Projects
![]()
No projects found
Investors
New
DAO Treasuries
DATs
Lend / Borrow APRs
Chains
Categories
Spaces
fLOWers by MLow 🌸 REVEAL PARTY
Recorded: March 25, 2025 Duration: 0:44:57Space Recording
Short Summary
The discussion highlights the innovative use of AI in digital art creation, the integration of technology with traditional themes, and strategies for community growth and engagement through art dissemination.
Full Transcription
Crush it bit, little bit, pulling up, taking your family.
When I'm like two o'am, summer night, I don't care, hand on the wheel, driving drunk, I'm doing my thing.
Moving to the middle beside him now, living my life, taking out dreams.
They told me so my room, I'm screaming out.
I'm a dude just one I want looking at a hand no turn back.
If I find, if I die, maybe I look at the telephone, this if I find, if I die,
no, I live the missing bun.
I'm going to sleep.
I have to be missing a long.
Shadley on is going to go.
I'm five.
It's like you're all.
I'm going to sleep.
I think I know
I was a big girl
I'm just like to
Tell me what you know about tree, tree.
Cheer away no, about nothing.
Tell me what you know about the night there is every night at a
coast, west waking up deep sky.
Tell me what you know about trees, trains.
Tell me what you know about night, there is nothing.
I care about the chairs of tomorrow
rather than lay awake in the bed for a sorrow.
I'm going to stay a happiness and I know.
They're shy.
I was going to go away.
It's fine once again.
I'll be happy.
I'm going to see you.
I'm going to be happy.
I'm going.
Everything is going to be lost.
I'm sorry.
Soon the family, please.
I don't know when the condition.
Always going.
I'll be fine.
Yes, I get it.
I'll be good.
Good morning, good morning.
Dre, how are you doing?
I'm good, man.
I'm testing it works since I'm on...
I'm on iPad browser.
Awesome. Yeah, I hear you well. Happy to be here and happy to have everyone here. Sunny, Noper, Yala, Swing. Thank you so much for coming out and thank you to everyone else who's listening offline and radio.
Rachel, thank you for coming from your flight.
This has been a really exciting process for me because I've been working on this art over the past six months and training these models.
And it's been a really, really interesting experience for me to dive deep into both flowers and also this idea of the flow state and...
all of my pieces in general have that flowy texture and vibe to them.
So flowers aren't just about flowers itself,
but it's also about that concept and that style.
Dre was wondering what you've been observing over the last few months from what I've been producing.
a variety of things because honestly some of them it's such a different they're also different
the breadth of the work is different and what each piece is trying to achieve is different some of them
feel very much like okay there's flower psychedelic background how do these two elements interact right
like a more rendered flower versus a kind of
And I say this, I say this just off what I recognize, right?
It's more like a poor painting kind of like very rhythmic color background.
And then there are other pieces that I find are more leaning towards the surreal that remind me more of like Max Ernst that feel more less about the flower and more about.
was it kind of like growth and rot and the kind of like technical color of that process, right?
Of like that process of change and growth and regrowth and then and then disintegration, which I always love.
That for me, that for me is a 1920s, 1930s, 1940s, surrealist staple.
And I like how almost all of these...
any of these works all fit together but they do feel like there are several
several bodies of these within this body of work some of them having to do more with figures
some of them have to do more with landscapes and some of them have to do you know some of them
just have to do the flowers themselves right in various states of orderliness or disarrant
so it's what i like about this stuff it's the kind of thing that i go looking for when i go
looking for paintings in a in a museum is that same is that same breath
Yeah, and also, this has been my largest collection to date.
So it's been kind of not difficult, but like it's been an interesting process of actually getting together 1,800 pieces.
So I've had to pull from a few different collections and a few different bodies of work that fit within this theme.
And it's been really interesting to actually tie it all together through that theme of flowers.
Thoughts when you start constructing.
So you're generating so much of this, but I wonder...
as far as the talent goes, do you go in with intention as far as the colors go?
Like, what is your thought process? Because color is such an important part of this.
So a big part of the color for this actually is from my What's in Your Wallet model,
which I created basically by right-click saving all of the pieces that I've both collected
and created and curated over the past few years.
