A singer in a smoky room, a smell of wine and cheap perfume, for a smile they can share
the night. It goes on and on and on and on. Strangers waiting, up and down the boulevard, there's shadows, searching in the night, streetlights deeper, living just to find the most I'm
outing, somewhere to find.
I'm outing, somewhere to find.
Letting hard to get my fill
Playing anything to roll the dice
Some will win, some will lose
Some of all just sing the blues
Just on and on and on and on
Good evening, hope everyone is doing well
I wasn't sure if the music was playing
So if someone can react with an emoji
I don't know if there is a thumbs down
Good to have you all here
I see some familiar faces
Today I had a parcel coming in
So I'm going to wear this
In the next couple of months
They definitely will be happy with that
Might have some issues technically
With inviting the co-host
He's also very good in design
That I've never seen before
Let's get some speakers on
And start with a little round
That is fully decentralized
Transform the Web3 experience
Tweeted the Twitter space
Could also share the love
You co-tweeted the Twitter space
Really enjoyed the first one
Basically helping players
Or what token they're using
And entertainment products
Yeah it's good to be back
I've been a music producer
You guys use our marketplace
Nice to have you on again
Moving into the Web3 space
I podcast about the space
Some cool things in there
The collector of the music
It's actually really cool
I've joined a few of theirs
I love the community vibes
All of these things together
help break that artist which historically with an artist would get that funding from otherwise
is you know it just wouldn't be there so they they still have their place they're still part
of the music community because it's one of the very few kind of endeavors that humans go around
that the word community is often kind of put straight after the kind of thing of music so
they they do have a part to play i think but i think they've also as you know as well as
artists being caught out with the advert of streaming and downloading all that kind of
labels got caught out by it and got terrified by it and they reacted in a certain way to make deals
with the kind of streaming places to kind of protect their business model which you can completely
understand but the before like the artists going forward now they're yeah there's going to be
the ability for you know when you go into a session you do the songwriting or whatever that
the contracts around that are kind of done and dusted and dealt with and minted on the blockchain
while the session's happening so that everyone in the room's comfortable everyone's just everyone
knows that they're being looked after and being paid and everyone go off and do the bit they really
enjoy because you know artists probably the last thing they want to do is talk legals and stuff but
it is very very important i think having the ability to kind of have technology underpinning this that
again it comes back to the experience of being able to use the technology the moment that that
that kind of moment comes is when artists will use it and then they once they understand the use case for
this kind of thing and how it can help them whether it's protecting them legally financially creatively or
however else then they will start to use it but for the moment it's for an artist who isn't in the
space doesn't you know understand it potentially to make that leap between them writing a song in a
room with a load of people and an nft or any kind of other web3 based product that would
help facilitate that kind of agreement it's such a leap for them to make that they're not necessarily
going to make that at the moment and it's a part of the job of people who are in the space and
at the forefront of this to kind of do that education piece i'm a bit confused because i
understand what i'm so sorry but i i understand and i know i see you real um and king and you guys
got your hands up i i'll land my plane i promise i uh listen i understand when it comes to record labels
um historically back in the day prior to this whole deconstruction of uh a record um you only have
to put into your your web browser and search what's going on in in the music industry in the future of
um concerts music festivals i see this music music festivals and entertainment the digitization of
everything that's the future so the record labels and publishers they're not okay i can't say that
um not everybody that works for these companies are big bad wolves but at the end of the day they are
businesses and they have um uh you know a company where they also want to make a profit unfortunately
there is such a lack of transparency with artists i've been there myself um and i'm not resentful if
anything i want to make it better just as much as you do so i guess the question i have for you
is if you're stating that this technology is going to be great for you know educating people then even
um as to what you guys provide and so on and so forth in the studios really isn't it shouldn't you be
speaking to the record labels and and and presenting it to them um because i get when somebody is not
and they are not signed or to either a record label or a publisher and you can just go and do a writing
