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Recorded: April 19, 2025 Duration: 5:30:58
Space Recording
Open Original Space

Full Transcription

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Thank you. What up, what up, OB, ultra smooth, give me a minute, guys pulled up early, hit that request
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button if you want, or don't. E aรญ o assunto E aรญ Ela chega e desencana com o passo bem sou, o passo bem sou, o passo bem sou, na festa do fim de semana This is my life. This is my life. This is my life.
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This is my life.
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This is my life.
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This is my life.
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Half a zip in the palm.
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Took a trip with your moms. The party is next door. She's not going home. Now your dad all up in the place. What am I doing wrong? Everybody fighting! You wake up and feel no legs, it's Vietnam They like running for it for us, I'm one with the forest
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I shot three beers and got a cup full of porridge
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Dope as a wet three and none should have called it
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What the hell is they gonna do, his guns is enormous
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The portrait is Mona Lisa and notice ain't no sativa
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The V has no open features, my team isn't broken either
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Being thirsty, it's copostatic, we're smoking on greenery
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But we check them at the door for the juice
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Oh, that's me like people
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That's that party
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You gotta roll it, light it, smoke it.
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That's that.
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That's that.
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That's that.
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You got to roll it, light it, smoke it.
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That's that.
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That's that.
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Yeah.
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Party.
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That's that.
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The flow with you.
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I'm killing the whole city. If you ain't got a digi in yours, you're so silly. You flow with him, killing the whole city.
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If you ain't got a digi in yours, you're so silly.
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You ain't got to ask till they know it's no biggie.
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And you don't want to run with the boy, no diggie.
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Reminiscing on days of analog.
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Now they hide out with Bane Lab and camouflage.
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Screaming, you can't touch this.
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You know the moment charging.
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All we do is pray to have a squat.
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Up to a rug, while I'm out rug.
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Spent the block twice to get it back in blood.
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Books on all sets, I guess he was the plug.
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I mean, bullets are bigger, they said it is what it was.
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I mean, I need some salami, ain't tryna eat at the McDonald's.
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I'm doing my thing, feel like the king of the Apollo.
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I'm smoking my sets, so AGS to bring the bottle.
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You need you with the infant, I got that metal.
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Fast that party.
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You gotta roll it light and smoke it
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pass that
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pass that party in a bush.
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Pass that number, for real.
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Hey, you good?
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You sure?
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You sure? Yeah, the room.
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What up?
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What up?
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Shout out to Maxi.
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I love you.
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I love you. I love you.
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I love you.
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I love you.
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I love you.
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I love you.
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I love you.
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I love you.
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I love you.
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I love you. I love you. I love you. I love you. I love you. I love you. I love you. I love you. Shout out to Maxi Swaybrook. Ultra smooth bass in the building.
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I'm not a playoff, it's crushing it.
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Still got what you're looking for.
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From a thug, from a thug.
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I'm not a playoff, it's crushing it.
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It's a perfect body, though, still down below.
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Who's there?
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Hey, yo, I'm still not a play player, but you're still a hater.
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Calibator to the top, huh?
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See you later.
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I'm going.
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Penthouse suite.
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Penthouse freaks.
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In-house beats.
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Fresh cow seats.
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Ten thousand beats.
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Grand thousand beats.
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What an option to buy.
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Cop on the five of banks.
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We're going to buy a roof in the sky.
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I'm off in the lie.
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Put my twinzito up in the benzito.
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With my kicker from queens.
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The game ready go.
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We go back like EA's and wear PJ's. Now we reach the PJ's. Running trains for three days. Who want to ride? We'll be right back. I'm not a play out, it's crushing out.
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I'm not a play out, it's crushing out.
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I'm not a play out, it's crushing out. I'm not a play out, it's crushing out.
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I love the butter, we can, the black brand, my last, I don't discriminate, I regulate every
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shade of that, I got your show class, I passed my test, fat, I'm breast, highly intelligent,
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that's the rest, that's the best, I won't settle for less, I want to get a brunette,
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with a forgettable sex, I don't get any more chance, I feel my heartbeat, break apart
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my jeep, I'm off deep, and just spark the leaf. It's hard to creep.
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Since I found Joe, every pretty round round.
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Want to go down low.
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But this will be down, bro.
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Fresh and low.
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I'm going to let you know.
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Watch out with the bros.
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Get your clothes.
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Because you got the low.
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I could go downstairs.
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Little brown hairs everywhere.
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You nasty twig.
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I don't care.
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Brown hair, they call me big puns.
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If you with the big guns, big tongue.
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Known to make me shake. Hot tub, popping bubbly. Rubbing your spot love. I don't want to be crazy, I don't stop, watch the punk get wicked When I see people moving like, don't stop, get it, get it
0:08:05 - 0:08:08
I don't wanna be playing no more
0:08:08 - 0:08:08
I don't wanna be playing no more
0:08:08 - 0:08:10
I don't wanna be playing no more
0:08:10 - 0:08:11
I don't wanna be playing no more
0:08:11 - 0:08:13
I don't wanna be playing no more
0:08:13 - 0:08:18
I don't wanna be playing no more
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I don't wanna be playing no more
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But you know that my girl's still down by loss
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I'm down to the border But you know, big party girl's still down by loss Who's down tonight?
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Boricua, morena
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No more rolling when nothing runs
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Unless it's pawn in the terrorist world
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Barnish a big bonnet show
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Barnish a big bonnet show
0:08:54 - 0:09:17
Barnish a big bonnet show Barnish a big bonnet show what up what up shout out to everyone for pulling up tonight i'm in a super good mood i just spent
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the past like seven minutes while those songs were playing just cleaning the shit out of the
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studio so um that's nice cleanliness is godliness
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or something like that how you doing maxi what up what up
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hello hello hey ben how are you it's kind of windy i'm trying to get inside
0:09:36 - 0:09:43
but uh doing good i'm excited for wave radio tonight you know it's my favorite place to be
0:09:43 - 0:09:45
every weekend the vibes are gonna be lit
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hopefully we get some more people in here um i'll start sharing the room out we got to get the mcs
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in here and all the all the homies so yeah i hope your week's been great it has been it has been
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it's pretty smooth you know life is good i see tony just pulled up. Shout out to Stroke, Wolfie, Mike, Mr. Icy, Keylab, OBZ, Beccano Paws.
0:10:12 - 0:10:17
I hope I said that right. Beccano Paws. Hope you guys are all doing well.
0:10:19 - 0:10:22
Let's throw our man the golden mic here. There we go.
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my man the golden mic here here we go all right we're gonna bang another track and then uh i'll
0:10:26 - 0:10:30
get back to uh everyone else in the actually it let's say we're up to ultra smooth vapes
0:10:30 - 0:10:34
you came up here like the second the second i opened the space you were in the building
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hope you're doing well my friend how's everything going everything's going well so we'll be able to embed sound NFTs also. So that's what it's about.
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So we like the vibes you guys have always.
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So we can collaborate on some music NFTs.
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And I have some other interesting developments around our projects.
0:11:06 - 0:11:14
But you definitely need to get some ultra smooth vapes from us so the vibe can get higher and better.
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Hell yeah, hell yeah.
0:11:18 - 0:11:20
Sounds interesting what you got cooking there.
0:11:21 - 0:11:23
All my homies smoking your shit, they like it.
0:11:24 - 0:11:27
I don't really smoke the vapes though
0:11:27 - 0:11:28
But
0:11:28 - 0:11:30
I fucking
0:11:30 - 0:11:32
If it's clean quality
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If it's good and it's all naturally made
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Then I'm all for it
0:11:36 - 0:11:37
I'll give it a shot
0:11:37 - 0:11:40
I'll definitely check you guys website out
0:11:40 - 0:11:42
And support any way I can
0:11:42 - 0:11:44
And thank you for coming man
0:11:44 - 0:11:46
Of course Supporting is everything side out and support any way i can and thank you for coming man of course definitely supporting
0:11:46 - 0:11:55
is everything yes yes let's say we're up to our other co-hosts king doodle in the building what
0:11:55 - 0:12:01
up my guy how you doing yo yo king of hearts good to be here with you on a fabulous friday
0:12:01 - 0:12:06
gone a good friday i see mexy in the house what up phoenix crypto
0:12:06 - 0:12:12
my man pablo from ultra smooth vapes dude these vapes are gonna set the vibe bro they're gonna
0:12:12 - 0:12:19
get us so fucking high the music is gonna just float and i see nessie in the building i see
0:12:19 - 0:12:28
mcs pulling up dude it's gonna be a blast tonight. I'm happy to be here with you, King. I'm excited to hear some of your new tracks, get an update on the wave route,
0:12:28 - 0:12:32
and just support the musicians that are in Web3, bro.
0:12:32 - 0:12:35
So rolling up some THC right now as we speak.
0:12:35 - 0:12:38
I got some Purple Punch I want to light up, and I poured a coffee.
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So let's get this face popping, my guy.
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Hell yeah.
0:12:44 - 0:12:46
Let me not waste any time.
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Hey, your favorite musician
0:13:00 - 0:13:01
is Jesus Space.
0:13:01 - 0:13:03
I just went by the watch with a whole lot of diamonds
0:13:03 - 0:13:05
to show all these niggas, it's my time.
0:13:05 - 0:13:09
Took a trip out to Cali to hang with the clips, make a play and get half that Zaza.
0:13:09 - 0:13:13
I say R.P. Kobe, a nigga so fly when I ball I'll fuck around Skydive.
0:13:13 - 0:13:16
So with chicken on me, could've went by the Williams or Rudy's, a big ass papa.
0:13:17 - 0:13:19
In a whole different bracket, this life is imagine.
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If you hit me for both, then you know that I'm taxing.
0:13:21 - 0:13:22
Keep buying clothes, that shit still in the package.
0:13:23 - 0:13:25
If he say that he robbed me, he capping me. Really no niggas throw sevens like capping me. You not blind and you see that I'm taxing. Key buy it cause that shit still in the package. If he say that he robbed me, he capping me.
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Really no niggas throw sevens like capping me.
0:13:27 - 0:13:28
You not blind and you see that we have it.
0:13:28 - 0:13:30
Known in my city so know I'm not average.
0:13:30 - 0:13:32
Came a long way from dope in the cab.
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Niggas know that I step in the game that I will.
0:13:36 - 0:13:38
Went to Solomon, I stopped the 10 for 600 on.
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Now I'm out of net.
0:13:39 - 0:13:41
Played a fool like meach.
0:13:41 - 0:13:44
Really having me shit.
0:13:44 - 0:13:49
Got out that stuff started rapping and six months later, I'm rich. Nigga know I'm a stepper, I step with some elegance.
0:13:49 - 0:13:51
All these niggas I'm with is some fellas.
0:13:51 - 0:13:53
I'm strapped with a post, so I hope that you have it.
0:13:53 - 0:13:55
If they spin, make them wish that they never spin.
0:13:55 - 0:13:57
Most of these niggas is how they be telling it.
0:13:57 - 0:13:59
Man, I'm finna take over, I'm stepping.
0:13:59 - 0:14:00
How you banging this shit?
0:14:00 - 0:14:01
They selling ain't ripping shit.
0:14:01 - 0:14:03
Left your dog in that rain and ain't help with it.
0:14:03 - 0:14:04
Highs, you solid, you ain't never dealt with it.
0:14:05 - 0:14:06
You see me, I come different, I'm blessed with it.
0:14:06 - 0:14:08
When got the roller, it go with my neck.
0:14:08 - 0:14:10
30 for both, you could die if you miss it.
0:14:10 - 0:14:12
Can't do the show if it don't gotta check with it.
0:14:12 - 0:14:14
These niggas, po' boy, I swear they ain't real.
0:14:14 - 0:14:16
Hate like I don't know that's really jealous.
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Knowin' they mad that they no longer niggas.
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Niggas know that I still in the game that I will.
0:14:21 - 0:14:24
Went to Solomon, I stopped the 10 for 600 on all of our neck.
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Played it fool like Mitch.
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Really having this shit.
0:14:29 - 0:15:05
Got out that stuff, started rapping, and six months later, I'm rich. Yeah. Spotlight, moonlight, nigga why you trippin' get your moonlight
0:15:05 - 0:15:09
Try to look good in the moonlight, all these f***ing niggas so bad mind
0:15:09 - 0:15:14
Spotlight, moonlight, nigga why you trippin' get your moonlight
0:15:14 - 0:15:17
All these f***ing niggas so bad mind
0:15:17 - 0:15:20
Spotlight, moonlight, nigga why you trippin' get your moonlight
0:15:20 - 0:15:24
Try to look good in the moonlight, all these f***ing niggas so bad mind
0:15:24 - 0:15:45
Spotlight, moonlight, nigga why you trippin' get your moonlight I'm a professional Like a damn bitch You fucking play
0:15:45 - 0:15:50
Ooh, I'm coming for me, make it right
0:15:50 - 0:15:54
Ooh, I'm coming for me, make it right
0:15:54 - 0:15:57
Ooh, I'm coming for me, make it right
0:15:57 - 0:16:01
Ooh, I'm coming for me, make it right
0:16:01 - 0:16:03
It's all I am, I'm gonna lie
0:16:03 - 0:16:05
Nigga, why you chippingin' get your moonrise?
0:16:05 - 0:16:07
Show it a little good in the moonlight
0:16:07 - 0:16:09
All these f***ing niggas so bad, mine
0:16:09 - 0:16:10
Spotlight, moonlight
0:16:10 - 0:16:12
Nigga, why you trippin' get your moonrise?
0:16:13 - 0:16:14
Show it a little good in the moonlight
0:16:14 - 0:16:16
All these f***ing niggas so bad, mine
0:16:16 - 0:16:18
Spotlight, moonlight
0:16:18 - 0:16:20
Nigga, why you trippin' get your moonrise?
0:16:20 - 0:16:22
Show it a little good in the moonlight
0:16:22 - 0:16:24
All these f***ing niggas so bad, mine
0:16:24 - 0:16:25
Spotlight, moonlight
0:16:25 - 0:16:27
Nigga, while you're tripping, get your moonlight
0:16:27 - 0:16:29
Shot a little good in the moonlight
0:16:29 - 0:16:57
All these pissy niggas so bad, mine yeah i see the bears are filling up on stage the doodle bears let's go around the room let's say
0:16:57 - 0:17:07
what up to our newer speakers what up wolfie how you doing tonight what up what up what up friday night um tony always invites me to speak
0:17:07 - 0:17:17
bro uh yeah i enjoy it i enjoy this space um it's a nice way to connect with you guys
0:17:17 - 0:17:24
and talk you know we don't we don't always talk every day but it's a nice nice vibe friday saturday
0:17:24 - 0:17:26
night just to chop it up with the homies you know
0:17:26 - 0:17:31
what i'm saying like just bullshit you don't have to always come out with the fucking banger
0:17:31 - 0:17:38
beats and the the bars but you know what up wolfie it's good to take a break sometimes yeah
0:17:38 - 0:17:49
yeah for sure dude what up what up thailand tony tt thailand tony baby new one i like that yo that clicked so hard
0:17:49 - 0:17:57
bro from from toronto to thailand i put it actually in my bio as well too i'm doing well man just
0:17:57 - 0:18:04
rolling up some thc i got some really dank shit bro some really nice purple weed that uh just
0:18:04 - 0:18:06
too tasty so i'm rolling up like
0:18:06 - 0:18:11
three joints right now i know it's gonna be a long space i'm trying to get litty like a titty baby
0:18:11 - 0:18:17
how you feeling wolfie how's your week been it's been good bro my birthday was wednesday
0:18:17 - 0:18:27
oh happy birthday brother what number is that oh yeah Number 44. 44. It's my brother's birthday,
0:18:27 - 0:18:31
man. I didn't know that. Congratulations, bro. Happy birthday. More life. You should
0:18:31 - 0:18:37
send me a doodle gin egg. No, I'm just kidding. I'm just joking. I got you something. Send
0:18:37 - 0:18:42
me your soul wallet. I'll send you something. Oh, fuck, dude. Motherfucker, he calls me
0:18:42 - 0:18:46
and he's like, yo, man, can you can you send me like 50 bucks?
0:18:46 - 0:18:47
I don't get paid till Friday.
0:18:47 - 0:18:51
I'm like, bro, I'm like, you're fucking working in North America.
0:18:51 - 0:18:52
I'm in Thailand.
0:18:52 - 0:18:55
I'm like stealing from a guy who's out in the sticks.
0:18:55 - 0:18:56
I'm like, yeah, sure.
0:18:56 - 0:18:58
Give me a I got you a hundred bucks, brother.
0:18:58 - 0:18:59
It's your birthday.
0:18:59 - 0:19:01
Don't even worry about this out back.
0:19:01 - 0:19:01
I got you.
0:19:02 - 0:19:02
Thanks, man.
0:19:02 - 0:19:04
I got you, too.
0:19:04 - 0:19:07
Well, don't you dare interrupt me don't
0:19:07 - 0:19:12
you fucking dare interrupt me pepe i don't even know if you're a musician i slid you through the
0:19:12 - 0:19:17
back door king hearts like who's that guy who the fuck is that guy you might have just kicked off
0:19:17 - 0:19:25
the hottest damn shit on the planet bro you might have just kicked off like, don't you dare disrespect me like that. Or maybe not. Maybe not.
0:19:25 - 0:19:27
Don't you dare disrespect me.
0:19:27 - 0:19:29
Put some respect on my name.
0:19:30 - 0:19:32
I'm just glad I don't have to do this job alone.
0:19:33 - 0:19:34
Thank you, Tony, for your service.
0:19:35 - 0:19:38
Sometimes I got to give people a stiff arm and just send them back,
0:19:38 - 0:19:39
take their lunch money.
0:19:40 - 0:19:43
But, Woofie, send me your โ€“ I'm a nice, friendly doodle as well, too.
0:19:43 - 0:19:44
Send me your wallet.
0:19:44 - 0:19:45
I got you hooked up, man.
0:19:45 - 0:19:46
I'm going to send you something.
0:19:47 - 0:19:48
We're all closer here.
0:19:49 - 0:19:49
Let's go.
0:19:50 - 0:19:51
Thanks, sir.
0:19:52 - 0:19:52
Will do.
0:19:53 - 0:19:53
Let's go.
0:19:53 - 0:19:53
Yeah.
0:19:54 - 0:19:55
How you doing?
0:19:56 - 0:19:56
Yeah, right?
0:19:57 - 0:19:59
We got to get the sound effects on top of the โ€“
0:19:59 - 0:20:03
I got some music that I put together.
0:20:03 - 0:20:06
I don't know if it's a good time, but but King Hearts, I'm going to play it for you.
0:20:06 - 0:20:09
It's a good time. It's always a good time. Let's go. Take the stage away, baby.
0:20:10 - 0:20:11
All right. All right. Let's go.
0:20:13 - 0:20:14
Anger of a chat.
0:20:15 - 0:20:16
Retweet the room!
0:20:16 - 0:20:29
Yeah. again but success feel different when you're richer than all your friends had to separate the love from the leverage someone in me grounded now they see the boy ascended gave them access
0:20:29 - 0:20:35
and passwords they try to reset me now the same ones on burner accounts trying to press me 40 did
0:20:35 - 0:20:41
you catch that last one these boys play god until it's time to act one yeah these days i don't press
0:20:41 - 0:20:45
the rumors they talk wild in the dark but quiet in the bloomers
0:20:45 - 0:20:47
Rings on the table like poker nights
0:20:47 - 0:20:51
Differences I bet on myself and I always roll it right
0:20:51 - 0:20:54
Not here for the gossip but I hear it loud
0:20:54 - 0:20:57
And all my L's been private but my win's been crowd
0:20:57 - 0:21:00
Just had dinner with the mayor they asking about investment
0:21:00 - 0:21:02
Meanwhile these boys still stuck in group cat resentment
0:21:02 - 0:21:06
Tried to keep the peace but now I'm at war with silence.
0:21:06 - 0:21:08
They want violence till I move with violence.
0:21:08 - 0:21:11
And I could have outed the snakes, but that's not my alignment.
0:21:11 - 0:21:14
I let karma hit them like the IRS on assignments.
0:21:14 - 0:21:16
Yeah, life got cold, but the soul's still warm.
0:21:16 - 0:21:19
And the crib look like a Louis showroom in a storm.
0:21:19 - 0:21:20
Storm.
0:21:20 - 0:21:21
Storm.
0:21:21 - 0:21:22
Storm.
0:21:22 - 0:21:23
Storm.
0:21:23 - 0:21:24
Storm.
0:21:24 - 0:21:25
Storm. Storm. Storm. Storm. Yeah. Yeah.
0:21:25 - 0:21:26
Yeah.
0:21:26 - 0:21:27
Yeah.
0:21:27 - 0:21:28
Yeah.
0:21:28 - 0:21:29
Yeah.
0:21:29 - 0:21:30
Yeah.
0:21:30 - 0:21:31
Yeah.
0:21:31 - 0:21:32
Yeah.
0:21:32 - 0:21:33
Yeah.
0:21:33 - 0:21:34
Yeah.
0:21:34 - 0:21:35
Yeah.
0:21:35 - 0:21:36
Yeah.
0:21:36 - 0:21:37
Yeah.
0:21:37 - 0:21:38
Yeah.
0:21:38 - 0:21:39
Yeah.
0:21:39 - 0:21:40
Yeah.
0:21:40 - 0:21:41
Yeah.
0:21:41 - 0:21:42
Yeah.
0:21:42 - 0:21:43
Yeah.
0:21:43 - 0:21:44
Yeah.
0:21:44 - 0:21:45
Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. And everybody loved me till I tell them what I did Made a hundred mil quiet, they ain't here to deposit
0:21:45 - 0:21:48
Now I own the masters, the flights in the closet
0:21:48 - 0:21:51
My girl rolling up in vintage John Paul Gaudier
0:21:51 - 0:21:54
Told her loyalty's a language, we just speak it more clear
0:21:54 - 0:21:59
Yeah, yeah
0:21:59 - 0:22:02
We don't talk for applause now
0:22:02 - 0:22:04
Shit was looking rocky, now it's marble in the compound
0:22:04 - 0:22:26
Did it with no sponsor. Labels got the side eye. Dropped the classic then I went and turned the wifi. Off for a year and they still playing catch up. You taking shots but your bets hit just barely scratched us. Niggas got beef but it's veggie on the surface. I know your real life. This persona make me nervous. Turn mistakes into assets assets Girls I left on red turn pain into captions
0:22:26 - 0:22:29
They used to say I wouldn't make it past the second tape
0:22:29 - 0:22:32
Now I got degrees of separation from the fakes
0:22:32 - 0:22:35
I used to sit at tables with execs who never get it
0:22:35 - 0:22:38
Now the ones who passed on me begging for credit
0:22:38 - 0:22:40
Running up deals from Toronto to the Gulf
0:22:40 - 0:22:43
Same ones that ghosted, now they say I give them hope
0:22:43 - 0:22:46
I used to wanna save everyone I love
0:22:46 - 0:22:52
now I'm saving myself and just sending them love had to bury some pride had to kill some egos had
0:22:52 - 0:22:56
to take the stairs while they was lifting with cheat codes but I'm still here I'm still gold
0:22:56 - 0:23:05
I'm still bold my story getting richer as the chapters unfold they want closure, I want silence. I want peace, but I came from violence.
0:23:06 - 0:23:08
I want truth, not alliance.
0:23:09 - 0:23:11
I want legacy without compliance.
0:23:14 - 0:23:15
Woo!
0:23:15 - 0:23:17
I'm going to paint toast with plastic stick.
0:23:17 - 0:23:18
Yeah.
0:23:20 - 0:23:34
33 for 33 freestyle baby let's go king of hearts new music fridays let's get into it
0:23:23 - 0:23:23
Yo.
0:23:23 - 0:23:23
Yo.
0:23:38 - 0:23:46
hell yeah let's get into it that was nice that was That was, yo, the first verse, I was like, whoa, holy shit.
0:23:46 - 0:23:53
The whole song was dope. So that's cool. That's cool. The fucking technology is sick. But
0:23:53 - 0:23:57
I know you wrote that shit, and that's impressive. We're going to have to collab on a fucking
0:23:57 - 0:24:06
album or something, bro, and we'll just launch it on all streaming platforms and you know who knows maybe we'll we'll tour the country
0:24:06 - 0:24:08
tour the world
0:24:08 - 0:24:16
become a two-man band i'm just dreaming on stage all right guys don't fucking let everybody
0:24:16 - 0:24:22
should chase their dreams everybody should chase their dreams dude you only need one big song to
0:24:22 - 0:24:25
be a hit you know there's songs that get 100 million plays.
0:24:26 - 0:24:32
And the catalog after that really doesn't have much in it. So, you know, you just need one really
0:24:32 - 0:24:37
nice song, a song that everybody resonates with. And we've seen a lot of one hit wonders.
0:24:38 - 0:24:42
But if you got that vibe, if you got that energy, I'm sure that you could pull out multiple,
0:24:42 - 0:24:45
multiple plaques and and you can
0:24:45 - 0:24:50
start putting together you know some consistent music but king hearts man your music is is banging
0:24:50 - 0:24:55
bro i can't wait till there's a musician or a movie or somebody that gets a hundred million
0:24:55 - 0:25:06
plays on this thing and uh all of the grinding just pays off so let's go man man. Yeah. Sounds like it's the goal.
0:25:06 - 0:25:07
It's the fucking goal, baby.
0:25:08 - 0:25:09
Let's say we're up to the other speakers.
0:25:10 - 0:25:11
Let's say we're up to Rob, Mike.
0:25:11 - 0:25:12
Let's check in with them.
0:25:12 - 0:25:13
Phoenix.
0:25:13 - 0:25:14
I see we got Phoenix in the building.
0:25:15 - 0:25:17
It's a super, it's an honor to have you on the speaker panel.
0:25:18 - 0:25:19
Let's say we're up to Rob.
0:25:19 - 0:25:20
He's been here a minute.
0:25:20 - 0:25:20
What's going on, my brother?
0:25:22 - 0:25:23
Hey, shout out to Kings.
0:25:23 - 0:25:26
You throw awesome music space every friday
0:25:26 - 0:25:31
shout out to doodle clear across the other side of the world from me mexy how's your day going
0:25:33 - 0:25:40
crypto phoenix good to see you shout out to wolfie mike usb and of course we got the wave
0:25:40 - 0:25:45
root radio in here with king of Hearts as it is his platform.
0:25:45 - 0:25:47
If you guys didn't hear Doodle,
0:25:48 - 0:25:49
go down to the Purple Pill,
0:25:50 - 0:25:52
Max Engage with all the tweets in there,
0:25:52 - 0:25:53
reshare the room,
0:25:53 - 0:25:56
Max Engage with everything that's put up in the Jumbotron,
0:25:56 - 0:25:57
show some you love,
0:25:58 - 0:26:00
follow all the hosts and co-hosts
0:26:00 - 0:26:02
and the speakers if they resonate with you,
0:26:02 - 0:26:03
and even if they don't resonate with you,
0:26:03 - 0:26:04
follow with them
0:26:04 - 0:26:09
because some of us are space hosts and our spaces might resonate with you
0:26:09 - 0:26:13
love you guys and i love what you do on friday my other space
0:26:13 - 0:26:18
is late today so i'm chilling with you guys till they fired up
0:26:18 - 0:26:27
hanging with the gang that's what's up rob i appreciate it um yeah man i didn't say it he did
0:26:27 - 0:26:29
you know listen to him if you want
0:26:29 - 0:26:39
fucking love you thank you for coming up my guy um let's say what up to mike mike i like that
0:26:39 - 0:26:49
how you doing i'm good bro it's been a busy been a busy Friday, but it's a blessing because I'd rather be busy than slow.
0:26:50 - 0:26:57
And then we got the 420 on Easter, so I already told my family I can't be with them.
0:26:57 - 0:26:58
I got to run an event on that day.
0:26:59 - 0:27:04
But, you know, I'm just about to smoke on some guava gelato and listen to some beats, man.
0:27:04 - 0:27:05
I appreciate you holding these spaces. you know i'm just about to smoke on some guava gelato and listen to some beats man i appreciate
0:27:05 - 0:27:11
you holding these spaces yeah so it didn't click that 420 was easter sunday and i was like super
0:27:11 - 0:27:15
excited because one of my boys precise hit me up i'm sure a lot of you know him in the space he was
0:27:15 - 0:27:20
like yo there's an event he's like it's out in the city you should come i'm like yum count me in a
0:27:20 - 0:27:25
hundred percent and then this morning it clicked i'm like like, dude, this Sunday is Easter Sunday. He's like, yeah.
0:27:26 - 0:27:27
I'm like, fuck, man.
0:27:27 - 0:27:30
I can't ditch my kids to go fucking smoke weed in the city with you guys.
0:27:31 - 0:27:32
Oh, man.
0:27:32 - 0:27:34
If I was like 21 years old, I'd be in.
0:27:34 - 0:27:34
You know what I'm saying?
0:27:34 - 0:27:36
Jesus is rolling off of the cross.
0:27:37 - 0:27:39
He's looking at you right now, my God.
0:27:42 - 0:27:44
Yo, that was the other day.
0:27:44 - 0:27:46
That boy was telling you to come play uh
0:27:46 - 0:27:52
smoking pong or something right uh yeah yeah that's exactly what it is it was it was bong
0:27:52 - 0:27:57
pong and i was like yo i definitely want to do that but that sounds tight yeah it's no
0:27:57 - 0:28:09
coincidence that the lord has risen on the day it's 420 okay yeah facts facts we got the queen of queens in the building phoenix crypto
0:28:09 - 0:28:18
and she's brought out her nice blue velvet dress tonight oh my god queen phoenix what do we got
0:28:18 - 0:28:26
the pleasure of tonight good to see you in the space as always. Hopefully your Friday is fantastic and you're ready to party with us.
0:28:27 - 0:28:27
How are you feeling?
0:28:29 - 0:28:30
Good morning.
0:28:30 - 0:28:36
Good evening, Doodle, Vincent, Mexie, Wolfie, Ralph, Mike.
0:28:37 - 0:28:43
I see Stroke down there, Nessie, Mr. Darius, Opie, Zed.
0:28:43 - 0:28:46
Everyone's here and I'm feeling amazing. Friday's becoming
0:28:46 - 0:28:52
my favorite place to be on a Friday and I know I don't always come up in but I'm always
0:28:52 - 0:28:58
admiring and vibing in the listeners. I'm just super proud of you and everything that you're
0:28:58 - 0:29:06
doing with WaveRoot and you're actively creating the soundtrack of our lives. You know, music is so
0:29:06 - 0:29:12
powerful in our lives. It is a soundtrack. When we think of music, it brings us back to these old
0:29:12 - 0:29:19
memories, these accomplishments, these sometimes painful events, just everything in our lives
0:29:19 - 0:29:27
is tied to music. And you're actively creating the soundtrack to our lives here in Web 3. And I admire you about, I admire that about you so much.
0:29:28 - 0:29:33
And it reminds me, of course, I have to throw in a quote because I love poetry.
0:29:33 - 0:29:36
But it reminds me of this quote by this poet I love.
0:29:36 - 0:29:38
His name is Rabindranath Tagore.
0:29:39 - 0:29:41
And he says, the world speaks to me in colors.
0:29:41 - 0:29:43
My soul answers in music.
0:29:43 - 0:29:49
And I'm incredibly happy that you're listening to your soul and speaking to us in music.
0:29:50 - 0:29:52
So just wanted to say I appreciate you.
0:29:52 - 0:29:57
Even if I'm not up here all the time saying it, I'm always supporting and always super proud of you.
0:29:58 - 0:29:59
You couldn't have said it any better.
0:30:00 - 0:30:01
That was amazing.
0:30:01 - 0:30:03
The flowers, I really appreciate it.
0:30:03 - 0:30:04
And you're always here in spirit.
0:30:04 - 0:30:05
You're here every weekend.
0:30:05 - 0:30:07
And I'm super duper grateful for that.
0:30:08 - 0:30:09
And I always notice.
0:30:09 - 0:30:10
And thank you.
0:30:10 - 0:30:13
Hopefully we get to see you at NFT NYC this year.
0:30:13 - 0:30:16
And if you can make it out, that would be amazing.
0:30:16 - 0:30:19
And everyone, you know, hopefully I get to see all you guys out there.
0:30:20 - 0:30:20
It's going to be dope.
0:30:21 - 0:30:23
And I appreciate that a lot.
0:30:23 - 0:30:25
That's what music is supposed to do. And that's always the goal when I release an instrumentalist. It's got to strike dope. And I appreciate that a lot. That's what music is supposed to do.
0:30:25 - 0:30:27
And that's always the goal when I release an instrumentalist.
0:30:28 - 0:30:29
It's got to strike some kind of nerve.
0:30:30 - 0:30:31
That's the most important thing.
0:30:31 - 0:30:35
It's got to make you feel something, whether it's good, bad, happy, sad.
0:30:35 - 0:30:41
Whether it's something that gives you anxiety or something that makes you happy.
0:30:42 - 0:30:43
But thank you for that.
0:30:43 - 0:30:44
Those are beautiful words.
0:30:44 - 0:30:45
Thank you for coming up tonight, too.
0:30:51 - 0:30:52
Shout out to you, Phoenix.
0:30:53 - 0:30:55
No, I absolutely love the music.
0:30:56 - 0:30:57
And I love what she said.
0:30:57 - 0:30:59
It's creating the soundtrack to our lives.
0:30:59 - 0:31:02
You can't go a day without playing some real music.
0:31:02 - 0:31:08
If you're a hip-hop fan, if you're somebody that just loves to vibe out.
0:31:08 - 0:31:10
So, yeah, absolutely.
0:31:10 - 0:31:10
King of Hearts.
0:31:11 - 0:31:12
Blast off, brother.
0:31:12 - 0:31:15
Let's get some MCs up here as well, too.
0:31:15 - 0:31:16
Sharing the vibe.
0:31:16 - 0:31:18
A lot of doodles up in this space.
0:31:18 - 0:31:19
Shout out to all the homies.
0:31:19 - 0:31:20
Darius up here.
0:31:20 - 0:31:21
Nessie up here.
0:31:21 - 0:31:23
Getting their Friday night kicked off right.
0:31:24 - 0:31:25
Let's vibe, King. What
0:31:25 - 0:31:37
do you got for us? Let's get another track going. Everyone retweet the space. I appreciate
0:31:37 - 0:31:40
you all pulling up tonight. Happy Friday. It's the most important night of the week,
0:31:41 - 0:31:46
so it's an honor that you spend it with us and um let's play this bangle
0:31:46 - 0:31:54
right here maxi put me onto this track and now i fucking love it hold on
0:31:57 - 0:31:58
show me just do it
0:32:05 - 0:32:07
louis vuitton umbrella when I walk through the rain.
0:32:07 - 0:32:09
In the kitchen whipping chicken, counting bread like Cain.
0:32:09 - 0:32:11
Good dog, got a Mexican liquor like Johnny Dine.
0:32:11 - 0:32:13
Need deep muddew water stick, carry my cake.
0:32:13 - 0:32:15
White pocket, got money, lift pocket, cocaine.
0:32:15 - 0:32:17
Bulletproof, white kettle, let rocks in the tank.
0:32:17 - 0:32:19
I'm a dirty bag, baby, from dirty bag with a dirty case.
0:32:19 - 0:32:22
Lock down your block, light it up with flames.
0:32:22 - 0:32:23
Topping on the block while the black doing jumper jack.
0:32:23 - 0:32:25
Smolling on the wood, yellow timber like it's lumberjack. Cap'm a kid. Yeah, I got him. I'm a kid.
0:32:25 - 0:32:26
I'm a kid.
0:32:26 - 0:32:27
I'm a kid.
0:32:27 - 0:32:28
I'm a kid.
0:32:28 - 0:32:29
I'm a kid.
0:32:29 - 0:32:30
I'm a kid.
0:32:30 - 0:32:31
I'm a kid.
0:32:31 - 0:32:32
I'm a kid.
0:32:32 - 0:32:33
I'm a kid.
0:32:33 - 0:32:34
I'm a kid.
0:32:34 - 0:32:35
I'm a kid.
0:32:35 - 0:32:36
I'm a kid.
0:32:36 - 0:32:37
I'm a kid.
0:32:37 - 0:32:38
I'm a kid.
0:32:38 - 0:32:39
I'm a kid.
0:32:39 - 0:32:40
I'm a kid.
0:32:40 - 0:32:41
I'm a kid.
0:32:41 - 0:32:42
I'm a kid.
0:32:42 - 0:32:43
I'm a kid.
0:32:43 - 0:32:44
I'm a kid.
0:32:44 - 0:32:45
I'm a kid. I'm a kid. I'm a kid and get bossed up. I'll be eatin' the booty like Sally, get it tossed up.
0:32:45 - 0:32:47
Pop truck, don't know how to ride with wadding, goodbye.
0:32:47 - 0:32:49
I'm from Long Star, sippin' lean with piquet on pie.
0:32:49 - 0:32:51
I don't play by respect for that, we gon' die.
0:32:51 - 0:32:53
Time and money, so baby, believe I'ma be on time.
0:32:53 - 0:32:55
Don't even turn them, brother, when I walk through the rain.
0:32:55 - 0:32:57
In the kitchen, whippin' chicken, countin' bread like cane.
0:32:57 - 0:32:59
Good dog, got a Mexican liquor like Johnny Dine.
0:32:59 - 0:33:01
Need deep muddewater, stick, carry my cane.
0:33:01 - 0:33:03
White pocket, got money, lift, pocket, cocaine.
0:33:03 - 0:33:05
Will it poof, white kettle, let it ride in the tank
0:33:05 - 0:33:09
I'm a dirty bag baby from dirty bag With a dirty case, slide down your block, light it up with flames
0:33:09 - 0:33:13
And the legs smoked out, long foes poked out Kick peas in the drop, get it money down south
0:33:13 - 0:33:17
Feeling like Johnny Dane, got diamonds in my chain Hit your bitch in the guts with this big old thing
0:33:17 - 0:33:21
I got ice on my neck like it's rolling They coped in the bitch, yeah these diamonds look frozen
0:33:21 - 0:33:25
Real plans get choked, so you know that I be chosen Got exotic exotic in my pocket, grab a slap, wouldn't I roll it?
0:33:25 - 0:33:27
I stay out the way, don't be all in the mix.
0:33:27 - 0:33:29
Call me for sevens, don't call me for six.
0:33:29 - 0:33:31
I ain't selling no grands, bitch, come buy a zip.
0:33:31 - 0:33:33
See the streets getting dry, finna go and take a trip, let's deal.
0:33:33 - 0:33:36
Hold up, wait a minute, if I get it, then I spend it when I'm in it.
0:33:36 - 0:33:38
Keep pretending, keep it tending with my business, I'm relentless.
0:33:38 - 0:33:41
Ain't no witness, I got 10 grand high since this bitch is getting rainy.
0:33:41 - 0:33:42
Bitch up in the box full of me.
0:33:42 - 0:33:44
Don't we ever talk to them in billow when I walk through the rain?
0:33:44 - 0:33:54
In the kitchen, whipping chicken, counting bread like cane. This dog out of the box. I'm a dirty.
0:33:54 - 0:33:54
I'm a dirty.
0:33:54 - 0:33:55
I'm a dirty.
0:33:55 - 0:33:58
I got ice all over my body.
0:33:59 - 0:33:59
Looking like a snowman.
0:34:00 - 0:34:00
Big rocks in the grill.
0:34:01 - 0:34:01
Dancing like a slow jam.
0:34:02 - 0:34:02
My chain's so heavy.
0:34:02 - 0:34:03
I'm walking like an old man.
0:34:03 - 0:34:04
Try me.
0:34:04 - 0:34:05
You gonna get tagged like a spray paint. Can't smoke or something from Spokane. I'm getting cold. It's getting cold. Put a slow jam. My chain's so heavy, I'm walking like an old man. Try me, you gon' get tagged like a spray paint.
0:34:05 - 0:34:07
Can't smoke or something from Spokane, I'm getting throwed.
0:34:07 - 0:34:09
It's getting cold, put on the coat, my eyes froze.
0:34:09 - 0:34:11
Riding foes, I'm poking out, I'm nice toes.
0:34:11 - 0:34:13
Drive slow, my trunk up, and the lights glow.
0:34:13 - 0:34:15
When I'm sitting so low to the ground, I might scrape it.
0:34:16 - 0:34:17
Nothing fake, can't eat the paint, I might flake it.
0:34:17 - 0:34:19
Riding down 288 in the top 8.
0:34:19 - 0:34:21
Thinking you gon' run up on me, then you mistake it.
0:34:21 - 0:34:23
Getting bait, breaking them all, believe the stains.
0:34:23 - 0:34:25
I came through dripping a puddle, you thought it rained.
0:34:25 - 0:34:27
Everything flottles from the grills to the chain.
0:34:27 - 0:34:29
I can spell a lot of chains, now I'm looking like Johnny Depp.
0:34:29 - 0:34:31
Don't worry about telling them, brother, when I walk through the rain.
0:34:31 - 0:34:33
In the kitchen whipping chicken, kind of bread like Cain.
0:34:33 - 0:34:35
Good dog, out of the Mexican, looking like Johnny Depp.
0:34:35 - 0:34:37
Need deep muddewater, stick to carry my cane.
0:34:37 - 0:34:39
White pocket got money, lift pocket cocaine.
0:34:39 - 0:34:41
Bulletproof, white Cadillac, ride in the tank.
0:34:41 - 0:34:43
I'm a dirty bag, baby, from dirty bag.
0:34:43 - 0:34:45
With a dirty case, not down your block, light it up with flames.
0:35:02 - 0:35:13
It's the, King Walker Hey, I never let them see me sweat
0:35:13 - 0:35:15
I take that back, I never sweat
0:35:15 - 0:35:16
Cause they just ain't me
0:35:16 - 0:35:18
I'm Mr. Glock, I shoot twos and threes
0:35:18 - 0:35:19
What the fuck you mean?
0:35:19 - 0:35:21
I get guap, yeah bitch I get cream
0:35:21 - 0:35:22
This money ain't a thing
0:35:22 - 0:35:24
Yellow tape the scene
0:35:24 - 0:35:26
They pop them like a bee.
0:35:26 - 0:35:27
Yellow diamonds, cheddar cheese.
