Music Ownership - Web3 Solves This

Recorded: March 7, 2024 Duration: 1:23:42
Space Recording

Full Transcription

A singer in a smoky room, a smell of wine and cheap perfume, for a smile they can share
the night. It goes on and on and on and on. Strangers waiting, up and down the boulevard, there's shadows, searching in the night, streetlights deeper, living just to find the most I'm
outing, somewhere to find.
I'm outing, somewhere to find.
Letting hard to get my fill
Everybody wants a thrill
Playing anything to roll the dice
Just one more time
Some will win, some will lose
Some of all just sing the blues
What a pussy never ends
Just on and on and on and on
Hey everyone
Good evening, hope everyone is doing well
I wasn't sure if the music was playing
So if someone can react with an emoji
Is there a thumbs down?
I don't know if there is a thumbs down
Good to have you all here
I see some familiar faces
So that's good
That's good
Today I had a parcel coming in
From Amazon
I bought a t-shirt
And on it says
I told you so
With the Bitcoin logo
So I'm going to wear this
To family gatherings
In the next couple of months
They definitely will be happy with that
Let me see
Is everyone
We've got co-host here
Might have some issues technically
With inviting the co-host
Today we have Luke here
Very good musician
He's also very good in design
Today in the call
He blew my mind
Showing something
That I've never seen before
It's really cool
Let's get some speakers on
And start with a little round
How are you doing?
Can you hear me?
Can you hear you
My name is Cody
Chief Experience Officer
At Layer 1X
Thanks for having us
If you're not familiar
With Layer 1X
We're a Layer 1
Blockchain
That is fully decentralized
We're looking to help
Transform the Web3 experience
Particularly
In the music
We're definitely excited
To kind of jump in
Today's conversation
Thanks for having us
Good to have you on
We pinned the post
The Twitter
To this space
If you haven't yet
Jean-Marie
You did like
Tweeted the Twitter space
Really appreciate that
So if others could
Could also share the love
That would be
Would be great
So let's see
Who else do we've got
We've got on here
I know Adam
You co-tweeted the Twitter space
How are you doing buddy?
And I've just realized
I spent three minutes
At the start
On my desktop
And you know when
Twitter just completely
And I'm just like
Why are these guys
Not saying anything
And then I realized
That I need to rejoin
And everyone is here
Great to be here
My name's Adam
It's my second time
Really enjoyed the first one
I'm co-founder of Spark
We're working on
Some of crypto's
Hardest payment problems
Basically helping players
Get onto games
And products
Without worrying about
What chain they're on
Or what token they're using
We're most famous
For handling
The 28 million dollar
Portal coin
Who you may have seen
On Twitter
At some point
And we're also working
Kind of wider
Payments infrastructure
But also 20 other games
Metaverses
And entertainment products
As well now
And previously
I've also founded
A gaming studio
Before this as well
So that's a bit about me
And look forward to
Chatting with you guys
Sounds great
Big moves you're making
Creator Hoot
Good to see you buddy
Yeah it's good to be back
I really enjoy
You all spaces
So yeah we're
NFT Marketplace
And creator
Just announced our token
Come earn some points
I've been a music producer
For the last
I don't know
A little over a decade
So I think I have
Some good input
Here as well
And yeah we hope
You guys use our marketplace
Yeah definitely
Check it out
Gemma Rhee
Nice to have you on again
It's Ben Marie
Recording artist
A songwriter
Also a digital artist
In the Web3 space
But I also own
From a family member
That passed away
So I understand
The importance
Of music ownership
And especially
Moving into the Web3 space
And how we can
Create solutions
I'm totally
To be at the front
Helping build out
Tooling for that
So I look forward
To the conversation
Good stuff
Good stuff
Gemma Rhee
Nice to have you
How are you doing?
I'm doing great
Can you hear me?