So it's a combination of all of the artists that I've both collaborated with, collected from,
and also just pieces that I've created in my own...
body of work to get that color palette and all combined to get basically the whole range of
the rainbow which is why it's it's so colorful is because it pulls from a lot of different places
so that's almost like a we say it's almost like how do i say this i keep thinking about
digestion since you're pulling from also all of the different bodies of work that you've created
and all the people that you've collaborated with so you're in a way
This is you taking all that information and digesting it and then creating an entire body work through that, right?
This is that process writ large with flowers as the overhanging metaphor.
Yeah, exactly. And I also felt like what's better to understand my taste than what I've collected, created, collaborated with, and actually digested over the past few years that I've been in my crypto art journey.
So I felt like that was a really interesting place to start and to incorporate, obviously with the permission of the artists that I incorporated with, a few being like,
nuclear samurai who I actually created one of these models with that I used a lot for this process,
which was our drippy lines model, which was a combination of my
drippy AI model and his lines model.
And we merged those two to create the drippy lines model.
And through that, that was really interesting because it kind of reformed my style and part of my aesthetic
to be a little bit more formatted and a little bit more structured.
Do you have a particular favorite piece right now out of all of them?
I don't really have a favorite piece.
I do like the different rabbit holes that I went down,
one of which is I'm just pinning to the top, so it might take a second to come up.
But this piece that's underwater, I basically went...
Can you still hear me?
Yeah.
Yeah.
So I went synthetic scuba diving and basically was able to discover a few different pockets of
what I believe exists underwater in my imagination that might not actually exist in reality,
but I felt like that was a really fun exploration and rabbit hole that I went down.
And I actually have a scuba diving license in general that I got while I was in high school.
So it was really interesting to re-explore that and reimagine that through AI.
and reimagine the flora that exists underwater.
I love what we love the idea of consciousness as it's attached to water in terms of just the metaphor, right?
Especially I prefer it more than I do space.
I like the idea of incrustations of ideas, so it all works for me.
Thank you so much.
Do you have a favorite work of something that I've shared over the last few months or weeks?
Honestly, if I had to choose one, I really love to release your inhibitions personally.
I've always fun, you know, for me, figuration is really important.
I have, it's not that I have troubled admiring abstraction for its own sake,
or still life for its own sake, but I just love release your inhibitions for the way that it,
the landscape orientation and the way that it moves through this composition of the various growths and painterly,
painterly growth move through the entirety of while also leaving certain certain things well defined
it's one of those where I look at it I'm like damn I wouldn't mind doing an iteration of this one and then my second favorite is also it's funny that they're both up here but like I really love show it's it's
It's another one from March 20th, but it's this museum scene here where, you know, there's several figures walking through this one plane that is very dominated by architectural architectural design, like classic architecture.
It feels like the Met, but this color is popping into this very like blue and very blue gray dominated space. I love the depth of that. And again, I love how
I love how so perfectly this deterioration and mutation is occurring within the composition.
For me, those are my favorite of the pieces.
They just hit a different way for me.
Yeah, 100%.
And it's funny you mentioned those two pieces because both of those are not necessarily flower central in terms of...
actually having flowers in them they have flowers in the backgrounds etc but the
the the concept of flowers is more what drives those pieces and I felt like those
were really interesting to include in the body of work specifically because I
felt like it added some depth to the entire collection and for that exact reason
of what you were saying with the painterly vibes
It just feels so nice.
For me, it's less about the flowers showing up
and more about the flowering, right?
For me, it's about the mutation more than anything else, right?
It's like flowers can be used in any variety of ways.
I've seen it many times been used as a,
as it, you know, obviously it's a transformative metaphor,
but I've seen flowers used in a more tension,
tension-voking way, right?
The idea of flower as a monstrous thing, right?
Flower as an identity of,
as a marker of putrefaction, right?
Like certain states, certain in-between states especially.
I like those things.
So I do really, really love that this body of work opens its way to many different kinds of imagery.
And the flower is the flower is just the beginning of that, right?
It's just the beginning of many, many, many other works and many bodies of work.
Yeah, 100%. And exactly like you were saying, it's a combination of a ton of different bodies of work and that all kind of converge on that central theme of flowers.