0:35:27 - 0:35:29
They hatin', let them be.
0:35:29 - 0:35:30
All these hoes on me like fleas.
0:35:30 - 0:35:32
Yeah, they love Glee's out doggy.
0:35:32 - 0:35:34
This bitch in my palms, all ass.
0:35:34 - 0:35:35
What you want for Christmas?
0:35:35 - 0:35:35
All cash.
0:35:35 - 0:35:37
Last nigga Peyton went all bad.
0:35:37 - 0:35:38
I know they hate, they fucked up.
0:35:38 - 0:35:41
I heard these niggas talkin' down a dunker in one of my books.
0:35:42 - 0:35:43
Run up on me, tough love.
0:35:43 - 0:35:46
I keep it on the side of me
0:35:46 - 0:35:48
They know glitz like that nigga
0:35:48 - 0:35:50
These fuck niggas trying to beat my richer
0:35:50 - 0:35:52
Like it's time to eat
0:35:52 - 0:35:54
I told you that I'm money hungry
0:35:54 - 0:35:56
I just cashed another chick
0:35:56 - 0:35:58
This time was a signing boss
0:35:58 - 0:36:00
Took his bitch and broke her back
0:36:00 - 0:36:02
Now she got a neck on me
0:36:02 - 0:36:04
Gender reveal diamonds on my neck
0:36:04 - 0:36:06
Cost me two something We gon' do something. It is not true. Flying mads niggas type in killer.
0:36:06 - 0:36:07
It is not true.
0:36:07 - 0:36:10
Got my name all up in their mouth like a hot shoe.
0:36:10 - 0:36:13
Diamond sitting on my wrist and neck like I'm Ryu.
0:36:15 - 0:36:16
Alright, fuck it.
0:36:16 - 0:36:17
It's a good time.
0:36:17 - 0:36:18
It's a good time.
0:36:19 - 0:36:19
New instrumental.
0:36:20 - 0:36:21
New instrumental.
0:36:23 - 0:36:24
Wrong button.
0:36:27 - 0:36:28
Where's the alarm?
0:36:28 - 0:36:30
Damn, you're a brass machine all day.
0:36:30 - 0:36:32
I gotta be used to the soundboard.
0:36:38 - 0:36:40
This better be a good track because I'm hyping it up.
0:36:41 - 0:36:43
I'm loving the Houston music, brother.
0:36:43 - 0:36:45
That fucking down south music slaps, bro.
0:36:46 - 0:36:49
Where's it been all my life, this southern rap?
0:36:50 - 0:36:51
It's okay.
0:36:51 - 0:36:52
I'm here now.
0:36:52 - 0:36:53
I can help you too.
0:36:54 - 0:36:55
Be quiet, Mike.
0:36:56 - 0:36:56
That's great.
0:36:57 - 0:36:58
Johnny Dang.
0:36:59 - 0:37:00
All right, here's the new beat, guys.
0:37:00 - 0:38:32
I made it this week. Thank you. Tony keeps telling me to put switch up to my music.
0:38:36 - 0:39:24
Fire. Thank you. I have more music too.
0:39:25 - 0:39:27
I remixed a couple this week.
0:39:27 - 0:39:28
You know what I did, Tony?
0:39:28 - 0:39:31
I remixed like three songs from King's catalogs.
0:39:33 - 0:39:36
Dude, I love those switch-ups in the song
0:39:36 - 0:39:39
because it feels repetitive.
0:39:39 - 0:39:41
And then after it's like new substance
0:39:41 - 0:39:44
and you kind of go on new chorus.
0:39:44 - 0:39:45
So, dude, I love it.
0:39:45 - 0:39:46
I love it.
0:39:46 - 0:39:49
Switching up the tempo a little bit, beats per minute,
0:39:49 - 0:39:50
switching up some of the instruments.
0:39:51 - 0:39:53
Man, sounds fire, bro.
0:39:53 - 0:39:55
I can't wait to hear more and more vocalists go on this.
0:39:56 - 0:39:57
Hell yeah, hell yeah.
0:39:58 - 0:39:59
We'll go play more instrumentals.
0:39:59 - 0:40:02
We'll get some more MCs up here and we'll get that going.
0:40:02 - 0:40:06
For now, let's shout out to Nessie.
0:40:07 - 0:40:07
Nessie in the building.
0:40:09 - 0:40:10
Nessie in the fucking building.
0:40:10 - 0:40:13
You got any Nessie in here, Serato?
0:40:18 - 0:40:27
Yeah. I don't think you miss me Text me that you make it fine, but I don't think you get it Swear you missing all the signs, but I don't
0:40:27 - 0:40:30
think you win it Framing's picture perfect, girl, but I don't
0:40:30 - 0:40:33
think I fit it Same to test is worth it, girl, but I don't
0:40:33 - 0:40:35
think you listen Swear you always on my mind, but I don't
0:40:35 - 0:40:38
think you smitten Couple others want your time, but I don't
0:40:38 - 0:40:41
think it's written Every time you drunk, you slap it, I don't
0:40:41 - 0:40:44
think you kidding Try to pull up on you, girl, you know that
0:40:44 - 0:40:45
I'm not fibbing.
0:40:45 - 0:40:49
I need, I need more time with you.
0:40:52 - 0:40:55
Oh my, oh my.
0:40:55 - 0:41:01
I need, I need more time with you.
0:41:05 - 0:41:10
Looking at past actions, girl, I know it's hard believin'
0:41:10 - 0:41:13
But that chemistry ain't never dialed for no reason
0:41:13 - 0:41:16
Tryna hear that moan, three in the morning at four seasons
0:41:16 - 0:41:19
Tryna dodge the cameras, but we know they gon' see us
0:41:19 - 0:41:22
Trust you with the videos, I hope that you don't leak it
0:41:22 - 0:41:29
After hours memories, I know that you gon' keep it You just need someone to love I hope you know I'll be it
0:41:29 - 0:41:38
I need, I need more time with you
0:41:38 - 0:41:47
I need, I need, I need more time with you
0:41:47 - 0:41:54
I went down in the DMs, honestly thought it was nothing
0:41:54 - 0:41:57
Pull up on me at the studio, my heart was a stompin'
0:41:57 - 0:42:00
Said that we should hit the crib, thought she really was fronin'
0:42:00 - 0:42:03
Popped them bemas, yeah I'm gleamin', how did I get this lucky?
0:42:03 - 0:42:05
Kissin' on my neck, movin' clever as fuck
0:42:05 - 0:42:08
Addicted to these moments which are never enough
0:42:08 - 0:42:11
Oh it's never enough
0:42:11 - 0:42:47
I need Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, That was a fire nasty shot.
0:42:48 - 0:42:50
Absolute banger of a banger.
0:43:02 - 0:43:02
Yo.
0:43:03 - 0:43:04
Drake elimination.
0:43:26 - 0:43:28
Fake intimidation. Take a minute. Take a deep breath. Have a little bit of patience. Yeah. using you for promotion, true words have never been spoken. Niggas wanna see rent me on a t-shirt like I'm Hulk Hogan. I appreciate the fans rocking with me,
0:43:28 - 0:43:29
this is really just a small token.
0:43:29 - 0:43:31
Really fucking with a visionary.
0:43:31 - 0:43:33
Only reason I ain't got a girl and I ain't getting married.
0:43:33 - 0:43:36
Cause I'm really out here filling up the itinerary
0:43:36 - 0:43:38
till I'm six feet in a cemetery.
0:43:38 - 0:43:39
Bulletproof doors so heavy,
0:43:39 - 0:43:41
got me rolling around like a dignitary.
0:43:41 - 0:43:43
Funny how it's only bitch niggas
0:43:43 - 0:43:44
that are waiting on the boys' obituary.
0:43:44 - 0:44:06
Cause if I die, it's these niggas that become a sole beneficiary. I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I'm like, I can only think of fucking missionary. Fuck that, make the beat switch, turn the hoes up, give a million to em.
0:44:07 - 0:44:10
Right now I got so many villas booked, I'm like a villain to em.
0:44:10 - 0:44:13
Dirt's boy told me Marla's Room was his favorite song, he was drilling to it.
0:44:13 - 0:44:16
Thousand niggas rapping murder shit and like ten niggas that'll really do it.
0:44:17 - 0:44:20
Savage, you the only nigga checking on me when we really in some shit, brother.
0:44:20 - 0:44:23
Melissa Ford, you a legend from the six, hate to see you with a dick sucker.
0:44:23 - 0:44:45
Shit about to be a lit summer, tell Tony Lee the motor running. Tell Mike that the ceiling's too low and boobie. I did that. For the bitches I'm like you tight just like you know that it's like they missed it was up
0:44:45 - 0:44:48
We can just say no boy for sure the women in love walk in the strip
0:45:00 - 0:45:08
See the switch ups are sick and vital, King of Hearts, but then he switches up on the third time, and then he loses everybody.
0:45:09 - 0:45:10
Give me a hug. He loses people.
0:45:11 - 0:45:14
Give me a hug. But besides that, it's like the melody.
0:45:14 - 0:45:15
The first switch-up was sick, man.
0:45:15 - 0:45:16
That kind of 90s R&B.
0:45:19 - 0:45:23
It's just like this beep, go to Missionary. It gets you charged up.
0:45:24 - 0:45:26
Then that last one, it's like, oh, man.
0:45:27 - 0:45:29
Got me in my feelings on a Friday night, fucking.
0:45:29 - 0:45:30
It grew on me.
0:45:31 - 0:45:32
That song really grew on me.
0:45:33 - 0:45:35
But Noah's song absolutely slapped that Nessie song.
0:45:35 - 0:45:37
I got to know the name of that one.
0:45:37 - 0:45:38
Give me some time.
0:45:39 - 0:45:39
Hold on.
0:45:39 - 0:45:40
It's With Love.
0:45:40 - 0:45:42
I think the name of the album is With Love.
0:45:42 - 0:45:46
I need some time with you. I have that album on my album.
0:45:47 - 0:45:47
That's a big one, man.
0:45:48 - 0:45:49
That was a binger.
0:45:49 - 0:45:49
Hell yeah.
0:45:51 - 0:45:51
We'll play it once a week.
0:45:52 - 0:45:54
We'll play a nasty track.
0:45:56 - 0:45:57
Let's say we're up to some new speakers.
0:45:58 - 0:45:59
We got fucking Nate Dogg in the building.
0:46:01 - 0:46:02
Hey, is this the Nate Dogg?
0:46:04 - 0:46:04
Yo, yo, it's Nate Dogg, man.
0:46:05 - 0:46:06
What up, homie?
0:46:11 - 0:46:12
Chilling, just jumping in the space here, you know, getting ready for 420.
0:46:16 - 0:46:17
Heard there's something rolling here, and just heard the music, man.
0:46:17 - 0:46:17
Some good lyrics.
0:46:21 - 0:46:22
I don't know if that was just straight up freestyle, if that was a tape, but...
0:46:26 - 0:46:32
That was Drake, and the song before that was one of the MCs down there in the listening and you know we play instrumentals it's an open mic if you're a musician you know we'd like to
0:46:32 - 0:46:38
perform and do your thing so I don't know if you're just a music fan or a musician you got
0:46:38 - 0:46:48
music yourself you're a rapper yeah I played music you know haven't played in a while my main instrument is trumpet and so
0:46:48 - 0:46:54
uh started out piano uh a little guitar so love music you know a little jamming but uh
0:46:54 - 0:46:57
i don't consider myself like you know
0:46:59 - 0:47:05
a musician dude that's a that's a dope that can't be easy to play. I don't know. I mean, I don't know how to play it.
0:47:06 - 0:47:12
Trumpet is such a fucking good underrated instrument that almost every song almost has.
0:47:13 - 0:47:14
Yo, that's Gangster Nate.
0:47:17 - 0:47:17
Right on, man.
0:47:17 - 0:47:19
Yeah, I'm heading back to the States.
0:47:19 - 0:47:20
I'm going to have to bring it back.
0:47:20 - 0:47:23
But it's a bit of a thing to carry around.
0:47:24 - 0:47:27
But maybe I uh get a little
0:47:27 - 0:47:34
bugle or something but yeah man love music it's like the soundtrack of our lives you know so
0:47:34 - 0:47:40
phoenix said you sound like one of us you mentioned thc i'm rolling up some thc right now
0:47:40 - 0:47:46
i know king of hearts is high maxi's high high. Ultra smooth vape. We're getting people
0:47:46 - 0:47:47
high up here. Let's go, baby.
0:47:48 - 0:47:49
Vibe out with us, my brother.
0:47:49 - 0:47:51
If you got it
0:47:51 - 0:47:53
on you, man, play it. Add to
0:47:53 - 0:47:56
an instrumental. Play a little rift
0:47:56 - 0:47:58
on top of some
0:47:58 - 0:48:00
of King of Hearts' dope
0:48:00 - 0:48:00
beats.
0:48:01 - 0:48:03
Yeah, I don't have it with me, but I'll
0:48:03 - 0:48:07
start cribbing some beats and uh just do the
0:48:07 - 0:48:14
air trumpet next time yo he's like the perfect guy to be on wave root radio king it just slapped
0:48:14 - 0:48:18
me in the face i'm just like wait a minute wait a minute before we pass this he's the perfect
0:48:18 - 0:48:26
motherfucker there's not one trumpet player on wave root radioRadio. Hey, should I pull out
0:48:26 - 0:48:27
my old clarinet?
0:48:28 - 0:48:29
Yes.
0:48:29 - 0:48:31
I was a fan nerd.
0:48:31 - 0:48:34
I play clarinet, I'm a marching band and concert band.
0:48:34 - 0:48:36
Thank you very much. I can pull out
0:48:36 - 0:48:37
my old clarinet.
0:48:38 - 0:48:39
That's amazing.
0:48:40 - 0:48:40
I had no idea.
0:48:40 - 0:48:41
I want to hear it.
0:48:42 - 0:48:44
Let's make a sample pack.
0:48:45 - 0:48:45
Dude, everyone would's a sample pack. Let's make a sample pack. Phoenix?
0:48:46 - 0:48:48
Dude, everyone would buy Phoenix sample packs.
0:48:49 - 0:48:49
I would.
0:48:50 - 0:48:51
I would buy it.
0:48:52 - 0:48:53
I don't think I would release it.
0:48:53 - 0:48:55
I would take all the riffs and make music with it myself.
0:48:56 - 0:48:57
I'd huddle.
0:48:58 - 0:48:59
Put it in your music.
0:48:59 - 0:49:00
It's funny as hell.
0:49:02 - 0:49:08
My son is playing the saxophone right now he's learning and my daughter is learning the piano
0:49:08 - 0:49:12
with me though she's four so she just i've been teaching her chords and how to play and she plays
0:49:12 - 0:49:18
a couple of little couple little jingles she got down pat so it's nice it's nice but my son is in
0:49:18 - 0:49:23
band in school and he's learned how to play the saxophone but he's just kind of like uninterested
0:49:23 - 0:49:30
right now i'm like dude you don't realize how cool that is and um his best friend his best friend is playing the saxophone as
0:49:30 - 0:49:34
well so when we asked him like what instrument do you want to play he's like i want to play the
0:49:34 - 0:49:39
saxophone because ryan's playing the saxophone and ryan comes over like a day later and he's like
0:49:39 - 0:49:43
oh yeah i chose the saxophone because vincent chose the saxophone i didn't want to play it either
0:49:43 - 0:49:48
and the two of them are sitting there like neither one of them wanted to play the saxophone i don't know it
0:49:48 - 0:49:52
didn't make sense but boys will be boys young boys but whatever it's a dope instrument to know
0:49:52 - 0:50:01
how to play so that's cool but yeah the trumpet so i mean if you can like uh make stem packs and
0:50:01 - 0:50:05
and um i mean if you can make like original loops and riffs and you want to
0:50:05 - 0:50:09
earn some passive income or something hit me in the dms we could talk more about it
0:50:09 - 0:50:17
also what about just notes notes like you know like hearing some of those 808s hearing some of
0:50:17 - 0:50:26
those saxophone hearing a clarinet hearing like a fucking French horn being played. Like my favorite, one of my favorite producers is,
0:50:26 - 0:50:30
what's his name?
0:50:30 - 0:50:31
Ryan something.
0:50:31 - 0:50:32
Ryan Leslie.
0:50:32 - 0:50:33
Ryan Leslie.
0:50:33 - 0:50:34
No, his name is Ryan Leslie.
0:50:35 - 0:50:38
He literally does YouTube and he'll order something.
0:50:39 - 0:50:41
And then when it comes in, he'll like play it.
0:50:41 - 0:50:43
And he'll show you how he's putting the beat together.
0:50:43 - 0:50:44
It's so fucking sick and hard.
0:50:44 - 0:50:48
So you got to listen to some of his songs songs and he's done major shit with cassie
0:50:48 - 0:50:54
he's had some major songs himself that got hundreds of millions of views so yeah it's a
0:50:54 - 0:51:01
great producer and and being versatile in music it creates it and it captures such a wide variety
0:51:01 - 0:51:05
of listeners it It really does.
0:51:05 - 0:51:07
I've really been sleeping on, like, learning,
0:51:07 - 0:51:09
trying to learn, like, a new instrument.
0:51:10 - 0:51:12
Like, I always say I want to learn how to play the guitar
0:51:12 - 0:51:13
and this and that.
0:51:13 - 0:51:14
Don't you play five right now?
0:51:15 - 0:51:16
No, I play five.
0:51:16 - 0:51:18
I play the fucking piano and the drums.
0:51:20 - 0:51:20
You know?
0:51:21 - 0:51:23
That's pretty good for me.
0:51:23 - 0:51:24
Piano, drums.
0:51:25 - 0:51:26
It's the basic. It's the basic for music production. You know, That's pretty good for me. Piano, drums. It's the basic.
0:51:26 - 0:51:28
It's the basic for music production.
0:51:28 - 0:51:29
You know, it's key.
0:51:29 - 0:51:33
Because everything's played through MIDI on my computer and it's through piano.
0:51:33 - 0:51:36
So, like, all the instruments you hear are just, like, I can...
0:51:36 - 0:51:39
Nate chose the horn because Johnny and Vincent...
0:51:39 - 0:51:41
It sounds like shit.
0:51:42 - 0:51:46
King of Hearts, Nate chose the horn because Johnny and Vincent chose the horn.
0:51:46 - 0:51:48
But he really wants to play the drums.
0:51:49 - 0:51:49
Badly.
0:51:50 - 0:51:52
Dude, I don't know how you know that, man.
0:51:52 - 0:51:53
I wanted to be a drummer.
0:51:55 - 0:51:56
My aunt just said...
0:51:56 - 0:51:57
I see how I know.
0:51:57 - 0:51:58
I'm done.
0:51:58 - 0:51:58
A piano teacher.
0:51:59 - 0:52:01
So she would let me play drums when I was a kid.
0:52:01 - 0:52:02
I played piano when I was little.
0:52:02 - 0:52:03
And then she would let me play drums.
0:52:04 - 0:52:07
Then my brother came along and she let him play drums
0:52:07 - 0:52:08
because she went to Africa and heard these guys
0:52:08 - 0:52:10
playing these skins, and they were like,
0:52:10 - 0:52:13
she's like, man, that's freaking music there.
0:52:14 - 0:52:16
So she changed her mind, but I had a drum set
0:52:16 - 0:52:18
down in my basement, so I learned to play the drums too,
0:52:18 - 0:52:20
so it worked out good.
0:52:21 - 0:52:24
I think the steel drum might be the coolest instrument.
0:52:24 - 0:52:25
I was thinking that. Oh, man, the steel drum might be the coolest instrument. I was thinking that.
0:52:26 - 0:52:26
Oh, man.
0:52:26 - 0:52:29
The steel drum is just the coolest instrument.
0:52:29 - 0:52:30
Like, that's so badass.
0:52:30 - 0:52:31
You see the people.
0:52:31 - 0:52:34
Like, when I went to the Bahamas, there was, like, people playing it,
0:52:34 - 0:52:37
just, like, chilling, like, you know, on the beach playing their steel drum.
0:52:37 - 0:52:39
That's a very attractive instrument.
0:52:39 - 0:52:40
It sounds amazing.
0:52:41 - 0:52:42
Live, it sounds amazing.
0:52:42 - 0:52:43
Yeah, it's beautiful.
0:52:48 - 0:52:54
Absolutely, especially when you're in the tropics dude there was a riff that was stuck in my brain king of hearts and i couldn't find it iphone couldn't
0:52:54 - 0:53:06
find it and i ended up after it's called seven called Seven Nation Army, The White Stripes.
0:53:08 - 0:53:09
You knew about that?
0:53:09 - 0:53:10
Yeah, that's a very...
0:53:10 - 0:53:10
I'm laughing.
0:53:11 - 0:53:12
I could have told you that.
0:53:12 - 0:53:16
I just couldn't remember where the riff came from.
0:53:17 - 0:53:17
But guess what?
0:53:17 - 0:53:23
I used Gronk and fucking Kanye West stole some of the riff and put it into power.
0:53:24 - 0:53:25
Fucking guy. You know? All of the best and put it into power. Fucking guy.
0:53:26 - 0:53:29
You know, all of the best songs have samples from older songs.
0:53:30 - 0:53:31
That's just how it is.
0:53:33 - 0:53:33
That's how I feel.
0:53:34 - 0:53:35
Yeah, it's wild.
0:53:36 - 0:53:38
Ocean Racing League, how you doing?
0:53:38 - 0:53:40
And then we're going to say what up to Crypto winner.
0:53:41 - 0:53:42
So good.
0:53:42 - 0:53:43
Loving this convo.
0:53:43 - 0:53:57
Kind of wishing I came in on my personal account, VDK Music. But I generally do everything under Ocean Racing League. I am a classical violinist. So Nate, pounds to you.
0:54:00 - 0:54:08
trumpet and king of hearts get one of your kids or yourself into a stringed instrument violin
0:54:08 - 0:54:16
obviously is my preference but i do love the cello my sister is a professional cellist i'm
0:54:16 - 0:54:22
me and like four sisters are professional uh violinists and then we have like viola the work
0:54:22 - 0:54:27
he needs you and all your sisters to start making sample packs for Wave Radio.
0:54:27 - 0:54:28
You know what? He really should.
0:54:30 - 0:54:32
There's an opportunity to earn some money.
0:54:32 - 0:54:33
The platform's already made.
0:54:33 - 0:54:34
You can create like a rich film.
0:54:35 - 0:54:36
I've been looking for producers.
0:54:36 - 0:54:38
I have one. He's just taken a bit.
0:54:38 - 0:54:41
But he's trying to make scores for like movie production.
0:54:42 - 0:54:43
I think that's a great angle.
0:54:43 - 0:54:50
That's a niche that needs to be on the website. I mean, I write, I arrange, I conduct, I direct.
0:54:50 - 0:54:56
Do they play violins and cellos? There's not a single soul in Web3 that can do that.
0:54:56 - 0:55:02
I have not been doing as much as I should be. I've been like full-time Web3 these days, but
0:55:02 - 0:55:07
I need to get back into it unfortunately i am battling a little
0:55:07 - 0:55:17
bit of arthritis in my old age 40 and just it's hurting so i i need to like address that
0:55:17 - 0:55:30
doing that next month with the doctor's visit um but definitely get one of your kids into strings it is a hurdle i'm not gonna lie it is
0:55:30 - 0:55:39
like the hardest instruments you could learn are the strings however so rewarding and then on top
0:55:39 - 0:55:46
of that you said i think it was you king you said one of your kids is playing sax and kind of like falling out of love.
0:55:48 - 0:55:54
Find Google, the YouTube channel for Too Many Zoos.
0:55:54 - 0:56:09
This is this crazy over-the-top saxophone player who does these little music videos with other musicians in everything from subway
0:56:09 - 0:56:17
stations to like tunnels and just the craziest saxophone player you will ever meet so the name
0:56:17 - 0:56:25
of the channel is t-o-o or too many zoos okay i think he's probably on Spotify too.
0:56:25 - 0:56:32
Like the guy made me want to, at almost 40 at the time, want to learn the sack.
0:56:33 - 0:56:37
Like I just wanted to learn just because he inspired me so much.
0:56:38 - 0:56:39
Something to make it look cool, man.
0:56:40 - 0:56:40
Yeah.
0:56:40 - 0:56:41
Make it look cool.
0:56:42 - 0:56:47
Make it just, this guy is like over the top so check it out
0:56:47 - 0:56:54
maybe it could help your kid that that's my skill also nate second pounds to you
0:56:54 - 0:57:07
trumpet is no joke you guys do not get enough recognition in orchestras and ensembles. So I do commend you. I'm done.
0:57:08 - 0:57:15
Gonna go. Yeah, I played an orchestra. I backed you all up. I can count 150 bars of rest.
0:57:16 - 0:57:27
Right? And I directed those orchestras. Now, however, I also wrote the music for my ensembles that i was directing and i made sure
0:57:27 - 0:57:36
the trumpet players got to sing the whole time no 150 bars of rest maybe three that's it not fair to
0:57:36 - 0:57:47
you you guys are amazing i love it i love that we have some real... Get on Waybroot.com right now.
0:57:47 - 0:57:48
Check it out.
0:57:48 - 0:57:49
Definitely, guys.
0:57:49 - 0:57:50
Go to the pin tweet.
0:57:51 - 0:57:51
Check it out.
0:57:51 - 0:57:52
Waybroot.com.
0:57:52 - 0:57:58
It's my platform I built for music producers to sell instrumentals and sound packs.
0:57:59 - 0:58:03
There's a big market because there's a lot of music producers and DJs that don't play any instruments.
0:58:04 - 0:58:05
What they do is they shop for samples.
0:58:06 - 0:58:10
Even the ones who do know how to play instruments, they'll still shop for sample packs.
0:58:10 - 0:58:15
So it's a huge market, and we're going to penetrate the shit out of it, no pun intended,
0:58:16 - 0:58:17
with all my Web3 homies.
0:58:18 - 0:58:20
And we're going to make some money.
0:58:20 - 0:58:21
We're going to make some extra fucking cash.
0:58:22 - 0:58:22
Excuse my language.
0:58:23 - 0:58:25
Once it starts getting late. I get a little
0:58:28 - 0:58:30
That sounds very dirty. I did not mean for that to happen
0:58:32 - 0:58:39
Gross right now We have ladies we have a lot of ladies up here on the speaker panel and I'm a big fan fan boy actually of the clarinet
0:58:39 - 0:58:41
So if I could get a little
0:58:42 - 0:58:45
You know one of one solo from Queen Phoenix.
0:58:48 - 0:58:50
Ooh, I'll melt like a little popsicle.
0:58:53 - 0:58:53
Yeah, Phoenix, if you could pull out your woodwork.
0:58:54 - 0:58:54
My woodwind.
0:58:55 - 0:58:57
I'd love to see.
0:58:58 - 0:58:59
Your woodwind, yes.
0:59:04 - 0:59:05
I'm just thinking about, like, your work's going off. I'm just thinking about like,
0:59:05 - 0:59:08
Mexie and Mike dancing in Houston,
0:59:08 - 0:59:11
you know, like Wolfie over there with Rob Allen,
0:59:11 - 0:59:14
you know, just kind of like dancing on the floor,
0:59:14 - 0:59:15
you know, vibing.
0:59:15 - 0:59:16
King of Hearts just,
0:59:16 - 0:59:18
just with his headphones on,
0:59:18 - 0:59:20
just mixing the beats.
0:59:20 - 0:59:22
He like, he just keeps mixing it.
0:59:22 - 0:59:24
Like it's tomato sauce and it's sticky.
0:59:24 - 0:59:30
You just mix in the beats. But anyways, you know, maybe I'm hallucinating off this good weed.
0:59:31 - 0:59:37
I don't know. Phoenix, if you do have the clarinet, if you do got your instruments, anybody just bring them to the party.
0:59:37 - 0:59:41
It's like the guy who brought his guitar. No one asked him to bring the guitar.
0:59:41 - 0:59:45
He's just going to start singing at some point so yeah i would love
0:59:45 - 0:59:50
to yo you guys all know that person king of hearts there's always one guy that just brings the guitar
0:59:50 - 0:59:56
he's like what is he gonna do with this and when is he gonna start using it i'm saying that
0:59:59 - 1:00:07
a gentleman that i knew that he used to be a co-worker. He retired, but he used to bring his guitar to work.
1:00:08 - 1:00:17
And sometimes after a group team meeting, he would bless us with some some guitar tunes and then he would sing.
1:00:18 - 1:00:23
It was interesting. Just unprovoked, unannounced, just impromptu.
1:00:23 - 1:00:27
It was nice. I've been at a corporate company as well, too, Phoenix,
1:00:27 - 1:00:31
and the guy's name was Tom, and he just looked like a fucking cowboy.
1:00:31 - 1:00:33
You knew he was going to use the guitar, King of Hearts.
1:00:36 - 1:00:36
It's amazing.
1:00:37 - 1:00:39
Oh, man, he's a musician at heart.
1:00:40 - 1:00:42
The dude is a hippie, and he needs to come out of his shell.
1:00:42 - 1:00:44
He's probably just working this job, and he's like, you know,
1:00:46 - 1:00:46
I don't care.
1:00:47 - 1:00:47
I don't need permission.
1:00:50 - 1:00:51
I love that, that he busted out the guitar and just started like.
1:00:52 - 1:00:54
I love that too. It sounds funny in contact.
1:00:55 - 1:00:56
Thinking about it happening.
1:00:56 - 1:00:57
It's funny.
1:00:57 - 1:00:58
Yeah, it is funny.
1:00:58 - 1:00:59
But it was wonderful.
1:00:59 - 1:01:01
I'll cheer and everything.
1:01:01 - 1:01:04
And now he's gone and now there's no music in the office.
1:01:04 - 1:01:05
So sad.
1:01:06 - 1:01:07
He better have left to go
1:01:07 - 1:01:09
do a music gig or something to fill his
1:01:09 - 1:01:12
dreams, you know? He's got a lot of money
1:01:12 - 1:01:13
in playing at bars. He's writing
1:01:13 - 1:01:16
books. He's playing music. He's living his
1:01:16 - 1:01:17
best life. So I'm happy for him.
1:01:18 - 1:01:19
That's pretty amazing. Yeah.
1:01:19 - 1:01:22
That is cool. He escaped the Matrix.
1:01:22 - 1:01:24
He figured it out. He's living in the moment.
1:01:24 - 1:01:25
Life is short. He escaped the Matrix. He figured it out. He's living in the moment. Life is short.
1:01:25 - 1:01:26
Do what you love.
1:01:29 - 1:01:29
All right.
1:01:30 - 1:01:32
I got a song that I feel like hearing because...
1:01:34 - 1:01:36
Whoa, whoa, whoa.
1:01:37 - 1:01:40
I like that song, too, but...
1:01:40 - 1:01:41
That was for me and Phoenix.
1:01:41 - 1:01:42
Yeah.
1:01:45 - 1:01:45
Yes. Yeah. Yes!
1:01:46 - 1:01:47
Yes!
1:01:47 - 1:01:48
Dun dun dun!
1:02:03 - 1:02:26
Jump back on your phone and throw some hundreds right now and Oh, through my mind behind a cigarette.
1:03:08 - 1:03:13
And a message coming through my eyes. Thank you. Don't want to hear about it Every single one's got a story to tell
1:03:13 - 1:03:16
Everyone knows about it
1:03:16 - 1:03:20
From the queen of anger to the hounds of hell
1:03:20 - 1:03:24
And if I catch it coming back my way
1:03:24 - 1:03:26
I'm gonna serve it to you.
1:03:29 - 1:03:34
And that ain't what you want to hear, but that's what I'll do.
1:03:37 - 1:04:07
And if I'm coming from my home, that's me. so .
1:04:23 - 1:04:27
Such a fucking simple riff, but it's so fucking good
1:04:27 - 1:04:38
facts yeah that's uh how easy is that to play like what's that i never picked up uh
1:04:38 - 1:04:46
like a guitar i like the drums honestly the best have a little rhythm but how hard is it to play that
1:04:46 - 1:04:50
can't be that hard it's like the same fucking no it's five keys
1:04:50 - 1:04:59
not hard doesn't seem hard on the guitar i mean i could find the keys on the piano and easily just
1:04:59 - 1:05:06
play it out on the piano but uh i we i played that song i meant to say we're up to crypto winner let's say we're
1:05:06 - 1:05:10
up to the crypto winner in the building man he's been chilling here old patient you ain't got to
1:05:10 - 1:05:17
put your hand up homie i'm sorry thank you for waiting what's up my brother or sister yo man
1:05:18 - 1:05:24
big shout out to king of one man like do the shout out to you guys and makes it
1:05:20 - 1:05:27
everyone man like do the shout out to you guys and mix it shout out to everyone in the speaker
1:05:27 - 1:05:33
sections and everyone in the listener section big shout out to you all like i'm a music fan
1:05:38 - 1:05:44
and i'm also an instrumentalist as well so i do play trumpet i have a trumpet
1:05:40 - 1:05:47
and instrumentalists as well so i do play trumpet i have a trumpet so i'll just play a trumpet now
1:05:47 - 1:05:53
at the moment but it's a bit late over here i mean the midnight over here it's 3 am so a lot of people
1:05:57 - 1:06:09
so i hope some other time i'm gonna just just open here and just please some music stuff and trumpet instrument for you guys man like and i
1:06:09 - 1:06:16
really love to join your king at the king guard music class stuff and the website and oh i was
1:06:16 - 1:06:21
hoping i could just check in and see what you guys are building yeah so let's go together
1:06:21 - 1:06:28
as the music teams as a committee as a you know together of course
1:06:28 - 1:06:34
together we on stopping we like let's get it let's keep going let's fucking go man
1:06:35 - 1:06:40
keep up the good work big shout out to you all man thanks you for having me and thanks for the
1:06:40 - 1:06:47
particular interview to speak and ever take that for granted. And I heard some people saying they play trumpet as well.
1:06:48 - 1:06:50
So Nate Dogs, big shout out to you, my man.
1:06:51 - 1:06:52
I love to connect with you, man.
1:06:53 - 1:06:54
Oceans, shout out to you, man.
1:06:55 - 1:06:57
So you guys are doing amazing.
1:06:57 - 1:06:59
So let's fucking go, man.
1:07:00 - 1:07:02
Hey, appreciate it, bro.
1:07:02 - 1:07:03
Definitely appreciate it.
1:07:03 - 1:07:04
I want to hear some of your music for sure.
1:07:04 - 1:07:10
We'll talk and we'll go from there so if you have any stuff streaming anything that you publish
1:07:10 - 1:07:18
put out on youtube whatever um throw at my dm would love to hear it if you feel like waking
1:07:18 - 1:07:22
everybody up just fucking play it play it play the trumpet we won't be upset i know the people
1:07:22 - 1:07:30
around you will be upset so you gotta make a conscious decision we're here for you no matter what who gives a fuck who gives
1:07:30 - 1:07:35
a fuck what the other people think you know his girl's gonna come in the room and beat his ass
1:07:35 - 1:07:39
when you play the trumpet at three o'clock in the morning if i was playing the trumpet at three
1:07:39 - 1:07:45
o'clock in the morning my kids would tackle me and like they'd attack me. And yeah, we'll keep it at
1:07:45 - 1:07:55
that. He lives with hyenas. He's the king of hearts, king of the jungle. Yeah, two little
1:07:55 - 1:11:46
hungry hyenas, two greedy little capitalist children. Let's play instrumental. Bang it, baby. instrumental bang it baby Thank you. I Thank you. I'm going to go back to music. I Thank you. Let's hear from some of the MCs, some of the producers.
1:11:46 - 1:11:48
I see some musicians pulling into the room.
1:11:49 - 1:11:50
Shout out to all you guys.
1:11:51 - 1:14:26
It's a beautiful, beautiful Friday. Thank you. Thank you. all right let's check back in.
1:14:27 - 1:14:28
Maxie was popping.
1:14:30 - 1:14:35
We're chilling, just here listening to the music.
1:14:35 - 1:14:38
I was listening to Phoenix talk about the clarinet.
1:14:38 - 1:14:39
Phoenix is a fucking jam.
1:14:39 - 1:14:40
I love her.
1:14:41 - 1:14:44
But yeah, shout out to everybody here sharing the room.
1:14:47 - 1:14:47
I see we have some new speakers too.
1:14:48 - 1:14:48
I appreciate you checking in.
1:14:51 - 1:14:51
I'm smoking, so, you know, I'm sitting back a little.
1:14:52 - 1:14:54
What you got?
1:14:55 - 1:14:55
It's high fruit candy.
1:14:56 - 1:14:56
I don't know if I really like it.
1:14:58 - 1:15:00
I like that candy kush a little bit better.
1:15:02 - 1:15:02
The sound of candy kush sounds good.
1:15:03 - 1:15:03
High fruit.
1:15:06 - 1:15:06
Yeah, it hit really, really heavy, too.
1:15:07 - 1:15:08
That's what I like.
1:15:12 - 1:15:12
You know that slap shop feeling where you're just like, yeah, that feels good?
1:15:14 - 1:15:14
Yeah, that's what it is.
1:15:17 - 1:15:20
That slap shop feeling was a good description.
1:15:25 - 1:15:25
Yeah, I'm going to take an edible, too, because I was telling you I have these new edibles.
1:15:26 - 1:15:29
I need to try them out.
1:15:30 - 1:15:31
Let me know.
1:15:32 - 1:15:32
Take the edible.
1:15:34 - 1:15:35
Check back in in like 45 minutes.
1:15:35 - 1:15:36
Yeah, no.
1:15:37 - 1:15:37
Don't do the edible.
1:15:39 - 1:15:40
She's going to start talking silly.
1:15:41 - 1:15:41
It's too late, Wolfie.
1:15:43 - 1:15:43
It's already too late.
1:15:43 - 1:15:44
Oh, man.
1:15:44 - 1:15:45
I already did that. I got to do it for Phoenix.
1:15:46 - 1:15:46
Okay?
1:15:46 - 1:15:47
I got to do it for Phoenix.
1:15:47 - 1:15:49
But shout out to Phoenix.
1:15:51 - 1:15:55
There are certain instruments that you cannot replicate with a keyboard.
1:15:55 - 1:15:57
You know, King of Hearts already knows this shit.
1:15:58 - 1:16:03
You know, the clarinet, the trumpet, the Fender Rhodes, strings.
1:16:04 - 1:16:07
There's a handful. You know know five off the top of my head
1:16:07 - 1:16:15
right though those ones are like not replicable on a keyboard strings and horns actually yeah
1:16:15 - 1:16:27
strings guitar guitar you can kind of uh strings you like chord progressions but i can't do like no full acoustic those are samples
1:16:27 - 1:16:34
that when you know when i play that it's a it's like a but nobody has ever become
1:16:34 - 1:16:47
like nobody's ever had a trumpet or a clarinet or a saxophone or any kind of horn instrument that sounds remotely authentic on
1:16:47 - 1:16:51
a keyboard you know what i'm saying like those there's some there's some musical instruments
1:16:51 - 1:16:56
where it's like dude like you can't fucking you can't replicate this shit on a keyboard you
1:16:56 - 1:17:03
literally have to like sample it and you have to if you play it you're you sample it from a record
1:17:03 - 1:17:06
obviously or you fucking play it yourself through a
1:17:06 - 1:17:12
microphone and put it through your MIDI device and through your sequencer, but it's a pain
1:17:12 - 1:17:13
in the ass.
1:17:13 - 1:17:15
But nobody can replicate that shit, dude.
1:17:16 - 1:17:18
It's really, really hard.
1:17:18 - 1:17:19
Probably for a reason.
1:17:22 - 1:17:23
I don't know.
1:17:23 - 1:17:24
Kid Venom, what up?
1:17:24 - 1:17:25
Can you replicate that? Hell no, I can't.. Kid Venom, what up? Can you replicate that?
1:17:27 - 1:17:28
Hell no, I can't.
1:17:28 - 1:17:28
What was that?
1:17:31 - 1:17:33
Shout out to you, bro.
1:17:33 - 1:17:37
Everyone, super talented musician, producer.
1:17:38 - 1:17:39
Check him out.
1:17:39 - 1:17:40
Give him a follow.
1:17:40 - 1:17:41
How you doing tonight, bro?
1:17:41 - 1:17:42
Happy to see you on a Friday night.
1:17:43 - 1:17:44
I'm cool, bro.
1:17:44 - 1:17:45
Just chilling in the crib.
1:17:46 - 1:17:47
Smoking.
1:17:48 - 1:17:49
So I'm chilling.
1:17:49 - 1:17:51
I just came to play with y'all some beats.
1:17:51 - 1:17:52
That's about it.
1:17:54 - 1:17:55
Serenade us.
1:17:57 - 1:17:59
With the beats, you don't have to sing.
1:18:00 - 1:18:01
Singing means serenade, right?
1:18:01 - 1:18:03
Yeah, you can play the instrumentals.
1:18:04 - 1:18:06
I was about to say, good, because I can't sing at all.
1:21:02 - 1:21:06
Bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce, bounce I'm going to go back to the next one. This is a production of the U.S. Department of Health. Thank you. oh Oh All right. that was a vibe you can tell but the quality was a little low on my end i don't know if it was sounding good for everybody else. No, it was, yeah.
1:21:06 - 1:21:07
It sounded like you were like.
1:21:07 - 1:21:08
A little in and out.
1:21:09 - 1:21:09
Definitely.
1:21:09 - 1:21:10
But that shit was hot.
1:21:10 - 1:21:11
I could tell.
1:21:11 - 1:21:12
I was listening closely.
1:21:13 - 1:21:13
Damn.
1:21:14 - 1:21:15
It might be my wife.
1:21:15 - 1:21:17
But yeah, I appreciate you.
1:21:18 - 1:21:22
I'm about actually, I'm putting together a beat tape.
1:21:22 - 1:21:23
Like a jersey, a little jersey tournament.
1:21:23 - 1:21:24
That's one of them.
