas,
commodity.
And I think
similarly,
will really
unlock their
and community
value when
when products
build those
experiences.
So I think,
I think right
and this is
like a big
focus of ours,
over the next
six months,
I think like
when you collect
something today,
it kind of
feels like,
it goes into
but I think
really feel
strong connection
to the creator,
the creator
should feel
very special,
they've made
with their
like somebody
collects it.
And I think
when you collect
something,
you should feel
a connection
to the other
people that
are collectors,
you know what
Like you're,
you should feel
like you have
status in the
community,
you have presence
in the community.
I think it's
imagine like,
when you go
coffee shop
that was made
a large investment
into how they
make the coffee
story behind it,
whatever the brand
that they've
it's like a,
maybe you're not
even thinking
you're just
sipping your
cappuccino,
but I think
there's like a
kind of profound
psychological
subconscious thing
happening here.
I think collecting
should and will
create those kinds
of experiences.
And again,
we need to tailor
our products to that,
but I think it's
coming and we're
seeing more and
more of it.
I'm excited for
that to manifest
I think there's,
it definitely feels
like the last few
months we have
seen like an
uptick and not
just the thinking
around this,
but also like more
and more collectors
looking for those
experiences and
thinking through how
they could interact
with each other
and with the
creators that
they're collecting.
And I think over
the next year,
there will definitely
an overflow of
those experiences
that I'm very
excited about.
I appreciate you
for joining.
thoughts before
we log off?
I think just
want to say
it's been awesome
to see Spotlight.
I think curation
is critical
to like what
we're talking
I think you
need context
to be created.
you know what I
I think we,
like work,
works don't
exist in a
communities don't
exist in a
you might think
for example,
subcultures
usually emerge
because they're
kind of like
a melting,
it's like a,
they're information
Kind of physical
information networks
that create context
like you need,
you need like a
music genre,
you need like,
you need like a
minimal number of
bands for a
genre to emerge.
And I think like the
role of curators is
creating that context.
So what you guys are
doing with Spotlight,
I think is,
is really important
to help the
ecosystem thrive.
Appreciate the
shout out.
I pinned actually
the tweets.
Mirror helped
curate this last
Spotlight capsule.
So if you guys want
to go check out some
awesome on-chain
writing that the
Mirror team curated,
all of the posts
are on Mirror.
You can collect
them on Spotlight
using Mirror.
It's really,
really cool.
So I encourage
everybody to go
check that out,
and work your way
up the leaderboard.
appreciate you for
This was really,
really fun and
appreciate everybody
in the audience
for coming through.
This was a good
Thank you guys.
Have a good one,