A little mic issue there
I can hear you
I podcast about the space
All the benefits
Cool things
That's happening
With an NFT
Blockchain technology
The music area
Really interests me
As more so
As a collector
Someone who just
Loves music
Supporting the various
Artists that are doing
Some cool things in there
And just the whole
Discoverability process
And sharing music
With friends
And that's sort of
I miss from the
Quote unquote
Olden days
Right when you had
Albums and CDs
And booklets
And all those things
Just a social aspect
So I'm more so here
As the fan of the music
The collector of the music
And those things
And that's what I love
About this space
We love that
We definitely love that
You might have something
Cool for you later on
King Julian
Good to see you back
Thank you for
Having me on
I'm the founder
And co-founder
Of MassMap
Web3 Everything app
I won't go too
Deep into it
Again today
Happy to be here
Super excited
To talk about
Good stuff
Have you on
What's up man
Thanks for having me
On The Space
Appreciate you guys
I think it's our
First time on PopX
This is Shibzy Baker
Behind here
I am the CMO
Of Spicy Capital
We're a VC fund
In The Space
And we are
Regularly investing
Into projects
We're pretty much
On the streak
At the moment
And once we do
Partner with people
We like to
Offer marketing support
And take it from there
And that's across
All platforms
Social media
On social media
So Telegram
And what not
It's actually really cool
To be connected
With some people
In this space
We're seeing
Their spaces are sick
I've joined a few of theirs
And it's cool
To see Jo Marie
As well man
She probably doesn't
Remember who this is
But we connected
At East Denver
Very briefly though
Very very briefly
I think you were
Introducing your friend
To the space
For the first time
Our partner was there
And everything as well
It was at the
L-Bank event
So yeah man
Cool to see some people
And it's dope
To always meet people
IRL as well
I love the community vibes
And last but not least
How are you doing Luke?
Hi everyone
Yeah so I'm Luke
I'm co-founder here
And not CTO
As Robert introduced me
I head up kind of
Product and design here
And my background
Before getting involved
In this was
I was in a band
And we have been
For like 15 years
And then yeah
Kind of just done
All of these things together
Been on a mad trip
In the music industry
Being fans
And owning music
To releasing music
And the advent
Of things like Napster
And all the way up
To this now
So it's kind of
In my time
Like a kind of
Full cycle of
Ownership coming
And starting to
Kind of come back
So it's really exciting
Looking forward to it
Yeah you're right
You're right
There are those cycles
I remember Napster
That was my first time
Downloading
Or should I say that
I remember the
I remember the label
Calling us in
And being like
Oh you guys have had
50,000 downloads
Of your album
On this new platform
Like oh amazing
What's the platform
We found out
What Napster was
Those kind of like
Or those kind of
Like flights of fancy
We can all get
Ferraris and stuff
Kind of quickly
I mean we still got
They were just
Hot Wheels versions
Instead of
The proper one
Sounds like Spotify
No I'm joking guys
I'm joking
The topic of today
Music ownership
Raptory solves this
We don't have to
Stick with just music
Only I think in general
Like Raptory does
Solve some
Maybe even
Create some other
Kind of ways
Of having ownership
And things
So I would love to
Hear from anyone
What their view is
On Raptory
And ownership really
So maybe from
The music people
First kind of
If anyone wants
To join in
And also guys
Like you don't
Have to raise your hand
If you want to
Jump into something
Just jump in something
People will shut up
In this space
Haven't had
Where I have to
Mute everyone
Like you know
It's not that type
In this space
Just go ahead
Grab the mic
And do your thing
Ownership guys
What do we believe
About that
I'll go ahead
I'll go ahead
For a company
Called community
They build
Is basically
A blockchain
Arweave network
And one of
The things
That I was
Talking about
Was as a musician
What does this
For people
Their music
Whether we're
Talking about
Whether we're
Talking about
Or whatever
One of the
Hardest things
Is to keep
Collecting
Who's making
Like the most
Who's spending
The most money
If you will
And we have
Different places
Where we can
Gather everybody's
But we all
That anybody
Oftentimes
In meetings
Centralized
What happens
What wallet
You connect
Store that
Can actually
Figure out
The conversation
Onboarding
More music
And artists
As collecting
Like publishing
More easier
Fundamentals
Gather the
Data that we
Already have
From collectors
As a musician
Yeah that's
Just ownership
Things like
Something that
Things that
Bridgeless
Interoperability
Experience
The reason
Instead of
Interoperability
Is because
Word being
Goes a lot
Being able
To transfer
Bridgeless
Allows you
Things that
Pretty much
What chain
Blockchain
Experience
Borderless
Experience
Production
Microphone
Predominantly
Accessibility
Accessibility
Definitely
Interesting
Blockchain
Established
Automatically
Understand
Established
Interesting
Interested
Highlighted
Essentially
Supporting
Sustaining
Livelihood
Technology
Conversation
Disconnect
Standpoint
Art aren't
Investment
Investment
Technology
Especially
Especially
Especially
Supporting
Supporting
Blockchain
Performing
Decentraland
Eventually
Technology
Especially
Independent
Experience
Experience
Historically
Experience
Ridiculous
Essentially
Accessibility