1:21:24 - 1:21:29
So y'all got an exclusive low key, but yeah, thank God. I definitely appreciate
1:21:29 - 1:21:31
H.O
1:21:32 - 1:21:38
After that song I'm ready to bounce bounce bounce. That was a pretty sick song, bro
1:21:40 - 1:21:45
I'm staying though. I'm gonna be honest. I'm gonna stay stay for the good vibes stay for the music
1:21:45 - 1:21:47
That song got everybody bouncing
1:21:47 - 1:21:53
Bounce it. I saw people smoking ounces. Let's go
1:21:54 - 1:21:59
People gotta share their Spotify link if they have some music on Spotify
1:21:59 - 1:22:05
Or maybe they have a collection out and what three where people can actually play it on a regular basis.
1:22:06 - 1:22:08
King Hearts always mentions that to people.
1:22:08 - 1:22:10
I don't think that you stress it enough.
1:22:11 - 1:22:13
And then get on waveroot.com
1:22:13 - 1:22:16
and take a look at some of these sample packs.
1:22:16 - 1:22:18
Take a look at some of these instrumentals.
1:22:18 - 1:22:19
Play some of it.
1:22:19 - 1:22:21
If you like it, you can own it.
1:22:21 - 1:22:26
It's dope for creators, artists, all sorts of people.
1:22:26 - 1:22:32
If you're a musician, a lyricist, I love what King Heart's been doing by growing the brand.
1:22:32 - 1:22:34
And I'm happy to help any possible way I can.
1:22:34 - 1:22:35
Ocean, back to you, brother.
1:22:35 - 1:22:36
What's up?
1:22:38 - 1:22:40
Sister, but, you know, it's fine.
1:22:41 - 1:22:42
Sorry, sister.
1:22:42 - 1:22:43
No, you're fine.
1:22:43 - 1:22:44
That's how high I am.
1:22:44 - 1:22:47
My phone is dim because it's so bright
1:22:47 - 1:22:56
outside kind of jealous i'm like this is funny because i'm a true musician i have tried so hard
1:22:56 - 1:23:05
to get into the weed world i am very allergic so i can only take oils or edibles.
1:23:06 - 1:23:08
So did enjoy the edibles.
1:23:08 - 1:23:08
Edibles are great.
1:23:08 - 1:23:09
Yeah, they are.
1:23:09 - 1:23:14
King of hearts, I wanted to come up so, so bad and just like, take the edible.
1:23:14 - 1:23:15
Take the edible.
1:23:15 - 1:23:16
You know what?
1:23:16 - 1:23:24
The edibles and the CBD, like, mix THC oil.
1:23:24 - 1:23:26
CBD is just a rob for my money.
1:23:26 - 1:23:26
No, no, no.
1:23:26 - 1:23:29
People rob me for money when they talk CBD
1:23:29 - 1:23:31
because CBD doesn't do it for me.
1:23:32 - 1:23:34
That's what I can take.
1:23:34 - 1:23:36
I cannot smoke a joint.
1:23:36 - 1:23:36
CBD steals from you.
1:23:36 - 1:23:38
I will green out.
1:23:38 - 1:23:40
I cannot bong it.
1:23:40 - 1:23:43
I can take oils all day long.
1:23:44 - 1:23:50
Have you ever tried to smoke a gorilla finger what is that it's just
1:23:50 - 1:23:57
a really big a's joint you pull some gorilla fingers no no it's a blunt it's a big big blunt
1:23:57 - 1:24:05
rolled in in nice fine premium no unfortunately I I tried like all for like a decade.
1:24:06 - 1:24:11
I spent a decade trying so hard.
1:24:12 - 1:24:14
King of Hearts is looking at his bag right now.
1:24:14 - 1:24:16
He's about to scarf them all down.
1:24:17 - 1:24:20
You inspired him to eat the rest of his milligrams.
1:24:21 - 1:24:21
That's right.
1:24:22 - 1:24:24
Oil all day for me, though.
1:24:24 - 1:24:29
Which state are you from? am from canada ontario
1:24:29 - 1:24:49
me too not the first state not going there okay oh really i'm from toronto i am 45 minutes from there burlington nice she's on the west coast of gta hopefully one day i'm going to
1:24:49 - 1:24:59
live on the island though in uh bc that is that is my dream spot i retired at at 33 in thailand
1:24:59 - 1:25:08
i said fuck it i'm gonna retire yes yes just smoke all day that's the dream for us
1:25:08 - 1:25:14
as soon as trump imposed the tariffs tony was like fuck it i'm leaving he went straight to thailand
1:25:14 - 1:25:20
and i snuck out before he imposed it on the airplanes too my best friends are actually
1:25:20 - 1:25:27
from web3 uh got the opportunity to well like not even just online
1:25:27 - 1:25:38
i physically have met them at like east toronto went to travel to visit them in bc um and yeah
1:25:38 - 1:25:47
bc the island victoria that that's my spot that's my jam so hopefully by next year a year or two
1:25:47 - 1:25:56
i would like to say that i am no longer from on terrible as as some people have told me
1:25:56 - 1:26:09
no longer from on terrible definitely not from the states sorry to my american love loves but yeah i just want to get out to the island get to the beach
1:26:09 - 1:26:20
just uh love life a little bit and now i forget why i raised my hand so i i think it was weed
1:26:20 - 1:26:26
related i don't know i've had we're all all smoking here, so it's definitely rubbing off on you.
1:26:26 - 1:26:28
We all just want to lay in the shade with a glass of lemonade.
1:26:28 - 1:26:29
I can relate.
1:26:29 - 1:26:30
Exactly.
1:26:30 - 1:26:32
Some wine, some oils.
1:26:32 - 1:26:34
We're all happy.
1:26:35 - 1:26:36
Just enjoying the space.
1:26:36 - 1:26:42
I do need to say this happens every Friday because I'm coming back.
1:26:42 - 1:26:43
Friday and Saturday.
1:26:43 - 1:26:45
Do you like essential oils? I do. Me too. I love them. I'm such back. Friday and Saturday. Do you like essential oils?
1:26:46 - 1:26:47
I do.
1:26:47 - 1:26:49
I'm such a hippie.
1:26:50 - 1:26:51
I'm a true...
1:26:51 - 1:26:52
I play violin.
1:26:53 - 1:26:56
I was basically made to be born in the 60s.
1:26:58 - 1:26:59
That was my day.
1:26:59 - 1:27:01
The violin is a badass instrumental.
1:27:02 - 1:27:02
It is.
1:27:02 - 1:27:04
It absolutely is.
1:27:04 - 1:27:07
You should microdose mushrooms if you can't smoke weed.
1:27:07 - 1:27:09
I'm a professional violinist.
1:27:09 - 1:27:14
However, I can rock it with some Metallica.
1:27:16 - 1:27:18
I can play any genre.
1:27:19 - 1:27:26
I've lived in Nashville for two years, recording, like, songs and stuff.
1:27:28 - 1:27:30
So I'm kind of your, like...
1:27:31 - 1:27:33
She's a real rock star, King Hearts.
1:27:33 - 1:27:34
She's lived in Nashville.
1:27:35 - 1:27:36
Facts.
1:27:36 - 1:27:39
Well, I was.
1:27:39 - 1:27:40
Yeah, it was fun.
1:27:41 - 1:27:48
Definitely decided, like, being back in Canada with raising my kids was like the place to
1:27:48 - 1:27:56
be. But yes, I even abandoned my kids for lack of a better term to go spend a couple of years
1:27:56 - 1:28:08
on and off recording in Nashville. Music is everything. And super excited. I've seen you in so many spaces, King of Hearts.
1:28:08 - 1:28:10
Like I was already following you.
1:28:10 - 1:28:13
You were following me as ORL.
1:28:13 - 1:28:16
I think you were in like Dave's like polygon space.
1:28:17 - 1:28:22
I did not realize how integrated you were into music.
1:28:20 - 1:28:24
how integrated you were into music. So very excited for you.
1:28:22 - 1:28:24
So very excited for you.
1:28:24 - 1:28:28
Going to check out your app or website,
1:28:28 - 1:28:32
whatever you want to call it. And yeah,
1:28:32 - 1:28:35
super cool to connect on a deeper level.
1:28:36 - 1:28:39
Thank you. Yeah. I love when people come into space and, you know,
1:28:39 - 1:28:43
a lot of people in the listeners I've actually got to meet in person.
1:28:43 - 1:28:45
Some people not, but when they
1:28:45 - 1:28:49
come up on stage and connect, I think it's dope. I always like to meet new people and it's an honor
1:28:49 - 1:28:55
to have you up here. And now I know that you are an extremely talented and well-versed musician.
1:28:56 - 1:29:07
So that's huge. It's an honor. It's an honor. Yeah, if you want a musical director, I can jam with you.
1:29:07 - 1:29:09
I've directed musicals.
1:29:09 - 1:29:15
I am definitely not your run-of-the-mill classical violinist.
1:29:16 - 1:29:21
But also, I'm sorry, somebody's saying nowadays or in 2025,
1:29:22 - 1:29:30
somebody's saying, I'm a professional classical violinist or trumpist or, sorry to say, saxophone player.
1:29:32 - 1:29:34
That was cool as F.
1:29:35 - 1:29:37
I'm not going to say the full word.
1:29:37 - 1:29:40
I know I can, but that's just not me.
1:29:43 - 1:29:44
Three more minutes.
1:29:47 - 1:29:48
Three more minutes. 10.30 p.m., we could start cursing. Three more minutes. Two more minutes..30pm we could start cursing three more minutes
1:29:48 - 1:29:49
two more minutes
1:29:49 - 1:29:50
there you go
1:29:50 - 1:29:53
well one more glass of wine I might
1:29:53 - 1:29:54
not apologize
1:29:54 - 1:29:55
but I'm Canadian
1:29:55 - 1:29:57
you know how we do
1:29:57 - 1:30:01
also whoever said they're from Toronto
1:30:01 - 1:30:02
was it Doodle?
1:30:03 - 1:30:04
somebody
1:30:04 - 1:30:06
he's from Toronto so are it Doodle? Somebody. Yeah, Doodle's. He's from Toronto.
1:30:06 - 1:30:06
Yeah.
1:30:06 - 1:30:08
So are you going to ETH Toronto?
1:30:08 - 1:30:10
I'm the man from Toronto.
1:30:10 - 1:30:11
Blockchain futurist.
1:30:13 - 1:30:15
Blockchain futurist.
1:30:15 - 1:30:17
May, like, 12th, I think, this year.
1:30:17 - 1:30:18
It used to be August.
1:30:19 - 1:30:20
This year it's May.
1:30:20 - 1:30:22
Yeah, there's the futurist and then consensus.
1:30:23 - 1:30:27
Oh, I've never heard of consensus are you going
1:30:27 - 1:30:35
to futurist blockchain because we are like mine me and my partner i know i'd love to go but i'm
1:30:35 - 1:30:46
still in thailand oh okay well that sucks well no it doesn't my flight is actually a couple days after on the consensus day where i just
1:30:46 - 1:30:54
right away get back and i'd have to go but oh okay we'll definitely connect i'm from toronto
1:30:54 - 1:30:59
yeah toronto's my home but uh i'm living in thailand right now i'm actually trying to go
1:30:59 - 1:31:07
for an extension i'll be honest do it that's amazing like i i would love to go nobody except me that's
1:31:07 - 1:31:11
stopping me but oh yeah gotcha
1:31:11 - 1:31:25
although like screw ontario let's all move out west americans you are all welcome to. BC, the island, that's where it's at.
1:31:26 - 1:31:30
Just outside of Victoria, go to Langford, BC.
1:31:31 - 1:31:32
Is it warm?
1:31:33 - 1:31:35
Yeah, it's warm.
1:31:35 - 1:31:36
You're on the ocean.
1:31:37 - 1:31:37
You've got the beaches.
1:31:38 - 1:31:42
You can see all the cool whales and all the fun things.
1:31:43 - 1:31:49
No tornadoes. That kind of stuff is like not
1:31:49 - 1:31:57
there um also it's Canada so basically free health care that's why am I selling it well
1:31:57 - 1:32:08
I stay in New Jersey because there's no tornadoes there's plenty of tomatoes no tornadoes that's funny that is my favorite um bon jovi album
1:32:08 - 1:32:15
i i made a comment earlier i'm like there's the i live right near the bon jovi rest stop yo i see
1:32:15 - 1:32:26
grocery store he's cool i one day i want to go to his restaurant there's like this restaurant in Jersey that's my dream
1:32:26 - 1:32:29
biggest Bon Jovi fan
1:32:29 - 1:32:30
of all time
1:32:30 - 1:32:33
Carter goes there every Saturday night
1:32:33 - 1:32:35
well if that's your biggest dream
1:32:35 - 1:32:37
King of Hearts is like just living it out
1:32:37 - 1:32:38
like you can live out here
1:32:38 - 1:32:41
or you can just buy
1:32:41 - 1:32:43
a $200 plane ticket
1:32:43 - 1:32:44
to New Jersey
1:32:44 - 1:32:48
and go live out your wildest dreams.
1:32:49 - 1:32:50
Yeah.
1:32:51 - 1:32:54
That's not, we got to dream a little bigger.
1:32:54 - 1:32:57
Someone came up, said to the Lord, $200 Solana.
1:32:58 - 1:32:59
I'm like, that's it.
1:32:59 - 1:33:01
We'll be there in like two, three weeks, man.
1:33:02 - 1:33:03
Look up, motherfucker.
1:33:03 - 1:33:06
Like, you know, look up to something you know have some
1:33:06 - 1:33:12
conviction in your in your body it may make you walk different talk different act different
1:33:12 - 1:33:18
you're acting a little squirrely around us but uh no not you uh definitely not you ocean
1:33:18 - 1:33:22
but there are some people that they don't have conviction in what they buy they don't have
1:33:22 - 1:33:25
conviction in music nfts king of hearts you're living proof that they're't have conviction in what they buy. They don't have conviction in music NFTs. King of hearts.
1:33:27 - 1:33:29
You're living proof that they're never going to die, bro.
1:33:30 - 1:33:32
Music NFTs will never die.
1:33:33 - 1:33:34
We can't rug you.
1:33:37 - 1:33:37
We're selling you a product where it's music.
1:33:39 - 1:33:42
You're getting music for your money, so you can't get rugged from a music NFT project.
1:33:43 - 1:33:44
Music can't die.
1:33:44 - 1:33:46
Therefore, Web3 can never die.
1:33:47 - 1:33:48
Love that.
1:33:48 - 1:33:52
You do, as a musician, have to provide value to your community.
1:33:52 - 1:33:55
You do want them to be able to make some money on the secondary.
1:33:56 - 1:33:58
You want to see your floor price rise.
1:33:58 - 1:34:04
You don't want to just always just constantly put out a new song like once a day or a week.
1:34:04 - 1:34:05
I don't know. I mean, I or a week or I don't know I mean
1:34:05 - 1:34:09
I don't know I don't know everything what the hell am I saying
1:34:09 - 1:34:15
no but you do have great insight I mean people want to at the end of the day people want to make
1:34:15 - 1:34:20
money when they invest in your songs otherwise I think you can't put out a lot of collections
1:34:20 - 1:34:26
because it's music but at the same time it's you know it has to be original it has
1:34:26 - 1:34:30
to be quality you don't want to just saturate the market just to have stuff on the shelf
1:34:30 - 1:34:36
i think that's what you're getting at and i agree i think so i think that's what we're getting at
1:34:36 - 1:34:41
i see the room filling up shout out to everyone for pulling up it's a beautiful friday night
1:34:41 - 1:34:45
it's like 70 something degrees in. I just made that up.
1:34:45 - 1:34:46
It's warm, though.
1:34:46 - 1:34:46
It's warm.
1:34:46 - 1:34:49
I don't know exactly how warm it is, but it's an absolutely beautiful night.
1:34:49 - 1:34:51
Let's play another track.
1:34:51 - 1:34:52
Let's go back around the room.
1:34:52 - 1:34:53
Hit that request button.
1:34:54 - 1:34:55
Kid Venom.
1:34:55 - 1:34:56
Watch back.
1:34:56 - 1:34:56
Cute up.
1:34:58 - 1:34:59
Shout out to you.
1:35:04 - 1:38:13
This is produced by Langeau. He's an artist on Wage Room, full credit to Steve Langell. Thank you. Thank you. Thanks. Thank you. Oh, I got a banger. I got a banger i got a banger retweet the space get all your friends take your homies
1:38:13 - 1:38:41
oh That's that Friday night music.
1:38:42 - 1:39:10
Okay, okay. Okay. I love you.
1:39:10 - 1:39:13
Yes, I try.
1:39:13 - 1:39:14
Yes, I try.
1:39:14 - 1:39:15
Yes, I try.
1:39:15 - 1:39:16
Yes, I try.
1:39:16 - 1:39:17
Yes, I try.
1:39:17 - 1:39:18
Yes, I try.
1:39:18 - 1:39:19
Yes, I try.
1:39:19 - 1:39:20
Yes, I try.
1:39:20 - 1:39:21
Yes, I try.
1:39:21 - 1:39:22
Yes, I try.
1:39:22 - 1:39:23
Yes, I try.
1:39:23 - 1:39:24
Yes, I try.
1:39:24 - 1:39:25
Yes, I try. Yes, I try. Yes, I cry. Yes, I cry. Yes, I cry. Yes, I cry.
1:39:25 - 1:39:26
Yes, I cry.
1:39:26 - 1:39:27
Yes, I cry.
1:39:27 - 1:39:28
Yes, I cry.
1:39:28 - 1:39:29
Yes, I cry.
1:39:29 - 1:39:30
Yes, I cry.
1:39:30 - 1:39:31
Yes, I cry.
1:39:31 - 1:39:32
Yes, I cry.
1:39:32 - 1:39:33
Yes, I cry.
1:39:33 - 1:39:34
Yes, I cry.
1:39:34 - 1:39:35
Yes, I cry.
1:39:35 - 1:39:36
Yes, I cry.
1:39:36 - 1:39:37
Yes, I cry.
1:39:37 - 1:39:38
Yes, I cry.
1:39:38 - 1:39:39
Yes, I cry.
1:39:39 - 1:39:40
Yes, I cry.
1:39:40 - 1:39:41
Yes, I cry.
1:39:41 - 1:39:42
Yes, I cry.
1:39:42 - 1:39:43
Yes, I cry.
1:39:43 - 1:39:44
Yes, I cry.
1:39:44 - 1:39:47
Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry. Yes, cry resources. Be around with a tough style.
1:39:47 - 1:39:49
Hold up and it'll be burned.
1:39:49 - 1:39:52
Cause I've been feeling cold time.
1:39:52 - 1:39:54
I've been fucking cold time.
1:39:54 - 1:40:25
I hope to know. That's it fellas go get your Mac back. The only Mac I got is a Big Mac.
1:40:29 - 1:40:31
I like Big Mac.
1:40:31 - 1:40:49
I like it a lot. in her nose is gonna make her pussy leak. Pussy niggas told ain't gonna wake up out they sleep. You can't hear that switch, but you can hear them niggas scream. I'ma hold
1:40:49 - 1:40:53
those songs, nigga. I'ma hold those code. 20 carry a ring and put my fingers down her
1:40:53 - 1:41:01
throat. If I lose a carry, she might choke. I know she gon' swallow, she a goat. Reap
1:41:01 - 1:41:27
band, nigga, bring them racks in. Got the shooters in the corner, light a pack in. She I got I'm a different nigga, no we not the same kind
1:41:27 - 1:41:30
We can have that look, bitchy ain't mine
1:41:30 - 1:41:34
Young dope, will a sellin dope, bitchy you love me
1:41:34 - 1:41:37
I'm a different nigga, no we not the same kind
1:41:37 - 1:41:40
We can have that look, bitchy ain't mine
1:41:40 - 1:41:43
Young dope, will a sellin dope, bitchy you love me
1:41:43 - 1:41:47
I'm a different nigga, no we not the same kind. We can have that look, bitchy ain't mine.
1:41:47 - 1:41:50
Young dope, dealer selling dope as you like that.
1:41:50 - 1:41:53
Kickin' doors, kickin' in doors as you like that.
1:41:53 - 1:41:56
Young dope, nigga selling lows as you like that.
1:41:56 - 1:41:59
All 24 you on go as you like that.
1:41:59 - 1:42:02
Niggas from the bottom really like that.
1:42:02 - 1:42:08
Steppin' in balesces if you like this, pop another bottle if you like this, if you like this,
1:42:08 - 1:42:15
these niggas talking out of they necks, don't put no coughing out of your mouth,
1:42:15 - 1:42:19
I'm way too paranoid for threats, ay ay let's get it bro, B.O.T., the money, power, respect,
1:42:19 - 1:42:22
the last one is better, say yes a lot of goofies worth a check,
1:42:22 - 1:42:28
I mean aw, I hold them sentiments symbolic,w, my temperament bipolar, I choose volus
1:42:28 - 1:42:32
Okay, let's get it up, it's time for him to prove that he's a problem, niggas clickin'
1:42:32 - 1:42:38
up, but pay not be legit, no 40 water, tell em' aww, yeah, yeah, get up with me, fuck
1:42:38 - 1:42:41
sneak disin', first person shooter, I hope they came with three switches, I'd crash
1:42:41 - 1:42:45
out like fuck rap, this melly melt if I had to. Got two teams with me.
1:42:46 - 1:42:46
I'm snatching chains and burning tattoos.
1:42:47 - 1:42:47
It's up.
1:42:49 - 1:42:49
Lost too many soldiers not to play it safe.
1:42:50 - 1:42:51
If he walk around with a stick.
1:42:52 - 1:42:52
It ain't Andre 3K.
1:42:53 - 1:42:54
Think I won't drop the location.
1:42:55 - 1:42:55
I still got PTSD.
1:42:56 - 1:42:57
Motherfuck the big three.
1:42:58 - 1:42:58
Nigga, it's just big me.
1:42:59 - 1:42:59
Nigga, boom.
1:43:00 - 1:43:00
What?
1:43:01 - 1:43:01
I really like that.
1:43:03 - 1:43:03
Your best work is a light pack.
1:43:04 - 1:43:04
Nigga Prince outlive my jack.
1:43:07 - 1:43:08
Was that the line that started it all?
1:43:09 - 1:43:09
Maxie threw up the heart.
1:43:10 - 1:43:11
That means yes.
1:43:13 - 1:43:14
Yeah, that was the line that started it all.
1:43:15 - 1:43:16
Shout out to everyone for pulling up.
1:43:17 - 1:43:17
Kid Venom, what up, bro?
1:43:18 - 1:43:18
What's going on?
1:43:20 - 1:43:21
It looks like me and you are the only music producers on stage.
1:43:21 - 1:43:21
And Phoenix, too.
1:43:22 - 1:43:23
She plays the clarinet.
1:43:25 - 1:43:29
And Ocean Racing League, plays a hella instruments all right yeah I guess we gotta have we got a few music
1:43:29 - 1:43:33
producers up here you got anything queued up if you want to jump in and the
1:43:33 - 1:43:40
cypher and play another track you know oh yeah I got one all right turn the
1:43:40 - 1:43:46
volume up let's try to get a little loud this time, homie. I'm going to turn it up as loud as I possibly can.
1:43:55 - 1:43:55
Nice.
1:43:55 - 1:43:55
Nice.
1:43:56 - 1:45:27
Definitely better. Thank you. Oh Oh I
1:45:29 - 1:45:32
I
1:45:35 - 1:45:36
I
1:45:38 - 1:45:39
I
1:45:40 - 1:45:41
I
1:45:42 - 1:45:43
I
1:45:46 - 1:45:48
I I'm Oh I
1:45:48 - 1:45:50
Oh
1:45:55 - 1:45:57
Oh
1:45:58 - 1:46:00
Oh
1:46:02 - 1:46:14
Oh yeah there's like a couple seconds left but yeah it fades out afterwards but yeah
1:46:14 - 1:46:20
spooky dope dark beat bro i love it
1:46:21 - 1:46:25
it's a banger.
1:46:26 - 1:46:26
Appreciate it.
1:46:27 - 1:46:29
Appreciate it.
1:46:31 - 1:46:31
Yo, King of Hearts, can you hear me?
1:46:34 - 1:46:34
Yeah, I came back like 16 times, bro.
1:46:36 - 1:46:37
These chairs up here are a little bit, you know.
1:46:37 - 1:46:39
The chairs are wobbly or you just didn't come to
1:46:39 - 1:46:40
the Wi-Fi?
1:46:42 - 1:46:44
No, I don't know. It could be the Wi-Fi.
1:46:44 - 1:46:46
It could be how hot it is we need
1:46:46 - 1:46:52
to turn up the AC in the studio I have a new record if somebody slipped this to
1:46:52 - 1:47:01
me it says King of Hearts okay let's play
1:47:01 - 1:47:12
the King of Hearts
1:48:05 - 1:48:05
Holy shit, it's King of Hearts! Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, I'm going to go to the next one. No, she said I ghost like a wallet key. I just laughed and I wrote. Yeah.
1:48:05 - 1:48:07
King of hearts in the deck.
1:48:07 - 1:48:08
Yeah, shuffle the beat.
1:48:08 - 1:48:10
Dr. Dre with the bass.
1:48:10 - 1:48:11
Metro boom with the heat.
1:48:11 - 1:48:12
Every track NFT.
1:48:13 - 1:48:14
Put my paint on its chain.
1:48:14 - 1:48:15
Couple blocks on the legend.
1:48:15 - 1:48:17
Now they just bein' my name.
1:48:17 - 1:48:18
I ain't signin' no deal.
1:48:18 - 1:48:19
Man, I'm in and retain.
1:48:20 - 1:48:21
Still the boy from the six.
1:48:21 - 1:48:22
We're the key to the game.
1:48:26 - 1:48:27
Yeah, 20, so good!
1:48:32 - 1:48:36
Uh, yo, this that moonlight drive through the coldest of roads.
1:48:36 - 1:48:39
Jody asked me why I'm dissing, I'm just rocked in my goals.
1:48:39 - 1:48:42
Got producers like priests, how they blessing these loops.
1:48:42 - 1:48:44
Studio feel like a chapel, we just praying with mutes.
1:48:48 - 1:48:54
Look, this a hundred on a board and a thousand in place It's ironic how I vending get a million in praise like cashed out in crypto deals going silent
1:48:54 - 1:48:58
But the beast still loud like sirens in the island. I just wanna flex the wallet
1:48:58 - 1:49:03
I just focused on the art but that King of hearts tag turn a cipher to its cart and it's crazy
1:49:03 - 1:49:05
You know we built this out of zeros and ones
1:49:05 - 1:49:07
From Fruity Loops to Forbes list
1:49:07 - 1:49:12
Legacy ain't built overnight, it's mid-dead
1:49:12 - 1:49:15
King of Hearts in the deck, yeah, he juffled a beat
1:49:15 - 1:49:18
Dr. J with the bass, Metro Boom with the heat
1:49:18 - 1:49:21
Every check, NFT, put my paint on the chain
1:49:21 - 1:49:24
Couple blocks on a ledger, now they chained my name
1:49:24 - 1:49:26
I ain't signing no deal, man, I'm in and retain
1:49:26 - 1:49:29
Still the boy from the 6 with the key to the game
1:49:40 - 1:49:50
Shout out to the one and only
1:49:50 - 1:49:51
My man Vin, King of Hearts
1:49:51 - 1:50:05
Holding it down Hey couple blocks on the legend, now they say my name. I ain't signing no deal, man. I'm getting retained.
1:50:05 - 1:50:08
Still the boy from the 6 with the key to the game.
1:50:26 - 1:50:26
That's it, baby.
1:50:27 - 1:50:27
King of heart.
1:50:30 - 1:50:30
Damn, bro.
1:50:32 - 1:50:32
You're dropping platinums, bro.
1:50:33 - 1:50:33
You're shuffling up the game.
1:50:34 - 1:50:35
Shuffling the beat, bro.
1:50:36 - 1:50:37
On the deck, shuffling the beat.
1:50:37 - 1:50:38
That's it.
1:50:38 - 1:50:38
That's what I'm doing.
1:50:39 - 1:50:39
That's a fact.
1:50:40 - 1:50:40
He knows what I'm doing, right?
1:50:41 - 1:50:43
He must have a camera in here.
1:50:46 - 1:50:50
This is my favorite bromance, by the way way i just wanted to say that same sis same
1:50:50 - 1:51:06
don't sis me don't sis me then that's his own so get your hands off of me all right
1:51:06 - 1:51:08
shuffling up the beat
1:51:08 - 1:51:10
shout out to everyone
1:51:10 - 1:51:11
shuffling up the feet
1:51:11 - 1:51:12
I see Phoenix dancing
1:51:12 - 1:51:14
I saw her winding and grinding
1:51:14 - 1:51:16
in the song as well too
1:51:16 - 1:51:19
you know I'm gonna have to put a case on you
1:51:19 - 1:51:21
you're putting cameras in everybody's place
1:51:21 - 1:51:23
always spying
1:51:23 - 1:51:25
lurking what's going on here?
1:51:25 - 1:51:28
I thought I removed all the cameras the last time you were here.
1:51:28 - 1:51:31
But apparently, you still have a camera.
1:51:31 - 1:51:32
Because how did you know I was whining?
1:51:33 - 1:51:36
And he knew I was on the deck shuffling the beat, too.
1:51:36 - 1:51:39
So I got cameras everywhere.
1:51:41 - 1:51:43
The eye in the sky.
1:51:44 - 1:51:44
Love it.
1:51:50 - 1:52:12
That was cool. that was fucking dope you made that just now yeah i was rugging while i was rugging i made that i was working with the ragu sauce sounds dope no it's pretty cool what's next here let's see do you have anyone up on this
1:52:12 - 1:52:19
anyone new on this yo what up rock how you doing what's good y'all how y'all doing man thanks for
1:52:19 - 1:52:27
bringing me up man that was fire dude that was fire man i was just damning oh thank you brother we i wrote some
1:52:27 - 1:52:34
of it and then after i uh i used ai to write the rest and then it just it just creates dope music
1:52:34 - 1:52:39
bro and if you don't like it they give you a couple versions so yeah that was a dope one
1:52:39 - 1:52:45
off the off the rip one take so yeah i just kind of captured King of Hearts' vibe.
1:52:45 - 1:52:46
I was like, yeah, this is the truth.
1:52:47 - 1:52:51
And I used Gronk or Grok, whatever the fuck you call it.
1:52:53 - 1:52:54
Yeah, it's Grok, yeah, man.
1:52:55 - 1:52:57
Again, this is a chill space, man.
1:52:57 - 1:52:58
It's my first time in here.
1:52:58 - 1:53:01
I hope I'm not intruding, but, I mean, I just jumped in.
1:53:01 - 1:53:03
I was thinking maybe I could hit acapella, if y'all don't mind,
1:53:03 - 1:53:04
maybe a freestyle or something.
1:53:05 - 1:53:05
Absolutely. Hell yeah, you want me to maybe a freestyle or something. Absolutely, bro.
1:53:05 - 1:53:07
Hell yeah, you want me to bang a beat or something?
1:53:07 - 1:53:07
You want me to play?
1:53:08 - 1:53:09
That's usually so โ€“
1:53:09 - 1:53:12
King of Hearts, play your finest, bro.
1:53:12 - 1:53:13
That's what you do.
1:53:13 - 1:53:13
Yeah, yeah.
1:53:13 - 1:53:17
Usually we get a lot of MCs in here late towards the end of the night
1:53:17 - 1:53:19
and freestyle and shit.
1:53:19 - 1:53:23
So let me just pull up a beat here and then it's โ€“
1:53:23 - 1:53:23
Yeah, man.
1:53:23 - 1:53:26
I was just โ€“ I've been up since 5 a.m., man.
1:53:26 - 1:53:30
Just doing all types of housework and remodeling and renovating.
1:53:31 - 1:53:33
And I just, man, I cracked the beer and I got in here.
1:53:33 - 1:53:34
I was like, man, this is nice, man.
1:53:34 - 1:53:37
This is what I needed at the end of the night.
1:53:39 - 1:53:41
Let me find something easy to freestyle to.
1:53:42 - 1:53:42
Here we go.
1:53:42 - 1:53:43
Here we go.
1:53:43 - 1:53:43
Here we go.
1:53:44 - 1:53:46
Lower the BPMs, baby.
1:53:54 - 1:53:55
That sound nice.
1:53:56 - 1:53:58
I never did this on a space.
1:53:59 - 1:54:00
You know what?
1:54:00 - 1:54:01
First time for everything.
1:54:02 - 1:54:02
Plus four.
1:54:03 - 1:54:06
I'ma cut it long story short, pop the cork, imported
1:54:06 - 1:54:13
order for an export, hurry up men to Ford, call for air support, abort, nah, we going
1:54:13 - 1:54:19
full torque, press a hard fourth quarter, fourth quarter, New York, JFK to Reagan Airport,
1:54:19 - 1:54:25
I just slammed it, van's expanded, Next transit. Wichita, Kansas.
1:54:25 - 1:54:26
Easy panic.
1:54:27 - 1:54:28
Dazed and frantic.
1:54:28 - 1:54:29
Slammed it.
1:54:29 - 1:54:30
The number one bandit.
1:54:31 - 1:54:32
Smoothed than granted.
1:54:32 - 1:54:33
You gotta hand it.
1:54:33 - 1:54:34
The mic.
1:54:34 - 1:54:35
A man handed.
1:54:35 - 1:54:36
Wow.
1:54:36 - 1:54:37
Drastic magic.
1:54:38 - 1:54:39
Wild antics.
1:54:39 - 1:54:40
Outlandish.
1:54:40 - 1:54:42
Insane rap tactics.
1:54:43 - 1:54:43
Enchanted.
1:54:44 - 1:54:49
USMC. Fully branded. fully branded patented extremely adamant the fresh
1:54:49 - 1:54:57
new candidate expanding it live on camera they asked his mom yeah she dropped the bomb she said
1:54:57 - 1:55:11
man he don't give a fuck he don't give a fuck let me tell you something man that boy didn't give a fuck, let me tell you something man, that boy don't give a fuck, he don't give a fuck, nah, he don't give a fuck, rap to just script, extravagant, new hit, call
1:55:11 - 1:55:17
me Trishiano or the rap shit, split, don't trip, hip hop stays in the whip, weapons off
1:55:17 - 1:55:27
safe, full spit, mag, intricate, my brain's ram 64 gigabit, a true syndicate, nah, genius, not unlike Neil deGrasse Tyson,
1:55:27 - 1:55:33
a lyrical astrophysicist, I'm killing this, winning this, spinning this, yeah, son, I
1:55:33 - 1:55:38
got you feeling this, so much willingness, hack, witty diligence, rob all your innocence,
1:55:38 - 1:55:46
don't frolic, my knowledge, diagnostic, wire, fiber, optic, so cosmic. I'm a ultra rap, back in the crack.
1:55:46 - 1:55:49
Spit fire facts, combat stack.
1:55:49 - 1:55:52
Verbal acrobat, mean jack strapped.
1:55:52 - 1:55:55
With a trade craft, backed up like a signed contract.
1:55:56 - 1:55:57
I'ma take the mic back.
1:55:59 - 1:56:00
Yo, thank you, man.
1:56:00 - 1:56:01
Thank you all.
1:56:01 - 1:56:03
Dope, dope, bro.
1:56:03 - 1:56:04
Nice to meet you, my guy.
1:56:05 - 1:56:06
I gave you a follow. I love it. I fucking love you, man. Thank you all. Dope, dope, bro. Nice to meet you, my guy. I gave you a follow.
1:56:07 - 1:56:09
I love it. I fucking love it, man.
1:56:09 - 1:56:11
Love when people come up and just do their thing, you know?
1:56:11 - 1:56:13
I know it's, like, not easy, too.
1:56:13 - 1:56:17
A lot of people are shy and tend to be introverts, so it's difficult.
1:56:17 - 1:56:19
Hopefully it's a little easier when you're in the comfort of your own home.
1:56:19 - 1:56:22
But, yo, Rocky, just put it down, man.
1:56:22 - 1:56:23
That's what's up.
1:56:23 - 1:56:34
I see you're a Marine combat vet. Thank you for your service. It's greatly appreciated. You got a home here, brother. Anytime you want to come up on stage, I'll bring you right up.
1:56:40 - 1:57:08
I became an introvert. I was never like that. But after all these deployments, I just kind of like just withered away and went into my own rabbit hole. And I'll study things. I just try to pick up new hobbies. I shoot a lot. I do all different types of things. But man, I've had a passion for like writing and rapping and whatever spoken word, poetry, whatever you might say. I mean, I wrote a book, but at the end of the day, it means nothing because life is just like a wave, man.
1:57:09 - 1:57:10
And I'm just trying to get on this type of wave
1:57:10 - 1:57:13
that you all are on because it's in the moment kind of thing.
1:57:13 - 1:57:16
And you all, I've been listening to y'all
1:57:16 - 1:57:19
and I really respect this type of space, man, in this room.
1:57:19 - 1:57:20
So thank you so much again.
1:57:22 - 1:57:24
Well, don't sell yourself short, my brother.
1:57:26 - 1:57:32
You know, writing a book is a great accomplishment as well. And sometimes you need other people to inspire you to get out of
1:57:32 - 1:57:38
your shell and share your voice. And like King Heart says, we know speaking to 20, 30, 100 people
1:57:38 - 1:57:44
in a space, people feel a little bit vulnerable, people feel a little bit edgy, but in the reality,
1:57:40 - 1:57:46
a little bit vulnerable people feel a little bit edgy but in the reality nobody really cares you
1:57:46 - 1:57:51
know just come up here share share absolutely everything that you want to you know people
1:57:51 - 1:57:58
really resonate with that and uh it pays you no no justice not to use your voice so whatever you
1:57:58 - 1:58:03
believe in it's better to stand for something than fall for anything king of hearts where's those
1:58:03 - 1:58:10
goddamn beats baby he's got to go again hold on i want to tell rock something hold on one second um
1:58:10 - 1:58:16
veterans are very very very dear to my heart so i appreciate your service but you had dope freestyle
1:58:16 - 1:58:20
um right now when you were talking to i could tell you have a very genuine
1:58:20 - 1:58:26
down-to-earth energy and heart so I just wanted to give you your flowers because I think you deserve them
1:58:26 - 1:58:27
and everyone deserves to hear,
1:58:27 - 1:58:30
you know, like the way they make people feel.
1:58:31 - 1:58:32
So shout out to you.
1:58:32 - 1:58:34
I appreciate you joining the space and being here.
1:58:35 - 1:58:36
Yeah, it's nice to meet you.
1:58:39 - 1:58:40
Thank you so much.
1:58:40 - 1:58:41
I appreciate that again.
1:58:41 - 1:58:44
I'm going to, like if I can, while I'm listening,
1:58:44 - 1:59:00
I'm going to try to follow all y'all because I want to see what y'all about. And, you know, keep hopefully I can come back in here again. I mean, if y'all do your thing in the rotation, I'll come back. I'm not one to like speak over people, but I'm always here to listen. And that's how I learn.
1:59:00 - 1:59:07
I learned. Yeah, we're here every Friday and Saturday night, 930, roughly 9, 930 Eastern
1:59:07 - 1:59:12
Standard Time till like usually past midnight, you know, whenever we get tired, whenever the room
1:59:12 - 1:59:18
dies down, we close it. But you're always welcome here, man. I appreciate that. And I think maybe
1:59:18 - 1:59:21
Kid Venom wants to say something as well. I see you got your hand up. What's up, brother?
1:59:23 - 1:59:25
I want to say that was a hard freestyle. That was fire, brother.
1:59:26 - 1:59:28
And I also wanted to spin y'all a beat
1:59:28 - 1:59:30
too. I was just putting my hand up
1:59:30 - 1:59:30
for rotation.
1:59:31 - 1:59:33
Hell yeah, spin the beat.
1:59:36 - 1:59:38
You got to go back and forth with him,
1:59:38 - 1:59:38
King of Hearts.
1:59:39 - 1:59:41
We can do that. Back to back,
1:59:41 - 1:59:42
no Drake.
1:59:46 - 2:01:26
No, just... We could do that. Back to back, no Drake. No Drake. No Drake. I don't. I'm here. Thank you. yeah i'm gonna stop it right there.
2:01:27 - 2:01:27
It goes on for a little bit.
2:01:27 - 2:01:29
It's like a freestyle type of beat, but yeah.
2:01:32 - 2:01:33
That's dope.
2:01:35 - 2:01:36
That's a dope one.
2:01:36 - 2:01:38
I was scrolling through Twitter.
2:01:38 - 2:01:42
I wasn't queuing up an instrumental, but we were doing all that.
2:01:43 - 2:01:44
But whatever.
2:01:44 - 2:01:44
I got one.
2:01:44 - 2:03:48
Here we go. Thank you. Welcome to the podcast. So Should we go again?
2:03:48 - 2:03:49
You guys want to chat?
2:03:50 - 2:03:52
You guys want to conversate?
2:03:52 - 2:03:54
You guys want to conversate about music
2:03:54 - 2:03:56
and economics and stuff like that?
2:03:58 - 2:04:00
Or should we just play another track?
2:04:01 - 2:04:02
What you got, kid?
2:04:02 - 2:04:03
You got something queued up?
2:04:04 - 2:04:04
Or should I go again?
2:04:10 - 2:04:15
You can go again but i can queue something up king of herds i fucking love him when he's out
2:04:15 - 2:06:44
i don't know what you're talking about i plead the fifth Thank you. Thank you. I got a lot of people from Texas in the building.
2:06:44 - 2:06:44
Tasty, Tasty.
2:06:47 - 2:06:58
All right. You can cut out that little shit.
2:07:00 - 2:07:00
Wake up, fuckers.
2:07:01 - 2:07:05
11 o'clock.
2:07:53 - 2:07:55
Wake them the fuck up, baby. First off, you better remember what that sign say before you come down here, bitch.
2:07:56 - 2:07:57
Don't mess with Texas.
2:07:59 - 2:08:01
Because you know everybody around here, bitch, got guns. Hey, see y'all from Texas.
2:08:01 - 2:08:04
We got Beyonce, try the truth, and we can't forget Devin.
2:08:04 - 2:08:08
Big shout out to them boys, and I can't forget back to Texas
2:08:08 - 2:08:11
I been feeling like Luca, how about that shit a blessing
2:08:11 - 2:08:14
Number one rule in Texas, keep it solid, ain't no telling
2:08:14 - 2:08:17
Ay, and always keep your fucking whipping
2:08:17 - 2:08:21
A nigga try me or the guys, we got no choice but stretching
2:08:21 - 2:08:24
If he survive these shots at first bet, he die on that stretcher
2:08:24 - 2:08:26
These diamonds, I got water.