I just also wanted to welcome up KB. KB, how are you doing? Thank you so much for joining us today.
Hey, what's up, Emla? Yeah, I haven't checked my flowers yet. So they're all revealed.
Yeah.
No, I'm going to be revealing them in the next few minutes.
I haven't revealed them yet.
Just was waiting on a few different technical things from OpenC.
But I wanted to just have this space today just so we could talk about the ones that I've showed so far and just get you ready and primed for when I do reveal them later today.
Yeah, I'm super excited.
Yeah.
So of the pieces that I even have pinned up top, do you have a favorite of those or of the ones that I've shared previously?
Yeah, let me see. I'm going to look.
There have been some that I'm just kind of like, whoa.
Let me look. I'm looking at what you have pinned here.
The scuba diving one's really cool.
There was one. I need to find it that I was like, I don't think you have a pinned though.
Oh, that one's cool. Don't believe it.
So that person's AI generated. It's really good.
Yeah, so that's AI generated. That person doesn't exist. I mean, it's a combination of some street photography that I've done in the past. And then in addition to that, it's also like my models combined and then upscale. So the person doesn't exist in reality, but it's been really cool to actually see real people or real looking people that come out through that.
Yeah. I really love the one, I think it's one in the first.
It's the one that looks like Singapore.
Yeah, I love that one.
Yeah, that one, that one's really caught my eye.
I think maybe because I was in Singapore over the summer.
Really like this one too of the hallway with this, like, it kind of reminds me of like
Jamonji of like all like the vines and stuff like growing on the wall.
Yeah, that one's one's one of my favorite also.
It's been very cool also to just like fuck around and kind of explore the world in a lot of different places through the AI.
So if you if you look to the top, I pinned a few of the pieces that KB was talking about.
The one in Singapore is the one that I said vibe coding on.
That was a joke because I don't really love that term, but I've seen that like all the time.
So I thought that was fun.
Yeah.
Yeah, I love the one too with like the the mountain scene is really cool like the contrast of like the snow and the flowers
The mountains and the water. It's really cool
Let me see I'm looking at your page right now. Yeah, they've all they're all just like bright and colorful. I think that really just catches my eye
Yeah, I was trying to also like
emulate that doodles vibe as well in terms of like the pastel colors and just figuring out a way to make
this art a lot more fun and vibrant. I feel like when you're talking about digital art, you're able to
create things that don't really exist in reality. And like a lot of these scenes that I've traveled to,
I've been to over 50 countries over the past few years and have photographed all of them that I've been to. And a
my models are a combination of a lot of the different street photography that I've created and
a lot of the different Photoshop collages that I've created as well.
And all of these combining to make the models that I've crafted over the last few months has been really cool to combine that with the other art that I've created while being in crypto art.
And it's been really cool to re-explore those locations through this lens.
So that's Singapore photo, you took that photo?
So Singapore, that one is not a photograph, but that's a combination of, like, just data that I've scraped from online, if that makes sense.
Yeah, no, for sure.
Yeah, I would say those are my favorites.
Oh, the Machu Picchu one too is really, really cool.
Thank you.
Yes, that one I actually took some photographs when my sister went to Peru.
She sent them to me and I added them to my model because I wanted to have a few extra locations that I hadn't necessarily gone to, but that people that I'm close to have close connections with.
Yeah, sick.
Dre, what are you thinking about?
something completely unrelated because I'm currently also feeding my dolly.
If anyone else wants to come up and just share some of your favorite flowers, that'd be awesome.
I can continue talking about what inspired me to create this collection.
There's also a huge inspiration for me of combining the technological aspect of AI with
the nature aspect of flowers and seeing that evolution from actually going from nature to the future of technology and future of AI.
So I've kind of made a little bit of a trek between the two, and I felt like that was a really interesting journey as well.
And I just wanted to welcome up Black and MetaPanda.
Black, how's it going?
Yeah.
What's up, man? Congratulations on today. I know we've been down a long road to get here.
And I'm stoked to see the reveal and just interested more to hear your thoughts on everything.
I love how this collection sort of represents so much that you've gone through and just hearing more of the background of it is great.