session with your friend um you know turn up someone's house sure and then you're like okay
it's a 50 50 split but you know if that's in an email even that still stands in the court floor
from a copyright standpoint but when that person then further maybe is signed to a publisher and
then that publisher has done a deal with whomever to to take some of the stems from the track that
you've written and then yet that person's on your blockchain but the other person isn't like how
does this all work in the grand scheme of things or do you think that you you might be best seen
doing a deal with say for example prs and mcps that you can provide them the service so they can
onboard your services to then advance forward because i don't believe they're doing this yet
no i mean so i mean we've we've spoken to and we we have done stuff with labels directly um
because obviously with different artists of different levels the artist may want to do it
but they have to get the labels agreement so we've we've done that piece of kind of speaking to labels
and i'm sure a lot of people here have had the same kind of thing where you you approach uh somebody
who hasn't kind of interacted with the technology yet you say nft blockchain smart contract or any of
the kind of words that they've seen on the news and they just put the barriers up straight away
the job that we've had then and our responsibility is to kind of say right
strip strip that away a minute this is what it enables so you know we've done a couple of drops
where bands or artists have released nfts that have also come with a copy of the album
completely owns no kind of thing around it like you know you you own it but you only as long as we say
you do kind of thing but the fans actually own the music once they they've got it they've got a copy
of it it's like they bought the cd but it also was one-to-one counted as a sale for the official uk charts
so the same as somebody so somebody buying that nft essentially added one album sale to that artist
and we had like you know skin dreads at number two and sleep token at number three so that then and
they're both on like labels who you know we had to speak to labels and the labels then saw actually
okay so there is a a use case to this where the artist can do something innovative the fans can get
something new and exciting and i'm idea so the label made some money as well and you know so there's
everybody's everybody's a stakeholder in this in some way or another and you know we you know as an
artist obviously want artists to be looked after massively from this as a fan and remembering being
like in the shop buying the cd again it's signed by the for the band i love i can i want to make
sure that experience is saxophone and somebody right at the top said about you know owning a cd and like
you know that experience like opening the cd and reading the album sleeve back to back and oh that's
nice he thanked his mum or he thanked his dad that kind of stuff like that's an experience so we just
need to create those kind of feelings and those experiences but for every stakeholder in music
and i'm going to stop talking now because i see a few people got their hands up
katie and luke um really because you've got your hand up for a while and
after that we go to king julian
hey how you guys doing um thanks for inviting me up uh just a tiny bit of background i've been i've
been producing um my company's been producing concerts in virtual reality for about six or seven
years and i've worked with um billy eilish post malone paul mccartney kanye offset young thug sort
of a a large list of the of the music industry and we clear we clear all our own rights um so i have
i have a i have a a pretty deep knowledge base um i'm not a music supervisor but i have a pretty deep
knowledge base in in how to clear how to clear music for um unusual platforms and we have done
we have cleared rights for blockchain streaming concerts with uh we did one of the angels and
airwaves where we where we issued nfts during the concert and cleared them and cleared the streaming
rights so you know i i love the concept of of web3 and of web3 and blockchain rights and nft rights
and being able to do that i can see very clearly the path that it takes um i also have a very very
realistic um idea of the hurdles that it faces in becoming truly accepted for an artist that is a new
artist that is coming onto the scene now it's it is it is easier but it is still very much not
straightforward if you want to be both if you wanted to be part of the performer if you want to
if you want to do bmi ascap um you have to first of all do you have to deal with that and then if you
want to do publishing rights then you have to deal with the publishing rights organizations and to be
able to get your and to be able to register there and be able to do everything there and also um every
you know take hip-hop is a good example um we did a we did a show with post malone and post malone
has there was one song i remember that had 23 writer 23 writer credits um every single one is
is a publishing distribution and every single one has to be tracked down by a music supervisor and most
of those people most of the rights holders most of the people that are listed as rights holders
are not technical people they are not people that are going to be on a that are going to be on a