2:08:26 - 2:08:28
Might just go Johnny my next one.
2:08:28 - 2:08:31
Hey, this Texas tea is what I drink.
2:08:31 - 2:08:32
Top walk ahead of stripping.
2:08:32 - 2:08:34
Stop having hoes in on drink.
2:08:34 - 2:08:36
Young Naysa had us jigging, dipping.
2:08:36 - 2:08:37
Ain't no hotter thing.
2:08:38 - 2:08:41
Now I got all these niggas stepping, swiping, catching plays.
2:08:41 - 2:09:09
Hey, hey. That song is so hot
2:09:09 - 2:09:12
bitch I'm from Texas
2:09:12 - 2:09:20
big country
2:09:20 - 2:09:22
that's what I call Texas
2:09:22 - 2:09:24
Texas is the big country
2:09:24 - 2:09:26
where the fuck is Baby Sam?
2:09:27 - 2:09:27
I don't know.
2:09:28 - 2:09:29
Why'd you throw a thumbs down?
2:09:29 - 2:09:30
I thought I was being cool.
2:09:31 - 2:09:34
I thought I'd get welcomed by that because it's like the biggest state.
2:09:34 - 2:09:34
Right?
2:09:34 - 2:09:35
Big country.
2:09:35 - 2:09:36
It's down south.
2:09:37 - 2:09:38
It's Texas.
2:09:39 - 2:09:40
Fucking love it.
2:09:40 - 2:09:41
I love people from Texas.
2:09:42 - 2:09:43
I do.
2:09:46 - 2:09:48
You ready, kid?
2:09:49 - 2:09:51
Oh, yeah.
2:09:52 - 2:09:52
My bad.
2:09:52 - 2:09:53
I was right.
2:09:55 - 2:09:56
Um, don't ever apologize, my brother.
2:10:01 - 2:10:02
Usually people from Boston don't like, or the East Coast don't like Texans.
2:10:04 - 2:10:04
Who the hell said I was from Boston?
2:10:06 - 2:10:07
Do I look like I'm getting in my car?
2:10:09 - 2:10:09
I'm not going to start doing... No, no, no.
2:10:09 - 2:10:10
This is not good.
2:10:10 - 2:10:11
We got to play music
2:10:11 - 2:10:12
because I'm going to start doing accents
2:10:12 - 2:10:14
from all over the country.
2:10:14 - 2:10:16
And it's very obvious
2:10:16 - 2:10:17
I sound like I'm from New York.
2:10:18 - 2:10:18
You know.
2:10:21 - 2:10:22
Maybe I guess I sound like
2:10:22 - 2:10:23
I'm from Boston.
2:10:25 - 2:10:26
My bad, brother. I'm from Boston. My bad, brother.
2:10:26 - 2:10:26
I'm the stone.
2:10:30 - 2:10:57
Same. and
2:13:02 - 2:13:11
okay I I'm going to go to the next one. I It's I Hey, can I say that y'all got, y'all have like this gift that like, I don't think y'all understand what type of, type of producers you all don't understand what type of gift y'all have because it doesn't come like normal to a lot of people
2:13:11 - 2:13:18
and you all do it so naturally and i'm listening to and i'm like wow like way rude and kid and like
2:13:18 - 2:13:26
doodle y'all just man i i can't i'm at all to be honest i'm i'm flabbergasted tonight guys i really am and
2:13:26 - 2:13:32
it's it's amazing to be in here because i've been in in spaces where people kick poetry where
2:13:32 - 2:13:37
people kick all this other stuff but nobody's producing and i'm always thinking to myself i'm
2:13:37 - 2:13:42
like i can do all these different things everybody has their own little talents and gifts but man
2:13:42 - 2:13:45
when you see and and when i look at it from a third
2:13:46 - 2:13:52
you know third eye and a perspective like because i get deep man and i look at it from a writer's
2:13:52 - 2:13:57
perspective i'm like i just wish i could either play an instrument or produce and i don't think
2:13:58 - 2:14:02
don't ever underestimate yourselves is what i'm saying because you all are kicking it
2:14:02 - 2:14:06
and you all have some massive talent that I don't think you even know yet.
2:14:08 - 2:14:10
Rob, have you heard of WaveRoot?
2:14:10 - 2:14:12
Have you told them about WaveRoot King?
2:14:12 - 2:14:13
Sorry, Rob.
2:14:17 - 2:14:20
WaveRoot is my platform that I've built.
2:14:20 - 2:14:27
That's my second account there that's playing all the songs and um we sell we sell
2:14:27 - 2:14:34
instrumentals for mcs um royalty-free um sample packs for producers um you know there's a big
2:14:34 - 2:14:38
market for producers who can't play many instruments so they shop for these sample packs
2:14:38 - 2:14:49
and um i've created a handful over time and i've onboarded other musicians from Web3 to do the same, to contribute sample packs and make money and create passive income for themselves.
2:14:50 - 2:14:51
So it's something that I launched.
2:14:51 - 2:14:53
It's been in the works for a long time.
2:14:54 - 2:14:58
And it was launched, was it two Fridays ago or last Friday, I believe.
2:14:58 - 2:15:00
And it's been going great.
2:15:00 - 2:15:03
Yeah, it's been a lot of fun building.
2:15:03 - 2:15:05
It's a lot of hard work, but it's a legitimate business.
2:15:06 - 2:15:08
It's an LLC I've created, I've formed,
2:15:08 - 2:15:11
and we're doing everything the legit way.
2:15:12 - 2:15:15
We're just trying to get our feet into the music business
2:15:15 - 2:15:17
and onboarding all the people from Web3
2:15:17 - 2:15:18
that I've got to know over the years
2:15:18 - 2:15:20
and creative relationships.
2:15:20 - 2:15:22
We're just being in spaces like this,
2:15:22 - 2:15:24
talented musicians.
2:15:24 - 2:15:30
I come across them every day, well, on the weekends at least. And this is how we connect
2:15:30 - 2:15:36
and this is how we build. And, you know, I formed a way for people overseas to make some extra money
2:15:36 - 2:15:42
and we have producers on our platform from all over the world, some in Nigeria, some right here
2:15:42 - 2:15:46
in New York, some, you know, on the West Coastork some uh you know on the west coast and um you
2:15:46 - 2:15:51
know so far so good you know god bless god willing and we're just gonna keep building every single
2:15:51 - 2:15:57
day keep showing up and um i've been in web3 for about i don't know tony i'm losing track bro how
2:15:57 - 2:16:06
long has it been we've been in nfts uh 2020 2021 and uh you, I ain't going anywhere, man.
2:16:06 - 2:16:10
Got five collections on multiple chains.
2:16:11 - 2:16:13
All of them, I believe, are sold out right now,
2:16:13 - 2:16:15
except for the Tesla's collections.
2:16:15 - 2:16:17
You could pick up some NFTs on a secondary market.
2:16:18 - 2:16:21
All of those NFTs are well over minting price.
2:16:22 - 2:16:25
Nobody's ever lost money from investing into my music projects.
2:16:25 - 2:16:33
I'm proud to say that today. And we're going to continue to build and grind and meet more people.
2:16:33 - 2:16:38
And I believe that the whole world is going to come rushing into this whole like web three way,
2:16:38 - 2:16:44
the technology behind making, you know, behind the blockchain and putting your music on chain.
2:16:44 - 2:16:45
And you see all celebrities come in and they're starting to put albums out on chain. you know, behind the blockchain and putting your music on chain. And you see all
2:16:45 - 2:16:50
celebrities come in and they're starting to put albums out on chain. You know, you see Styles P
2:16:50 - 2:16:55
did it a few years back very successfully with the fandoms. And I think more people are just
2:16:55 - 2:16:59
going to follow. I think we're at the very beginning, you know, crypto has been around
2:16:59 - 2:17:04
for a while. It's yeah, it's cool. It's fun. It's all that stuff. But like the government's involved
2:17:04 - 2:17:05
now, bro, like their hands are in that shit. They're manipulating the shit out of it. And it's yeah it's cool it's fun it's all that stuff but like the government's involved now bro like
2:17:05 - 2:17:09
their hands are in that shit they're manipulating the shit out of it and that's why i like nfts so
2:17:09 - 2:17:15
much and i'm so bullish on this this aspect of web3 so um i know a lot of people in here can
2:17:15 - 2:17:29
relate to that hey rich why are you so humble man how extensive have you been in the music industry long time huh bro um i've been i started
2:17:29 - 2:17:34
producing music when i was like 17 18 i used it as like a way to stay out of trouble kind of
2:17:34 - 2:17:39
i was a fucking wild ass kid so um you know i kind of just locked myself in my basement when
2:17:39 - 2:17:45
i was like 17 years old got an mpc and some records and just stayed off the fucking streets.
2:17:45 - 2:17:46
And that's what I did.
2:17:46 - 2:17:48
You know, that's where it started, really.
2:17:50 - 2:17:52
Yeah, this is fire, man.
2:17:52 - 2:17:54
Yeah, I'm getting a little old up there.
2:17:54 - 2:17:55
I'm 35 now.
2:17:56 - 2:17:57
No, you're fire now.
2:17:57 - 2:17:58
You're fire.
2:17:58 - 2:18:01
I mean, you've come a long way from when you started.
2:18:02 - 2:18:04
I see it and I hear it in your music.
2:18:04 - 2:18:09
But I got to tell you, I just woke up 15 minutes ago with the troll drool.
2:18:09 - 2:18:13
You guys have put me into a zone tonight where I would just, a baby sleep,
2:18:13 - 2:18:15
and the dog woke me up to want it out.
2:18:15 - 2:18:19
Otherwise, I'd still be cooking in the sleep, listening to music,
2:18:19 - 2:18:20
and dancing in my sleep.
2:18:21 - 2:18:21
Wow.
2:18:22 - 2:18:23
It's just fire tonight.
2:18:24 - 2:18:25
I appreciate it.
2:18:25 - 2:18:31
Hey, by the way, did you get any Phantom of the Swapra beats, King of Hearts?
2:18:32 - 2:18:33
What was that?
2:18:33 - 2:18:33
I'm sorry.
2:18:34 - 2:18:35
Phantom of the Swapra.
2:18:35 - 2:18:37
Did you get any of his beats?
2:18:37 - 2:18:40
No, I didn't hear that.
2:18:41 - 2:18:41
Oh, man.
2:18:41 - 2:18:43
You want to fill me in?
2:18:43 - 2:18:44
Phantom of the Swapra.
2:18:44 - 2:18:45
He's a panelist?
2:18:45 - 2:18:47
He's on chain? Yeah,
2:18:47 - 2:18:49
Phantom, Moon Queen.
2:18:49 - 2:18:51
She sponsored his
2:18:51 - 2:18:53
launch and her and Gigi
2:18:53 - 2:18:55
helped him get his launch off.
2:18:56 - 2:18:57
I have all seven
2:18:57 - 2:18:58
tracks from his
2:18:58 - 2:19:02
all seven
2:19:02 - 2:19:04
tracks. I got one of the 100s.
2:19:04 - 2:19:06
I've got the other six tracks from his whole,
2:19:06 - 2:19:07
um,
2:19:07 - 2:19:09
all of the tracks on his album that they put out.
2:19:09 - 2:19:12
You can buy each of the tracks off of,
2:19:12 - 2:19:12
uh,
2:19:12 - 2:19:13
launch my NFTs.
2:19:13 - 2:19:14
Um,
2:19:14 - 2:19:14
yeah,
2:19:15 - 2:19:19
the guy's got some fire blockchain lyrics in his,
2:19:19 - 2:19:19
uh,
2:19:19 - 2:19:19
music.
2:19:19 - 2:19:20
Um,
2:19:21 - 2:19:21
yeah,
2:19:21 - 2:19:22
I was,
2:19:22 - 2:19:24
when I first heard the music from his first,
2:19:24 - 2:19:24
uh,
2:19:24 - 2:19:27
track is like, wow, I got, when I first heard the music from his first, uh, track, it was like, wow,
2:19:27 - 2:19:28
I got to get me one of those.
2:19:28 - 2:19:34
So as soon as I could, I went over and I went and I went to go minute and I was short on
2:19:34 - 2:19:37
Solana didn't have gas, enough money to pay the gas fees.
2:19:37 - 2:19:40
I had just enough money to purchase and Lone Queen.
2:19:40 - 2:19:44
She was nice enough to send me a, enough to cover the gas fees.
2:19:44 - 2:19:47
So I minted two of them out because I'm pushing it.
2:19:48 - 2:19:49
She gave me the other five beats.
2:19:50 - 2:19:53
So, yeah, and as soon as I get a soundboard, I'll be playing them in my spaces.
2:19:54 - 2:19:55
Yeah, you should check them out.
2:19:56 - 2:19:57
I got to tap in for sure.
2:19:57 - 2:20:00
We actually got Moon Queen up here as well.
2:20:00 - 2:20:01
What up, Rock?
2:20:03 - 2:20:05
Yeah, man, I was just going to say, man, I got to get back up
2:20:05 - 2:20:06
at 500
2:20:06 - 2:20:09
this morning or
2:20:09 - 2:20:11
tomorrow morning. But if I just wanted
2:20:11 - 2:20:13
to kick one more, if you bet me,
2:20:13 - 2:20:15
if I'm allowed, I kick one more
2:20:15 - 2:20:16
freestyle.
2:20:17 - 2:20:19
Because I don't have producers,
2:20:20 - 2:20:20
man.
2:20:21 - 2:20:22
This is all new to me.
2:20:23 - 2:20:26
Hopefully, you can put me on the game with NFTs and all this other stuff,
2:20:26 - 2:20:28
man. I'm trying to learn anything I can these days.
2:20:30 - 2:21:01
Nice rock. Go at it. Yeah.
2:21:02 - 2:21:11
Seven deadly months. Yeah. stupid terrorists, whenever we alone, playing with them bombs,
2:21:11 - 2:21:19
get that ass burned, M4 versus 8Ks, get that ass sprayed, messing with the troops, have
2:21:19 - 2:21:29
your ass in the grave, month one, numb, young, fresh in theater, that's hunger blunt. Sounds dumb, but war
2:21:29 - 2:21:40
to some, that orgasmic cum. Mixed with 151 rum, gunslinger sprung, fat lady song. You
2:21:40 - 2:21:46
done, move son, I'm about to get some. One to his face, two to his lungs.
2:21:46 - 2:21:49
One, two, terrain is still new.
2:21:49 - 2:21:52
I'm only with a few, missing you.
2:21:52 - 2:21:55
White feed plus the crew, we going through.
2:21:55 - 2:21:58
Withdrawal move through, wish you had a clue.
2:21:59 - 2:22:01
Damn, a goddamn suit.
2:22:01 - 2:22:04
Push out the glue, little lance.
2:22:04 - 2:22:25
This ain't the mute. Drop that beef stew, grab the MBG, batteries times two, month three, assault the OG, I be at a DC, see you and me, freedom ain't free, deep steam, pop shots from a tree. Military. Very scary.
2:22:26 - 2:22:26
Team.
2:22:26 - 2:22:28
Combat action ready.
2:22:28 - 2:22:29
Atock.
2:22:29 - 2:22:30
Stay steady.
2:22:30 - 2:22:31
Mrap.
2:22:31 - 2:22:32
Rills like Nelly.
2:22:33 - 2:22:33
EOD.
2:22:33 - 2:22:35
Sports confetti.
2:22:36 - 2:22:38
Hit raw on one knee.
2:22:38 - 2:22:39
Unleash the law.
2:22:40 - 2:22:41
Back by the saw.
2:22:41 - 2:22:42
Snow soon.
2:22:42 - 2:22:43
Full moon.
2:22:43 - 2:22:44
High noon.
2:22:44 - 2:22:46
I. Night rager room. With noons. Baboons. Back by the saw, snow soon, full moon, high noon I, night, rage, a room
2:22:46 - 2:22:50
With loons, baboons, and weed cartoons
2:22:50 - 2:22:54
Actually, son, we're sharp as harpoons
2:22:54 - 2:22:56
Stupid terrorists
2:22:56 - 2:22:57
Whenever we learn
2:22:57 - 2:22:59
Playing with them bombs
2:22:59 - 2:23:01
We'll get that ass burned
2:23:01 - 2:23:03
M4 versus 8Ks
2:23:03 - 2:23:05
We'll get that ass sprayed Messing with them bombs We'll get that ass burned, M4 versus 8K, or get that ass sprayed
2:23:05 - 2:23:08
Messin' with them bombs, or get that ass in the grave
2:23:08 - 2:23:13
Month 4, for sure, this my tank tour
2:23:13 - 2:23:16
More blood, poor drama, God, poor, poor
2:23:16 - 2:23:18
Special ops like wild bull
2:23:18 - 2:23:21
Stop playing like a T-Rex dinosaur
2:23:21 - 2:23:23
Chillin' at the Haji store
2:23:23 - 2:23:27
Suddenly in North, PT versus an 84.
2:23:27 - 2:23:30
I tend to enjoy.
2:23:30 - 2:23:33
Locate closely and destroy.
2:23:33 - 2:23:36
Radio scans or your noise.
2:23:36 - 2:23:39
We pack tanks, real punk toys.
2:23:39 - 2:23:43
Month five, strive in the beehive.
2:23:43 - 2:23:46
Stay alive, surprise Clever and wise
2:23:46 - 2:23:47
I build ties with spies
2:23:47 - 2:23:49
Lies, yeah
2:23:49 - 2:23:51
I connect with three I's
2:23:51 - 2:23:53
Realize
2:23:53 - 2:23:57
Hey, you went the whole entire song, bro.
2:23:57 - 2:23:59
That's what's up.
2:24:04 - 2:24:10
You guys look good, man. Appreciate it. you guys appreciate it man appreciate it um the pleasure meeting you tonight and connecting for
2:24:10 - 2:24:21
sure yeah you guys have a good night uh i'm gonna follow everybody inside the space tonight and i'm
2:24:21 - 2:24:28
gonna go and get some rest and put my head down and one love again, man. Thank you. Thank you again.
2:24:29 - 2:24:32
Anybody that's out here that can teach me something new, please do so,
2:24:32 - 2:24:36
whether it's producing or this NFT stuff, because I'm brand new to it all.
2:24:36 - 2:24:39
And that's why I joined. Cause I saw the, I saw the header,
2:24:39 - 2:24:43
I saw the space and everything has just been like positive vibes.
2:24:43 - 2:24:45
So I'm on that wavelength and I feel it.
2:24:45 - 2:24:46
So thank you all again.
2:24:48 - 2:24:49
Absolutely, man.
2:24:49 - 2:24:50
Yeah.
2:24:50 - 2:24:51
Come in any space.
2:24:51 - 2:24:56
Tony hosts spaces in the morning all the time, almost every day.
2:24:56 - 2:24:58
I'm hosting these spaces on the weekend.
2:24:58 - 2:24:59
It's a pleasure having you.
2:25:00 - 2:25:01
Get some rest, my brother.
2:25:00 - 2:25:01
Get some rest, my brother.
2:25:02 - 2:25:03
Have a blessed night.
2:25:02 - 2:25:03
Have a blessed night.
2:25:05 - 2:25:10
Hey, King, can we have a little reggae so we can smoke some of that god grass?
2:25:10 - 2:25:15
The reason I call it god grass is if you wouldn't have put it on this earth for us to use.
2:25:15 - 2:25:16
Let's go around the room quick.
2:25:16 - 2:25:18
Let's say we've got a bunch of new speakers.
2:25:18 - 2:25:20
We've got Lark in the building, Moon Queen.
2:25:20 - 2:25:24
We've got the public board.
2:25:24 - 2:25:27
Okay, okay. That's what's up how you doing lark
2:25:27 - 2:25:33
hey i'm great i'm calling in from australia it's one o'clock in the afternoon here
2:25:33 - 2:25:40
and um i've sort of been saying gm to a lot of people in this in this um space for a while and
2:25:40 - 2:25:48
i thought oh i'll just pop in but the the planets have aligned and yeah, so I just wanted to pop in and say hi.
2:25:49 - 2:25:53
And yeah, if I can play one of my songs, that would be great.
2:25:53 - 2:25:57
Is it just chill music that you play here or any kind of music?
2:25:57 - 2:26:01
Literally any kind of music you would like to play that you create.
2:26:01 - 2:26:05
I'm a music producer, so there's like not a genre that I don't enjoy.
2:26:06 - 2:26:12
Excellent. Oh, no, that's so good. Yeah, I'm really, really new to the space as well. So I'm
2:26:12 - 2:26:20
just sort of starting out here, come over from Web 2. And I've sort of, you know, I've dived in
2:26:20 - 2:26:26
with both feet. And I'm absolutely loving the space. Like I'm loving the, you know,
2:26:26 - 2:26:28
amazing communities that are here and everything.
2:26:29 - 2:26:31
And yeah, it's just awesome.
2:26:31 - 2:26:33
It's so just the connections are amazing.
2:26:33 - 2:26:36
So yeah, really happy to be here and happy to play,
2:26:36 - 2:26:37
I guess my latest song.
2:26:37 - 2:26:39
If and when you're ready, let me know.
2:26:39 - 2:26:41
And I'm happy to give it a spin.
2:26:41 - 2:26:41
It's not chill.
2:26:42 - 2:26:43
It's a bit of a protest song.
2:26:44 - 2:26:47
Music from the future. Yeah, let's hear it.
2:26:47 - 2:26:52
Yeah, that's it. All right. Just give me a thumbs up if you can hear it. I've just got
2:26:52 - 2:26:55
a brand new music set up here, so hopefully it's going to work. All right, here we go.
2:26:55 - 2:27:25
This is called Downtown on the Radio. I Looking for no dotted line Golden age
2:27:25 - 2:27:27
Silver screens
2:27:27 - 2:27:30
Boulevard of beauty queens
2:27:30 - 2:27:33
They're building empires
2:27:33 - 2:27:36
On our broken dreams
2:27:36 - 2:27:38
We'll build ours on honesty
2:27:38 - 2:27:42
So turn it up
2:27:42 - 2:27:47
Downtown on the radio.
2:27:53 - 2:27:55
Burning up, dancing to the songs we know.
2:28:00 - 2:28:03
So turn it up, downtown on the radio.
2:28:17 - 2:28:46
Every day, hustle in. Every day, mow the land, every day,, oh, oh. golden ring but I just got a song to sing Falling
2:28:46 - 2:28:48
to the
2:28:48 - 2:28:49
dullest sign
2:28:49 - 2:28:52
Just a number on a bottom line
2:28:52 - 2:28:54
They pulled
2:28:54 - 2:28:55
the biggest
2:28:55 - 2:28:57
door tight stuff of all time
2:28:57 - 2:29:00
We're fighting back cause now it's our time
2:29:00 - 2:29:02
So turn
2:29:02 - 2:29:04
it up
2:29:04 - 2:29:06
downtown on the radio.
2:29:09 - 2:29:15
Burning up, dancing to the songs we know.
2:29:17 - 2:29:22
So turn it up, downtown on the radio.
2:29:27 - 2:29:29
Every day has been lit Every day for the wind
2:29:29 - 2:29:31
Every day gonna say
2:29:31 - 2:29:37
So turn it up
2:29:37 - 2:29:39
We're coming through a stereo
2:29:39 - 2:29:46
We've been creating all these beautiful things
2:29:46 - 2:29:50
Giving love with every song that we sing
2:29:50 - 2:29:54
We're so tired of being sold out
2:29:54 - 2:29:58
By the 1% who ripped our souls out
2:29:58 - 2:30:02
This is an emergency broadcast
2:30:02 - 2:30:04
The artists have fallen
2:30:04 - 2:30:06
And now, a word from Al Fon.
2:30:06 - 2:30:12
So turn it up, down on the radio.
2:30:15 - 2:30:21
Turning up, dancing to the songs we know.
2:30:22 - 2:30:26
So turn it up.
2:30:26 - 2:30:28
Down, down on the radio.
2:30:31 - 2:30:32
Every day.
2:30:32 - 2:30:34
Hustle and every day.
2:30:34 - 2:30:35
For the wind.
2:30:35 - 2:30:36
Every day.
2:30:36 - 2:30:37
Gonna sing.
2:30:39 - 2:30:42
So turn it up.
2:30:43 - 2:30:44
Coming through a stereo.
2:30:44 - 2:30:47
Down, down, down, down, down.
2:30:47 - 2:30:52
So turn it up, down, down, down, down, down.
2:30:57 - 2:30:59
Ooh, that's it.
2:30:59 - 2:31:02
That's my, yeah, my latest single, so I hope you liked it.
2:31:04 - 2:31:08
It's released a couple of weeks ago on Ape Chain.
2:31:09 - 2:31:15
And, yeah, it's a little bitty protest song, if you can't tell.
2:31:17 - 2:31:24
But, yeah, I thought coming over from Web 2, the radio stations over there are sort of, you know,
2:31:24 - 2:31:25
there's a lot of those indie
2:31:25 - 2:31:29
broadcasters and they've always had that you know really incredible community feel and I felt the
2:31:29 - 2:31:35
same thing when I came over here to web three as well and it just inspired me to write that song
2:31:35 - 2:31:39
so yeah and thank you so much for letting me play it in your space today I appreciate that
2:31:39 - 2:31:45
that song was vibrant it was amazing yeah I loved it. I loved it.
2:31:50 - 2:31:50
I added you to, if you don't mind, I added you to a music entertainment group, it's called.
2:31:53 - 2:31:53
And there's about 115-something.
2:31:53 - 2:31:53
I don't know.
2:31:54 - 2:31:54
There's maybe a little more than that.
2:31:56 - 2:31:57
But they're all musicians, every single one of them.
2:31:57 - 2:31:58
Oh, wow.
2:32:01 - 2:32:02
Most of them are in Web3, but most of them are active on Twitter.
2:32:03 - 2:32:04
So I added you to that.
2:32:06 - 2:32:06
And a few other people. I added rock to it.
2:32:07 - 2:32:07
He likes to freestyle.
2:32:10 - 2:32:10
There's a lot of people who host freestyle spaces as well.
2:32:13 - 2:32:14
So if any other musicians want to get added to it, just let me know.
2:32:15 - 2:32:15
Thank you, King.
2:32:15 - 2:32:16
That's awesome.
2:32:16 - 2:32:17
Thanks so much.
2:32:18 - 2:32:18
Thank you for coming up and playing.
2:32:18 - 2:32:19
That was dope.
2:32:19 - 2:32:24
That was awesome.
2:32:24 - 2:32:24
Hey, yeah.
2:32:31 - 2:32:38
All right. I was just like wow i was whoa i couldn't believe it man you got a voice of an angel the music was just fire um you keep doing what you're doing man because i love music
2:32:38 - 2:32:48
of all types like king of hearts i listen to everything from classical to trailer trash um country music hip-hop i get
2:32:48 - 2:32:52
back when i was in the navy on wednesday nights you could find me in the hip-hop club dancing hip-hop
2:32:53 - 2:33:09
and and i grew up with country music most of my life until i turned uh 12 and i got my first eight track player with kiss. And so I was went from country music to heavy metal rock.
2:33:09 - 2:33:12
It changed my whole life when I was young.
2:33:13 - 2:33:13
And yeah,
2:33:13 - 2:33:14
I love kiss.
2:33:14 - 2:33:15
Oh,
2:33:15 - 2:33:16
that's awesome.
2:33:16 - 2:33:20
Kiss destroyer and rock and roll all over my first two albums.
2:33:20 - 2:33:21
I quit kiss live.
2:33:23 - 2:33:23
Love it.
2:33:23 - 2:33:24
I love it.
2:33:24 - 2:33:25
That's so cool
2:33:25 - 2:33:30
yeah i'm still in my age i'm dating myself
2:33:30 - 2:33:38
it's all right web three don't have an age my man you could be you could be a hundred in here
2:33:38 - 2:33:47
we we don't discriminate you know i do know that, and it never sleeps either, because no matter what, 24-7, there's always a space
2:33:47 - 2:33:52
with vibes going on that will uplift you and carry you through.
2:33:52 - 2:33:53
Hit it, King.
2:33:56 - 2:33:59
Appreciate it. Let's say we're up to Moon Queen.
2:33:59 - 2:34:03
Moon Queen has been hanging up here for a minute, and then we'll get
2:34:03 - 2:34:05
to the public board. How are you, Moon Queenster's been hanging up here for a minute and then we'll get to the public board.
2:34:05 - 2:34:12
How are you Moon Queen? What's up Kane? What up Doodle? Yeah I'm a little incognito for the
2:34:12 - 2:34:20
weekend rocking my cross for the holiday for the three the three days but yeah I've been rocking
2:34:20 - 2:34:27
my Moonster. I love my Moonster. Super super super fire art. But yeah, just, you know,
2:34:27 - 2:34:33
I'm very excited to be part of the music industry now officially out here in Web3.
2:34:34 - 2:34:43
I am the CEO of DigiBeats. Yeah, I'm trying to, you know, solve some of the,
2:34:40 - 2:34:46
to, you know, solve some of the, I think the things that have held back Web3 music,
2:34:47 - 2:34:53
I call it Web3 music 1.0. You know, I'm a business builder in real life. That's my career.
2:34:54 - 2:34:58
And, you know, I think I see things a little differently. It's nice to, and I'm also a
2:34:58 - 2:35:04
vocalist, a classically trained soprano. I play guitar and piano, you know, I'm a musical, right?
2:35:04 - 2:35:05
It's something that's always
2:35:05 - 2:35:09
been a part of my life. I'm passionate. And now I think I've found my lane in Web3.
2:35:10 - 2:35:17
I'm the co-host of The Wake and Blake Show. So we're almost at show 950 in a row. That'll be
2:35:17 - 2:35:27
coming up this Sunday. Digi's dropping his Digi Bluntz Mint. Super excited for him. So that's coming in on Sunday. So it'll be also it'll be our 950th
2:35:27 - 2:35:37
show. And yeah, I think I've found my lane in Web3. So yeah, I built out DigiBeats. And the
2:35:37 - 2:35:49
purpose of DigiBeats is really to reimagine the traditional record label. I want to come through hot and blend the original concept
2:35:49 - 2:35:54
of record label, the way we think about music distribution,
2:35:54 - 2:35:56
and then artist empowerment.
2:35:56 - 2:35:59
My core vision is really, number one,
2:35:59 - 2:36:03
empowering the web3 musician to protect their IP.
2:36:03 - 2:36:06
So I don't take ownership over any IP with artists
2:36:06 - 2:36:13
that drop with my brand. My goal is to protect their IP, to keep the ownership. I want them to
2:36:13 - 2:36:23
be free and ensure that they stay independent. My goal is to facilitate their minting,
2:36:23 - 2:36:25
their marketing and their monetization.
2:36:26 - 2:36:29
And then just really to focus on building collectability.
2:36:29 - 2:36:31
I want to improve collectability around Web3 Music.
2:36:32 - 2:36:35
You know, by utilizing our stage, we are a seven day a week show.
2:36:36 - 2:36:38
We also have receipts up top, right?
2:36:38 - 2:36:44
We have 950 days coming in this Sunday backed, you know, that really represent our commitment to musicians.
2:36:40 - 2:36:44
coming in this Sunday, backed, you know, that really represent our commitment to musicians.
2:36:44 - 2:36:49
We have been playing music for the past two and a half years, but now we're building in
2:36:49 - 2:36:53
a business model that helps to facilitate our ability to continue doing that and to
2:36:53 - 2:36:54
support the artists.
2:36:55 - 2:37:00
We fell in love with the Launch My NFT platform and just the ease of use of the platform.
2:37:01 - 2:37:05
And so all of my mints with the artists are dropped through LaunchMyNFT.
2:37:06 - 2:37:11
It's an awesome platform. It's so streamlined. It's so easy. They added the function actually
2:37:11 - 2:37:20
for our community to drop music NFTs there back in late about December. They've been around a
2:37:20 - 2:37:35
little bit, but we didn't have that ability before. And really, they've been working amazingly with the community to sort of allow us to add this function and then scale and even taking our feedback on ways to improve the way we can launch music to their platform.
2:37:35 - 2:37:41
So all of our tracks are currently dropped on Sol, but they actually allow you to drop on many different blockchains.
2:37:41 - 2:37:42
So you can drop on Base and Ethereum.
2:37:42 - 2:37:44
They have a lot of options there.
2:37:44 - 2:37:44
So that's great.
2:37:45 - 2:37:48
You can drop, obviously, all your art entities as well.
2:37:48 - 2:37:51
You have the ability to drop an,
2:37:51 - 2:37:53
so you have your album cover,
2:37:53 - 2:37:55
you can drop an interactive music video.
2:37:55 - 2:37:57
So you could do a visualization,
2:37:57 - 2:37:59
you could film yourself,
2:37:59 - 2:38:01
so you can add that music video component there.
2:38:01 - 2:38:03
And then there's some other features too.
2:38:03 - 2:38:05
So that's really amazing.
2:38:12 - 2:38:17
And yeah, so it's very easy to set up the mints. And yeah, so I just completed my sixth artist drop. I represent six artists so far and I have a whole calendar. Really,
2:38:17 - 2:38:22
I'm full up almost until NFT NYC. So very excited to represent artists out here,
2:38:22 - 2:38:25
do it correctly. And yeah, we're having fun so far.
2:38:25 - 2:38:30
I've sold, I think 1900 tracks in the past five weeks.
2:38:30 - 2:38:32
So it's been a huge success.
2:38:32 - 2:38:37
And, um, I've also really, you know, I wanted to come hot with, um, a new pricing strategy.
2:38:38 - 2:38:41
Um, I feel like what's missing is sort of that entry level price point.
2:38:41 - 2:38:46
So all our tracks are $2. They come in at $2. And as we build that social proof,
2:38:46 - 2:38:48
I will allow the artist's song to scale
2:38:48 - 2:38:50
and move up in price.
2:38:50 - 2:38:53
They come in at 2,500 mints once they're minted out.
2:38:53 - 2:38:54
They can move up in price.
2:38:54 - 2:38:55
They can drop again.
2:38:55 - 2:38:57
I also allow them to drop anywhere they want to.
2:38:58 - 2:39:00
They can drop on multiple different blockchains.
2:39:01 - 2:39:03
They can drop anywhere they want to,
2:39:03 - 2:39:04
even on the same day.
2:39:04 - 2:39:06
So we don't limit them in any way.
2:39:07 - 2:39:11
Yeah. And so it's just been a really amazing experience to just represent artists and to get
2:39:11 - 2:39:16
to know more people. So that's kind of what I'm out here doing, meeting all the amazing music
2:39:16 - 2:39:21
community. I'll be, you know, in the future, rocking my DigiBeats X profile. I haven't built
2:39:21 - 2:39:29
it out yet. I just made the name so far, but yeah, just introducing myself. And I also have my DJ down there. I can bring them up and play a couple
2:39:29 - 2:39:34
of tracks or just wanted to come say hello and support what you guys are doing in music. I think
2:39:34 - 2:39:40
you're a phenomenal producer. If these are your tracks, wow. I have a whole list of people that
2:39:40 - 2:39:45
I work with and represent that definitely could use these beats and would be very creative with them.
2:39:45 - 2:39:48
So, yeah, that's my TED talk, baby.
2:39:48 - 2:39:53
But I'm super moonish on everything that's happening with music NFTs.
2:39:53 - 2:39:57
I'll also be utilizing my X platform to amplify anything
2:39:57 - 2:40:01
and all things happening in music on X.
2:40:02 - 2:40:05
So even other people's mints, you know, who's the who and,
2:40:05 - 2:40:09
uh, you know, music right now, you know, what's the news, what are the events?
2:40:09 - 2:40:14
Um, and I'm going to make sure that all that content is aggregated on Digi beats X. So,
2:40:14 - 2:40:19
um, the next time I come in, I'll probably be coming in with that profile, but yeah,
2:40:19 - 2:40:23
that's what I got going on. That was, um, that was a whole lot to digest.
2:40:20 - 2:40:27
i got going on that was um that was a whole lot to digest um but it's a pleasure to meet you and
2:40:27 - 2:40:34
and uh i look forward to getting to know you in time you know for sure i think we get what you
2:40:34 - 2:40:45
guys are doing it great and uh digi beats is the man we've met a bunch of times and in spaces and DigiJoints, yeah, Blake DigiJoints, I think Yep
2:40:45 - 2:40:51
Word, word, yeah
2:40:51 - 2:40:52
So, um
2:40:52 - 2:40:56
Yeah, that's amazing what you guys are doing
2:40:56 - 2:41:00
Cool, well I think it's amazing what you're doing as well
2:41:00 - 2:41:02
So just, you know, dropping by to say hello
2:41:02 - 2:41:03
And just support the space
2:41:03 - 2:41:05
But yeah, let's keep
2:41:05 - 2:41:11
vibing out good to see you hell yeah see you got that deaf ape staying deaf to the noise
2:41:11 - 2:41:18
hell yeah good shit i want to say we're up to the public board he's been so patient hanging
2:41:18 - 2:41:24
out with us tonight uh what's going on my friend how are you i'm good man you're good i was just
2:41:24 - 2:41:32
hanging out with the apes over there and i guess guess they got some poker going, and I saw you doing something over here, and thought I'd jump on over here, got my drink and hanging out and building.
2:41:33 - 2:41:35
Building every day, man. Building every day.
2:41:37 - 2:41:48
I don't know if you saw. So I'll give you the 30 seconds so we got this i got this big 48 foot by 14 foot outdoor digital billboard just
2:41:48 - 2:41:55
you know by the side of the highway type thing i saw that pin page yeah i wasn't sure what do
2:41:55 - 2:42:10
you got going on there yeah well so so i i took the board and divided it into 369 small little blocks. And each block is represented on chain to be like, you know, picked up and swapped.
2:42:10 - 2:42:16
And basically anyone can put anything you want on there, you know, within reason, like I moderated.
2:42:16 - 2:42:18
Fuck off with all these dirty ideas.
2:42:18 - 2:42:19
Get your mind out of the gutter.
2:42:20 - 2:42:23
But, you know, basically anyone can just put whatever you want.
2:42:23 - 2:42:28
Your brand, your NFT, a piece of art, a message, you know, your dog, you know, it doesn't matter.
2:42:28 - 2:42:30
Everyone just has equal access.
2:42:30 - 2:42:35
And I got a live stream going so you can kind of like press a couple of buttons online and see, you know, whatever you want.
2:42:35 - 2:42:37
Go on a massive 48 foot billboard.
2:42:37 - 2:42:39
And that's pretty much it.
2:42:39 - 2:42:41
You drop me a photo, I'll put it up for you.
2:42:41 - 2:42:41
I'll show you what I mean.
2:42:41 - 2:42:42
Where's the billboard?
2:42:43 - 2:42:46
It's in a little tiny city in north dakota
2:42:49 - 2:42:55
that's awesome dude i definitely would love to check it out um that's great that's cool yeah
2:42:55 - 2:42:57
drop me a photo if you want i'll put i'll put something up right now i'll show you what i mean
2:42:59 - 2:43:03
you'll see it on the live stream let me let me go through my um my mentor next i'll find something
2:43:03 - 2:43:10
in my camera i'll send it over to you something yeah man i guess right pg-13 pg-13 watch out watch out oh no i was gonna
2:43:10 - 2:43:14
send you a picture of one of my nfts dude totally oh yeah yeah yeah yeah send it over
2:43:14 - 2:43:19
all right we'll put it up we'll put up a massive version on this
2:43:19 - 2:43:23
billboard and thousands of people will see it and send you a photo and you can have some fun with it
2:43:20 - 2:43:23
thousands of people will see it and send you a photo and you can have some fun with it
2:43:24 - 2:43:33
absolutely yeah i'd love to see the picture um ocean i got the link you just sent it
2:43:33 - 2:43:54
are we gonna play this track yeah go for it like i said it's not like anything we've played tonight. It's definitely like kind of that Grammy ballad type stuff.
2:43:54 - 2:43:55
But I co-wrote this.
2:43:55 - 2:43:57
I am playing on this.
2:43:58 - 2:43:59
This is my old band.
2:44:00 - 2:44:00
Go for it.
2:44:01 - 2:44:01
All right, guys.
2:44:01 - 2:44:03
Well, the link is in the comment.
2:44:03 - 2:44:16
And this is the track.
2:44:22 - 2:44:22
Baby, I tried to tell you my life.
2:44:36 - 2:44:49
But you just walked away I don't know why and I don't know how darling I know that I thought I let you go but I have been mistaken And willing to try
2:44:49 - 2:44:52
To make this alive
2:44:52 - 2:44:55
What am I supposed to say
2:44:55 - 2:44:58
When you're turning my words away
2:44:58 - 2:45:01
And you're making it hard to say
2:45:01 - 2:45:03
Should I just surrender
2:45:03 - 2:45:09
What am I supposed to do When I don't care, you know what I mean?
2:45:09 - 2:45:12
You know why I believe life is fine?
2:45:13 - 2:45:25
I took a little break and I came back. I would have lied if I knew we'd survive.
2:45:26 - 2:45:30
But I would just be faking.
2:45:32 - 2:45:35
Oh, I don't know why.
2:45:35 - 2:45:38
And I don't know how.
2:45:38 - 2:45:43
And I never knew what you said could be true.
2:45:44 - 2:45:49
It brought me to my knees.
2:45:50 - 2:45:56
Oh, I'm willing to try to make this all right.
2:45:57 - 2:46:01
What am I supposed to say when you're turning my words away?
2:46:02 - 2:46:05
And you're making it hard to say,
2:46:06 - 2:46:09
should I just surrender?
2:46:13 - 2:46:14
And what am I supposed to do when I can't lie next to you?
2:46:19 - 2:46:19
Because I'm dying here from the truth, and I'm sorry.
2:46:24 - 2:46:25
What am I supposed to say when I thought that we were strong enough? When I thought that we were strong enough.
2:46:29 - 2:46:31
When I thought that I could trust our love.
2:46:33 - 2:46:34
What am I supposed to say?
2:46:37 - 2:46:39
Or maybe we can find a way.
2:46:41 - 2:46:41
What am I supposed to say?
2:46:44 - 2:46:44
When you're turning my words away.
2:46:49 - 2:46:51
And you're making it hard to stay, or should I just surrender?