Struggling
Particularly
Experience
Understand
Revolutionary
Experience
Experience
Communicating
Collection
Experience
Distinction
Describing
Your ability
Experience
Connecting
Experience
Collaboration
Communities
Particular
Independent
Regardless
Collecting
Opportunity
Communication
Opportunity
Communities
Whatsoever
Surprisingly
Definitely
Infrastructure
Interesting
Experience
Phenomenal
Blockchain
Technology
Transition
Healthcare
Blockchain
Blockchain
Infrastructure
Automatically
Discoverable
Regardless
Established
Algorithms
Implementing
Algorithms
Conversations
Understand
Algorithms
Experience
Definitely
Developing
Understand
Regardless
Fragmentation
Opportunities
Fragmentation
Experience
Realistically
Experiences
Detrimental
Potentially
Experience
Infrastructure
Everywhere
Everywhere
Technologies
Accessible
Simplifies
Experience
Technology
McDonald's
McDonald's
McDonald's
Interesting
Interesting
Profitable
Podcasting
Everything
McDonald's
McDonald's
McDonald's
Corporation
Restaurants
Compensated
Absolutely
Milkshakes
McDonald's
Eventually
Interesting
Themselves
Successful
Eventually
Experimenting
Interested
Especially
Businesses
Everything
McDonald's
California
McDonald's
Profitable
Consistency
Entrepreneurs
Establishments
McDonald's
McDonald's
Financially
Responsibility
Approached
Understood
Underlying
Technology
Innovations
Interesting
Understand
Infrastructure
Legitimate
Multifaceted
Understand
Infrastructure
Interesting
Automatically
Infrastructure
Developers
Opportunity
Technology
Responsibility
Experiment
Importantly
Necessarily
Accessible
Appreciate
Definitely
Definitely
Definitely
Contribution
Appreciated
Announcements
Interesting
Appreciate
Incredibly
Passionate
Especially
Trajectory
Foreseeable
Especially
Publishers
Facilitators
Facilities
Experience
Historically
Songwriter
Necessarily
Rightfully
Blockchain
Legitimacy
Rightfully
Independently
Standpoint
Standpoint
Incredibly
Fascinating
Memberships
Technology
Technology
Particular
Eliminates
Publishing
Necessarily
Absolutely
help break that artist which historically with an artist would get that funding from otherwise
is you know it just wouldn't be there so they they still have their place they're still part
of the music community because it's one of the very few kind of endeavors that humans go around
that the word community is often kind of put straight after the kind of thing of music so
they they do have a part to play i think but i think they've also as you know as well as
artists being caught out with the advert of streaming and downloading all that kind of
labels got caught out by it and got terrified by it and they reacted in a certain way to make deals
with the kind of streaming places to kind of protect their business model which you can completely
understand but the before like the artists going forward now they're yeah there's going to be
the ability for you know when you go into a session you do the songwriting or whatever that
the contracts around that are kind of done and dusted and dealt with and minted on the blockchain
while the session's happening so that everyone in the room's comfortable everyone's just everyone
knows that they're being looked after and being paid and everyone go off and do the bit they really
enjoy because you know artists probably the last thing they want to do is talk legals and stuff but
it is very very important i think having the ability to kind of have technology underpinning this that
again it comes back to the experience of being able to use the technology the moment that that
that kind of moment comes is when artists will use it and then they once they understand the use case for
this kind of thing and how it can help them whether it's protecting them legally financially creatively or
however else then they will start to use it but for the moment it's for an artist who isn't in the
space doesn't you know understand it potentially to make that leap between them writing a song in a
room with a load of people and an nft or any kind of other web3 based product that would
help facilitate that kind of agreement it's such a leap for them to make that they're not necessarily
going to make that at the moment and it's a part of the job of people who are in the space and
at the forefront of this to kind of do that education piece i'm a bit confused because i
understand what i'm so sorry but i i understand and i know i see you real um and king and you guys
got your hands up i i'll land my plane i promise i uh listen i understand when it comes to record labels
um historically back in the day prior to this whole deconstruction of uh a record um you only have
to put into your your web browser and search what's going on in in the music industry in the future of
um concerts music festivals i see this music music festivals and entertainment the digitization of
everything that's the future so the record labels and publishers they're not okay i can't say that
um not everybody that works for these companies are big bad wolves but at the end of the day they are
businesses and they have um uh you know a company where they also want to make a profit unfortunately
there is such a lack of transparency with artists i've been there myself um and i'm not resentful if
anything i want to make it better just as much as you do so i guess the question i have for you
is if you're stating that this technology is going to be great for you know educating people then even