Thank you so much.
Yeah, and one thing I didn't mention before is that flowers are also really important to me
because I'm a cancer survivor.
And in general, when I was going through cancer, flowers were one of those things that were
really helpful for breadening up my day and actually making me a little bit happier.
And since then, they've always had a special place in my life.
And I've really felt like bringing that into...
my art experience has been important also because first off art has been a huge part of like
therapy for me in terms of just getting through those hardships and then also i felt like it was
a really interesting experience to also give flowers to people that are important to me and my past collectors and this part
Part of this drop has also just been me gifting flowers to individuals in my community and having them give them out to people that are important to them and kind of spreading the love and spreading the flowers that way.
So I felt like that was a really important way of planting seeds and watching them grow as well.
And just wanted to welcome up Anon and MetaPanda as well. MetaPanda, how's it going?
Yeah, it's good brother. Excellent.
Incredible day to be alive. Yeah, just wanted to congratulate you on this. Just listening to, you know, describe the process, I think is like, you know, just like incredibly rewarding. And I think that like when you follow your heart on this stuff, like it really shines through. I think the energy that you put into it, you know, is something that will, you know, definitely persist. And it's like,
I'm just looking at some of these and they're really cool.
Specifically the one that you wrote Vibe coding on.
that one, you know, like I could imagine these pieces, like becoming, you know, full 3D worlds and, you know, like, not just like stopping there, you know, because like, I think we're getting to a point now where like the gap between skill and taste, because of these generative systems is just getting like incredibly accessible, you know, and like this is like what you've created here is like a place where I would want to hang out, you know, where like some of these I look at and it's like,
I could see myself having one of the best days my life there, if that makes sense.
100%. And I really, really appreciate you saying that.
And that's been part of it for me as well.
I've been trying to create these experiences that I would want to experience myself
and that I'd want to go to with my friends and hang out with.
I mean, not that I have a roadmap or anything like that,
but like I have been fucking around with 3D for the past few years.
And I have, I even worked at a Metaverse platform and got a lot of experience there.
And I have been working on the 3D aspects of making these into worlds.
I mean, that's not necessarily in a roadmap in general,
but like I have been planning on turning some of these environments into places that you can actually walk through and experience.
Part of this also has been like, how can I display these in real life events?
And I had my art at art gallery in Soho, and that was really awesome to see these flowers, like, really light up the room.
And seeing them printed out on aluminum and seeing them blown up big is a really different experience.
And some of these have been blown up on side of a building during our Basel, Miami, have been showcased in Romania and showcased in Brussels and a few other places.
And it's been really awesome to just get that experience and have my art be showcased across the world.
And like you were saying, like, this is fun vibes and something that I'd want.
to experience and want to hang out with my friends and then why I've invited all of you to join this world as well
and I just wanted to thank everyone for joining and I wanted to welcome Anon as well and say what's up to Anna on how you doing?
Hey what's up? So I missed the beginning but
I'm really excited. I want to reveal. I'm on OpenC.
So I haven't, I haven't revealed them.
Pre-reveal. Yeah, they're still pre-revealed. I'm waiting.
Okay, okay, okay, okay. I was just making sure. I was like, wait, wait. I'm like, I'm really just excited to see what I got.
But before we get to that, I mean, you do everything right. Like, you're so thoughtful to how you approach your own artistry, but even, you know, just supporting...
NFTs and other artists and you know it's great to see other artists supporting you and you you do everything so authentically and like with passion and that's why you know I was you know grateful to collect one of your one of ones kind of reminds me of you know it was it's a it's a ship right on like you know the open sea with the waves crashing and
Uh, kind of reminds me of, you know, the, uh, experience of being in crypto that, you know,
sometimes the, the sea is calm and other times it is quite the opposite.
And you just have to survive, right? And, and, you know, kind of navigate through it. And that,
you know, it's like, uh, it's like a metaphor for, you know, how I feel here every day.
And so the colors, right, like, you know, you're really, um,
very intentional with with how you you know compose and and you know the things that you align and and
and you know blend together and it it shows right like your your passion your understanding it definitely
shines through your art and that's why when i you told me about um this collection and um
you know, as one of the one-of-one collectors that I was able to receive a few of them, like you had said,
you know, definitely grateful that you find ways to show that appreciation for your collectors.