2:46:56 - 2:46:56
What am I supposed to do when I can't lie next to you?
2:47:00 - 2:47:04
I'm sorry, what am I supposed to say?
2:47:01 - 2:47:04
Because I'm dying here from the truth, but I'm sorry. What am I supposed to say?
2:47:04 - 2:47:10
Oh, what am I supposed to say?
2:47:10 - 2:47:17
Oh, what am I supposed to say?
2:47:21 - 2:47:29
Oh, what am I supposed to say?
2:47:34 - 2:47:35
Bravo.
2:47:35 - 2:47:38
I had the pleasure to watch that music video just now.
2:47:39 - 2:47:42
So that was you playing the violin, or were you the singer?
2:47:43 - 2:47:46
No, I'm the violinist sorry getting super
2:47:46 - 2:47:52
emotional because i missed my dance um that was amazing i was getting a little emotional i love
2:47:52 - 2:48:05
oh as a girl that song in nashville so doodologetics yeah that that was written in nash Nashville on one of our many trips.
2:48:13 - 2:48:15
The lead male in that actually won the 2000, I think it was 2007,
2:48:18 - 2:48:19
Canadian Idol.
2:48:22 - 2:48:22
That is Canadian Idol, Brian Mello.
2:48:23 - 2:48:23
That was my band.
2:48:24 - 2:48:25
That was like a hell of a night.
2:48:26 - 2:48:27
That was like a really packed... I'm sitting on my balcony.
2:48:27 - 2:48:29
I got a couch out here.
2:48:29 - 2:48:33
I'm just laying back, listening to the song, listening to the birds.
2:48:33 - 2:48:34
That was a good song.
2:48:34 - 2:48:57
Yeah, we did that live at the International Portuguese Music Awards done in Boston, Boston yearly. Our lead singer, the 2007 winner of Canadian Idol,
2:48:57 - 2:49:10
he is Portuguese by birth. And yeah, we got lucky. We got got selected we didn't have anything out at the time to like
2:49:10 - 2:49:20
be part of the awards for like awards um however they they saw us perform they saw some videos and
2:49:20 - 2:49:26
they're like can you come perform so we traveled traveled to Boston that year, performed. It was
2:49:26 - 2:49:36
so cool. Shortly after that, during that actual weekend, kind of a sad story. My
2:49:36 - 2:49:50
younger sister lost a baby very late into her pregnancy. Um, and after that, that performance, I opted to go home,
2:49:50 - 2:50:01
uh, to go be there for a funeral for my, my nephew, um, went back to Nashville for like,
2:50:01 - 2:50:08
I don't know, maybe two, three weeks. And at that point at that point like I I'm a mom like my kids
2:50:08 - 2:50:20
were like young teenagers at that point and I just that was the point so that weekend that was the
2:50:20 - 2:50:26
last time I have performed live on a stage actually it's not I'm lying um I performed
2:50:26 - 2:50:33
back in Canada after that but that was the last like band moment for me I left the band
2:50:33 - 2:50:39
decided to like just go home and be a mom to my kids um
2:50:39 - 2:50:49
so yeah I kept very emotional with that sorry no that's a thank you for sharing honestly um
2:50:49 - 2:50:56
it's vulnerability and it takes a lot to share so appreciate you sharing your journey um vin what
2:50:56 - 2:51:05
do we got as far as music yes we got crypto beat Radio in the building. Oh, fuck.
2:51:05 - 2:51:05
My bad.
2:51:05 - 2:51:06
Okay, my bad.
2:51:06 - 2:51:07
All right, let's say hello to-
2:51:07 - 2:51:08
What up, Crypto Beat?
2:51:08 - 2:51:10
Yeah, one of our brothers here.
2:51:10 - 2:51:10
What up?
2:51:12 - 2:51:13
What's going on, my man?
2:51:13 - 2:51:15
What's really going on, Joe?
2:51:18 - 2:51:19
What you up to tonight?
2:51:19 - 2:51:21
Oh, man, you know me, man.
2:51:21 - 2:51:22
It's about that time, man.
2:51:22 - 2:51:24
I'm finna go get me some good old bird, man.
2:51:24 - 2:51:26
Get some bird, man. Listen to the bird, man. It's about that time. I'm finna go get me some good old bird, man. Get some bird, man.
2:51:26 - 2:51:27
Listen to the bird, man.
2:51:27 - 2:51:30
I knew Crypto Beat was getting some food, man.
2:51:31 - 2:51:33
I heard his engine
2:51:33 - 2:51:35
and he's like rolling down the block
2:51:35 - 2:51:37
slow enough to read the signs.
2:51:37 - 2:51:38
Rolling down the block.
2:51:39 - 2:51:40
Rolling up the weed.
2:51:40 - 2:51:42
Got the munchies.
2:51:42 - 2:51:44
You feel me?
2:51:47 - 2:51:48
We're gonna have Crypto Beat radio On Tony Freestyle and Battle
2:51:48 - 2:51:50
High and hungry
2:51:50 - 2:51:51
Let's go
2:51:51 - 2:51:52
High and hungry
2:51:52 - 2:51:55
Y'all just had me go cook some chicken right now
2:51:55 - 2:51:56
Yeah man
2:51:56 - 2:51:59
You know a nigga love chicken man
2:51:59 - 2:52:00
You better get out of here man
2:52:00 - 2:52:03
Shit
2:52:03 - 2:52:05
Smelt it off my breath.
2:52:05 - 2:52:07
Girl, three piece of the biscuit, man.
2:52:07 - 2:52:09
If you don't stop playing, nigga, shit.
2:52:11 - 2:52:14
All right, well, when you get back from getting your chicken,
2:52:14 - 2:52:17
you got some music queued up, you're hanging out,
2:52:17 - 2:52:18
you're more than welcome to play.
2:52:19 - 2:52:21
Oh, yeah, man, I got something finger licking, man.
2:52:21 - 2:52:22
Don't trap.
2:52:22 - 2:52:24
All right, cool, cool.
2:52:24 - 2:52:28
And we also got DigiBlunt in the building as well.
2:52:29 - 2:52:30
And Moon Queen.
2:52:30 - 2:52:30
What's up, Moon?
2:52:30 - 2:52:32
Moon Queen, what it is.
2:52:32 - 2:52:32
I see you.
2:52:32 - 2:52:33
I see you, baby.
2:52:34 - 2:52:35
What's up, baby?
2:52:35 - 2:52:36
We're going to be...
2:52:36 - 2:52:37
What's up?
2:52:37 - 2:52:38
What's up, boy?
2:52:38 - 2:52:39
Good to see you.
2:52:39 - 2:52:40
Nice talking to you today.
2:52:41 - 2:52:41
Great meeting.
2:52:42 - 2:52:42
We had...
2:52:42 - 2:52:43
I brought DigiBlunt up.
2:52:43 - 2:52:44
That's the DJ.
2:52:44 - 2:52:47
I was just going to play a track by one of the artists that we represent.
2:52:48 - 2:52:49
Very exciting.
2:52:49 - 2:52:55
We have Crypto Beat Radio actually dropping a track in one week from Sunday.
2:52:55 - 2:52:56
We're going to be revealing it this Sunday.
2:52:56 - 2:52:58
So a pleasure to work with him.
2:52:58 - 2:53:00
He's really impressed me.
2:53:00 - 2:53:03
And I'm excited to represent him out here as well.
2:53:03 - 2:53:04
So, yeah, I was just going to play a track.
2:53:04 - 2:53:13
Is that okay, boss absolutely okay this is uh anthem by music a lot of you guys know
2:53:13 - 2:53:17
music m-u-z-i-k he's a real uh one of my best friends out here i've known him for a couple
2:53:17 - 2:53:35
years and i'm excited to just yeah rep him hard out here let's go put those hands up
2:53:37 - 2:53:42
when i'm stepping in spot and i turn it up you know it's that anthem now she feeding
2:53:42 - 2:53:45
and grabbing and talking she calling mepy, I know that I'm handsome.
2:53:45 - 2:53:47
If I see a op, swag at the drop,
2:53:47 - 2:53:48
for sure we gon' hold her for ransom.
2:53:49 - 2:53:50
Bouncing, you throwin' them hands up.
2:53:51 - 2:53:52
Bouncing, you know it's that anthem.
2:53:52 - 2:53:54
When I step in the spot and I turn it up.
2:53:54 - 2:53:56
Bouncing, you know it's that anthem.
2:53:56 - 2:53:58
Now she fiendin' and grabbin' and talkin'.
2:53:58 - 2:54:00
She callin' me poppy, I know that I'm handsome.
2:54:00 - 2:54:02
If I see a op, swag at the drop,
2:54:02 - 2:54:03
for sure we gon' hold her for ransom.
2:54:04 - 2:54:07
Bouncing, you throwin' them hands up, Captain, you know it's that anthem
2:54:07 - 2:54:11
When I step in the building, I get my receptions, they know that I move like a G
2:54:11 - 2:54:14
Take a look to the left and then look to my right, oh for sure got the goonies with me
2:54:14 - 2:54:18
See it really hit different, they know who we be, whenever we step in the spot
2:54:18 - 2:54:22
While I vibin' with shorty and sippin' my act, best believe got my eye on the hop
2:54:22 - 2:54:43
You should know how we rock, so don't get it twisted, we holdin' it down like we supposed to We be turnin' it up if I see there's a problem, just know. the truth, I will not be tan
2:54:43 - 2:54:47
I can't hide me whoever, just say my name See, I come, y'all don't haunt us, oh God, it's a sickness.
2:54:47 - 2:54:50
What is this? I really ain't with the chat. I ain't beefing your story, you're starting
2:54:50 - 2:54:54
to burn me. Y'all sounding the same as me with the cat. When I'm in the spot and I turn
2:54:54 - 2:54:58
it up, bouncing, you know it's that anthem. Now she feeding and grabbing and tucking,
2:54:58 - 2:55:02
she calling me poppy, I know that I'm handsome. If I see a op, so I get the drop, for sure
2:55:02 - 2:55:07
we gon' hold her for ransom. Bouncing you throwin' them hands up, bouncin' you know it's that anthem
2:55:07 - 2:55:11
When I'm lippin' this spot and I turn it up, bouncin' you know it's that anthem
2:55:11 - 2:55:15
Now she feedin' and grabbin' and tuckin', she callin' me boppy, I know that I'm handsome
2:55:15 - 2:55:18
If I see a op, squad get the drop, for sure we gon' hold her for ransom
2:55:18 - 2:55:22
Bouncin' you throwin' them hands up, bouncin' you know it's that anthem
2:55:22 - 2:55:45
When I pop out, it's hot out, I'm changin' the weather, no, don't you move, Rocky I'm feelin' like Rocky, they say that I'm Bitch, when I step in the booth, I be going dumb. Cruising on beats for the fun. Niggas be hating, they really my son.
2:55:45 - 2:55:46
Bitch, I'm the one.
2:55:47 - 2:55:49
You sure that she, I ain't she all on my top?
2:55:49 - 2:55:51
I saw that we got him, the squad got the drop.
2:55:51 - 2:55:52
Hold him for ransom, we up in the spot.
2:55:52 - 2:55:54
I'm not having a spot and I turn it up.
2:55:54 - 2:55:56
Bouncing, you know it's that anthem.
2:55:56 - 2:55:57
Now she feeding and grabbing the target.
2:55:58 - 2:56:00
She pulling me, poppy, I know that I'm handsome.
2:56:00 - 2:56:02
If I see a op, squad get the drop.
2:56:02 - 2:56:03
For sure, we gon' hold him for ransom.
2:56:04 - 2:56:15
Bouncing, you throwing them hands up. Bouncing, you know it appreciate that i appreciate the love guys i got like
2:56:15 - 2:56:17
five or six of them joints in my wallet
2:56:17 - 2:56:45
let's go thank you so much king yeah he's I'm very excited for him. I think he just pushed over three, maybe 330 mints on that. And it was launched on a different blockchain, but I'm super excited to represent it and just get the love on that track. You know, he worked really hard on it. And yeah he minted it and now I'm remembering he played the track.
2:56:45 - 2:56:47
I minted like 10 of them. I gave a couple away.
2:56:49 - 2:56:50
I still have a bunch.
2:56:50 - 2:56:52
I was greedy. I should have gave more away.
2:56:53 - 2:56:53
Aw,
2:56:54 - 2:56:55
that's awesome, man.
2:56:56 - 2:56:57
Thank you so much.
2:56:58 - 2:56:59
Music is the homie. We got a
2:56:59 - 2:57:01
track coming out together. We're doing a couple things.
2:57:02 - 2:57:03
He has like two of my beats right now he's working on.
2:57:06 - 2:57:12
Let's go.
2:57:18 - 2:57:25
What else we got going on in here? All right. Same people. No one knew I got to get to on the stage. All right. So what's new tech? Let's check in. Tony, Maxie, how we doing?
2:57:29 - 2:57:30
Vibing.
2:57:30 - 2:57:31
We vibing, my guy.
2:57:32 - 2:57:33
I love the music.
2:57:33 - 2:57:34
I love the vibe in the space.
2:57:35 - 2:57:38
We've been out here for a few hours, rocking and popping.
2:57:38 - 2:57:39
Let's go, King.
2:57:43 - 2:57:44
Yeah, we're doing good.
2:57:44 - 2:57:49
Tony sounds like he's lit he sounds like he's i hear the birds there
2:57:49 - 2:57:55
in thailand the other day we were talking and there's this bird that cuckoo bird was going
2:57:55 - 2:58:08
crazy the entire time it was crazy but um yeah i'm vibing it's a good night How are you feeling, Vin?
2:58:09 - 2:58:09
I'm doing well. Sorry.
2:58:12 - 2:58:12
I was in the middle of trying to shoot off a tweet.
2:58:13 - 2:58:14
You caught me.
2:58:15 - 2:58:15
Oh, shit. All right.
2:58:16 - 2:58:17
Let's play an instrumental.
2:58:18 - 2:58:19
Let's bang a track from Langeau.
2:58:21 - 2:58:22
Langeau's one of the producers on Wave Root.
2:58:24 - 3:00:52
I'm just going to pick a random one here. Afropiano. I like the sound of that. I like the sound of that. Thank you. I'm going to go to the next video. Thank you. Thank you. Did you leave it?
3:00:52 - 3:03:38
Explosives. Thank you. Thank you. Music All right.
3:03:39 - 3:03:40
There's a few more seconds left of that one.
3:03:41 - 3:03:43
Those two tracks were produced by Langeau.
3:03:44 - 3:03:46
He's a talented artist out
3:03:46 - 3:03:51
of nigeria he's on wave root he has some instrumental packs on wave root i spoke to him
3:03:51 - 3:03:57
earlier today he's actually working on like a lot of melody packs as well he has a real dope unique
3:03:57 - 3:04:03
sound um you know he's got like he's got a thousand subscribers on youtube he's got a few thousand on
3:04:03 - 3:04:05
instagram a few thousand on t, a few thousand on TikTok.
3:04:06 - 3:04:06
He's doing his thing.
3:04:07 - 3:04:07
He's doing his thing.
3:04:08 - 3:04:08
Dope dude.
3:04:10 - 3:04:11
I met him back here in like 2021.
3:04:14 - 3:04:18
We were doing spaces, music spaces. And he always used to co-host with another musician, Sadie.
3:04:18 - 3:04:20
And I always used to come to their spaces.
3:04:20 - 3:04:22
And we kept in touch ever since.
3:04:22 - 3:04:27
So it's an honor to know him, someone like that, and to work with him.
3:04:28 - 3:04:33
And yeah, I remember, man, those days were fun back in like 2021, those spaces.
3:04:33 - 3:04:36
That was weird times, weird times.
3:04:36 - 3:04:38
I got rugged a lot, you know?
3:04:38 - 3:04:43
A lot of people took my Ethereum, a lot of whack-ass projects.
3:04:44 - 3:04:45
But those times were
3:04:45 - 3:04:50
good. I remember like when I first started minting projects on chain back in like 2021, it was like
3:04:50 - 3:04:55
so difficult to like, you know, it was like pushing boulders uphill. It was like, I remember
3:04:55 - 3:05:01
like eat the gas fees were like 20, 25 bucks. And like, you know, I was selling these beats for like
3:05:01 - 3:05:07
10, 15. It was like, I guess it was hard to justify buying a $15 instrumental, even though you
3:05:07 - 3:05:09
got the frigging rights to record over it.
3:05:09 - 3:05:12
And, um, you know, I was providing some dope utilities with it.
3:05:12 - 3:05:14
Uh, the market just wasn't there yet.
3:05:14 - 3:05:16
So I remember it was like pushing boulders uphill.
3:05:16 - 3:05:21
I would like mint projects, sell a couple pieces, burn the rest, mint the project, sell
3:05:21 - 3:05:22
a couple.
3:05:22 - 3:05:24
It took a while to click.
3:05:24 - 3:05:25
That's why I think what digi joints
3:05:25 - 3:05:31
and moon queen are doing a pretty cool you're giving artists a platform and and a chance to
3:05:31 - 3:05:34
to do that you know because you already have the platform so you're giving them a chance to
3:05:34 - 3:05:39
monetize and and make money and sell out of collections and you're giving them a voice
3:05:39 - 3:05:45
and that's pretty fucking dope i remember how difficult that was. Thank you so much, man.
3:05:45 - 3:05:46
Yeah.
3:05:47 - 3:05:49
That was a fire track. I had my roommate
3:05:49 - 3:05:51
laughing as I went dancing through the living room
3:05:51 - 3:05:52
to come back outside.
3:05:53 - 3:05:55
I'd pay to watch you dance.
3:05:59 - 3:06:01
Don't get any fucking weird ideas, people.
3:06:01 - 3:06:01
All right?
3:06:02 - 3:06:04
That's just so you can laugh.
3:06:13 - 3:06:17
Max, you said it's too late all right i don't know let's play like something i love you maxi i got another chat queued up if you guys want to hear one if you want to bump i don't have
3:06:17 - 3:06:28
i love all the instrumental stuff but uh no no it's it's amazing usually we get a lot of mcs maybe like uh so probably saturday nights more mcs come
3:06:28 - 3:06:33
through um and they just start freestyle battling and abusing each other it gets fun but there's not
3:06:33 - 3:06:39
as many mcs tonight play whatever you want yeah you next go ahead uh have you ever heard of mose
3:06:39 - 3:06:46
calloway of course of course i spoke cool yeah he's the first artist uh that uh dropped and scaled with
3:06:46 - 3:06:52
us and um again he's a did you join a friend but uh yeah but I gotta say you make some amazing
3:06:52 - 3:06:58
instrumentals like wow uh what was the first uh how old were you when you know you first dropped
3:06:58 - 3:07:11
your first song or when you first made and you were like wow wow, I'm like really good at this. What was that? What was that moment for you? Oh, that's a hard question. When I started believing, because when I first started
3:07:11 - 3:07:16
making music, I thought I was good, but I wasn't like, you know, I was like 17. I bought an MPC,
3:07:16 - 3:07:21
like one of the older kids from the neighborhood was rapping. And I was just like, this was back
3:07:21 - 3:07:25
when like what marijuana was like highly illegal.
3:07:27 - 3:07:29
And, um, and I was selling pounds of weed. Like I dropped out of school in the 10th grade to sell pot.
3:07:29 - 3:07:32
And like, I, I grew up a weird, I grew up fast.
3:07:32 - 3:07:37
I had a fucking childhood, but, um, I used it as a way to escape and kind of start staying
3:07:37 - 3:07:37
out of trouble.
3:07:37 - 3:07:41
So one of the older kids in the neighborhood was rapping and I was always obsessed with
3:07:41 - 3:07:43
music, like overly obsessive.
3:07:43 - 3:08:05
Like, I don't know, maybe I have a slight tism. I'm not sure. But I just always wanted to make music. So he got me into it. He took me to Sam Ash. I bought an MPC. I bought turntables. Started driving all throughout like New York City to get like to like record stores to like dig in the crates and find these old soul records that nobody heard and i'd like speed them up or
3:08:05 - 3:08:10
slow them down chop them up put drums under them and that's how it started you know the typical
3:08:10 - 3:08:15
like making hip-hop like how they did back in the 90s and early like sampling off of a vinyl yeah
3:08:17 - 3:08:27
you're such a badass man around like i think 2007 2008 i bought a it was a key rig it was like it was basically like a
3:08:27 - 3:08:30
remote control of a piano it didn't play any sound unless you plugged it into GarageBand
3:08:30 - 3:08:36
and GarageBand was the shit I bought a laptop I was like yo I'm going digital I thought it was
3:08:36 - 3:08:40
the fucking coolest thing ever and I started on GarageBand I just started like playing with the
3:08:40 - 3:08:45
keys and I thought I was good then but I wasn't I wasn't, you know, I still, and it took a long
3:08:45 - 3:08:51
time, like all for like the first, probably like 10 years, I think eight years I was making music.
3:08:51 - 3:08:56
I feel like all the drums that I played, I sounded, I just sounded like a white boy that
3:08:56 - 3:09:01
can't dance. Like, and it just never liked my drums. And I was always like a little self-conscious,
3:09:01 - 3:09:06
but it just took a, it took a long time, You know, it took a long time. I've been producing like 17 years now.
3:09:07 - 3:09:07
Wow.
3:09:08 - 3:09:18
Yeah, I think I'd like to just study the competency to have, you know, just to understand, you know, production and, you know, start just kind of learning, you know, the, I forget what they call it, a DAS.
3:09:18 - 3:09:30
But just for my own knowledge, you know, just to, I think the more skill you have, more you understand um just music production and you can speak to it better so um i'm gonna get a i'm gonna get
3:09:30 - 3:09:33
that eventually just for myself to learn and study i think it's very fascinating how it's
3:09:33 - 3:09:40
all layered together so yeah guys here's mosaic calloway this is called what the heck uh what
3:09:40 - 3:09:47
the heck do you meme let's go excuse me sir we don't block
3:09:47 - 3:09:49
change we hear that you have knowledge of all things
3:09:49 - 3:09:54
crypto we were wondering if you could answer a few questions for us please
3:09:54 - 3:09:59
i've been from the bottom i done made it about the month when i was down nobody
3:09:59 - 3:10:04
helped me get up a mosaic calloway web three i'm a plug
3:10:04 - 3:10:06
erasing to sleep half the people don't need no glove
3:10:06 - 3:10:12
Without my keys, my currencies, had me prayin' to God, I'm on my knees
3:10:12 - 3:10:18
But what's my team, livin' the dream, when I needed some coin, they gave me memes
3:10:18 - 3:10:22
They're like, what the hell do you mean, I'm like, what the hell do you mean
3:10:22 - 3:10:25
They're like, what the hell is a They like what the hell is a meme?
3:10:25 - 3:10:26
Please just one more time.
3:10:26 - 3:10:28
What the hell is a meme?
3:10:28 - 3:10:30
How you getting paid off memes?
3:10:30 - 3:10:31
I, this crypto game locked.
3:10:31 - 3:10:33
I got my wallet tight.
3:10:33 - 3:10:34
I'm fighting for these coins.
3:10:34 - 3:10:36
It's like I'm winning prize fights.
3:10:36 - 3:10:37
Dolging all of these lame.
3:10:37 - 3:10:39
These like coin steps.
3:10:39 - 3:10:41
I keep my eye on the prize.
3:10:41 - 3:10:42
I swim like myself.
3:10:42 - 3:10:43
I be in open seats.
3:10:43 - 3:10:45
I got these grim goils
3:10:45 - 3:10:48
XYZ, this liquid gold PENZ oil
3:10:48 - 3:10:49
What the hell do you mean?
3:10:49 - 3:10:51
Who work harder than me?
3:10:51 - 3:10:52
Connected at the scene
3:10:52 - 3:10:55
When you see me IRLs and I'm posting on your screen
3:10:55 - 3:10:58
Okay, they like, what the hell do you mean?
3:10:58 - 3:10:59
Thank you for answering the question, sir
3:10:59 - 3:11:01
I'm like, what the hell do you mean?
3:11:02 - 3:11:04
They like, what the hell is a meme?
3:11:04 - 3:11:06
How you getting paid off memes?
3:11:07 - 3:11:08
We on blockchain.
3:11:11 - 3:11:12
TSA Network, baby.
3:11:13 - 3:11:14
Wake and play.
3:11:16 - 3:11:17
TSA, baby.
3:11:18 - 3:11:19
TSA, baby.
3:11:21 - 3:11:22
Let's go.
3:11:23 - 3:11:23
The fucking meme.
3:11:24 - 3:11:27
Anyway, what is even, what the hell is even that
3:11:27 - 3:11:32
yeah he says what the heck is a meme how you getting paid off memes hey
3:11:32 - 3:11:38
he's a funny character dude he's very funny in his music he's cool i was talking on the
3:11:38 - 3:11:46
other day actually he's cool as hell um i'm trying to get crypto cam up here there you go crypto cam in the building what up homie
3:11:46 - 3:11:57
yo yo yo gmgmg to the m music nfts chill it's wave root baby what is good y'all hit that purple
3:11:57 - 3:12:03
pill like and repost the wrong tags of friends tags and frenemies sent to all those group chats
3:12:03 - 3:12:05
don't ask for no permission don't ask
3:12:05 - 3:12:11
for no forgiveness if they say keep a group chat related just tell them dm crypto cam he told me
3:12:11 - 3:12:18
to what's good what's good what's good chilling man you're about to take the heat because i'm
3:12:18 - 3:12:28
gonna put this in all the alpha chats they get angry when i spam them they do it do it and they'll be like hey man this is about our nft
3:12:28 - 3:12:34
project i'm like well own a couple of your nfts come to my goddamn space bro exactly i'm just like
3:12:34 - 3:12:40
that everyone's like always say hey cam we told you last time could you please keep a group chat
3:12:40 - 3:12:45
related i'm always gotta boot me if you don't want me to chill in there, you gotta boot my ass. I'm like, oh,
3:12:46 - 3:12:47
sorry, guys. I was
3:12:47 - 3:12:49
going too fast, you know, but
3:12:49 - 3:12:52
next time, next
3:12:52 - 3:12:53
time, I'll make sure I send it twice.
3:12:56 - 3:12:58
Shoot. Y'all in here jamming
3:12:58 - 3:12:59
shit. Moon Queen playing some Mosaic.
3:13:00 - 3:13:02
I'm trying to lay down and chill
3:13:02 - 3:13:03
and she got me standing up. What do you
3:13:03 - 3:13:05
mean? Dancing and shit, you know what I'm saying? Trying to chill, Moon Queen. Turn it down. No, we'm trying to lay down and chill and she got me standing up. What do you mean?
3:13:06 - 3:13:07
Dancing and shit, you know what I'm saying?
3:13:08 - 3:13:08
Trying to chill, Moon Queen.
3:13:08 - 3:13:10
Turn it down. We're trying to DJing out here.
3:13:10 - 3:13:10
You know what?
3:13:11 - 3:13:12
Get some of these memes in that wallet.
3:13:14 - 3:13:15
You know what I'm saying?
3:13:16 - 3:13:18
Shoot, I took a little nap earlier.
3:13:18 - 3:13:19
What up, Cam?
3:13:19 - 3:13:20
What's up, Maxie?
3:13:20 - 3:13:21
What's up?
3:13:22 - 3:13:25
I'm ready to groove, so I'm ready to hear some good music.
3:13:26 - 3:13:27
Ken, you was talking my language, man.
3:13:27 - 3:13:31
You was talking about how you're just going around searching for vinyl and shit, bro.
3:13:31 - 3:13:35
It just takes me back to my days, you know what I mean?
3:13:35 - 3:13:43
Just digging through crates and going through little hole-in-the-wall stores and old antique places.
3:13:44 - 3:13:47
Just looking for stuff that I i'm like i don't even
3:13:47 - 3:13:52
know but this looks like it sounds good like how does something look like it sounds good you know
3:13:52 - 3:13:55
what i'm saying you're like in the record store you're pulling up you're like yeah this look like
3:13:55 - 3:14:00
it sounded really good i had to go off if it looked like it sounded good you gotta like go
3:14:00 - 3:14:06
to a random spot and like yeah it looked like no one ever looked into this corner. Yes, yes.
3:14:06 - 3:14:07
I remember in the crates for months.
3:14:08 - 3:14:10
And then I looked under the steps in my basement.
3:14:10 - 3:14:12
There was a bunch of boxes and stuff.
3:14:12 - 3:14:14
And I found a milk crate.
3:14:14 - 3:14:17
My mom had records of the OJs.
3:14:17 - 3:14:18
And oh my, I can't even.
3:14:18 - 3:14:19
It was like a jackpot.
3:14:19 - 3:14:25
I was like, I never went to another record store again until I bought a laptop and a piano.
3:14:25 - 3:14:29
But I remember because the MPC is special.
3:14:29 - 3:14:31
I need an MPC in my life.
3:14:31 - 3:14:32
I need to retrieve.
3:14:32 - 3:14:36
I sold it when I was like, I opened my first business.
3:14:36 - 3:14:36
I was 21.
3:14:37 - 3:14:38
I opened the bagel store in New Jersey.
3:14:39 - 3:14:42
And 22, 23, I was building the business.
3:14:42 - 3:14:44
And I was like, I stopped making music as much.
3:14:48 - 3:14:55
And I was making it on the computer. So I was like, I could get rid of these techniques in this NPC. That was like me selling crypt. That was like me 2017. That feels like, you know,
3:14:55 - 3:15:01
selling CDs out of the back of your trunk. You sold your techniques. My heart is hurting.
3:15:02 - 3:15:05
It's actually, I'm starting to get palpitations.
3:15:05 - 3:15:07
I got to go upstairs and grab my heart medication.
3:15:07 - 3:15:08
Bro, bro.
3:15:08 - 3:15:12
I still have my technique set up in my room.
3:15:12 - 3:15:14
And I'm opposite of you.
3:15:14 - 3:15:19
So when things went digital, I just hung up the headphones.
3:15:19 - 3:15:19
You know what I mean?
3:15:20 - 3:15:24
I was the guy that was on stage with the T-shirt that said,
3:15:24 - 3:15:26
fuck CDs, real DJs use vinyl.
3:15:27 - 3:15:27
You know what I'm saying?
3:15:28 - 3:15:31
And man, I held on as long as I could.
3:15:31 - 3:15:35
And then I don't really rail that thing, huh?
3:15:35 - 3:15:39
I'm carrying crates in and they're like, yo, we don't have no record players here, sir.
3:15:39 - 3:15:41
I'm like, yo, what the fuck you mean?
3:15:42 - 3:15:49
You got outdated bro man but i just recently like about about a month ago um i
3:15:49 - 3:15:54
gave my son a little budget and told him to order me some stuff so i could get back into it into the
3:15:54 - 3:15:58
digital stuff so uh he was like i don't need to order all this stuff dad like you know what i
3:15:58 - 3:16:03
mean you can do it all on the laptop i'm like nah i need that like hybrid i need to feel something
3:16:03 - 3:16:05
with my hands to make music.
3:16:05 - 3:16:10
And so he got me the drum pad and the keyboard and shit, right?
3:16:10 - 3:16:12
And I plugged it in, and it didn't make no music.
3:16:12 - 3:16:13
I'm like, yo, what the fuck?
3:16:13 - 3:16:14
It don't even make no sound.
3:16:14 - 3:16:15
This shit's broke, son.
3:16:16 - 3:16:16
Send it back.
3:16:17 - 3:16:18
He's like, nah, dad.
3:16:18 - 3:16:20
You got to hook it up to the software and shit.
3:16:20 - 3:16:22
I'm like, oh, this is so bullshit.
3:16:22 - 3:16:25
How do you buy a keyboard that don't make one fucking sound, man?
3:16:25 - 3:16:28
You know what I still have, though?
3:16:28 - 3:16:31
I have all my SD cards.
3:16:31 - 3:16:32
Damn, boy.
3:16:33 - 3:16:41
I'm going to get my hands on an NPC, and I'm going to show Moon Queen just how bad I was at making music.
3:16:42 - 3:16:42
Oh, shit.
3:16:43 - 3:16:45
You got to bring it back.
3:16:45 - 3:16:46
You got to bring it back.
3:16:46 - 3:16:49
Yeah, you need to, like, mint one of your OG, like,
3:16:49 - 3:16:52
when you were, like, 18 or, like, 21.
3:16:52 - 3:16:56
Like, one of those OG, like, 1990s, you know, or 2003.
3:16:57 - 3:17:00
I got, like, probably, like, maybe, like, 200,
3:17:01 - 3:17:03
300 instrumentals on there from that time.
3:17:03 - 3:17:04
Like, oh, my God.
3:17:04 - 3:17:06
And I wish I could find so like
3:17:06 - 3:17:11
some of my old mixtapes that i made you know that i just thought were slamming and just like
3:17:11 - 3:17:17
listen back to them you know what i'm saying she's but you know just practicing and you know
3:17:17 - 3:17:27
i remember when i first i was like i swore i could scratch you know i fucked up so many records i fucked them up so bad and i just that was
3:17:27 - 3:17:31
my mom she was fucking when she's what the fuck are you and i was like
3:17:31 - 3:17:34
to be fair i was scratching records that shouldn't have been scratched
3:17:34 - 3:17:35
but uh
3:17:35 - 3:17:45
you fucked up my Delphonix record. What are you doing? Scratching this shit.
3:17:45 - 3:17:46
Jeez.
3:17:48 - 3:17:48
Yeah, that's good shit. Good shit,
3:17:50 - 3:17:52
man. What you got lined up for us, man? I gotta hear something. Y'all got me
3:17:52 - 3:17:54
up off the couch and dancing
3:17:54 - 3:17:56
and shit. What you got next?
3:17:56 - 3:17:57
What's coming for us?
3:17:58 - 3:17:59
I don't know. Are you playing instrumentals?
3:18:00 - 3:18:01
I'll play an instrumental. I'll play an upbeat
3:18:01 - 3:18:04
instrumental. Then I'll play a song. I'm sure
3:18:04 - 3:18:09
DigiBlunt's got something queued up next as well so we'll just we'll bounce back and forth
3:18:09 - 3:18:15
and crypto beat radio gets done um eating his chicken his finger licking chicken he'll probably
3:18:15 - 3:18:25
be sticking it i'm back he's back he's back i'm back maybe we'll hear some freestyles then i'm back. Maybe we'll hear some freestyles then.
3:19:45 - 3:19:45
I'm back. Thank you. I got an instrumental that I made.
3:19:46 - 3:19:46
Oh, that was nice.
3:19:48 - 3:19:48
I was feeling that one.
3:19:51 - 3:19:51
I was about to spit on that, and I don't even spit.
3:19:52 - 3:19:52
Oh, yeah, that was fire.
3:19:52 - 3:19:53
Wow.
3:19:54 - 3:19:55
Something exclusive. I was...
3:19:55 - 3:19:56
I was...
3:19:56 - 3:19:59
I just got Rob off.
3:20:00 - 3:20:32
All right, bro. Late nights growing through the blockchain skies
3:20:32 - 3:20:35
Stars in my wallet, yeah the market never lies
3:20:35 - 3:20:38
Vibes on my mind, I'm just cruising through the charts
3:20:38 - 3:20:41
Every move I make is a canvas of my art
3:20:41 - 3:20:44
Backscrolling, the future grows on white
3:20:44 - 3:20:46
Crypto in my veins,
3:20:46 - 3:20:47
I don't sleep at night.
3:20:48 - 3:20:49
Me and my dreams, my gaspies
3:20:49 - 3:20:51
flow. Me and my
3:20:51 - 3:20:51
feet sleep.
3:20:53 - 3:20:55
Me and the silent, the legend of the data
3:20:55 - 3:20:58
flow. It's a vibe, it's a
3:20:58 - 3:20:59
wave on the change by.
3:20:59 - 3:21:01
Moon card in the home on this midday
3:21:01 - 3:21:03
night tide. From the lows to the
3:21:03 - 3:21:05
highs, I got that rock to pride. Just a the lows to the highs, get that rock the pride
3:21:05 - 3:21:36
Just a deep end with the dark, but so don't hide Feeling the euphoria when the bull comes in.
3:21:37 - 3:22:06
Selling off some profits like a DCA Moran. I'm the best, but I'm a piece of a plant and tokens trying to fill the mess. Clocking it through in the doubt, chat.
3:22:06 - 3:22:09
Talking governance and means, where the culture at.
3:22:09 - 3:22:11
It's got me floating like I'm off that front.
3:22:12 - 3:22:14
Talking vibes camp, lit, yo, it's on the front.
3:22:15 - 3:22:18
It's a vibe, it's a wave on the chain we ride.
3:22:18 - 3:22:21
Moon calls me home on this midnight tide.
3:22:21 - 3:22:24
From the lows to the highs, got that blockchain pride.
3:22:24 - 3:22:25
Just a DJ in the dark
3:22:25 - 3:22:27
with my photo high.
3:22:37 - 3:22:39
Damn, Crypto Cam. I didn't know you
3:22:39 - 3:22:41
rapped like that. That was fat.
3:22:42 - 3:22:44
I'm not a rapper. I'm a DJ.
3:22:49 - 3:22:55
Cam, you been like holding out on this family i did not know you could do that and look at me you got me writing lyrics now and trying to rap
3:22:55 - 3:23:00
yo wave radio brings it out of people i guess because it's late at night we had like carter
3:23:00 - 3:23:06
nye's up in here last week freestyling no No way. He was like, yo, you got to delete that
3:23:06 - 3:23:07
King. Like I can't, that was wild.
3:23:08 - 3:23:10
I can't have my company's here that I do that.
3:23:10 - 3:23:12
He's a very good friend of mine. That's hilarious.
3:23:12 - 3:23:14
Carter was rapping.
3:23:15 - 3:23:16
Carter is a jersey
3:23:16 - 3:23:18
guy. He's close by,
3:23:18 - 3:23:20
you know. He's very many talented,
3:23:20 - 3:23:20
that boy.
3:23:23 - 3:23:24
Yeah, he's cool.
3:23:24 - 3:23:25
He made a nice hoodie for me too. I like that. Yeah, that shit's a vibe, bro. Yeah, he's cool. He made a nice hoodie for me, too.
3:23:25 - 3:23:26
I like that.
3:23:26 - 3:23:28
Yeah, that shit's a vibe, bro.
3:23:28 - 3:23:31
It's just, whew, jeez.
3:23:32 - 3:23:32
Jeez.
3:23:33 - 3:23:35
Digging into the crates and digging into the notebooks.
3:23:36 - 3:23:37
Goodness gracious, man.
3:23:37 - 3:23:38
You got me vibing, bro.
3:23:42 - 3:23:47
WaveRootRadio has some kind of magic spell
3:23:47 - 3:23:48
that anybody that comes into this route
3:23:48 - 3:23:50
you end up vibing to whatever
3:23:50 - 3:23:53
track is being laid down by
3:23:53 - 3:23:55
whoever or even the people that
3:23:55 - 3:23:56
come up and freestyle
3:23:56 - 3:23:59
it's like there's a lot of talent
3:23:59 - 3:24:01
in web 3 around the world
3:24:01 - 3:24:03
and this is the only place we can bring them
3:24:03 - 3:24:04
together and enjoy
3:24:04 - 3:24:05
their talent
3:24:05 - 3:24:11
their spirit their music because music and laughter are the most
3:24:11 - 3:24:14
cleansing and healing things that you can come across
3:24:14 - 3:24:23
definitely natural healing things yeah for sure i'll chime in on that man i didn't know what the
3:24:23 - 3:24:29
space was till today and just hanging out and checking it out i got one of those you know thc drinks i like the drinks
3:24:29 - 3:24:33
lately more than more than the grass something about the drink is a different experience so uh
3:24:33 - 3:24:40
i've been seeing the dispensaries popping up and like yeah man stuff so they're so good right like
3:24:40 - 3:24:47
it's like a really i can't explain it either it's a smooth six pack will that like
3:24:47 - 3:24:52
cripple you or like so no i had like four and i was fine gotta build them immunities
3:24:52 - 3:24:58
i was looking at the price of them and i go i'm glad they're that high because if i got a half a
3:24:58 - 3:25:05
taste i would be comatose because i like the flavor of THC food and drinks.
3:25:06 - 3:25:08
So yeah, I'd be, I'd be done.
3:25:11 - 3:25:11
Yeah, it's pretty, it's, it's a, it's a different,
3:25:13 - 3:25:13
it's a whole different experience to just sit there and just have a nice sip.
3:25:18 - 3:25:20
And it takes like an hour to kick in and just put on this space and listen to music. And I'm like, wait a second, this is all custom.
3:25:20 - 3:25:22
You guys made all this or just share like, this wasn't like,
3:25:23 - 3:25:28
you guys are actual music producers making shit like this and minting it and doing block change this is pretty sweet
3:25:28 - 3:25:32
it's it's a really good vibe and there's a couple there i'm just you know i went for a walk with my
3:25:32 - 3:25:38
little tc drink and just had the headphones cranking going through it um putting lark
3:25:38 - 3:25:45
single up on the billboard right now this is fun this is a good way to spend a Friday night. I like this. The dark side of Web3 music.
3:25:47 - 3:25:50
And it makes the chores get done so much quicker.
3:25:50 - 3:25:52
I'm done with almost all my chores.
3:25:53 - 3:25:57
Because I was in here earlier, they put me to bed, put me in a coma.
3:25:57 - 3:26:00
And when I woke back up, music's still playing on my phone.
3:26:00 - 3:26:02
Had to go let the dog out.
3:26:02 - 3:26:03
Had to do my chores.
3:26:04 - 3:26:07
And I pop in and out the box chores are
3:26:07 - 3:26:12
done damn near keep them going king whoever's next play some beats let's do it
3:26:13 - 3:26:21
let's go what we got crypto b let's say we're up to metaguardians just pulling up what's going on
3:26:21 - 3:26:26
my man yo what's good king what? What's poppin', man?
3:26:27 - 3:26:28
Just chillin'. Just chillin'.
3:26:28 - 3:26:32
MetaGuardian's got a dope thing going on in the music Web3 world.
3:26:33 - 3:26:34
Yeah, man.
3:26:34 - 3:26:40
We're getting ready to lift off a new comic-infused animated NFT.
3:26:40 - 3:26:41
It's going to be crazy.