um as to what you guys provide and so on and so forth in the studios really isn't it shouldn't you be
speaking to the record labels and and and presenting it to them um because i get when somebody is not
and they are not signed or to either a record label or a publisher and you can just go and do a writing
session with your friend um you know turn up someone's house sure and then you're like okay
it's a 50 50 split but you know if that's in an email even that still stands in the court floor
from a copyright standpoint but when that person then further maybe is signed to a publisher and
then that publisher has done a deal with whomever to to take some of the stems from the track that
you've written and then yet that person's on your blockchain but the other person isn't like how
does this all work in the grand scheme of things or do you think that you you might be best seen
doing a deal with say for example prs and mcps that you can provide them the service so they can
onboard your services to then advance forward because i don't believe they're doing this yet
no i mean so i mean we've we've spoken to and we we have done stuff with labels directly um
because obviously with different artists of different levels the artist may want to do it
but they have to get the labels agreement so we've we've done that piece of kind of speaking to labels
and i'm sure a lot of people here have had the same kind of thing where you you approach uh somebody
who hasn't kind of interacted with the technology yet you say nft blockchain smart contract or any of
the kind of words that they've seen on the news and they just put the barriers up straight away
the job that we've had then and our responsibility is to kind of say right
strip strip that away a minute this is what it enables so you know we've done a couple of drops
where bands or artists have released nfts that have also come with a copy of the album
completely owns no kind of thing around it like you know you you own it but you only as long as we say
you do kind of thing but the fans actually own the music once they they've got it they've got a copy
of it it's like they bought the cd but it also was one-to-one counted as a sale for the official uk charts
so the same as somebody so somebody buying that nft essentially added one album sale to that artist
and we had like you know skin dreads at number two and sleep token at number three so that then and
they're both on like labels who you know we had to speak to labels and the labels then saw actually
okay so there is a a use case to this where the artist can do something innovative the fans can get
something new and exciting and i'm idea so the label made some money as well and you know so there's
everybody's everybody's a stakeholder in this in some way or another and you know we you know as an
artist obviously want artists to be looked after massively from this as a fan and remembering being
like in the shop buying the cd again it's signed by the for the band i love i can i want to make
sure that experience is saxophone and somebody right at the top said about you know owning a cd and like
you know that experience like opening the cd and reading the album sleeve back to back and oh that's
nice he thanked his mum or he thanked his dad that kind of stuff like that's an experience so we just
need to create those kind of feelings and those experiences but for every stakeholder in music
and i'm going to stop talking now because i see a few people got their hands up
yeah great conversation
katie and luke um really because you've got your hand up for a while and
after that we go to king julian
hey how you guys doing um thanks for inviting me up uh just a tiny bit of background i've been i've
been producing um my company's been producing concerts in virtual reality for about six or seven
years and i've worked with um billy eilish post malone paul mccartney kanye offset young thug sort
of a a large list of the of the music industry and we clear we clear all our own rights um so i have
i have a i have a a pretty deep knowledge base um i'm not a music supervisor but i have a pretty deep
knowledge base in in how to clear how to clear music for um unusual platforms and we have done
we have cleared rights for blockchain streaming concerts with uh we did one of the angels and
airwaves where we where we issued nfts during the concert and cleared them and cleared the streaming
rights so you know i i love the concept of of web3 and of web3 and blockchain rights and nft rights
and being able to do that i can see very clearly the path that it takes um i also have a very very
realistic um idea of the hurdles that it faces in becoming truly accepted for an artist that is a new
artist that is coming onto the scene now it's it is it is easier but it is still very much not
straightforward if you want to be both if you wanted to be part of the performer if you want to
if you want to do bmi ascap um you have to first of all do you have to deal with that and then if you
want to do publishing rights then you have to deal with the publishing rights organizations and to be
able to get your and to be able to register there and be able to do everything there and also um every
you know take hip-hop is a good example um we did a we did a show with post malone and post malone
has there was one song i remember that had 23 writer 23 writer credits um every single one is
is a publishing distribution and every single one has to be tracked down by a music supervisor and most