And you're always, you know, considering how can you, how can you, you know, grow, um,
uh appropriately or not appropriately but what's the right way you know like how can you how can you
further things as an artist while not forgetting where you came from and and like keeping a level of
humility and and you know appreciation right for for those that supported you the earliest like
that's amazing to see and
It's just you, I can't say it enough.
You do everything right.
And, you know, you're not ex-copy yet, right?
But there are people that recognize you for not only how talented you are,
but how you approach things here with NFTs that really makes you stand out.
And I wanted to, you know, like pay that compliment forward to you that I recognize it.
Because there's a lot of artists that,
They understand how to put
you know, pen to paper, so to speak, or, you know, paintbrush to canvas.
But they haven't quite grasped how to, how to curate, you know, their collectors and how to,
you know, to maintain that.
And I think you do an amazing job.
And I love that you're doing a reveal party.
It reminds me of clubhouse days.
It reminds me of early 2021.
And, yeah.
I hope others that are listening, you know, like see this and, you know, learn from it or are inspired by it, right?
Because we need more of this.
We need so much more of this cycle where there's storytelling, there is purpose behind why you're creating in the first place.
And then for all of us to be able to share in that moment with you and that joy, that celebration of revealing the art itself.
I think is a one of a kind experience that
We used to really value in NFTs, and I hope people will, you know, return to valuing and, you know, being a part of these experiences again.
So glad to be here and really looking forward to what I reveal here soon.
Thank you so much.
And I'm so happy for you to be here.
And thank you so much for the kind words.
And this has been a really awesome experience.
I mean, back in 2021 and not just give, like,
war stories or whatever you want to say, but like back in my day, but this was something that we all did a few years back that I really enjoyed and that I think like I would love to get back to doing. And something that a friend of mine, Delta, did a few weeks back, was have a live space as his auction was going. And I felt like that was a lot of fun to actually experience some people that were collecting the art and enjoying the art and bidding on the art and
kind of having fun with the art, with the artist and talking about it is a bit of a different vibe than just like seeing it on open sea or seeing it on super rare, just like collecting it and moving on. I feel like taking a moment to actually experience the art and like,
actually look at it and enjoy it is important as well because this is something that I've
spent like six plus months on and something that I've wanted to reveal to the world for a long
time and now I finally feel like it's ready to share with everyone. I'm so excited that all of you
are here today to actually experience it with me. And just to respond to that real quick and
then I'll let you cook. Um,
there was, I believe, a shift.
And maybe there were misconceptions as to not only what has value and how we should perceive it as collectors, but also, you know, on the artist end.
But I think that the artists were under this impression that they had to,
meet the expectation and, you know, find ways to deliver financial upside and value to their collectors.
Otherwise, they were doing a disservice.
Otherwise, you know, they were not up to par.
They were not up to the standards that this space really unnaturally set through, you know,
some activations such as Board Apiak Club and things really changed after that, right?
And I think also...
We feel the need that we have to capture the attention of the entire space.
Otherwise, we're not worthy.
Otherwise, it's not being seen or recognized for what it is.
And that in itself is a fallacy, right?
That we need to go back to our origins.
We need to go back to where it's grassroots,
where it was smaller, more intimate.
And the people that are going to show up,
They're there for the right reasons.
They're not expecting that they're going to, you know,
automatically sell the art within a day or a week or a month for,
you know, a huge exponential multiple on where they purchased it for.
That wasn't the intentions of supporting the artists
and being a part of those experiences in the first place.
And so overarching, right, there needs to be a return to...
valuing art just for the sake of collecting art and the story that goes along with it, right?
Versus expecting that you're owed something or you're entitled to something other than the art itself.
So...
I think you set a great example and the right tone with how you're approaching this entire reveal party and, you know, just your own composition and development as an artist.