3:26:41 - 3:26:44
We got the music synced up to it.
3:26:46 - 3:26:54
It's going to be big, man. I i'm not gonna drop too much alpha just yet but it's gonna be epic man like ending the episode at like
3:26:54 - 3:27:00
a cliffhanger you know like american horror story or like one of those things yo like that's exactly
3:27:00 - 3:27:05
that's exactly what it is is like at the end of each episode, there's a track, you know what I'm saying?
3:27:05 - 3:27:07
And that track is part of the soundtrack.
3:27:08 - 3:27:10
So it's going to be pretty crazy, bro.
3:27:11 - 3:27:12
I love it.
3:27:14 - 3:27:17
Well, yeah, man, you know, I pulled up for the vibes, man.
3:27:17 - 3:27:17
You know what I'm saying?
3:27:17 - 3:27:20
I'm just here to listen to some music and just chill out.
3:27:20 - 3:27:20
You know what I'm saying?
3:27:20 - 3:27:22
So let's get it popping.
3:29:55 - 3:29:56
Can you hear me Thank you. Hey! Let's go. Thank you. I'm probably the only person online who shares every single one of my trades completely for free.
3:29:58 - 3:30:03
Did you throw that in there at the end?
3:30:04 - 3:30:08
That's a good intro. Yo gotta start doing that it's like we're free producers we have to
3:30:08 - 3:30:12
constantly throw in like clips of like ridiculous stuff like that
3:30:12 - 3:30:18
yeah man you know there's a little nacho libre man a little bit of nacho libre
3:30:18 - 3:30:25
yo that was fire i was dancing over here I was like gonna ask crypto cam if
3:30:25 - 3:30:32
you wanted to dance with me but I mean damn for you come ask me I was sitting
3:30:32 - 3:30:39
over here the walls like I wonder she gonna come ask me to dance like to pick
3:30:39 - 3:30:46
them wallflowers man like a cute little wallflower with his little silver whiskers on his chin.
3:30:47 - 3:30:48
I mean, he got that nice hat on.
3:30:49 - 3:30:50
He looking fly.
3:30:51 - 3:30:53
But, you know, missed that chance.
3:30:53 - 3:30:53
Missed that chance.
3:30:56 - 3:30:58
Got me over here blushing.
3:30:58 - 3:30:58
Jeez.
3:30:59 - 3:31:00
That was a vibe, though.
3:31:01 - 3:31:01
That was a vibe.
3:31:01 - 3:31:02
I wanted to hear...
3:31:03 - 3:31:05
It's going to sound great when, um,
3:31:09 - 3:31:09
you come in with those lyrics. It's going to be, I don't know. You gotta, you gotta,
3:31:13 - 3:31:14
you gotta find somebody that, that, that fits it like a glove. You feel me?
3:31:21 - 3:31:22
Yeah, exactly. Yeah. Shout out Digi Beats. I see you, Moon Queen. I see you.
3:31:25 - 3:31:27
Mm-hmm. I told you, boy. I'm very serious about representing these artists out here.
3:31:27 - 3:31:29
I do. I love you, bro.
3:31:29 - 3:31:32
We're going to do some fun stuff in MetaGuardians, too.
3:31:32 - 3:31:36
His mint's going to be probably dropping at the very beginning of June.
3:31:37 - 3:31:39
Last week in May or beginning of June.
3:31:39 - 3:31:40
So it's going to be dope.
3:31:40 - 3:31:49
I want to not just represent all these different you know, all these different genres, but, uh, maybe some, you know, some, some web three style genres,
3:31:49 - 3:31:55
you know, this is an animated, uh, crypto, uh, comic style, uh, NFT, you know, with, you know,
3:31:56 - 3:32:01
sort of like a score, right? Like music that would go along with an animation. And, um, I think it's
3:32:01 - 3:32:05
valid and it deserves to be on chain. And it's a collectible.
3:32:06 - 3:32:08
So something innovative and different.
3:32:08 - 3:32:09
And yeah, it's going to be awesome.
3:32:11 - 3:32:17
Yeah, I can't wait to drop this nuclear bomb on the space because that's what's about to happen.
3:32:19 - 3:32:22
Yeah, even the Digi song.
3:32:23 - 3:32:23
Is that what you're talking about?
3:32:23 - 3:32:24
Yes, the track.
3:32:24 - 3:32:25
The track. The track.
3:32:25 - 3:32:25
The track.
3:32:26 - 3:32:26
It's global.
3:32:26 - 3:32:27
It's global.
3:32:27 - 3:32:28
It's going global.
3:32:29 - 3:32:30
It's a global track.
3:32:31 - 3:32:32
It's a global track.
3:32:32 - 3:32:32
It's not.
3:32:33 - 3:32:38
It's something that I collaborated with a couple of musicians.
3:32:39 - 3:32:42
I got an electric guitarist from Portugal on there.
3:32:43 - 3:32:46
I got a drummer from Nigeria on there. I got a drummer from Nigeria on there. I got a producer
3:32:46 - 3:32:55
from Brooklyn on there. It's fire. It's fire. I'm so excited. I can't wait to debut it on Sunday.
3:32:56 - 3:33:00
We have a lot of people coming to this mint that are going to hear that track. I'm not going to
3:33:00 - 3:33:04
play it the whole way. I don't know. I'm going to ask you first. Do you think we should play it the
3:33:04 - 3:33:05
whole way through? Is it good to sneak peek? going to ask you first. Do you think we should play it the whole way through?
3:33:06 - 3:33:07
Is it good to sneak peek?
3:33:09 - 3:33:09
The song is so fire and it's a cannabis.
3:33:11 - 3:33:11
It's a big day. It's 420.
3:33:12 - 3:33:14
I think it's got that cannabis vibe in there.
3:33:15 - 3:33:16
I think it's a perfect day to
3:33:16 - 3:33:19
tease them with it and drop them in
3:33:19 - 3:33:19
party link.
3:33:20 - 3:33:22
Are you going to play it tonight?
3:33:23 - 3:33:25
There he goes again with those cliffhangers leaving us hanging. I got to send it to play it tonight. You're not going to play it tonight. There he goes again with those cliffhangers
3:33:25 - 3:33:26
leaving us hanging.
3:33:27 - 3:33:29
I got to send it to Digi's.
3:33:29 - 3:33:30
I'll have to come Sunday.
3:33:30 - 3:33:32
I got to send it to my Rodecaster.
3:33:33 - 3:33:34
I got to send the file over here.
3:33:35 - 3:33:37
But next time, I don't have it queued up
3:33:37 - 3:33:39
on this computer,
3:33:39 - 3:33:40
but I could.
3:33:41 - 3:33:43
I don't think we could drop it yet.
3:33:43 - 3:33:44
I think we have to wait a little.
3:33:44 - 3:33:46
I agree, Crypto. It, we're starting this out.
3:33:47 - 3:33:48
It's very special. It's a very good track.
3:33:49 - 3:33:51
Sorry. But I'm going to queue up
3:33:51 - 3:33:52
maybe the next one if you want.
3:33:53 - 3:33:54
Go ahead.
3:33:54 - 3:33:54
Did it go?
3:33:56 - 3:33:58
Yeah, this is Phantom of the Swapra.
3:33:59 - 3:33:59
It's called
3:33:59 - 3:34:02
Round Strippers. Oh,
3:34:02 - 3:34:05
Digibunce has actually dropped down down i'll have to bring him back up
3:34:05 - 3:34:09
he like got bumped down um that wasn't your fault was mine i don't know he just
3:34:09 - 3:34:12
said he could bring digi once back up i can play it
3:34:12 - 3:34:18
all right well deal let's get an instrumental going in the meantime so there's no dead space
3:34:18 - 3:34:33
i got one for you i got one for you. I got one for you. I got one for you.
3:35:46 - 3:35:49
I like this. I like this. Thank you. Beats low like the moonlight glow, as on the chart while the can go low Fipe steady, even market pros
3:35:49 - 3:35:52
Root for the time, I don't panic, I grow
3:35:52 - 3:35:54
Wallet's thing with the cosmic plan
3:35:54 - 3:35:57
Gatsby pie, still I'm mint like a man
3:35:57 - 3:36:01
Koala tech is the vault of the fan
3:36:01 - 3:36:04
I ain't chasing pumps, I'm just taking who I am
3:36:04 - 3:36:07
Low-fi waves, no hype, just trust.
3:36:07 - 3:36:09
Just out the fur, let it float like that.
3:36:11 - 3:36:13
Meditating when I moved with the rust.
3:36:14 - 3:36:16
CryptoCam with the calm, got to trust.
3:36:20 - 3:36:21
Yeah.
3:36:22 - 3:36:25
She asked me because she loved me long time.
3:36:28 - 3:36:31
She asked me because she loved me long time.
3:36:33 - 3:36:36
I cut you short there, Crypto Wheat Radio.
3:36:38 - 3:36:39
Oh, I was about to get you.
3:36:39 - 3:36:40
I was about to get you.
3:36:41 - 3:36:42
I got one to follow up with that.
3:36:42 - 3:36:43
I got one to follow up with that.
3:36:43 - 3:36:44
On your ass, King.
3:36:44 - 3:36:46
All right. Play that and then Digi Blunt.
3:36:57 - 3:37:23
Light that shit out. all right all right it's past midnight and i'm on my dinner chowing down slow feeling like a winner
3:37:23 - 3:37:26
good tunes in my ear, kicking back at home.
3:37:27 - 3:37:32
Scrolling crypto Twitter, I'm never alone. Late night vibes with dinner and beats.
3:37:33 - 3:37:38
Triple tritter trotting, scrolling tweets. Vibing, relaxing, all night strong.
3:37:39 - 3:38:14
Riding on my rhythm of our midnight song. When the sun peeks in, we'll do it again
3:38:14 - 3:38:17
Dinner good tunes, and cryptal friends
3:38:17 - 3:38:21
Late night ritual, it's our secret throng
3:38:21 - 3:40:25
Living for these moments moments all night long. so Thank you. so let's go that was was fire, bro.
3:40:27 - 3:40:27
Thank you. Thank you.
3:40:27 - 3:40:28
I was grooving over here.
3:40:28 - 3:40:31
It's like midnight, and I'm like, dancing in my chair.
3:40:32 - 3:40:33
It's Friday night.
3:40:35 - 3:40:38
Yeah, hey, that might be the song.
3:40:38 - 3:40:39
It's Friday night.
3:40:41 - 3:40:43
Dancing in my chair.
3:40:44 - 3:40:46
You know I'm a DJ
3:40:46 - 3:40:48
I don't try to
3:40:48 - 3:40:49
pretend
3:40:49 - 3:40:52
let's say what I'm
3:40:52 - 3:40:54
picking up here for a minute
3:40:54 - 3:40:59
what's up bro
3:40:59 - 3:41:02
it's crazy it's 1230
3:41:02 - 3:41:04
over there the DJ
3:41:04 - 3:41:06
hours are kicking in the The room's filling up.
3:41:07 - 3:41:12
Don't you guys forget to go down there and hit the Purple Pill. Like, retweet the room.
3:41:12 - 3:41:19
And mass-engage all the posts in the Purple Pill and engage with the posts in the Jumbotron.
3:41:20 - 3:41:26
Follow all the hosts and co-hosts and the people with the beat you like, follow them.
3:41:26 - 3:41:28
Give them some support and give them some love.
3:41:30 - 3:41:31
Rub-a-dub-dub.
3:41:32 - 3:41:33
That's what he said.
3:41:36 - 3:41:39
Listen to the man Rob. Rob is a wise man.
3:41:39 - 3:41:42
Let's say we're up to Jav. Jav, what's going on, my friend?
3:41:42 - 3:41:43
Hopefully I pronounced that correctly.
3:41:46 - 3:41:47
You with us?
3:41:47 - 3:41:48
You hanging?
3:41:51 - 3:41:53
I got the frogs going tonight.
3:41:57 - 3:41:57
Jav, we got
3:41:57 - 3:41:59
some people in the request, so I gotta rotate
3:41:59 - 3:42:00
you, my brother.
3:42:01 - 3:42:03
You can rotate me out. That's fine.
3:42:03 - 3:42:04
I'll go down and listen.
3:42:05 - 3:42:06
Alright.
3:42:11 - 3:42:12
You got something queued up?
3:42:13 - 3:42:14
Moon Queen?
3:42:14 - 3:42:15
Yes, sir.
3:42:16 - 3:42:19
Yeah, this is a fun track. I want you guys to close your eyes.
3:42:20 - 3:42:21
I want you to whip out that
3:42:21 - 3:42:23
digi joint or that digi...
3:42:23 - 3:42:27
Well, you can't whip out your digi blunt because that's coming in on Sunday. I want you to whip out that digi joint or that digi. Well, you can't whip out your digi blunt because that's coming in on Sunday.
3:42:27 - 3:42:31
I want you to close your eyes and listen to this chat.
3:42:31 - 3:42:32
It's called Cali.
3:42:33 - 3:42:35
The artist is actually in the building.
3:42:35 - 3:42:36
His name is Ade Kapil.
3:42:36 - 3:42:37
He's down there.
3:42:37 - 3:42:39
Super, very low homie.
3:42:39 - 3:42:40
It's a Web3 music.
3:42:41 - 3:42:42
He's been dropping a long time out here.
3:42:42 - 3:42:49
So this is Cali
3:43:05 - 3:43:08
We're vibing out on the blockchain retweet that space 6 all the way to Cali Holy smoke the best cause everyday job less It ain't It goes yeah and you don't stop
3:43:08 - 3:43:11
I'll be stacking this paper till the day that it drops
3:43:11 - 3:43:13
Yeah and you don't stop
3:43:13 - 3:43:16
I'll be stacking this paper till the day that it drops
3:43:16 - 3:43:19
It goes down now
3:43:19 - 3:43:20
Fire more pad
3:43:20 - 3:43:23
My dogs, my rhymes
3:43:23 - 3:43:26
Dripping water, don't drown.
3:43:26 - 3:43:28
Whenever I pull up, you know it's going down.
3:43:29 - 3:43:31
Two miles per hour, capping through the town.
3:43:31 - 3:43:34
I be too high, head in the clouds.
3:43:34 - 3:43:36
Ten toes down, grind and get it from the ground.
3:43:36 - 3:43:39
Natural herbalists, roll them all, they pass around.
3:43:39 - 3:43:41
Then the COVID hit, roll your own smoke now.
3:43:41 - 3:43:44
I take COVID off, it's something like this loud.
3:43:44 - 3:43:45
Dripping like a faucet
3:43:45 - 3:43:46
Look at me now
3:43:46 - 3:43:47
I ain't trippin' over chickens
3:43:47 - 3:43:49
We just switch like a lie
3:43:49 - 3:43:50
In the coop countin' chickens
3:43:50 - 3:43:51
Look like general size
3:43:51 - 3:43:53
No offense, take a pick
3:43:53 - 3:43:54
Long way from hoppin' fence
3:43:54 - 3:43:55
One foot still in the trap
3:43:55 - 3:43:57
Shit, I gotta take the brand
3:43:57 - 3:43:59
It goes, yeah, and you don't stop
3:43:59 - 3:44:01
I'll be stackin' this paper
3:44:01 - 3:44:02
Till the days that I drop
3:44:02 - 3:44:04
Yeah, and you don't stop
3:44:04 - 3:44:08
I'll be stackin' this paper till the day that I drop, yeah, and you don't stop I'll be stacking this paper till the day that I drop
3:44:08 - 3:44:12
It goes down, more fire, more pad
3:44:12 - 3:44:17
My dogs, my rats, drippin' water, don't drown
3:44:17 - 3:44:20
It goes, yeah, and you don't stop
3:44:20 - 3:44:25
I'll be stacking this paper till the day that I drop, yeah, and you don't stop I'll be stacking this paper till the day that I drop. Yeah, and you don't stop.
3:44:25 - 3:44:28
I'll be stacking this paper till the day that I drop.
3:44:28 - 3:44:29
She's a bad little mommy.
3:44:29 - 3:44:30
And she all on me.
3:44:30 - 3:44:31
Got a bad little body.
3:44:31 - 3:44:33
And she about that origami.
3:44:33 - 3:44:34
Baby, go get it.
3:44:34 - 3:44:35
Baby, girl, got it.
3:44:36 - 3:44:37
Nigga, don't run up.
3:44:37 - 3:44:38
I'm reaching in my pocket.
3:44:38 - 3:44:41
Last door with this rocket.
3:44:41 - 3:44:41
Homeboy, Eddie.
3:44:42 - 3:44:43
I'm with the trees like rocket.
3:44:43 - 3:44:44
This is Kelly Weave.
3:44:44 - 3:44:48
Very OZ exotic. Plug with the hand like rocket. This is Kelly weed every OZ exotic plug with the hands that came up on a profit
3:44:48 - 3:44:53
11 for the beat what it's cost it everything you do cap. I'm real life boss man
3:44:53 - 3:44:57
We'll get you nigga 209 back to Charleston from the ground up concrete boy
3:45:01 - 3:45:07
He's second I'll be stacking this paper to the day time drops
3:45:07 - 3:45:15
Fire, move, pound
3:45:15 - 3:45:17
My dogs, my rounds
3:45:17 - 3:45:20
Dripping water, don't drown
3:45:20 - 3:45:22
Paper stacked from the ground
3:45:22 - 3:45:25
Out the mud, A new sound.
3:45:25 - 3:45:27
Says watching for pronouns.
3:45:27 - 3:45:28
No talking.
3:45:29 - 3:45:29
Can't pronouns.
3:45:30 - 3:45:30
Niggas.
3:45:40 - 3:45:41
11 for the beat.
3:45:41 - 3:45:42
Two counting chicken.
3:45:43 - 3:45:44
Came up on a profit.
3:45:44 - 3:45:45
Came up on a profit. Came up on a profit Came up on a profit
3:45:45 - 3:45:46
Came up on a profit
3:45:46 - 3:45:48
This is Kelly Weed
3:45:48 - 3:45:49
Every OG exotic
3:45:49 - 3:45:50
Every OG exotic
3:45:50 - 3:45:58
He's so groovy
3:45:58 - 3:46:00
That's a Jacob feel
3:46:00 - 3:46:01
Let's go
3:46:01 - 3:46:03
Let's fucking groove
3:46:03 - 3:46:04
Uh, and
3:46:04 - 3:46:05
We in Cali Let's go. Let's fucking prove. Huh.
3:46:06 - 3:46:13
We in Cali.
3:46:14 - 3:46:15
Let's go.
3:46:17 - 3:46:18
He's a cool cat out of the West Coast.
3:46:19 - 3:46:20
You can hear that West Coast vibe.
3:46:22 - 3:46:22
He also makes really cool skate decks.
3:46:25 - 3:46:25
You can put your project on his skate decks.
3:46:26 - 3:46:26
It's very cool.
3:46:27 - 3:46:27
Put it on your wall.
3:46:28 - 3:46:28
Put a piece of art.
3:46:29 - 3:46:29
So he does that as well.
3:46:29 - 3:46:30
Very cool.
3:46:30 - 3:46:31
Cat out here.
3:46:32 - 3:46:32
Love you a day.
3:46:32 - 3:46:32
He's down there.
3:46:33 - 3:46:34
Give him a like and a follow.
3:46:35 - 3:46:35
Thanks, guys.
3:46:37 - 3:46:37
Thanks for letting us play some tracks today.
3:46:37 - 3:46:40
It's been fun vibing.
3:46:41 - 3:46:41
He's been around forever.
3:46:42 - 3:46:42
Yeah, forever, forever.
3:46:44 - 3:46:44
He did Stonertown a couple years back.
3:46:46 - 3:46:46
It's my favorite track he's ever done.
3:46:47 - 3:46:47
It's called Stonertown.
3:46:52 - 3:46:52
But, yeah, it's a very genuine human being out here.
3:46:56 - 3:46:58
Very loving, sparked values, just really beautiful soul.
3:46:59 - 3:46:59
Moon, you changed it up on me.
3:47:02 - 3:47:02
I was expecting Phantom, and you come out with that.
3:47:03 - 3:47:03
That was fire.
3:47:08 - 3:47:14
That was fire. Yeah, i saw my boy pop in so you know i switched it up on it uh we got plenty of time to play phantom i saw a day in the
3:47:14 - 3:47:20
building he's up late so just want to show that love shout out to fan i understand when somebody
3:47:20 - 3:47:25
pops in a room it changes the whole vibe to whatever we're doing.
3:47:26 - 3:47:28
It's cool to see when that happens.
3:47:28 - 3:47:33
Somebody pops in a room, they're pulled up on stage because everybody wants to know what's going on with them and how everything is going.
3:47:34 - 3:47:40
And when music and one of the artists pops up, King of Hearts tries to sow the same kind of love when he sees them come in.
3:47:40 - 3:47:41
And I respect that.
3:47:41 - 3:47:45
That is what I call supporting one another so we all come up together.
3:47:46 - 3:47:47
That's what Web3 is all about.
3:47:52 - 3:47:54
Speaking of which, we got Lady
3:47:54 - 3:47:55
in the building.
3:47:56 - 3:47:58
We got Alex in the building. We got
3:47:58 - 3:48:00
tea bags. Let's say what's up to Lady.
3:48:00 - 3:48:02
I got a little cue in my head, I think.
3:48:02 - 3:48:04
I'm trying to keep it in order.
3:48:04 - 3:48:09
I'm trying to keep it together. How are you doing, to keep together how you doing lady what's up guys how's everyone doing
3:48:09 - 3:48:17
what's up girl hi i cam crypto cam told me that you guys were in here
3:48:17 - 3:48:25
so here i came i was so bored and lonely but you you know what I'm doing? Drawing is always.
3:48:27 - 3:48:28
Glad to have something interesting to listen to.
3:48:28 - 3:48:29
You sing?
3:48:30 - 3:48:33
Do I sing?
3:48:33 - 3:48:33
Question.
3:48:34 - 3:48:34
I don't know.
3:48:36 - 3:48:37
Sometimes I ask people that when they come on stage.
3:48:38 - 3:48:39
Yeah, I can sing.
3:48:40 - 3:48:42
I get really shy about it, though.
3:48:42 - 3:48:42
Same.
3:48:43 - 3:48:43
Same, sis.
3:48:44 - 3:48:44
I get shy, too.
3:48:45 - 3:48:47
But I sing in the shower. I sing really
3:48:47 - 3:48:48
well in the car. I believe,
3:48:49 - 3:48:50
I truly believe I'm like
3:48:50 - 3:48:52
Frank Sinatra when I'm in the car.
3:48:52 - 3:48:53
I love that.
3:48:54 - 3:48:55
I love that.
3:48:56 - 3:48:57
You probably are.
3:48:58 - 3:49:00
I don't know. I just need someone else
3:49:00 - 3:49:02
to sit in the car with me, but the energy is not
3:49:02 - 3:49:03
the same when someone else is in the car.
3:49:03 - 3:49:06
No, I can't get the sound to come out when someone else is in.
3:49:06 - 3:49:07
Sounds like a collab.
3:49:07 - 3:49:09
King and lady collab coming up.
3:49:10 - 3:49:13
We could just go shit our pants together while we try to sing.
3:49:17 - 3:49:19
Especially in that Jersey traffic, you know.
3:49:20 - 3:49:21
You're just delting it out.
3:49:21 - 3:49:22
Garden State Park, right?
3:49:23 - 3:49:24
Delta up north, you know.
3:49:25 - 3:49:26
It is what it is.
3:49:27 - 3:49:28
I used to spend a lot of time in Montclair.
3:49:29 - 3:49:31
I like Jersey, actually.
3:49:32 - 3:49:33
Yeah, Jersey's a nice state.
3:49:33 - 3:49:34
I like it here a lot.
3:49:34 - 3:49:38
I just moved here from New York recently, but, you know.
3:49:39 - 3:49:39
That's cool.
3:49:39 - 3:49:40
Like the city part?
3:49:41 - 3:49:44
I'm from northern New York State, up in the mountains, up in Lake Placid.
3:49:47 - 3:49:47
I'm born and raised. I'm born in Brooklyn York state up in the mountains, up in Lake Placid, but I'm from,
3:49:47 - 3:49:51
I'm born in Brooklyn. I was like mainly raised in Staten Island and I lived in Staten Island most of
3:49:51 - 3:49:54
my life and then moved out to Jersey out here recently.
3:49:56 - 3:49:59
I live right near Gary V's elementary school.
3:50:01 - 3:50:02
A random fact,
3:50:02 - 3:50:03
he like posted it and I'm like,
3:50:03 - 3:50:05
that's the fucking school up the block of my
3:50:05 - 3:50:12
house jesus it was funny but um yeah let's uh let's keep this show going um lady appreciate
3:50:12 - 3:50:17
you pulling up thank you yeah for sure if you decide to just bust out and sing um
3:50:17 - 3:50:26
we'll be kind we'll be it's never gonna happen in a million fucking years well we can do line by line
3:50:26 - 3:50:27
lady come on
3:50:27 - 3:50:30
the only way you guys will ever hear me singing is if it's on a track
3:50:30 - 3:50:32
with somebody and you're hearing it like recorded
3:50:32 - 3:50:33
probably
3:50:33 - 3:50:36
I respect that I respect that
3:50:36 - 3:50:38
we're just this is just the room
3:50:38 - 3:50:40
of peer pressure you know you come up here and we're just
3:50:40 - 3:50:42
peer pressure and people my apologies
3:50:42 - 3:50:44
no you're good you're good
3:50:44 - 3:50:53
alright cool who else we gotlex what's going on brother yo yo yo man i'm awake good morning
3:50:53 - 3:51:00
good morning good morning guys yeah just trying to fucking find my headphones man
3:51:00 - 3:51:05
i was wearing them when i went to bed uh they're under your pillow
3:51:05 - 3:51:12
that wasn't good man i wasn't good somewhere in the sheets somewhere man somewhere yeah
3:51:16 - 3:51:25
under the pillow you think that's that's where i always find mine under the pillow. They fall out when I roll over. They're wired ones, man.
3:51:27 - 3:51:28
Somewhere.
3:51:29 - 3:51:30
I'll find them in a minute.
3:51:30 - 3:51:34
You're just going to have to listen to me on this one.
3:51:34 - 3:51:34
Really loud.
3:51:34 - 3:51:37
Let's wake everyone up in his house before he gets the headphones on.
3:51:38 - 3:51:39
That's just me, man.
3:51:40 - 3:51:40
I live alone.
3:51:44 - 3:51:45
Alex is smart.
3:51:48 - 3:51:49
Alex gets to keep all of his money.
3:51:50 - 3:51:50
Huh?
3:51:52 - 3:51:54
No, I just give it, exactly, alimony.
3:51:58 - 3:51:59
All right, man.
3:51:59 - 3:52:00
Well, thanks for hanging with us.
3:52:00 - 3:52:03
You're always pulling up on the Saturday morning, I guess, for you.
3:52:03 - 3:52:06
So I hope you have an epic day today.
3:52:06 - 3:52:06
Yeah.
3:52:07 - 3:52:07
Drop some beats.
3:52:08 - 3:52:08
Love and joy.
3:52:09 - 3:52:10
And, yeah, we're going to drop beats.
3:52:10 - 3:52:10
Hell yeah.
3:52:10 - 3:52:12
I just want to say what's up to T-Bags, too.
3:52:12 - 3:52:14
T-Bags been hanging up here for a minute.
3:52:14 - 3:52:17
So I'm trying to say what's up to everyone, and then we'll get back to the music.
3:52:17 - 3:52:18
How you doing, T-Bags?
3:52:19 - 3:52:20
I feel weird saying that.
3:52:20 - 3:52:22
Hey, GM, GM, everybody.
3:52:22 - 3:52:23
Yo, this is T-Bags.
3:52:24 - 3:52:28
King of Hearts. saying that gmg and everybody you know this is stevex king of hearts maxi crypto beat radio
3:52:29 - 3:52:37
nature guardian moon queen alex crypto calm everybody in the speaker space and on the
3:52:37 - 3:52:44
listening section yo so this is t-bikes from nigeria so before you go ahead maybe later i
3:52:40 - 3:52:48
from nigeria so before you go ahead maybe later i i'm here with my guitar so i have a song you know
3:52:48 - 3:52:53
to you know to do for everybody but before we love live performance bro
3:52:53 - 3:52:58
threaten us with a good time don't threaten us with a good time
3:52:58 - 3:53:10
okay so you're going up with alex so i go in with my plane just start shredding bro that's it just start shredding that guitar you got it queued up you
3:53:10 - 3:53:47
got everything um sound check all right yeah Thank you. I can share my mood with you.
3:53:48 - 3:53:50
I can cut your grooves for you.
3:53:50 - 3:53:53
My baby, my everything is true.
3:53:54 - 3:53:58
If not one minute, I can miss you time.
3:53:58 - 3:54:00
It's a feeling that I can't deny.
3:54:01 - 3:54:04
You're the reason why I wrote this line.
3:54:04 - 3:54:30
Because I want you to look your way eyes for me.
3:54:31 - 3:54:32
Yeah.
3:54:33 - 3:54:34
Shout out to King.
3:54:35 - 3:54:36
Shout out to everybody in the space.
3:54:37 - 3:54:39
Thanks for having me here.
3:54:39 - 3:54:43
You know, I just wanted to do just a minute song for you guys.
3:54:44 - 3:54:46
How long have you been playing guitar for?
3:54:48 - 3:54:49
Been playing for a while.
3:54:50 - 3:54:51
Been playing for a while?
3:54:52 - 3:54:54
Yeah, probably like two years.
3:54:56 - 3:54:57
Dope, dope.
3:54:58 - 3:55:00
Yo, T, you're mad talented.
3:55:00 - 3:55:03
He also does badass graffiti art and stuff.
3:55:04 - 3:55:06
So this guy's uh this guy's badass
3:55:07 - 3:55:12
that's what's up are you able to record and make like original guitar riffs
3:55:14 - 3:55:19
no no not yet you just play oh that's what's up man you'll get you'll get there keep practicing
3:55:19 - 3:55:31
you know yeah but i i just want afro pop after beats that's what's up that's what's up
3:55:31 - 3:55:41
yeah thanks for having me on the speaker station yeah and i'm not being patient taking time out
3:55:41 - 3:55:50
of your night i'm trying to rotate people people and bring up as many people as possible. You never know. Sometimes you bring up an account and they just like blow you away with
3:55:50 - 3:55:55
like some really dope music. I've had it happen. People come in here and they have like 20 followers
3:55:55 - 3:56:00
and they just like, they amaze the shit out of you, you know? So everybody's got to get a shot
3:56:00 - 3:56:05
here. Everybody's got to play some music. And I was really digging that. That was a dope melody, a dope vibe.
3:56:06 - 3:56:08
I was gonna ask you if I could
3:56:08 - 3:56:09
start playing drums under it, but then
3:56:09 - 3:56:11
it gets tricky in the spring.
3:56:11 - 3:56:12
Oh, wow.
3:56:14 - 3:56:16
Yeah, we can do that right now.
3:56:16 - 3:56:17
We can do it right now,
3:56:17 - 3:56:18
right this second?
3:56:19 - 3:56:20
Give me a second.
3:56:21 - 3:56:22
Let's see.
3:56:23 - 3:56:26
What beats per minute? How many beats per minute are we looking at?
3:56:27 - 3:56:28
Where's your comfort spot?
3:56:30 - 3:56:31
Just give me anything.
3:56:32 - 3:56:33
I'm going to vibe on it.
3:56:44 - 3:56:46
Whoops, hold on. I got a song playing in the background
3:56:46 - 3:58:07
not cool not fucking cool here's the drum loop I'm out. Yo, that's kind of fire. I'm sorry. I just be waving and shit, my agent is to kiss my heart as a labor machine So where the bars come from, the world is down there
3:58:07 - 3:58:10
Nigga, you shouldn't be here, man, if you're broke, though
3:58:10 - 3:58:13
You just be dropping small balls, that's a low blow
3:58:13 - 3:58:16
I'm like, you be trying to fall, huh?
3:58:17 - 3:58:20
Anywhere where they talk like they love something
3:58:20 - 3:58:23
I thought I put my cell phone, I pushed my own bar
3:58:23 - 3:59:06
And she was definitely gone, you're after trying to joke, man I'm going to sell some exes that I know that I push myself, I'm gonna push my own button to choose, I knew I was trying to close, but I know some, ayy, ayy, we got Max in the building, we got K2B, we got Manta, we got Moon Queen, Alex, Kriptocom, Kram, The Pubbeat, Lady, Weaver, I love that Yo, you crushed it, bro. You crushed it. That was great.
3:59:10 - 3:59:10
I like it.
3:59:10 - 3:59:10
I like it.
3:59:11 - 3:59:11
Dude, let's hit it again.
3:59:12 - 3:59:13
Let's see if we're fired.
3:59:14 - 3:59:15
Pleasure having you up here.
3:59:16 - 3:59:17
I got to reset it real quick.
3:59:18 - 3:59:18
We got a bunch of new people in here.
3:59:20 - 3:59:21
I see the homie Krem just got on stage.
3:59:24 - 3:59:24
Everybody, my name is Vin, King of Hearts.
3:59:26 - 3:59:27
I've been producing music for a while now.
3:59:32 - 3:59:32
I have built this platform here and I've offered this opportunity to Web3 Musicians.
3:59:37 - 3:59:37
If you go up to the top, you check out waveroot.com. That is my company. It's an LLC.
3:59:43 - 3:59:46
It's a legitimate business. And what we're doing is I started creating sample packs for music producers a little over a year ago, and I was
3:59:46 - 3:59:51
selling it on my landing page with my NFT projects. I was kind of providing it as a utility,
3:59:51 - 3:59:57
and it took off. I did a Google ad. A bunch of people were buying these packs up. So I decided
3:59:57 - 4:00:03
to close the website down and rebrand it and just take it to the next level. So we formed an LLC.
4:00:03 - 4:00:06
I've spent months building this website.
4:00:06 - 4:00:12
And basically what it is, it's essentially like a beat star for music producers. You can sign up
4:00:12 - 4:00:18
and become a producer. If you have original music or if you're making beats and you want to sell
4:00:18 - 4:00:27
instrumentals on the website as well, that's an option also, but, um, it's, it's generally focused on, um, on royalty-free
4:00:27 - 4:00:33
music sample packs and therefore, uh, recording artists, music producers, DJs, uh, content
4:00:33 - 4:00:40
creators, filmmakers, uh, game developers. So we're just constantly onboarding and uploading
4:00:40 - 4:00:51
new packs. We have a lot of talented producers on there right now from Web3, like Crypto Beat Radio. We have One Got Beats, Frisky Foxtrot, the homie Langeau. You heard a couple of
4:00:51 - 4:00:58
his Afro Beats earlier. And Krem. Krem is coming up on the website real soon. Looking forward to
4:00:58 - 4:01:04
what he brings to the table. And we're rolling out the Google ads. And we're going to start.
4:01:04 - 4:01:08
We've been super aggressive on all other platforms with the content as well.
4:01:08 - 4:01:13
So if you guys are on Instagram, YouTube, TikTok, go follow Waveroot.
4:01:13 - 4:01:14
Just punch it in.
4:01:14 - 4:01:16
It'll probably come up W-A-V-R-O-O-T.
4:01:17 - 4:01:18
It's kind of a unique name.
4:01:18 - 4:01:25
So, I mean, what we're doing is we're selling Wave and MIDI files and, you know, music stems.
4:01:25 - 4:01:26
It kind of clicked.
4:01:26 - 4:01:28
Wave Root was my second ETH collection.
4:01:29 - 4:01:34
And that's kind of where it all stemmed from, ironically.
4:01:34 - 4:01:36
So that's what we're doing.
4:01:36 - 4:01:38
That's the business I built around Web3.
4:01:38 - 4:01:40
And soon the website will be accepting crypto.
4:01:40 - 4:01:45
accepting crypto and there's a lot that's going to grow into it from what we're doing and um i
4:01:41 - 4:01:44
And there's a lot that's going to grow into it from what we're doing.
4:01:45 - 4:01:51
just want to give like a super shout out to like the the producers who wrote along with me for this
4:01:51 - 4:01:58
and um you know i i'm great i'm grateful for you guys you know and uh always open for feedback too
4:01:58 - 4:02:07
guys so you know please don't be uh shy yo king what up what up yo yo i want to i want to put you in my metaverse bro
4:02:07 - 4:02:12
i want to put your put your banner up in the wave roots banner up in the metaverse
4:02:12 - 4:02:18
yeah man yeah man because we're creating like a sound lounge you know i'm saying that's gonna
4:02:18 - 4:02:24
be inside there also like we already got the first room built out and uh create you know
4:02:24 - 4:02:25
it's a music vibe too
4:02:25 - 4:02:29
you know i'm saying it's comics and music so like i think it'll be sick to have your banner in there
4:02:29 - 4:02:36
bro yeah that would be dope that would be i'd be honored absolutely yeah you just gotta just
4:02:36 - 4:02:40
gotta send me your uh you just gotta once you launch you just gotta send me your uh
4:02:40 - 4:02:44
your logo and we'll attach the website to it so when people are in the metaverse they can
4:02:44 - 4:02:46
yeah we're like in beta right now.
4:02:46 - 4:02:48
We have like four or five producers, including
4:02:48 - 4:02:49
myself. And
4:02:49 - 4:02:52
soon we got a bunch more on deck that
4:02:52 - 4:02:54
are coming in. We're just working out like
4:02:54 - 4:02:56
some little kinks on the website. But that's on
4:02:56 - 4:02:58
the back end. The website's fully functional now.
4:02:58 - 4:03:00
People can shop.
4:03:00 - 4:03:02
A few producers made sales.
4:03:03 - 4:03:04
You know, it's going.
4:03:06 - 4:03:12
Yeah, it's perfect. especially because you're gonna start accepting crypto too so it's just music and that's what we that's what
4:03:12 - 4:03:19
we are you know i'm saying so it's it aligns with the vision absolutely man absolutely i'm looking
4:03:19 - 4:03:27
to collaborate with as many people as possible so that's dope well you nailed the branding because the branding's fire
4:03:27 - 4:03:34
so i think that is uh you know it's really strong i think it's nice and catchy nice and short
4:03:34 - 4:03:38
memorable unique um you think like i was really putting a lot of thought into it and if you think
4:03:38 - 4:03:43
about like all these like fortune 500 companies like apple best buy you know they're all super
4:03:43 - 4:03:45
short like two syllable
4:03:45 - 4:03:50
so i knew i had to keep it like easy to roll off the tongue and i was thinking about it for such a
4:03:50 - 4:03:54
long time and i was like dude my fucking second ethereum collection is like the perfect name for
4:03:54 - 4:04:03
it for this for this website so thank you yeah 100 i think it it matters right uh to expand your
4:04:03 - 4:04:05
reach it's got to be something memorable.
4:04:06 - 4:04:07
You know, clean.
4:04:07 - 4:04:10
It's clean, especially for, like, the level that you want to do.
4:04:10 - 4:04:14
Very, you know, short, clean, two syllables, boom, waver.
4:04:15 - 4:04:16
Very easy for people to remember.
4:04:16 - 4:04:17
We'll be at the top of Google in no time.
4:04:17 - 4:04:20
Give me three months, we'll be at the frigging top of Google search engines.
4:04:20 - 4:04:21
Let's go, SEO.
4:04:22 - 4:04:26
Yeah, whenever somebody Googles a royalty free instrumental pack we're
4:04:26 - 4:04:31
gonna get to the top we're getting in everybody's face i'm coming for sample lab i'm coming now let
4:04:31 - 4:04:34
me not make from nothing let me not make enemies with all these web tube business
4:04:34 - 4:04:42
no man you're manifesting your goals like yeah like i'm i'm super fucking proud of you it's been
4:04:42 - 4:04:45
fun to watch um just what you've done and what you continue doing.
4:04:46 - 4:04:47
And you work really hard every single day.
4:04:47 - 4:04:49
So, yeah, shout out to you, Vin.
4:04:49 - 4:04:54
Yeah, if there's any musicians in the building that would find this to be an interesting opportunity,
4:04:54 - 4:04:58
if you can make original sounds and you play an instrument, definitely hit me on the back end.
4:04:58 - 4:05:01
I'm not here extracting liquidity from Web3.
4:05:01 - 4:05:04
We're trying to put money back into the pockets and offer opportunity.
4:05:09 - 4:05:15
But it is a legit thing you know you if you sell on the platform you'll get a 1099 at the end of the year um all that stuff so you know it's it's fully legit so if that's something interesting
4:05:15 - 4:05:21
to you hit me in the dms guys but um we got to keep this going i'm talking about myself too much
4:05:21 - 4:05:25
i don't like to do that let's let's say we're to Krem. Krem's in the building, the homie.
4:05:26 - 4:05:28
Yeah, I'm surprised you talked about WaveRoot
4:05:28 - 4:05:29
as long as you did.
4:05:29 - 4:05:31
It's not just, you know, it's a good platform, bro.
4:05:31 - 4:05:33
You can, you know, you're doing well.
4:05:33 - 4:05:34
I like the name too.
4:05:34 - 4:05:35
But no, man, it's good.
4:05:35 - 4:05:36
Looking forward to bringing some cool stuff
4:05:36 - 4:05:37
to the platform.
4:05:39 - 4:05:40
You know what it is, man.
4:05:40 - 4:05:41
It'll be soon.
4:05:42 - 4:05:43
I'm thinking maybe next month,
4:05:43 - 4:05:44
something like that.
4:05:44 - 4:05:45
But yeah, I hope you all doing well tonight.
4:05:45 - 4:05:46
How's it going, King?
4:05:48 - 4:05:50
What up, Maxi? What up, Crypto B?
4:05:50 - 4:05:51
Eh, what's good? Moon Queen?
4:05:51 - 4:05:54
Man, there's too many to name. We'd be here all
4:05:54 - 4:05:55
day giving that
4:05:55 - 4:05:57
shoutouts. But, yeah, I hope you all
4:05:57 - 4:05:58
well, man.
4:06:01 - 4:06:03
You too, Krem. Good to see you, bro.
4:06:08 - 4:06:12
Yeah, yeah. I was going to say something. Man man i have like three things to say and then by the time he gets my name i'm like forget what the hell is i gonna say oh
4:06:12 - 4:06:18
yeah um we have a battle coming up tomorrow and uh i think we got another one card on march 2nd
4:06:18 - 4:06:22
so yeah just tap in any given spaces you know if you guys are into that kind of thing
4:06:22 - 4:06:26
if not keep pushing.