block chain or know how to access uh or know how to how to access that so if you have single songwriter
if you have songwriters or bands where the rights are fairly straightforward then you can put those
on a chain and have those distributed and you can create sort of a new ecosystem of how to deal with
rights management um across web3 but as soon as you talk about anything that that becomes legacy
or honestly as soon as those artists get to the point where they are dealing with labels and
they are dealing with um some kind of a worldwide distribution network and you at a certain point
as a big artist you kind of have to deal with labels and you have to deal with the infrastructure
that exists because there's too much work to do to keep your career going as an artist for you and
your small team to handle it the business of being a big artist is a big business it's it requires a team
of dedicated professionals to make sure that your career is continuing to move forward so that you can
focus on being a creative so you know i i do love it and i want to and i'm i'm trying to help solve
those problems we have done a lot of a lot of work in clearing rights in in a web3 world at a very
realistic level with big artists but my god it was it's it is it is difficult and the existing
infrastructure really needs to be ripped down and rebuilt um everybody anybody who's dealt with
large-scale publishing and has cleared rights for distribution like i have everybody knows that
that especially publishing rights is a giant rickety cluster of a system but it is the only one
we've got and nobody has yet come up with a good way to to replace things that has buy-in from the
label side management side and artist side so it's it is it is a very very it's a hard problem
it's not a hard problem technically it's a it's a hard problem at a human level it is a hard problem
technically when you start thinking about the sheer amount of transactions that would have to take
place um for the music industry writ large to to move into some kind of a web3 infrastructure so
thanks guys i i like i love the conversation i love hearing solutions and trying to figure this out
because i do think it's important because publishing is is creaky and rickety and deserves
to be replaced but uh how to do it is going to be hard lovely guys a great contribution there um
king julian do you want to add something enough that i'm going to wrap it up for tonight
yeah yeah i mean definitely should wrap it up but uh yeah that was a beautiful uh explanation there
um real luck um yeah i completely agree with you i mean the technical side of it is um not the problem
it's the human side and it probably goes in line with that you know music is um by nature very human
right there's not much there's not a lot of technical stuff that goes into music like we like to enjoy
music just as humans it's it's quite uh native to um you know every culture um and uh going back with
like the you know the label i just wanted to add just for you know just a small snippet that um
um even in web 3 on the d5 side um obviously it moves a lot faster because it's more technology
driven and um a lot of uh money as well um is that you you we still have it's the same thing as
when you're looking at the the wall street and you're looking at um you know decentralized finance
or there's always going to be the centralized element there um and then the decent and then
the decentralized element and you basically split the world into like there's two different worlds
there right um you can't be on fiat and and on chain at the same time so people do have to make
a cross there um so probably with the publishing i'm not i'm not i'm not in the music space i'm in
defy but um is that you're going to start finding more native label um publishers right they're more
like web 3 native um and uh so a lot of the maybe the the artists that uh want to go on web 3 they're
going to have to deal more with the native artists versus traditional because there is a whole
infrastructure there that everything needs to be re um redone right for that actually to work which
is basically what we're building right now in web 3 you're rebuilding all the infrastructure for web 3
but then all the people who actually you know have all the connections they're all already um you
know used to a specific uh infrastructure so um yeah that's that's one my only point there but
like yeah that's a good point you know i think i think yeah like the it's different segments really
uh what i hear and um that will be there for a while you know and who knows maybe maybe we'll
have a centralized and a decentralized uh a second for forever now um it's it's interesting
a really really really good conversation i think we need to keep uh we need to bring this topic back
about music and ownership um i don't think the last word has been sad about it um yeah this space
has been running over more than an hour so i'm gonna wrap it up for tonight but every week um same
time we'll be back next week we'll be back and if anyone is interested in owning a piece of music
uh we'll drop something tomorrow so just join our discord and we'll be
an announcement tomorrow and um yeah like for music fans and collectors
you will like it i think so um hope to see everyone next week
thank you so much thanks everyone