And again, I really hope that we see more of this in the near future, those clubhouse vibes and getting back to, like you said, every day there was another artist that was,
um that was revealing something that was dropping something we were having one of these you know
uh community moments um and for some right like maybe it wasn't your aesthetic maybe you didn't vibe
with one artist over another but other people did and and that's all that's all okay that's all
subjective that's part of art but
Once we put financial expectations on it and that that was what we prioritized, we really lost the spirit.
We really lost the soul of why we came here in the first place.
And yeah, I think that this is just...
the right tone that we should be setting for artists and how they should be, you know,
interacting with their community and, and how the collector should be perceiving the artist
themselves.
Yeah, 100%. And I mean, it's funny to look at this, not to compare, but to look at this kind of in contrast to, let's say, the TapperW wizards that are minting right now for, let's say, 0.2 Bitcoin. And I'm not comparing apples and oranges. That's on Bitcoin. This is on flow. And the art is extraordinarily different. That's very much like Microsoft paint art. And this is...
AI generative art that's mixed model and that I've spent a lot of time on and that I've carefully crafted the models and worked on making sure that everything is within the aesthetic and style that I was planning. That said, what
the way that I approached this collection was I could have gone the way of selling these for
$10,000 a piece compared like in comparison to what I sell let's say my work on Ethereum for
That said, that wasn't really my goal with this.
The goal with this was really to get the art out there.
And I gave away half this collection to my community in the spirit of hoping to get the art
out there even more to people that actually give a fuck about my art and want to actually
participate in the art and celebrate the art.
And I feel like that's a really interesting approach also in just disseminating art in general,
not saying that people should necessarily give away their art.
But for me, this was a way of rewarding my community and my holders and my supporters that have been there since day one that have been supporting me over the past three plus years.
And I felt like, well, what else?
What better can I do than just reward my community with something that I've spent a lot of time on and that I'm very passionate about?
Paul Wallow was in the middle of that, but basically just making sure that my holders in my community were rewarded for actually getting involved in my ecosystem early on.
So, I mean, like Anon was saying, he collected a one of one from me on Solana, and I reached out to him to reward him with a few...
comps pieces from this collection because I wanted to make sure that he felt rewarded for
supporting me early on and collecting a piece over on Seoul. And even though I didn't have his
EVM wallet, I was able to converse with him and
reconnect and let him know that he was going to get a few pieces from this collection because
I wanted to keep him in the loop. And that goes also for Andres, who I've collaborated with
and Black and KB and Meta Panda and a ton of others who I've had the pleasure of getting
to know over the past few years and have, I've benefited from, whether that's from their
community building or just getting to know them and having them inspire me in a lot of different
ways.
The one thing I'll say is like don't quit, right?
Like we're incredibly early when you consider net art, digital art,
and obviously like, you know, the provenance layer with blockchain.
So, you know, obviously people are resonating with this.
And I think, you know, you just want to like obviously follow your heart and, you know,
just know that.
As long as you think in terms of generations, right, like you can't fail.
But when you see people that are incredibly transient within this space, you know, they burn out and, you know, like just their actions kind of dictate how, you know, they're not.
they're not really aligned spiritually um you know so like they're essentially like a broken vessel
you know and you can never really fill that up but i think um you know as we see you know
digital art flip physical art um as long as you stay the course and you know you continue on i think
you know obviously you're going to be successful but even more so you know the only thing no one
can take from you you know in this life is like what you gave right and obviously like you're giving
from a place of love um
and you know just creating these pieces like i think is like incredibly cathartic and you know it just
isn't infused with like a certain energy um you know that is able to like you know just create
something that transcends nature and you know just i'll just like keep going you know like i think
for anyone in this space or just in life in general um you know we always need to hear that right
because so many people give up um early on not saying you will like i know you're going to keep going but like
people need to hear it from time to time um you know it's just like human nature but like that's the
the number one thing is like you know being able to continue to do this with like as much delayed
gratification as possible um you know and like not seeking not saying you are but like seeking validation
it's like you know do it because it makes sense to you and only you right and if you continue doing that
over and over
like you will see the results and you know reality will bend you know to your liking so yeah just
want to say that
Yeah, 100% and I really appreciate you saying that and being here and being part of my community.