4:06:28 - 4:06:30
Don't be so modest. Guys, go to the fucking AGS space tomorrow. It's gonna be
4:06:30 - 4:06:32
dope. I'll tap in for sure.
4:06:32 - 4:06:33
What time is it?
4:06:34 - 4:06:36
I think we decided
4:06:36 - 4:06:37
on your Eastern time, so it'll be like
4:06:37 - 4:06:39
7 Eastern.
4:06:41 - 4:06:42
Nice. I'll pop in
4:06:42 - 4:06:43
before our space, you know. We'll
4:06:43 - 4:06:46
be hanging. Bet be hanging bet that bet that
4:06:46 - 4:06:53
yeah this is just like kind of a short um a short prep type of thing you know and then there's
4:06:53 - 4:06:58
another one coming up on the second it's hard to keep up on on all these battles man putting out so
4:06:58 - 4:07:03
it's hard for me to keep up with them so i don't expect everybody to be showing up to everything
4:07:03 - 4:07:08
but uh yeah man it's been fun but i can't wait this wave route to come around man i don't expect everybody to be showing up to everything but uh yeah man it's been fun you know i can't wait for this wave route to come around man i don't know if you're
4:07:08 - 4:07:13
going to be accepting all sorts of crypto or how that's going to work in the future king but um
4:07:13 - 4:07:18
yeah i'm interested for when the time comes to see what you're what blocks are going to be yeah
4:07:18 - 4:07:23
it's something um it's in the works i spoke to one company it was like you know they do like
4:07:23 - 4:07:28
super like they don't pay out until you do like 3000 in sales. It was a whole thing, but there are definitely smaller,
4:07:29 - 4:07:33
easier ways to implement it. It's just, um, I'm jumping over a lot of hoops right now. You don't
4:07:33 - 4:07:38
realize, you know, I guess I'm getting into the music business. So I got like a lot of shit in
4:07:38 - 4:07:42
front of me that I'm just, I'm mowing down one by one, one by one, you know, and it's not an issue,
4:07:42 - 4:07:47
but, um, we're getting to that for sure. You know, I want crypto to be accepted on the website. It's going to be super important to me.
4:07:47 - 4:07:55
So someone who's been in crypto since like 2017, 2018, it's like the whole frigging premise.
4:07:56 - 4:08:00
You know what I'm saying? I feel weak out here and not being able to support to do crypto.
4:08:00 - 4:08:02
But like I said, we're in beta, so we're going to get there. It's going to be dope.
4:08:04 - 4:08:07
Yeah. Fuck yeah. But like I said, we're in beta, so we're going to get there. It's going to be dope. Yeah!
4:08:07 - 4:08:09
Fuck yeah!
4:08:19 - 4:08:20
One idea you can use for just intermittent crypto paying is you could grab an Ethereum domain and create a subdomain. You would wrap that.
4:08:20 - 4:08:27
wrap that, you would be waveroot.eth, for example, and then your customers and the people in your
4:08:21 - 4:08:24
You would be waveroot.eth, for example.
4:08:27 - 4:08:40
network, like I would be moonqueen.waveroot.eth, and then I would pay king of .waveroot.eth,
4:08:40 - 4:08:45
so just like, you know, payment, to person, peer to peer transactions with crypto.
4:08:45 - 4:08:50
And then you would be able to track those transaction hashes and build out loyalty as well.
4:08:52 - 4:08:53
So you could do that.
4:08:53 - 4:08:54
You could just do an ENS.
4:08:56 - 4:08:56
Yep.
4:08:57 - 4:08:58
That's what we do with DigiJoints.
4:08:58 - 4:09:07
So for example, our entire community is built on an ENS subdomain called Digioints.eath, moonqueen.digijoint.eath.
4:09:07 - 4:09:14
And so if I want to buy a Special K bong, I pay specialkglass.digijoint.eath.
4:09:14 - 4:09:17
And then we have that transaction on the blockchain and he accepts crypto.
4:09:17 - 4:09:23
So to all of our cannabis purveyors, stonies.digijoint.eath, homegrown creations.
4:09:23 - 4:09:23
Yeah.
4:09:23 - 4:09:25
So just like one example.
4:09:25 - 4:09:27
And so you can get that payment process for going up.
4:09:30 - 4:09:31
It's fucking dope.
4:09:31 - 4:09:32
That's the alpha right there.
4:09:35 - 4:09:35
All right.
4:09:36 - 4:09:36
Be swift.
4:09:36 - 4:09:38
I know you got your hands up, bro.
4:09:38 - 4:09:39
My fingers on the mute button.
4:09:39 - 4:09:40
Don't be disrespecting.
4:09:40 - 4:09:41
No ladies.
4:09:41 - 4:09:42
Don't be saying no crazy shit.
4:09:43 - 4:09:46
Yo, big shout out moon queen big shout out
4:09:46 - 4:09:50
moon queen she's just dropping that knowledge you guys you guys if you're gonna buy that coin to get
4:09:50 - 4:09:55
the right one to get that yummy dude you guys are fucking up if you guys aren't doing emojis right
4:09:55 - 4:10:01
now you're asleep crams awake crams awake everybody else hearts awake of course uh cram uh tea bags
4:10:01 - 4:10:05
is awake what's up tea bags i see the purple hearts what else who else is
4:10:05 - 4:10:10
awake everyone asleep uh yo anyways so guys look this is what you gotta do you gotta go to the
4:10:10 - 4:10:14
like you gotta press the book the purple pill you gotta press the like you gotta go to ripost
4:10:14 - 4:10:18
all right um shout out maxi shout out king of heart shout out crypto
4:10:19 - 4:10:31
co-host if you guys aren't following them you guys are fucking up alex yes crypto much love shout out maxi come on now we know the real ones there you are whoa this guy okay it's okay don't
4:10:31 - 4:10:34
run me over no big deal uh but yeah man kega hearts what's up with that beat what's up with
4:10:34 - 4:10:40
that instrumental bro let me blaze it before i end my shabbat come on hook it up you're gonna
4:10:40 - 4:10:45
wrap you're gonna wrap for us b swiss god. If you guys love me, dude. If you guys fucking love me.
4:10:45 - 4:10:47
You gave me this face yesterday. It was a fucking delight.
4:10:48 - 4:10:48
Thank you, bro.
4:10:48 - 4:10:49
For the most part.
4:10:49 - 4:10:52
This is Shabbat. I want to spit a rap before I have to turn my off the legs to the next, dude.
4:10:52 - 4:10:53
Fuck yeah.
4:10:53 - 4:10:54
This is the real shit.
4:10:54 - 4:10:56
Are you riding around on your bicycle?
4:10:57 - 4:10:59
I'm walking on my shovel legs.
4:11:01 - 4:11:01
Bars.
4:11:02 - 4:11:03
She laughed at that one.
4:11:03 - 4:11:04
Bars. Bars.
4:11:06 - 4:11:06
All right. Bars. Bars. Alright.
4:11:07 - 4:11:08
Alright.
4:11:09 - 4:11:10
Rerouting.
4:11:10 - 4:11:11
Turn off my NGPS.
4:11:11 - 4:11:12
Shut up GPS.
4:11:13 - 4:11:13
Alright.
4:11:13 - 4:11:14
Now we're back on track.
4:11:14 - 4:11:15
Here we go.
4:11:15 - 4:11:16
Grabbing the mic, yo.
4:11:17 - 4:11:19
Shout out to the Kremlin.
4:11:20 - 4:11:20
Shout out.
4:11:20 - 4:11:22
I said the Kremlin is broken.
4:11:22 - 4:11:23
A token and I'm not a broken.
4:11:23 - 4:11:24
I'm a token.
4:11:24 - 4:11:26
They put me in like a freaking token.
4:11:26 - 4:11:28
Damn, is this a fucking spoken?
4:11:29 - 4:11:34
I see a black cat cross my way and I walk away and I rock this day because I'm with you fucking okay.
4:11:35 - 4:11:37
Do I need to say more?
4:11:38 - 4:11:38
What?
4:11:39 - 4:11:39
War.
4:11:40 - 4:11:42
Yo, I break war and I make it so raw.
4:11:43 - 4:11:45
I go backwards and they're like, hoorah.
4:11:46 - 4:11:48
God damn, this guy burning up the verses.
4:11:48 - 4:11:51
Damn, these girls pulling out the purses.
4:11:51 - 4:11:53
Damn, this guy ripping up them curses.
4:11:54 - 4:11:57
Damn, this guy who wants to go versus me.
4:11:57 - 4:11:59
Capital B, I'm a guy, yo.
4:11:59 - 4:12:00
I'm a Ken.
4:12:01 - 4:12:02
I walk freestyle.
4:12:02 - 4:12:03
Copy wild.
4:12:03 - 4:12:04
Yo, these styles go mild.
4:12:28 - 4:12:33
Me, yo, I must be a towel, cause you're a fucking goddamn dinosaur, go to fucking sleep, bitch, don't you know, don't make me pull out my switch, and hit you like a freaking goddamn biznitch, check this out, yo, I'm about to get to Riznitch, I'm making up words, checking up observe, I'm chilling with my herb, I'm chilling with my crew, keeping it king of hearts king of hearts is the day we got the queen of hearts Yes, today's Friday Friday is fresh and today is the 18th doesn't matter yo
4:12:33 - 4:12:41
I mastered the 18 no, I'm not losing I'm always straight up bruising wow conclusion now they got them choosing threes and fours
4:12:41 - 4:12:45
They counting them out you already knocked knocked out. You got wiped out.
4:12:45 - 4:12:46
You're Mike Tyson.
4:12:46 - 4:12:47
Me, I'm Mike.
4:12:47 - 4:12:48
I'm like a Tyson.
4:12:48 - 4:12:49
No, I'm flying around.
4:12:50 - 4:12:50
I'm like a bison.
4:12:51 - 4:12:51
Wait, no.
4:12:51 - 4:12:52
Oh, I'm fucking shooting lightning.
4:12:53 - 4:12:53
I'm a Raiden.
4:12:54 - 4:12:54
Wait, I'm Raiden.
4:12:55 - 4:12:55
Wow, damn.
4:12:55 - 4:12:56
Fucking this full six.
4:12:56 - 4:12:57
He's fucking Graydon.
4:12:58 - 4:12:58
Goddamn.
4:12:58 - 4:12:59
Yeah, two Raiden.
4:12:59 - 4:13:00
Who's greater?
4:13:00 - 4:13:01
Don't know two senators.
4:13:02 - 4:13:03
Were you like I'm Trump Vader?
4:13:03 - 4:13:05
Nothing's better, but you're in flux
4:13:05 - 4:13:10
denial it's from scientists nothing's ever enough don't deny this shit like medicine don't get
4:13:10 - 4:13:15
negative this ain't no sedative man it's cool just let it in like oxy is settling metal and torch
4:13:15 - 4:13:20
scorch the earth with my touch hopelessness of what you got while your ass is in flux yo what
4:13:20 - 4:13:25
i roll up the dutch roll up a couple of cups, so what if ants no butts?
4:13:30 - 4:13:35
Yo, even my gut dips are dipped in gold, I don't know, I rip it all like sugar roasts, Figaro's, give him some more and figamo, I don't know mango and diggaro to dig a hole,
4:13:35 - 4:13:36
I'll give you more.
4:13:36 - 4:13:37
Oh my god.
4:13:37 - 4:13:41
Yo, I'm killing in Compton, I'm Figueroa, or maybe over there on Figaro, yo.
4:13:41 - 4:13:45
It doesn't matter, my flow is broken, sound, it's rip, prick, prick, prick, prick, pricklish, doesn't matter, they eat broken sound it's rip-rick-rick-rick-rick-a-ticklish
4:13:45 - 4:13:50
doesn't matter they eat me like liquorice black or red or green or blue doesn't matter because
4:13:50 - 4:13:56
they popping me they popping them too it's on e i'm like o-n-e on you doesn't matter i'm so true
4:13:56 - 4:14:01
and i ribba-dibba-dibba-doo i'm pissed i'm going to sleep doesn't matter i creep doesn't matter i
4:14:01 - 4:14:05
hit the beat now i'm passing to the land. To cram. Bust out the show.
4:14:05 - 4:14:06
Shit, shit. Spit out that flame.
4:14:08 - 4:14:11
If I blew back, your guns won't shoot.
4:14:12 - 4:14:13
Come here.
4:14:13 - 4:14:14
Yeah!
4:14:15 - 4:14:16
Yo!
4:14:18 - 4:14:22
I was just gonna let that loop run and just see how long you two were just gonna...
4:14:22 - 4:14:31
Could've gone on forever, dude. Me and Kremlin, bro. Come on bro come on now bro that's just i got recorded on that i got copyright i swift i dj the movie you guys are
4:14:31 - 4:14:39
in it you guys are all in it top crowd uh king of hearts crypto kremlin alex moon q
4:14:39 - 4:14:48
and of course the queen the queen doodle, Phoenix, is in the motherfucking house.
4:14:48 - 4:14:49
I screenshot that shit.
4:14:49 - 4:14:53
If you don't have an emoji, like tall bags, well, he wanted extra blunts points.
4:14:53 - 4:14:55
You get some of your soul dress.
4:14:56 - 4:14:57
Let's fucking go, baby.
4:14:57 - 4:14:58
This is how we do it.
4:14:59 - 4:15:01
And I went with this guy's on.
4:15:01 - 4:15:02
Me too.
4:15:02 - 4:15:03
Here, puff up.
4:15:03 - 4:15:03
Here we go.
4:15:04 - 4:15:06
B-Swift swept the doodle floor yesterday.
4:15:06 - 4:15:09
He bought like 16 doodles.
4:15:09 - 4:15:10
What?
4:15:10 - 4:15:10
16 or 20?
4:15:11 - 4:15:14
I think he actually bought like four, but I...
4:15:14 - 4:15:16
I lost count after one.
4:15:17 - 4:15:18
He lost count after one.
4:15:22 - 4:15:28
Yo, I was listening to the fucking space today, and you, bro, you're so funny, dude.
4:15:28 - 4:15:30
You're like, I don't know if I smoke too much weed or what.
4:15:30 - 4:15:31
This fool fucking went in.
4:15:32 - 4:15:32
I was like, oh, my God.
4:15:32 - 4:15:33
It's so funny.
4:15:34 - 4:15:35
I listen to your bars, too.
4:15:36 - 4:15:38
Did you get the clip that I sent you of your bars?
4:15:39 - 4:15:39
You talking to me?
4:15:40 - 4:15:42
You talking to King of Hearts, yeah.
4:15:42 - 4:15:42
No, I'm not.
4:15:42 - 4:15:43
Sorry, sorry, sorry.
4:15:43 - 4:15:44
I'm talking to your bro.
4:15:44 - 4:15:44
No, my bad, my bad.
4:15:47 - 4:15:48
You're the beat. You're the one dropping dropping the beats I'm just making noise in the background
4:15:48 - 4:15:49
I don't rap
4:15:49 - 4:15:53
Bro that background yesterday was fucking fire
4:15:53 - 4:15:56
I had no choice
4:15:56 - 4:15:57
But to light a torch on it
4:15:57 - 4:15:59
He's lying
4:15:59 - 4:16:00
He's got bars
4:16:00 - 4:16:01
King of Hearts has bars
4:16:01 - 4:16:02
He just doesn't want to tell you
4:16:02 - 4:16:05
He's got like mad bars He just doesn't want to tell you. He's got like mad bars.
4:16:05 - 4:16:06
It's crazy.
4:16:06 - 4:16:09
He just can't show out.
4:16:09 - 4:16:11
When I'm around, people hide their bars like they're girlfriends.
4:16:12 - 4:16:12
Let me tell you.
4:16:13 - 4:16:13
Bars.
4:16:14 - 4:16:15
Gotta hide those bars.
4:16:18 - 4:16:19
But Maxie's the real one.
4:16:19 - 4:16:20
What's up, Maxie? How you doing, Queen?
4:16:22 - 4:16:24
So, it's Maxie.
4:16:24 - 4:16:25
I've been waiting to say it, Maxie? How you doing, Queen? So, it's Mexie. I've been waiting
4:16:25 - 4:16:26
to say it.
4:16:27 - 4:16:27
Mexie.
4:16:28 - 4:16:31
I am a fucking blockchain Maxie,
4:16:32 - 4:16:33
but it is Mexie.
4:16:33 - 4:16:35
I'm doing good. I'm doing good.
4:16:35 - 4:16:37
I know you are. You're always around, dude. You get down.
4:16:37 - 4:16:39
You're a dope-ass co-host, dude. You guys are smart.
4:16:41 - 4:16:43
Yeah, I'm lucky that
4:16:43 - 4:16:46
Vincent lets me co-host because sometimes i want to get crazy on people
4:16:46 - 4:16:51
so shout out to vin yep he's crazy enough to get you and you're crazy enough to get him so
4:16:51 - 4:16:58
yeah yeah she's dope she's a dope co-host she's a staple here in wave root oh she is yes yes she
4:16:58 - 4:17:03
calls every weekend nice yeah i never it is my first time obviously that you know that i'm in
4:17:03 - 4:17:08
here right oh yeah yeah we talked about it the other day you actually pulled up man i'm excited to have you i'm out of
4:17:08 - 4:17:13
my word dude that's what's up that's what's up we got mike in the building got a what's up mike
4:17:13 - 4:17:17
yeah man what's popping bro i got one for you king of hearts i got one for you all right
4:17:17 - 4:17:20
oh
4:17:20 - 4:17:33
it's ob radio Just don't be radio Alright
4:17:33 - 4:18:04
Hey Here you go. Hey. Hey, okay. Wow, alright. Strings. 1, 2, 1. Strings. 1, 2, 1, 2. Strings. Check, check.
4:18:00 - 4:18:01
One two one two.
4:18:02 - 4:18:03
Strings.
4:18:03 - 4:18:04
Check check.
4:18:05 - 4:18:06
Alright.
4:18:06 - 4:18:06
Yo.
4:18:07 - 4:18:09
I got three domes.
4:18:09 - 4:18:10
I'm roaming and I'm gnoming.
4:18:10 - 4:18:12
I'm small to the ground.
4:18:12 - 4:18:12
I said I'm gnoming.
4:18:13 - 4:18:13
I'm a gnome man.
4:18:14 - 4:18:14
Check this out yo.
4:18:15 - 4:18:16
This flow is kind of.
4:18:17 - 4:18:17
It's off.
4:18:17 - 4:18:19
Doesn't matter cause he got tossed.
4:18:19 - 4:18:21
Up like Tupac.
4:18:21 - 4:18:22
Now he can't.
4:18:22 - 4:18:22
They do that.
4:18:23 - 4:18:24
Tupac the club.
4:18:24 - 4:18:26
The club is Tupac. I said Tupac is back. Yo I'm a Mac. Right to Tupac now he can't they do that two packs the club the club is two pack i said two pockets
4:18:26 - 4:18:34
back yo i'm a mac right to attack doesn't matter yo i rock around with a cap keeper yo yamaka i
4:18:34 - 4:18:48
drop my yamaha what yo i just blessed i'm past the test i hit my chest i am so blessed i rock no vest i just rock west i walk so well i walk swell i'm like a
4:18:48 - 4:18:58
wave so i mean louis backwards slow louis is still swell well hell no i got my shell coat
4:18:58 - 4:19:06
it's fucking camouflage it's adidas that's how i get the menj. And it's breaking up. But well, I don't fucking care. Because I'm walking to fucking LL.
4:19:06 - 4:19:07
LL, ladies love.
4:19:08 - 4:19:09
Cool days all day.
4:19:09 - 4:19:10
Cool dudes is me.
4:19:11 - 4:19:12
I got too much goddamn noise in the background.
4:19:13 - 4:19:13
But it's okay.
4:19:14 - 4:19:15
I don't fucking fuck around.
4:19:15 - 4:19:16
I just slack around.
4:19:16 - 4:19:18
I grab the mic real close to my mouth.
4:19:18 - 4:19:19
And I fucking eat it up.
4:19:19 - 4:19:20
I beat it up.
4:19:20 - 4:19:21
And then I flip it up and I turn down the volume.
4:19:22 - 4:19:22
Because you know what?
4:19:22 - 4:19:23
I'm a DJ.
4:19:23 - 4:19:25
I got to be the truth. My goddamn fucking ears.
4:19:25 - 4:19:26
I'm freestyling.
4:19:26 - 4:19:29
So if you don't like it, then suck my fucking goddamn tears.
4:19:29 - 4:19:32
And put up your fucking goddamn rears with them fucking goddamn beers.
4:19:32 - 4:19:33
Motherfucker, I got no peers.
4:19:34 - 4:19:34
Doesn't matter.
4:19:34 - 4:19:35
Yo, you just got peers.
4:19:35 - 4:19:36
Doesn't matter.
4:19:36 - 4:19:36
You got the surf.
4:19:37 - 4:19:38
You got rested in pieces.
4:19:38 - 4:19:38
You got rested in pieces.
4:19:38 - 4:19:41
Beef Swift raps here to mint the facts.
4:19:41 - 4:19:44
Your raps are so weak they just broke chain tracks.
4:19:44 - 4:19:45
His face is here. He holds it down. The facts your raps is so weak. They just broke chain tracks
4:19:50 - 4:19:50
He holds it down, but his rhymes got him sounding like a rock-pole clown
4:19:54 - 4:20:05
Love a Mike his flow brings tears when it comes to punch lies He's wrecked for years his phantom holds no crypto and no rhyme flow and his bar I went three, four, five. Oh, damn, damn.
4:20:05 - 4:20:07
That's a verse of fire versus a verse of fire.
4:20:08 - 4:20:09
Did you hear the other part, though?
4:20:09 - 4:20:13
When we came in and burning tires, you come in like a bird on a wire going serpentina.
4:20:13 - 4:20:13
On a wire.
4:20:14 - 4:20:15
Yo, I'm going to take it.
4:20:15 - 4:20:16
Going to China.
4:20:16 - 4:20:19
The vagina is tighter than fine wine.
4:20:20 - 4:20:22
AI, you guys are all left behind.
4:20:22 - 4:20:24
I'm artificially immortal.
4:20:24 - 4:20:26
You guys are a bunch of portal. Huh
4:20:26 - 4:20:30
Whatever I'm coral. You got a quarrel you got a me with you got a problem
4:20:34 - 4:20:37
Yeah, I'm a pearl I took your girl named pearl yeah
4:20:40 - 4:20:42
on a girl. I'm legendary with the flow.
4:20:43 - 4:20:44
He keeps a legend lean.
4:20:45 - 4:20:46
Keep holding spaces
4:20:46 - 4:20:48
and making us rich. Believe the raps
4:20:48 - 4:20:50
to the queen because your skills and your
4:20:50 - 4:20:52
flow and your raps and your tats
4:20:52 - 4:20:54
and your show are just a
4:20:54 - 4:20:55
glitch.
4:20:56 - 4:20:58
Yo, what rhymes with glitch?
4:20:58 - 4:21:00
She's stuck in the ditch.
4:21:00 - 4:21:02
Her name is a witch. Doesn't matter.
4:21:02 - 4:21:03
Pull the switch.
4:21:03 - 4:21:05
I just trade off flip. Nobody pull the switch. I love this. What's the level of Rimeski?
4:21:05 - 4:21:09
I just trade off Flip. Nobody can fucking rip. Relax in pieces. Now you're in my fucking dream.
4:21:10 - 4:21:13
Call me fucking Jason. Doesn't matter what you're facing. Mask off.
4:21:13 - 4:21:15
I ain't no future. I am the future. I'm the before. I'm the omega.
4:21:16 - 4:21:19
Who? Tell me who's better. Crypto with a smile. She walks an every mile.
4:21:20 - 4:21:23
Yo, shout out, Queen. Shout out, Crypto Queen. I see you. With the gold headphones.
4:21:24 - 4:21:27
Yo, that's B-Swift rapping, right? Everybody be showing listeners. That's B-Swift, right? out, Queen. Shout out, Crystal Queen. I see you with the gold headphones. Hey, yo, that's B-Swift rapper, right?
4:21:27 - 4:21:27
Everybody be showing listeners.
4:21:28 - 4:21:28
That's B-Swift, right?
4:21:29 - 4:21:29
Yes, sir.
4:21:30 - 4:21:33
Yo, if you're into battling, bro, pull up after this.
4:21:34 - 4:21:36
Pull up the late night to a Freestyle Friday.
4:21:36 - 4:21:36
There you go.
4:21:37 - 4:21:38
Roll through, guys.
4:21:38 - 4:21:38
Roll through.
4:21:38 - 4:21:39
Yeah, you come battle me.
4:21:39 - 4:21:40
100 on the floor.
4:21:41 - 4:21:41
100 on the floor.
4:21:41 - 4:21:42
No, 5,000 on the floor.
4:21:43 - 4:21:43
You battle me.
4:21:44 - 4:21:44
You battle me tonight.
4:21:45 - 4:21:47
You don't want to do that. It's fucking 119 in the morning.
4:21:47 - 4:21:48
You guys battle me tonight.
4:21:49 - 4:21:50
You got to beat me, though.
4:21:50 - 4:21:51
You got to beat me to win me.
4:21:51 - 4:21:53
So if you're not there, you can't even win, right?
4:21:53 - 4:21:55
I'm not worried about that right now.
4:21:55 - 4:21:56
You know what I'm saying?
4:21:57 - 4:22:04
You know, my man, D-Swift, he's just snorted like 163 milligrams of Adderall, I think.
4:22:04 - 4:22:06
No, 2,000, 2000 bro your numbers are wrong
4:22:06 - 4:22:07
Your numbers are way off
4:22:07 - 4:22:09
Your math bro is all way off
4:22:09 - 4:22:11
It's like it's double
4:22:11 - 4:22:14
10,000 e-pills I don't know what kind of shit you're doing bro
4:22:14 - 4:22:15
You're slow
4:22:15 - 4:22:17
Milligrams try kilograms
4:22:17 - 4:22:19
I said 10,000 e-pills
4:22:19 - 4:22:22
Yeah milligrams I said gazillograms
4:22:22 - 4:22:23
He snorts by the keto
4:22:23 - 4:22:25
I said Iillograms. You snores by the keto.
4:22:27 - 4:22:29
I said I used to do keto.
4:22:30 - 4:22:32
Hey, Yoann, that was a banger. Let's say what up to Mike. Mike's been in here chilling, man.
4:22:32 - 4:22:33
What's up, Mike?
4:22:33 - 4:22:34
What's up, Mike?
4:22:34 - 4:22:34
Bye.
4:22:40 - 4:22:41
Alright, guys. I'll be on mute.
4:22:44 - 4:22:44
It's about time.
4:22:45 - 4:22:46
Fucking muted you, Mike.
4:22:47 - 4:22:48
I'm just fucking with you.
4:22:48 - 4:22:49
Mike, what up, Mike?
4:22:50 - 4:22:50
You with us?
4:22:53 - 4:22:55
What in the thousand milligrams?
4:22:55 - 4:22:55
I hear the crickets.
4:22:56 - 4:22:57
Who keeps playing the crickets?
4:22:57 - 4:22:58
Low key.
4:22:58 - 4:22:58
That's funny.
4:22:59 - 4:23:01
The crickets are here with me.
4:23:02 - 4:23:03
Yeah, they sound like real crickets to me.
4:23:03 - 4:23:04
I'm hoarding them in my pockets.
4:23:05 - 4:23:07
What's going on? How you doing?
4:23:07 - 4:23:09
First time on X.
4:23:09 - 4:23:10
On lithium.
4:23:14 - 4:23:15
What do you mean on lithium?
4:23:15 - 4:23:18
So I had a premonition that
4:23:18 - 4:23:22
Amy Lee and Kurt Cobain
4:23:22 - 4:23:23
could have been a thing back then.
4:23:24 - 4:23:25
15 years ago
4:23:25 - 4:23:28
okay
4:23:28 - 4:23:31
okay okay okay
4:23:31 - 4:23:31
okay
4:23:31 - 4:23:33
okay
4:23:33 - 4:23:35
okay
4:23:35 - 4:23:38
right now
4:23:38 - 4:23:40
well
4:23:40 - 4:23:42
we got somebody on 100,000
4:23:42 - 4:23:43
kilograms in lithium
4:23:43 - 4:23:45
no 900 milligrams Well, we got somebody on 100,000 kilograms in lithium.
4:23:48 - 4:23:48
No, 900 milligrams.
4:23:50 - 4:23:51
And I'm going to be out of lithium for the next three days.
4:23:52 - 4:23:53
Oh, that's terrible.
4:23:53 - 4:23:55
Yeah.
4:23:57 - 4:23:58
Charles Barkley would say terrible.
4:23:59 - 4:24:00
I quit marijuana.
4:24:02 - 4:24:07
Why did you quit the marijuana? some people move on and grow up
4:24:07 - 4:24:09
if I can survive this year without it
4:24:09 - 4:24:10
I've been good so far
4:24:10 - 4:24:12
it's really hard
4:24:12 - 4:24:14
yeah I take
4:24:14 - 4:24:16
I like taking breaks
4:24:16 - 4:24:19
and when I come back and smoke you know I get the giggles
4:24:19 - 4:24:19
or
4:24:19 - 4:24:21
brain cells
4:24:21 - 4:24:24
yo
4:24:24 - 4:24:25
brother how you been bro yo what's good Coop brain cells. Yo, Krem, I make you, brother.
4:24:25 - 4:24:27
How you been, bro? Yo, what's good, Coop?
4:24:28 - 4:24:29
Coop, what up, bro? I'm doing
4:24:29 - 4:24:30
good, man. How you doing?
4:24:31 - 4:24:33
Man, we was in a space last night talking about
4:24:33 - 4:24:35
you, man. Everybody was like, where the fuck Krem been at,
4:24:35 - 4:24:37
bro? Yeah,
4:24:37 - 4:24:39
I'm back, man. I'll be taking my breaks. Where have Krem been?
4:24:40 - 4:24:41
Krem been busy.
4:24:42 - 4:24:42
That's all.
4:24:44 - 4:24:46
But Krem been cramming things in
4:24:46 - 4:24:47
to yourself?
4:24:48 - 4:24:49
There you go. That works, yeah.
4:24:50 - 4:24:51
I'll take that.
4:24:52 - 4:24:53
Crem's been
4:24:53 - 4:24:54
cooking up that cream.
4:24:57 - 4:24:58
Something's got to rise to the top.
4:24:59 - 4:24:59
I just knew something.
4:25:00 - 4:25:03
Crem's been cooking up that cream. I was waiting for someone
4:25:03 - 4:25:04
to say that dumb shit.
4:25:07 - 4:25:08
What's good with you, Coop?
4:25:08 - 4:25:10
Did anyone have an Elon Musk moment?
4:25:10 - 4:25:11
Like, ever?
4:25:11 - 4:25:14
When you were looking at the sky and you're like, oh my gosh.
4:25:14 - 4:25:16
I might be able to go to Mars.
4:25:18 - 4:25:19
Well, cheers, man.
4:25:20 - 4:25:22
What is this space tonight?
4:25:22 - 4:25:25
I hope he forgives me for all my sins so I can go to Mars.
4:25:25 - 4:25:29
You know, just quit rolling on whatever you're rolling on.
4:25:29 - 4:25:30
I'm done talking for this.
4:25:31 - 4:25:31
Real quick.
4:25:32 - 4:25:33
Can we start?
4:25:33 - 4:25:35
I'm letting it all unfold.
4:25:36 - 4:25:37
We all have music.
4:25:38 - 4:25:43
My spicy side is about to come out like full throttle.
4:25:43 - 4:25:46
I want to get crazy in here.
4:25:46 - 4:25:47
Right now in the room.
4:25:47 - 4:25:49
I got to change the heading to drugs.
4:25:50 - 4:25:51
I'm trying to behave.
4:25:51 - 4:25:52
I'm trying to behave over here.
4:25:52 - 4:25:53
Behaving.
4:26:00 - 4:26:01
It's the West Coast.
4:26:02 - 4:26:03
Hey, yo, this is the music.
4:26:03 - 4:26:05
You run up on a nigga and snatch him on his car.
4:26:05 - 4:26:06
Cheetah.
4:26:07 - 4:26:08
I sit around the jewels.
4:26:11 - 4:26:13
I guzzle food and hunt for food.
4:26:14 - 4:26:14
Uncombustible.
4:26:28 - 4:26:29
This sounds like a Thanos beat.
4:26:31 - 4:26:32
It's not big as hell, yo. I had to get out of there.
4:26:32 - 4:26:33
When's the next rap battle?
4:26:35 - 4:26:36
We have one tomorrow.
4:26:37 - 4:26:37
Or today.
4:26:37 - 4:26:39
Actually, today if you're on the...
4:26:39 - 4:26:43
If you're on the East Coast
4:26:43 - 4:26:44
or even Central Term.
4:26:45 - 4:26:45
Saturday.
4:26:49 - 4:26:50
Implemating.
4:27:00 - 4:27:19
I guess I could post a fire.
4:27:22 - 4:27:25
Yo, that's fire. That's fire, man. Let's go. West Coast.
4:27:25 - 4:27:27
You're always good for that West Coast vibe, bro.
4:27:27 - 4:27:29
I was going through your sample packs.
4:27:31 - 4:27:32
It was sound of fire.
4:27:32 - 4:27:33
It was sound of fire, man.
4:27:33 - 4:27:34
It was going through yours, ones.
4:27:34 - 4:27:38
I still got some to go through, but I just kind of see what you're doing.
4:27:38 - 4:27:38
Wait, wait, wait.
4:27:39 - 4:27:40
Who has sample packs?
4:27:41 - 4:27:42
Who's selling the sample packs?
4:27:42 - 4:27:44
Sample packs is on Wave Group, baby.
4:27:44 - 4:27:45
Wave Group, yeah. We got sample packs on Wave Group. So King of Hearts In this room, we have. Wave Rude, baby. Wave Rude, yeah.
4:27:45 - 4:27:46
We got sample packs on Wave Rude.
4:27:46 - 4:27:47
So King of Hearts, the host, man.
4:27:47 - 4:27:49
He put that up, man.
4:27:49 - 4:27:51
He's looking for producers, Coop.
4:27:51 - 4:27:53
So join the Cosmo, man.
4:27:54 - 4:27:55
I was just letting my homie show.
4:27:56 - 4:27:57
Show my stuff.
4:27:57 - 4:27:58
Hey, Wave Rude.
4:27:58 - 4:27:59
I love the homie show, bro.
4:28:00 - 4:28:01
Hey, Wave Rude.
4:28:01 - 4:28:03
I was just hanging out with Joe Clare.
4:28:03 - 4:28:09
I was hanging out with Joe Clare in Virginia last weekend at a national record store day
4:28:09 - 4:28:14
with all of my whole family, my crew of producers from D.C., Maryland, Virginia,
4:28:14 - 4:28:15
called the B-Conductors.
4:28:16 - 4:28:18
And Joe Clare just pulled up.
4:28:18 - 4:28:19
He's like my cousin's cousin.
4:28:20 - 4:28:20
You know what I mean?
4:28:20 - 4:28:21
So we smoke weed together.
4:28:22 - 4:28:22
We know each other.
4:28:22 - 4:28:26
But small world, man, we just chopping it up. Eric, he's a
4:28:26 - 4:28:28
producer. He's working on his music.
4:28:28 - 4:28:30
He hosted Rap City in the 90s.
4:28:30 - 4:28:32
He met every motherfucker we love
4:28:32 - 4:28:33
live
4:28:33 - 4:28:35
or dead. You know what I mean?
4:28:36 - 4:28:37
Joe Clare met everybody.
4:28:38 - 4:28:40
Yeah, he met everybody.
4:28:40 - 4:28:41
Everybody you want to imagine
4:28:41 - 4:28:43
in the golden area of hip-hop.
4:28:44 - 4:28:44
Joe Clare met him.
4:28:45 - 4:28:47
You're a fucking legend, bro. That's an absolute everybody you want to imagine in the golden area of hip hop. Joe Clinton met him.
4:28:48 - 4:28:49
You're a fucking legend, bro.
4:28:50 - 4:28:51
That's an absolute legend right there.
4:28:51 - 4:28:52
For real.
4:28:55 - 4:28:56
I'll post a picture in the comments so y'all don't think I'm bullshit.
4:28:57 - 4:28:57
I believe you.
4:28:59 - 4:28:59
Yeah, post it in the comments anyway.
4:29:00 - 4:29:00
Let's fucking see it.
4:29:01 - 4:29:02
But I believe you, you know.
4:29:03 - 4:29:04
That's what's up.
4:29:05 - 4:29:11
But yeah, Coop, if you check out this top pin tweet, waveroot.com, it's my platform, um, anybody, guys, you could sign up,
4:29:11 - 4:29:16
it's free to sign up, um, you know, become a member, um, you'll get emails when new packs
4:29:16 - 4:29:22
launch, email campaigns, uh, I would appreciate that, and, um, you know, we've been, uh, we've
4:29:22 - 4:29:25
been creating sample packs, we got a few Web3 producers on there.
4:29:26 - 4:29:30
We create an opportunity for talented musicians who can create these sample packs.
4:29:31 - 4:29:32
It's not the easiest thing.
4:29:32 - 4:29:34
It could be a little bit tedious putting it together.
4:29:34 - 4:29:40
But once your sample pack is uploaded and your website and your profile set up, everything is just streamlined.
4:29:40 - 4:29:41
It's like passive income.
4:29:42 - 4:29:44
And, you know, I'm going to be pushing this brand.
4:29:44 - 4:29:45
I'm going to be pushing this brand. I'm
4:29:45 - 4:29:50
going to be going hard for you guys. We're going to roll out Google ads really soon. I'm using all
4:29:50 - 4:29:56
the proceeds. I have a full-time job. I don't need the money. I'm okay right now. So, you know,
4:29:56 - 4:30:01
all the proceeds from this website, everything's going to get rolled into boosting social media
4:30:01 - 4:30:05
content on all platforms and rolling out Google ads.
4:30:06 - 4:30:06
This shit is going to work, man.
4:30:07 - 4:30:07
This is going to work.
4:30:08 - 4:30:08
I'm super passionate.
4:30:09 - 4:30:10
I'm going to be grinding hard for this.
4:30:14 - 4:30:14
So, you know, if you want, if you're interested, if you're in the market, check out Waveroot.com.
4:30:19 - 4:30:22
Or if you feel like you could be a part of the team, you know, we're open for partnerships.
4:30:29 - 4:30:31
Have y'all reached out to Rare Skriller and the Beat Blocks Protocol and trying to figure out how y'all could do some of the inscriptions and the cross chain shit with the uh
4:30:32 - 4:30:38
Because I know a lot about this area like neo doing the xrp music and empties and you know
4:30:38 - 4:30:41
The solana joints I launched
4:30:41 - 4:30:45
Something something nft.io. i had trouble with that motherfucker anyway but
4:30:45 - 4:30:51
all of that shit like i'm a hands-on nigga i trust and believe in nerding the fuck out and
4:30:51 - 4:30:55
learning this shit and if i fuck it up i'll let another motherfucker know that shit was confusing
4:30:55 - 4:31:01
man yeah coops definitely man coop i swear you you've mentioned on just about everything man
4:31:01 - 4:31:05
if it's out there you're gonna try it i gotta give you well i'm
4:31:05 - 4:31:10
just saying it's confusing yeah like i said i've been in this crypto space for 15 years yo
4:31:11 - 4:31:16
i should be a billionaire but i'm not you know i mean at least i'm a poor righteous teacher in this
4:31:16 - 4:31:20
you know what i mean yo coop how long ago do we meet man what 10 years ago or something
4:31:22 - 4:31:25
it doesn't matter does it you still my man my motherfucker, man. You're my nigga.
4:31:26 - 4:31:27
Like, I'll kill you. You're my friend-friend.
4:31:28 - 4:31:29
You're not just some new motherfucker out
4:31:29 - 4:31:31
Rockwee. I know you, nigga.
4:31:31 - 4:31:32
You know what I mean?
4:31:32 - 4:31:35
I ain't even know this crypto shit was going on
4:31:35 - 4:31:37
for 15 years, so I ain't gonna hold you.
4:31:39 - 4:31:40
Yeah, me and Cooper's
4:31:40 - 4:31:41
in the trenches in 2017,
4:31:42 - 4:31:42
bro.
4:31:43 - 4:31:45
I'd have said, like, eight or some shit. I'd have said like eight or some shit. I'd have said
4:31:45 - 4:31:48
I'd have said eight. I want to do it like
4:31:48 - 4:31:49
double that, though, you know?
4:31:49 - 4:31:52
When you're an alcoholic, you're out there drinking and showing off
4:31:52 - 4:31:54
and bragging about your money
4:31:54 - 4:31:56
and niggas
4:31:56 - 4:31:58
is watching and that's what the fuck happened, yo.
4:32:02 - 4:32:03
What up, Thanos?
4:32:03 - 4:32:06
Thank you for pulling up up Thanos in the building
4:32:06 - 4:32:15
Krupp the bill wave rooters in this bitch did he you know did he everywhere man look
4:32:15 - 4:32:20
moon I was telling them yesterday I was saying in his face with did you yesterday I was like man
4:32:20 - 4:32:25
I can't go to the north space without this man in that mother. God damn, man. Do you sleep?
4:32:26 - 4:32:29
Do you relax for real? Do you kill?
4:32:29 - 4:32:34
He do not kill man. Shout out to them. I think they damn near the hardest
4:32:36 - 4:32:38
Brand man working the hardest working brand this week, man
4:32:38 - 4:32:41
They get to be my MVP for this week, man. Yeah
4:32:43 - 4:32:45
Shout out the songs of eating in the crowd. They doing some dope
4:32:45 - 4:32:47
MP3, Web3, gaming.
4:32:48 - 4:32:48
Yeah, yeah, yeah.
4:32:49 - 4:32:51
For sure. Songs of Eden, yeah, definitely.
4:32:52 - 4:32:54
He's everywhere too, man.
4:32:54 - 4:32:55
He's definitely doing that dope international
4:32:55 - 4:32:57
shit, man. I recall my first
4:32:57 - 4:32:59
experience of that, man. It was dope.