of those people most of the rights holders most of the people that are listed as rights holders
are not technical people they are not people that are going to be on a that are going to be on a
block chain or know how to access uh or know how to how to access that so if you have single songwriter
if you have songwriters or bands where the rights are fairly straightforward then you can put those
on a chain and have those distributed and you can create sort of a new ecosystem of how to deal with
rights management um across web3 but as soon as you talk about anything that that becomes legacy
or honestly as soon as those artists get to the point where they are dealing with labels and
they are dealing with um some kind of a worldwide distribution network and you at a certain point
as a big artist you kind of have to deal with labels and you have to deal with the infrastructure
that exists because there's too much work to do to keep your career going as an artist for you and
your small team to handle it the business of being a big artist is a big business it's it requires a team
of dedicated professionals to make sure that your career is continuing to move forward so that you can
focus on being a creative so you know i i do love it and i want to and i'm i'm trying to help solve
those problems we have done a lot of a lot of work in clearing rights in in a web3 world at a very
realistic level with big artists but my god it was it's it is it is difficult and the existing
infrastructure really needs to be ripped down and rebuilt um everybody anybody who's dealt with
large-scale publishing and has cleared rights for distribution like i have everybody knows that
that especially publishing rights is a giant rickety cluster of a system but it is the only one
we've got and nobody has yet come up with a good way to to replace things that has buy-in from the
label side management side and artist side so it's it is it is a very very it's a hard problem
it's not a hard problem technically it's a it's a hard problem at a human level it is a hard problem
technically when you start thinking about the sheer amount of transactions that would have to take
place um for the music industry writ large to to move into some kind of a web3 infrastructure so
thanks guys i i like i love the conversation i love hearing solutions and trying to figure this out
because i do think it's important because publishing is is creaky and rickety and deserves
to be replaced but uh how to do it is going to be hard lovely guys a great contribution there um
king julian do you want to add something enough that i'm going to wrap it up for tonight
yeah yeah i mean definitely should wrap it up but uh yeah that was a beautiful uh explanation there
um real luck um yeah i completely agree with you i mean the technical side of it is um not the problem
it's the human side and it probably goes in line with that you know music is um by nature very human
right there's not much there's not a lot of technical stuff that goes into music like we like to enjoy
music just as humans it's it's quite uh native to um you know every culture um and uh going back with
like the you know the label i just wanted to add just for you know just a small snippet that um
um even in web 3 on the d5 side um obviously it moves a lot faster because it's more technology
driven and um a lot of uh money as well um is that you you we still have it's the same thing as
when you're looking at the the wall street and you're looking at um you know decentralized finance
or there's always going to be the centralized element there um and then the decent and then
the decentralized element and you basically split the world into like there's two different worlds
there right um you can't be on fiat and and on chain at the same time so people do have to make
a cross there um so probably with the publishing i'm not i'm not i'm not in the music space i'm in
defy but um is that you're going to start finding more native label um publishers right they're more
like web 3 native um and uh so a lot of the maybe the the artists that uh want to go on web 3 they're
going to have to deal more with the native artists versus traditional because there is a whole
infrastructure there that everything needs to be re um redone right for that actually to work which
is basically what we're building right now in web 3 you're rebuilding all the infrastructure for web 3
but then all the people who actually you know have all the connections they're all already um you
know used to a specific uh infrastructure so um yeah that's that's one my only point there but
like yeah that's a good point you know i think i think yeah like the it's different segments really
uh what i hear and um that will be there for a while you know and who knows maybe maybe we'll
have a centralized and a decentralized uh a second for forever now um it's it's interesting
a really really really good conversation i think we need to keep uh we need to bring this topic back
about music and ownership um i don't think the last word has been sad about it um yeah this space
has been running over more than an hour so i'm gonna wrap it up for tonight but every week um same
time we'll be back next week we'll be back and if anyone is interested in owning a piece of music
uh we'll drop something tomorrow so just join our discord and we'll be
an announcement tomorrow and um yeah like for music fans and collectors
you will like it i think so um hope to see everyone next week
thank you so much thanks everyone