And I also appreciate you leading the way in terms of MET, in terms of Aaloo on Bitcoin and all
of the things that you've been doing to build community and kind of light the fuse and
like the way ahead and show me a lot of different possibilities and a lot of the explorations
that you're doing with AI and.
user-generated content and 3D is really definitely some paths that I've been looking to explore.
And it's been really, really interesting to watch you grow over the past.
I've known you for, let's say, five years and just seeing how your brand over the past 13-plus years
has evolved from just drawings to a whole ecosystem is really, really something to be proud of
and something that I've been working towards as well.
So, I mean, just wanted to have this conversation today in general just to say thank you
to my community and to celebrate this moment in time and celebrate the flowers.
And also would love if anyone who doesn't have a flower yet wants to comment their
Ethereum address in the comments below, I'd be happy to give away a few extra flowers to people
that are present today.
Please just comment your EVM addresses or Ethereum addresses below, and I'd be happy to gift a few flowers away to some lucky listeners that are present today.
Black, did you want to say anything?
And I also just wanted to give this moment to shout out Black, because he has this really awesome collection, also on OpenC Scene Flow, that he also spent a ton of time on, and that I just wanted to give him his flowers because his collection is really awesome, and everyone should just take a look at that as well.
I appreciate it, man. Yeah, I mean, I just think like, you know, a lot of times behind the scenes when putting this stuff together, there's just a lot of work. And I know, I mean, every artist in here that's been doing this stuff for a while knows like how much is involved. And I think a lot of times we get so locked up in what we're doing and we create with passion and the sort of like genuine approach. But then.
when you start to really start to boil it down to getting something out there there's a lot of
there's just a lot of auxiliary type of task and work and time and effort and problems and trial and error
and everything else that comes into play and like anything to this size to this magnet to me i'd never
done a collection this large um i've been working on it since what's in what's in the one you just
mentioned has been going on since like august or so of last year
And I know you spent probably just as much as time on yours and nuclear samurai as well. And like,
There's just so much time involved.
And then, you know, as Annam was talking about a minute ago, like, you get onto a space like
this and you're able to talk about it for the first time.
And it's like, it's kind of surreal, you know, because of how much went into it.
And I think that a lot of times maybe financially there is not like the ROI there, but like spiritually maybe there is.
And I hope that I hope that you found that in this process as well.
And I think like.
we just all have to kind of be there for each other and listen and learn like where people are coming from and why they're creating.
And to me, just like hearing your story as well as I know you and the friends that we've become over this past year or two,
you know, I feel like just I've heard new things even just now during this conversation.
I think it's just it's a beautiful thing to just celebrate art and to kind of learn more about it from everybody.
And, you know, I think a lot of times maybe.
We don't really feel like there's like a space to like sit down and talk about this stuff openly and just you know long format conversations about it
But when is there a better time than right now for for a collection coming out and being revealed so
Definitely appreciate the kudos, but also back to you man. It's it's a beautiful collection and I think you should definitely be
You know super proud of what it is that you built and I know that it's definitely something that's special to you
I do want to say I have to jump because I have a call.
I'm actually a couple minutes late for.
I just realize what time it is.
But I wish you the best with the reveal.
And I'm sure we'll chat again later on.
Thank you.
Thank you so much and definitely check out Black's collection called Syncrata on OpenC.
And just wanted to also shout out KB, who has been a huge supporter of mine over the past few years and has brought me into her community and
just wanted to say thank you to her because she's really been a huge force behind some of what
i've been able to accomplish and yala also in the audience has been a huge inspiration to me
and has been extraordinarily helpful over the past few years um so just wanted to say thank you to the
cabozos and also thank you to adam tastic who's in the audience and torque and noper and arthur and
not to shout out everyone, but just wanted to say thank you to a few special people who
came out today, Ovec, Sunny.
So just thank you so much for coming today and, um,
I'm going to wrap this up, but the flowers will be revealed in the next two hours and
just wrapping up a few things with regards to the metadata.
But thank you so much for everyone who joined us, and it's been a real pleasure to show
you this art and reveal what I've been going through in terms of this creation process,
and I'm so excited to finally reveal.
And if you don't have a flowers yet, please just comment your Ethereum address in the comments
below, and I'd be happy to gift you on.
Thank you so, so much.