4:33:00 - 4:33:01
You know, what he got going on? Salute.
4:33:02 - 4:33:03
He sent a song to
4:33:03 - 4:33:06
space and then it came back. Yeah
4:33:10 - 4:33:12
You know what
4:33:12 - 4:33:18
This shit went to space but then it's leaning on his side. So now we got the first leaning ass
4:33:19 - 4:33:26
MP3 on the moon just leaning we could do a whole song called Lean on Space, but it's
4:33:26 - 4:33:27
not lean like I lean,
4:33:27 - 4:33:29
but it's leaning, though. You know what I mean?
4:33:29 - 4:33:30
It's leaning.
4:33:31 - 4:33:34
Hey, talk to Eden. How about we and talk about it,
4:33:34 - 4:33:34
guy? Come on, man.
4:33:35 - 4:33:37
I sent him an invite. Eden and I
4:33:37 - 4:33:39
run on opposite schedules. My brother hosts
4:33:39 - 4:33:41
space early in the morning while I'm driving my
4:33:41 - 4:33:42
truck. I tap in.
4:33:43 - 4:33:45
My host space is late at night he taps
4:33:45 - 4:33:51
in but uh yeah it's the homie that's the homie and i bought his uh i was like super impressed
4:33:51 - 4:33:56
during like the 2021 bull on like super early on when he was minting uh midi punks
4:33:56 - 4:34:03
he did something on a piano roll a video and i watched him draw a picture with the fucking piano
4:34:03 - 4:34:09
roll on the door and i was like my god i'm buying one of these nfts right now bro that's so much harder than it looks too
4:34:09 - 4:34:13
the way he does it like i don't know if you ever tried that but it's so difficult
4:34:13 - 4:34:21
and he had um uh you know internationally people from all over the world um record
4:34:21 - 4:34:25
you know their voice saying something so for his different songs, it's a different thing.
4:34:25 - 4:34:27
The GM song, there's people from
4:34:27 - 4:34:29
all over the world saying GM.
4:34:30 - 4:34:31
Then he has another one.
4:34:31 - 4:34:33
It's in their language. I think they're saying I love you.
4:34:34 - 4:34:35
He does record it in their language.
4:34:35 - 4:34:38
Yeah, there's Touch Some Grass.
4:34:38 - 4:34:40
There's Hello. There's the Moon song.
4:34:41 - 4:34:42
Yeah, that's the one I heard.
4:34:42 - 4:34:43
The Hello drink was my first
4:34:43 - 4:34:45
time I seen him like
4:34:45 - 4:34:49
i remember he was playing hey so look yo songs are eating you need to be reaching out to the
4:34:49 - 4:34:55
children y'all because like i know you can like do some amazing with the world with your talent
4:34:55 - 4:35:01
already bro get up here and talk but like imagine all the kids around the world if you found a way
4:35:01 - 4:35:06
to let them all express themselves with music and create NFTs through the visual
4:35:07 - 4:35:14
Auditory whatever the fuck the word is but yo like where kids to speak different languages can talk through music yo
4:35:15 - 4:35:18
She man, I like that. That's a great ass idea
4:35:19 - 4:35:21
Fuck that we saw
4:35:21 - 4:35:25
Kind of permissions. I don't know when you're working with with kids, though, man, you got to be careful.
4:35:25 - 4:35:26
Oh, yeah, yeah, yeah.
4:35:26 - 4:35:28
You feel me? It's like the legalities of that year.
4:35:29 - 4:35:31
If anybody could do it, though,
4:35:31 - 4:35:33
it would be Eden, if anybody could
4:35:33 - 4:35:34
pull it off. Yeah, for sure.
4:35:34 - 4:35:35
It would definitely be Eden.
4:35:36 - 4:35:39
To see 80-something people,
4:35:39 - 4:35:40
different languages, too,
4:35:41 - 4:35:43
saying these, and for him, he was having
4:35:43 - 4:35:45
people who had say heard their voice
4:35:45 - 4:35:49
on a track before you know and then and then composing all of it the way he composes it just
4:35:49 - 4:35:58
oh man my boy i'm supposed to go into the discord and and yeah i was i uh he keeps asking me i'm
4:35:58 - 4:36:06
supposed to participate in these things i suck dude ah i gotta find time. I'm gonna participate in the next song. I swear
4:36:08 - 4:36:10
I think we got
4:36:14 - 4:36:16
I have a real random question and I sincerely mean this to everybody on stage How was y'all day and I want to pass it around?
4:36:16 - 4:36:21
I don't worry by the hog the mic but I'm curious cuz y'all fat y'all see most of y'all family
4:36:21 - 4:36:23
I know a lot of y'all motherfuckers, but come on
4:36:23 - 4:36:28
It's really passed the mic around the room and and let the room know how we all feel, yo.
4:36:28 - 4:36:29
One at a time.
4:36:29 - 4:36:32
The last room I was in was toxic as a motherfucker.
4:36:32 - 4:36:34
I had to get out of that bitch.
4:36:34 - 4:36:38
Everybody was calling me a worm and a sand nigga and a monkey.
4:36:38 - 4:36:39
It was terrible, yo.
4:36:40 - 4:36:43
I was like, man, I told them niggas, I'll find you and kill you, motherfucker.
4:36:43 - 4:36:45
I got real mad on the
4:36:45 - 4:36:49
on the space because these was racist and dumbasses like i'm like
4:36:54 - 4:36:59
it was it was natalie and santa and all the names and whatever oh you friends with these people you
4:36:59 - 4:37:03
know them by name like that's crazy well these are people we all know man but i'm just saying
4:37:00 - 4:37:05
that's crazy well these are people we all know man but i'm just saying because it was it wasn't
4:37:05 - 4:37:11
them it was these other motherfuckers oh it was just in a space yeah these racist
4:37:13 - 4:37:18
man you know we definitely we definitely not with the racism the prejudice or bigotry you know
4:37:20 - 4:37:26
we we here we're here to get past that that you know, I'm just like, I have no tolerance for this shit, bro. I ate that shit out, bro.
4:37:26 - 4:37:28
I make a diss record about them motherfuckers.
4:37:28 - 4:37:29
So, like, we'll play it.
4:37:30 - 4:37:31
It was five minutes flat.
4:37:32 - 4:37:33
I said, I'll kill you.
4:37:33 - 4:37:36
I was like, good. Fuck it. I don't need to be
4:37:36 - 4:37:37
in that shit there.
4:37:37 - 4:37:40
They be waking up to a diss track or a full album
4:37:40 - 4:37:42
by the end of the week.
4:37:42 - 4:37:43
Yeah, like, my turnaround time,
4:37:44 - 4:37:46
you know, man, you know I don't play with this shit.
4:37:46 - 4:37:47
Bro, that's crazy.
4:37:47 - 4:37:49
I know they mess with it, just kind of send them
4:37:49 - 4:37:51
that I love you virus. Like this
4:37:51 - 4:37:53
Web3, baby, we just send you a virus
4:37:53 - 4:37:56
that just completely crashes your entire
4:37:56 - 4:37:57
computer. For real, man.
4:37:57 - 4:37:59
Web3, folk, you do not want to mess with it.
4:37:59 - 4:38:01
That's the last type of person you want to mess with.
4:38:01 - 4:38:02
Shoohead, did you get a
4:38:02 - 4:38:05
disfactor was Banking Knots
4:38:05 - 4:38:07
from the nigga El Rojo
4:38:07 - 4:38:09
on
4:38:09 - 4:38:11
the Overlord radio
4:38:11 - 4:38:12
station on YouTube?
4:38:15 - 4:38:15
That's pretty
4:38:15 - 4:38:17
absurd. I know what you're talking about, but
4:38:17 - 4:38:18
it's pretty obscure.
4:38:19 - 4:38:21
You know what I'm talking about, right? It was bad.
4:38:22 - 4:38:23
Alright, does anyone else
4:38:23 - 4:38:32
in the room know what I'm talking about other than me and crap el rojo dissed the out of bank and a rock of other produces
4:38:32 - 4:38:39
og produces it was bad it was bad none of y'all heard the diss track i have not
4:38:40 - 4:38:47
ah somebody put the cute ass it up like quick man it's called el rojo oh it's bad it's bad
4:38:48 - 4:38:53
it'll start the whole room we all just be like yeah that was some dope ass
4:38:53 - 4:38:57
gangsta ass battle rap it's not even like i'll kill you it was just a good ass
4:38:57 - 4:39:07
it was a good like eminem fucking like who eminem battled battle that was a Eminem was about Benzino MGK MGK was the
4:39:07 - 4:39:07
short
4:39:07 - 4:39:16
These lyrics these lyrics and this is even better than that MGK Eminem type like it was like
4:39:16 - 4:39:20
I don't know I just want y'all to hear that shit man
4:39:20 - 4:39:22
It's hard to find it you gotta find it man
4:39:22 - 4:39:25
You type in LROJ
4:39:25 - 4:39:28
Oh, Elrojo and then you type up like
4:39:28 - 4:39:30
Thank you
4:39:30 - 4:39:36
I don't know where he's from. He just started following me and I follow that nigga man
4:39:36 - 4:39:41
I didn't even know who he was till I was on the overlord show with a with Kelsey and I'm overlord
4:39:41 - 4:39:47
I know them niggas. They they end the bee conductors beat battles That I be in and I just submitted my
4:39:47 - 4:39:47
The producers
4:39:47 - 4:39:51
Yo, you never heard of the overlord radio show guy?
4:39:51 - 4:39:55
I ain't heard of all these names you said. I don't know none of them bro. Like respectfully
4:39:55 - 4:40:00
Yeah, you need to look up kelsey kelsey is a og in the producing game. He up there with me
4:40:00 - 4:40:03
And uh overlord harry overlord
4:40:03 - 4:40:06
Produced with everybody anyone you can imagine
4:40:06 - 4:40:12
oh he's like an og he won all the b battles like he's right up there in the top of the line
4:40:12 - 4:40:16
so these are two of my yeah yeah yeah two of my good
4:40:18 - 4:40:23
i know a few bad you know some some few dope you know what they wear three producers or they just
4:40:23 - 4:40:25
like regular
4:40:32 - 4:40:33
Industry producers in the street niggas working with soundtrack and all of us dr. Dre everybody motherfucking bank knots
4:40:35 - 4:40:35
whoever the you want name yo
4:40:43 - 4:40:56
Whoever beats by JT all the any any ski beats sean j period. Yeah, we all know each each other that's that's the crew but yeah pull up that el rojo i want y'all to hear this shit it's actually nasty if y'all can find it
4:40:56 - 4:41:03
it's called el rojo i want to say hi just i i don't know if vince pulling up some music or stuff
4:41:03 - 4:41:05
but rojas has been up here.
4:41:08 - 4:41:08
And then I know everybody's talking about Songs of Eden.
4:41:10 - 4:41:10
So I'll go to him afterwards.
4:41:11 - 4:41:11
But what is up, Rojas?
4:41:13 - 4:41:14
I love the big neighbor PFP.
4:41:14 - 4:41:15
It's dope.
4:41:16 - 4:41:17
You're always showing love and support.
4:41:17 - 4:41:24
So how's it going?
4:41:26 - 4:41:27
Oh, no, I can't. We can't hear you.
4:41:29 - 4:41:30
With mics open, he might be rugging if you want to take a lap.
4:41:31 - 4:41:31
Yeah, see if I can rug out.
4:41:32 - 4:41:32
Try that.
4:41:34 - 4:41:36
Come right back and we'll see what's up.
4:41:37 - 4:41:38
Maybe that'll work.
4:41:40 - 4:41:41
Hey yo, is anybody outside right now? That's nice as fuck.
4:41:41 - 4:41:42
I'm sorry, yo.
4:41:42 - 4:41:44
It was mad nice outside earlier.
4:41:44 - 4:41:44
I don't know.
4:41:46 - 4:41:48
I haven't been outside in a minute. I've been buried in my basement
4:41:48 - 4:41:50
since like 8 p.m., 7 p.m.
4:41:52 - 4:41:54
I live out here in like Maryland
4:41:54 - 4:41:55
and shit. It's a nice-ass breeze.
4:41:56 - 4:41:58
I'm just smoking my weed. It's nice and warm.
4:41:58 - 4:42:00
You think I can drop that shot
4:42:00 - 4:42:02
real quick while we wait for him to pop right back
4:42:02 - 4:42:02
up?
4:42:03 - 4:42:05
I don't have... I don't got the iphone to
4:42:05 - 4:42:11
play that shit y'all know y'all got the iphones with little whatever that space space microphone
4:42:11 - 4:42:15
sound whatever that shit i got i was just gonna play a song uh by phantom of the swap road that
4:42:15 - 4:42:20
i had queued up a little bit earlier but um yeah i don't have that song though i want to hear
4:42:20 - 4:42:21
I want to hear whatever music y'all got.
4:42:20 - 4:42:24
whatever music i got i'm just sitting here smoking my weed listening y'all motherfuckers
4:42:21 - 4:42:23
I'm just sitting here smoking my weed and listening to y'all
4:42:23 - 4:42:24
motherfuckers.
4:42:25 - 4:42:25
Go ahead, Moon.
4:42:26 - 4:42:27
Play the next track.
4:42:27 - 4:42:28
We'll do that.
4:42:29 - 4:42:30
Play that shit, man.
4:42:30 - 4:42:32
Play that shit, man.
4:42:32 - 4:42:35
This is Generational Bottom by Phantom of the Swapper.
4:42:35 - 4:42:36
He's down there.
4:42:36 - 4:42:38
He just launched on Sunday.
4:42:40 - 4:42:41
Really cool collection.
4:42:42 - 4:42:45
On this mint, we actually did seven tracks.
4:42:45 - 4:42:49
We did six tracks and one remix to test that out.
4:42:49 - 4:42:50
We're having fun with it.
4:42:51 - 4:42:52
And yeah, this is Generational Bottom.
4:42:56 - 4:42:58
Put those hands up.
4:42:58 - 4:43:00
I want to see those emojis.
4:43:01 - 4:43:02
Drop a comment down in the purple pills.
4:43:03 - 4:43:25
Let's go I don't chase pumps, I rotate precision. I DCA teeks with chart technician whistler.
4:43:25 - 4:43:28
I spot volume spikes from the denim distortion.
4:43:28 - 4:43:30
You ape and thirst, I scale with proportion.
4:43:30 - 4:43:33
I see trendline curve when she step on beat.
4:43:33 - 4:43:35
Her backthro Twitter had to thread on repeat.
4:43:35 - 4:43:38
I whisper, you look like a low I could build from.
4:43:38 - 4:43:40
She said, boy, stop.
4:43:40 - 4:43:41
I said, that's yield, hon.
4:43:41 - 4:43:43
This ain't lust, it's the value unlock.
4:43:43 - 4:44:07
It's a macro reversal with a deep supply shock. She got legs like liquidity, thick and deep
4:44:07 - 4:44:09
Walk by and it feels like an altcoin pick
4:44:09 - 4:44:12
I don't simp, I construct a trade with logic
4:44:12 - 4:44:15
That's a generational bottom, I stay honest
4:44:15 - 4:44:17
Hasha like support when it doubles bounce
4:44:17 - 4:44:20
Got influencers shook in the comments countin'
4:44:20 - 4:44:22
That ain't a pick, that's an ecosystem pigeon
4:44:22 - 4:44:25
I'm up 5x off the wrist flick physics.
4:44:25 - 4:44:28
See the reasons the bulls break, pattern, and fold.
4:44:28 - 4:44:30
You sold too early, I just held and rolled.
4:44:30 - 4:44:33
I said stop lost that emotional detachment.
4:44:33 - 4:44:35
Let her break neckline with natural attraction.
4:44:36 - 4:44:38
This ain't lust, it's market appreciation.
4:44:38 - 4:44:41
That's a rare curve back by decentralization.
4:44:41 - 4:44:43
Booty like that, you don't fade in front of it.
4:44:43 - 4:45:07
You frame the moment and say generational bottom. Hey, the way. Fire. fire
4:45:07 - 4:45:07
fire
4:45:07 - 4:45:09
fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire
4:45:09 - 4:45:11
fire
4:45:11 - 4:45:13
fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire
4:45:13 - 4:45:15
fire fire fire fire fire fire fire
4:45:15 - 4:45:25
fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire fire Phantom of the Swapper? Phantom of the Swapper. Okay, got you. Throw a follow. Throw a follow that way.
4:45:26 - 4:45:28
He's got the Death Ape headphones on, too, rocking it.
4:45:28 - 4:45:29
He's deaf to the noise.
4:45:30 - 4:45:31
Yes, what's up?
4:45:31 - 4:45:35
Hey, yo, you know, I listen to a lot of the Web3 rappers
4:45:35 - 4:45:37
and, like, the stuff that the people play,
4:45:37 - 4:45:40
like my famous friends that do their podcasts.
4:45:41 - 4:45:42
That was a really good one.
4:45:42 - 4:45:46
I listen to a lot of them, i'd be like man they stoned mad
4:45:46 - 4:45:51
euphemisms out and like words that we know but they ain't connected that was good i heard somebody
4:45:51 - 4:45:56
else the night before last it did another one but shout out to you fam i i'm not i'm an og i mean
4:45:58 - 4:46:02
i just know that sounded good bro i'm just giving you your flowers now for real
4:46:00 - 4:46:00
I sounded good, bro.
4:46:00 - 4:46:02
I'm just giving you your flowers now.
4:46:02 - 4:46:02
For real.
4:46:06 - 4:46:07
Super nice to say.
4:46:08 - 4:46:13
That's a nice compliment coming from you because I know you're very, you know, you're specific about your taste and that's awesome.
4:46:14 - 4:46:16
So I'm sure he appreciates that.
4:46:17 - 4:46:18
Thanks for having us, guys.
4:46:18 - 4:46:19
So fun hanging out.
4:46:19 - 4:46:20
This space is awesome.
4:46:21 - 4:46:24
Mexie is a phenomenal co-host, holding it down.
4:46:24 - 4:46:26
Thanks for being so welcoming and
4:46:26 - 4:46:31
hanging out with the crew. Got a lot of friends in here too. And yeah, guys, we got the mint
4:46:31 - 4:46:37
coming in on Sunday. I got to tap out because I got a show in six hours at 8 a.m. We are seven
4:46:37 - 4:46:43
days a week, 8 a.m. to 1020 and often much longer. Come spark it up at 20 minutes after every hour
4:46:43 - 4:46:45
with Digi and myself.
4:46:45 - 4:46:46
And we love you all, King.
4:46:46 - 4:46:47
Thanks for the hospitality.
4:46:48 - 4:46:48
Thanks for being so welcoming.
4:46:49 - 4:46:50
I can't wait to come back, brother.
4:46:50 - 4:46:51
Space is fire.
4:46:52 - 4:46:53
Absolutely, yeah.
4:46:53 - 4:46:55
Every Friday and Saturday, same time.
4:46:55 - 4:46:56
Pleasure having you.
4:46:56 - 4:46:58
Thank you for playing those tracks.
4:46:59 - 4:47:00
I hope to see you soon.
4:47:01 - 4:47:03
Yeah, thank you for the kind words, Moon Queen.
4:47:03 - 4:47:04
Appreciate you.
4:47:04 - 4:47:06
Yeah, and Moon Queen, keep slaying them with
4:47:06 - 4:47:07
those bars, girl. I didn't know you rapped like that.
4:47:08 - 4:47:09
I didn't know you was rapping. Just a little Jedi
4:47:09 - 4:47:11
mind trick. I was just fucking with it.
4:47:11 - 4:47:13
I know, I know. I know. I could tell, but
4:47:13 - 4:47:15
that was really cool to hear. It was
4:47:15 - 4:47:17
rather refreshing. Have a good one.
4:47:17 - 4:47:19
You gotta be refreshed for your show in the morning.
4:47:20 - 4:47:22
I want to be a co-host,
4:47:22 - 4:47:23
please, man.
4:47:24 - 4:47:25
What was that?
4:47:27 - 4:47:30
I just want to be a co-host. I've never been a co-host, man.
4:47:30 - 4:47:33
Yes, you have. I've had you as co-host when we got our show, man.
4:47:33 - 4:47:34
Quick, Kevin.
4:47:35 - 4:47:38
Nah, I mean, I'm going to be one on his show this time.
4:47:38 - 4:47:40
Oh, yeah, yeah. You want to level on up.
4:47:42 - 4:47:43
On Digi's or here? You mean for King?
4:47:45 - 4:47:46
I've never been
4:47:46 - 4:47:47
a co-host on a big space.
4:47:48 - 4:47:49
Come on
4:47:49 - 4:47:52
over to Wick and Blake. We'll give
4:47:52 - 4:47:54
you the honorary co-host one of these days.
4:47:55 - 4:47:56
That'll be fun.
4:47:56 - 4:47:57
You gotta throw him the golden mic.
4:47:57 - 4:48:00
I'll give you
4:48:00 - 4:48:02
my mic and you
4:48:02 - 4:48:04
can be in my place next to Sasquatch and Digi
4:48:04 - 4:48:07
and I'll sit down and I'll be, I'll come in as Moon Troll and I'll troll you my mic, and you can be in my place next to Sasquatch and Digi, and I'll sit down, and I'll come in as Moon Troll,
4:48:07 - 4:48:09
and I'll troll you on stage.
4:48:09 - 4:48:10
Oh, shit.
4:48:10 - 4:48:11
There you go, crew.
4:48:11 - 4:48:11
There you go.
4:48:12 - 4:48:13
You shall receive, bro, dude.
4:48:14 - 4:48:15
You're making me smile and shit.
4:48:15 - 4:48:16
Come on, man.
4:48:16 - 4:48:18
I'm about to roll this blunt and be all serious.
4:48:18 - 4:48:19
Y'all making me laugh.
4:48:19 - 4:48:20
All right, roll that blunt.
4:48:20 - 4:48:20
Roll that blunt.
4:48:20 - 4:48:21
Spark it up.
4:48:21 - 4:48:22
I got one for you.
4:48:22 - 4:48:23
Let's go ahead.
4:48:23 - 4:48:25
Hey, let that be a lesson us everybody in the room
4:48:25 - 4:48:29
Don't get invited to the feast crypto bang it
4:48:29 - 4:48:32
Don't get invited to the feast
4:48:32 - 4:48:40
That's a moon queen
4:48:40 - 4:48:44
I love you all so much keep grinding
4:48:44 - 4:49:07
Every day guys Believe in yourselves. I got a aim like a monster, Betty Lee pro and Afghanistan's fittest, or anything wrong
4:49:07 - 4:49:09
Your nigga don't need to keep the burnin' with some extra stuff
4:49:09 - 4:49:12
I let my motherfuckin' tech play connected dots
4:49:12 - 4:49:15
Same rules and games, all time to settle the score
4:49:15 - 4:49:17
Hit them all with the black talent, see them damn on the floor
4:49:17 - 4:49:20
You fuckin' with a psycho, like no other
4:49:20 - 4:49:23
Put a nine in my pocket in the mine, a faster
4:49:23 - 4:49:26
So the five riders, comp sounds finest.
4:49:26 - 4:49:45
Use the rewind, it's Warhawk behind this. What? Thanks, thanks, we egging. What it does? Thanks, thanks, we egging.
4:49:45 - 4:49:46
What it is?
4:49:46 - 4:49:47
Thanks, thanks, we egging.
4:49:47 - 4:49:48
Nigga, what?
4:49:48 - 4:49:50
Thanks, thanks, we egging.
4:49:50 - 4:49:50
What it does?
4:49:50 - 4:49:53
You don't wanna pop pistols, have something hot hit you.
4:49:53 - 4:49:56
Plus, I'm running from the feds, got kids and block issues.
4:49:56 - 4:49:59
What you gonna do when your homies is not with you?
4:49:59 - 4:50:02
Cut out your eyes, smell them till your mom's a boxed tissue.
4:50:02 - 4:50:03
You are not official.
4:50:03 - 4:50:05
I'm gonna do it unless it's beneficial.
4:50:05 - 4:50:07
Vinny gonna have to listen to Timmy Whistle.
4:50:08 - 4:50:10
Had that ass on the 10 o'clock news.
4:50:10 - 4:50:12
Don't get killed for trying to pay dues.
4:50:12 - 4:50:13
They sinning.
4:50:13 - 4:50:15
Always be winning while they lose.
4:50:15 - 4:50:16
Pro Fences.
4:50:16 - 4:50:18
Talking these women off Grey Goose.
4:50:18 - 4:50:19
Close your curtains.
4:50:20 - 4:50:21
Disconnect your mind.
4:50:21 - 4:50:22
Your soul searching.
4:50:22 - 4:50:24
You talk shit, but you won't hurt them.
4:50:24 - 4:50:25
Let the foe burn them. So the next time you won't hurt em, let the phone burn em
4:50:25 - 4:50:29
So the next time you speak up on me, you gon' fill it up in your sternum
4:50:29 - 4:50:32
I will never leave, that's just how it is, so let it be
4:50:32 - 4:50:34
Before I have to hit you with the desity
4:50:34 - 4:50:37
I rip the melody, into the pathetic keys
4:50:37 - 4:50:40
I guess it's meant to be to have me selling on the seven seas
4:50:40 - 4:50:43
Like, like, we egg man, nigga, what?
4:50:43 - 4:51:05
Like, like, we egg man, what it do? Like, like, we egg man, what it is? See It's Night Weak, man, what it does? Ride like a square wheel drive. Ride. Ride till we forklift the tires.
4:51:05 - 4:51:06
Ride.
4:51:06 - 4:51:07
Ride and we'll never get tired.
4:51:07 - 4:51:08
Ride on our enemies.
4:51:08 - 4:51:11
Crime chemistry got me amateur blood out my memory.
4:51:11 - 4:51:14
I'm tell Bundy if the money exists.
4:51:14 - 4:51:17
I'll Bundy cause my other hand is gripping my dick.
4:51:17 - 4:51:19
Ain't nothing funny, bitch.
4:51:19 - 4:51:20
Monopolize my prophecy.
4:51:20 - 4:51:21
They watching me through binoculars.
4:51:21 - 4:51:24
Obviously, bitch, I'm pocking these wallabies.
4:51:24 - 4:51:28
Wannabes wanna beat me. Take one of these to take it easy the Lord wants you and for it
4:51:28 - 4:51:34
Please need me. Lord forgive me for my ways. I blame it on how I was raised inside of a cage praying with slaves
4:51:34 - 4:51:39
Copped in California the coroner worked for seven days throughout the week you might as well leave yourself to a grave
4:51:40 - 4:52:33
Plunge inside a bottomless pit. Bottles a Hennessy Gus or another fit. pop a pill that pop in the clip, pop a shot, that circle the block, then you just repeated again, ammo, what was that yo cuz I know that was Kendrick who what what what the fuck yeah
4:52:33 - 4:52:46
you feel I'm smiling I, buddy. We got a couple of bombs over here, man.
4:52:47 - 4:52:48
I was over here with the gas face.
4:52:48 - 4:52:52
Over here with the gas face rolling on my blunt like, damn, I never heard this.
4:52:53 - 4:52:53
Gas face.
4:52:54 - 4:52:56
The gas face.
4:52:56 - 4:52:58
We're going to drop a real soon, man.
4:52:58 - 4:53:00
We're just patiently waiting.
4:53:00 - 4:53:02
We got a couple of things in store, man.
4:53:02 - 4:53:03
We just patiently waiting, man.
4:53:03 - 4:53:05
We're going to drop a bomb on the motherfucker's head, man.
4:53:12 - 4:53:15
Yo, you got the stem file of that vocal?
4:53:15 - 4:53:19
Because if you did that as an NFT competition,
4:53:19 - 4:53:20
I bet you it's a million producers
4:53:20 - 4:53:24
that would love to reproduce the beat
4:53:24 - 4:53:26
and get a chance to do the remix
4:53:26 - 4:53:30
from your original version that is a great idea my brother
4:53:34 - 4:53:38
yes indeed yo songs how you doing tonight
4:53:41 - 4:53:46
yo yo yo just waking up here here and Came up to thank you guys
4:53:46 - 4:53:47
What beautiful words
4:53:47 - 4:53:50
I'm just planning to listen
4:53:50 - 4:53:52
Drinking my coffee, waking up
4:53:52 - 4:53:55
But I had to come up and say
4:53:55 - 4:53:56
Hey songs
4:53:56 - 4:53:57
What it do baby
4:53:57 - 4:54:00
I need you to really stand up
4:54:00 - 4:54:01
On your chair
4:54:01 - 4:54:04
Stand on your chair, whatever chair you're sitting on now
4:54:04 - 4:54:05
Put your coffee down Stand up on your chair And Stand on your chair, whatever chair you're sitting on now. Put your coffee down.
4:54:06 - 4:54:09
Stand up on your chair and talk to everyone in the room.
4:54:10 - 4:54:15
Because you know that you're doing things that everyone in the room needs to hear about, bro.
4:54:16 - 4:54:20
I was so amazed when I first clicked on that shit.
4:54:20 - 4:54:26
And seeing the intro to the game where it's like a video and then you connect your wallet
4:54:26 - 4:54:27
and then boom, boom, boom, boom.
4:54:27 - 4:54:29
Midi-Vaders, yeah, space-ameters.
4:54:30 - 4:54:31
Put it in the Jumbo-chan.
4:54:32 - 4:54:33
Show the world what you're doing
4:54:33 - 4:54:36
because you're too humble, man. You need to share your
4:54:36 - 4:54:38
light. You need to share
4:54:38 - 4:54:40
your light with the world, God. Deadass,
4:54:40 - 4:54:42
man. Deadass.
4:54:42 - 4:54:43
I need to give a
4:54:43 - 4:54:52
shout-out to Chris, Chris. ass man dead ass i'm gonna let it shine remember that dumbass song in sunday school when i was
4:54:52 - 4:54:59
growing up and shit fuck it go ahead even shout out to prism though prism prism is a beast for
4:54:59 - 4:55:27
sure yeah he's the dev of the dev he's just just crazy good. So, yeah, basically, the original NFT is painted by me on the piano, and everybody who's into music knows the MIDI system, right? in real time which as crem said don't try it at home because it's crazy crazy time time consuming
4:55:27 - 4:55:35
but and then yeah you can color it yourself name it and it becomes like a one-on-one in that sense
4:55:35 - 4:55:47
that no one else can use the same name and yeah then we have a little fun retro game. I was actually playing the Galaga one myself yesterday.
4:55:47 - 4:55:50
I love those kind of 80s, even 70s old school games.
4:55:52 - 4:55:55
You can basically be your character on the leaderboard.
4:55:56 - 4:55:58
That's kind of the game part.
4:55:58 - 4:56:04
On the music side, we've been just kind of creating huge collab songs with everybody,
4:56:04 - 4:56:05
both musicians and
4:56:06 - 4:56:11
non-musicians i'm trying to get everybody to just open up a little bit and be part of
4:56:11 - 4:56:17
of a song even if you've never been part of a song before and so far we've been i think we're
4:56:17 - 4:56:23
close to 600 people on the songs and uh yeah shout out to everybody who joined we got creme of course
4:56:20 - 4:56:23
Yeah, shout out to everybody who joined we got the creme of course
4:56:23 - 4:56:29
being hearts in the middle punks and who else coop of course, of course, that's fucking and
4:56:30 - 4:56:36
Yeah, it's been fun. Now. We're actually doing a new collapse on a bit of a competition against the Zao
4:56:37 - 4:56:38
community and
4:56:38 - 4:56:41
Graham need you group to if you're game
4:56:42 - 4:56:48
To jump on that. Are you saying we're doing like beat battles against other dows are you saying we're gonna
4:56:50 - 4:56:54
It's it's just a song so we're gonna do a song it's a friendly thing
4:56:54 - 4:56:58
Eden if you want to it's in the are you if you're part of the midi punks discord
4:56:58 - 4:57:00
Go in there and that's where you can get the track
4:57:02 - 4:57:04
I can play what we got so far
4:57:04 - 4:57:05
They are into like the student loans and stuff. So I thought okay, let's create the you can get the track. I can play what we got so far.
4:57:06 - 4:57:08
They are into the student loans and stuff, so I thought,
4:57:08 - 4:57:09
okay, let's create the
4:57:09 - 4:57:10
craziest
4:57:10 - 4:57:13
spring break
4:57:13 - 4:57:16
teenage green day kind of
4:57:16 - 4:57:18
chorus. I tried to do something
4:57:18 - 4:57:18
like that.
4:57:19 - 4:57:22
What pisses me
4:57:22 - 4:57:24
off is that Zao is in the lead
4:57:24 - 4:57:26
with 12 people against MidiPunks.
4:57:26 - 4:57:26
We're only 10.
4:57:27 - 4:57:28
So come on, guys.
4:57:28 - 4:57:28
Oh, shit.
4:57:30 - 4:57:31
In the engine, bro.
4:57:31 - 4:57:33
They probably end their game in the shit, yo.
4:57:33 - 4:57:33
You know what I mean?
4:57:33 - 4:57:34
With bots.
4:57:34 - 4:57:35
No, no, Coop.
4:57:35 - 4:57:38
They just, you know, MidiPunks is known for the collabs, right?
4:57:38 - 4:57:39
We can't let loans.
4:57:40 - 4:57:41
They're ahead two people.
4:57:41 - 4:57:46
So they get, let's see, they thanos on there himself you whoever else man
4:57:46 - 4:57:52
let's let's we can't lose this we can't have many punks down too we got to make a comeback so
4:57:52 - 4:57:56
let's get together get this uh get this track and lay something down
4:57:56 - 4:58:00
huge shout out to zol who is the founder of the south he's just uh
4:58:01 - 4:58:05
yeah better call zol he's great great dude yeah great dude he's putting one of the smartest guys I've ever run into. Yeah, Better Calls All. He's a great dude.
4:58:05 - 4:58:06
Great dude.
4:58:06 - 4:58:09
He's putting in great work and got a lot of people on it.
4:58:09 - 4:58:09
12 people so far.
4:58:10 - 4:58:12
But actually got LM Design sent me something.
4:58:12 - 4:58:14
So I think we're one behind.
4:58:14 - 4:58:15
Graham, you're going to...
4:58:15 - 4:58:20
Yeah, he sent me an invite for his songs.
4:58:20 - 4:58:23
So what if I if I do a verse for both is that a disqualification?
4:58:20 - 4:58:22
So what if I do a verse for both?
4:58:22 - 4:58:23
Is that a disqualification?
4:58:26 - 4:58:29
Tricky trick actually that he joined with this
4:58:30 - 4:58:32
Awesome catchphrase for both
4:58:46 - 4:58:46
Every day I thought Tricky was in the room. Follow it. Tricky Boodoo. It's just because I hear it every day,
4:58:47 - 4:58:48
every morning. Everybody does.
4:58:50 - 4:58:50
So wait, songs, you cool with that?
4:58:51 - 4:58:52
That he donated to both ends?
4:58:54 - 4:58:54
I'm stirring the shit right now, guys.
4:58:56 - 4:58:58
I'm sorry. Yeah, stirring through the fire. I gotta wake up. What's up, bro?
4:58:58 - 4:58:59
It's hard to
4:58:59 - 4:59:01
convince Tricky
4:59:01 - 4:59:03
when he is into something.
4:59:04 - 4:59:05
He kind of tricks into stuff
4:59:05 - 4:59:10
Right. So that sounds like a Benedict Arnold move to me. Sounds like he's um playing both sides
4:59:10 - 4:59:15
He's social leveraging the communities not cool. Dude. Well, what a play
4:59:16 - 4:59:19
We need to have him come in here and vindicate himself
4:59:20 - 4:59:25
Clear the air tricky. I've known tricky for years. I've met him at NFT NYC. He's a cool dude, man.
4:59:26 - 4:59:27
There's no malice here.
4:59:27 - 4:59:30
Bro, King. Hey, I subscribed to Tricky.
4:59:30 - 4:59:31
He can't go out. It's 2 o'clock. I'm like,
4:59:31 - 4:59:32
dozing off here, son.
4:59:34 - 4:59:35
I gotta say this.
4:59:35 - 4:59:37
I gotta say this. Let me tell you guys a quick
4:59:37 - 4:59:39
little story about fucking Tricky Buddha, man.
4:59:40 - 4:59:41
When I fucking went to
4:59:41 - 4:59:44
I went to New York, NFT NYC
4:59:44 - 4:59:46
and I'm drunk as fuck.
4:59:46 - 4:59:49
And I'm hanging out at Quirksville and shit, like a place in Brooklyn and shit.
4:59:49 - 4:59:50
We're having a good time.
4:59:50 - 4:59:53
And it's an open bar, so I'm, like, getting fucked up.
4:59:53 - 4:59:55
And I'm, like, walking out of this room.
4:59:55 - 4:59:58
And I look, and I can't even look up at anybody anymore because I'm so fucked up.
4:59:58 - 5:00:01
So I'm, like, looking at the ground, looking at my toes and shit.
5:00:02 - 5:00:07
And, like, I look up a little bit, and and I see these socks and then I see these shorts then I see this shirt and it's a fucking
5:00:07 - 5:00:14
defy space donkey on a fucking t-shirt I'm like bro that's a defy space donkey
5:00:14 - 5:00:25
and I fucking look up a little further he's like yo what's up it's tricky Wait, did he throw his bitch at a DeFi Space Donkey right there?
5:00:27 - 5:00:28
And I gave this guy
5:00:28 - 5:00:30
the biggest fucking hug
5:00:30 - 5:00:31
in the world, but it was so cool.
5:00:31 - 5:00:33
I was like, bro, that's a DeFi Space Donkey
5:00:33 - 5:00:36
and he's wearing his own shit on his own t-shirt,
5:00:36 - 5:00:37
bro, and it's fucking
5:00:37 - 5:00:39
Tricky in front of me, bro.
5:00:39 - 5:00:41
And that was my first interaction with Tricky.
5:00:44 - 5:00:45
What a fucking legend.
5:00:45 - 5:00:47
Yo, that's a pretty epic
5:00:47 - 5:00:51
meetup right there.
5:00:51 - 5:00:53
What's up, Westy?
5:00:53 - 5:00:54
Hey, Westy.
5:00:55 - 5:00:57
What's up, Queen?
5:00:59 - 5:01:00
Too good, for sure.
5:01:00 - 5:01:03
Shout out to King, shout out to Crystal, shout out to Mexi, shout out to our host.
5:01:04 - 5:01:07
Like and repost the room, interact with all the pinned tweets. Show some love to the families.
5:01:07 - 5:01:11
Show some love to the room. Let's have a good time. Yo, thanks for letting me come up and say hello.
5:01:12 - 5:01:16
Let's go. And also follow that wave route, man.
5:01:16 - 5:01:19
Tap into wave route. Doing some cool stuff. Whether you're into that kind of stuff
5:01:19 - 5:01:24
or looking to make beats, man. I can see a lot of potential with this. A lot of potential
5:01:24 - 5:01:26
moving forward. It's just a beta note, so check it out,
5:01:26 - 5:01:27
Joe. I'm following WaveRoot now,
5:01:28 - 5:01:29
y'all. I got it. It's out there.
5:01:29 - 5:01:31
Yeah, yeah. Sometimes you got to remind them, Keith.
5:01:31 - 5:01:32
Sometimes you got to remind them.
5:01:33 - 5:01:35
Absolutely. But guys, if you're interested in
5:01:35 - 5:01:36
what we're doing,
5:01:37 - 5:01:39
check out WaveRoot.com.
5:01:39 - 5:01:41
Royalty-free samples, royalty-free music
5:01:41 - 5:01:44
for artists, for recording
5:01:44 - 5:01:46
artists, music producers um
5:01:46 - 5:01:53
filmmakers content creators you know i could go on um but i don't want to sit here and talk about
5:01:53 - 5:01:58
myself it's 2 a.m bro it's 2 a.m let's have some fun also live musicians man i know you don't like
5:01:58 - 5:02:03
talking about yourself and all that but the live musicians man that'd be a good good spot for them
5:02:03 - 5:02:08
to house their stuff you know i've been thinking of a way they could team up with producers this would be a perfect uh
5:02:08 - 5:02:14
self for my own hip-hop records like i really do i i play shit and then i'd be i know that's
5:02:14 - 5:02:21
why you'd be perfect man be perfect for this absolutely i don't know many rappers that just
5:02:21 - 5:02:25
play some shit and be like i like that Let me sample that and play myself for that sample.
5:02:27 - 5:02:28
I mean,
5:02:28 - 5:02:29
samples are a staple in
5:02:29 - 5:02:32
hip-hop and in all music
5:02:32 - 5:02:32
now, you know?
5:02:33 - 5:02:36
It is. It's just the way... Music is basically
5:02:36 - 5:02:38
all samples. Whether it's
5:02:38 - 5:02:40
played live or not, it's like a rendition
5:02:40 - 5:02:41
of something. You know, there's only so many chords.
5:02:42 - 5:02:42
I replayed it.
5:02:43 - 5:02:50
The business of music, and I know y'all all have studied these books about the business of music once i publish
5:02:50 - 5:02:56
something and have it under my distribution label i get paid twice for sampling myself
5:02:56 - 5:03:04
as the artist and the producer sampling said artist myself so this is dope as shit i can also
5:03:04 - 5:03:06
call the record label and change my words and
5:03:06 - 5:03:11
be like hey this is governor blah blah blah i could change my accent right act like i'm the manager
5:03:11 - 5:03:18
and i could pay myself twice i watch my day do this shit dead you need to write that you need
5:03:18 - 5:03:26
to write your book y'all are crazy y'all are. Okay, man, we need to reset the room. We need to hear some music.
5:03:26 - 5:03:28
We need to get back to the vibes real quick.
5:03:29 - 5:03:30
What do you got for us,
5:03:30 - 5:03:32
Vincent? No, you're good. You're good.
5:03:33 - 5:03:33
It's all love.
5:03:38 - 5:03:40
Yeah, we were talking so long that I got
5:03:40 - 5:03:41
locked out of my computer.
5:03:42 - 5:03:43
Holy shit.
5:03:44 - 5:03:45
Undo it. But, yeah, I don't know. my computer. Holy shit. Undo it.
5:03:46 - 5:03:46
But yeah, I don't know.
5:03:47 - 5:03:48
Let's play it instrumental.
5:03:50 - 5:03:50
Yeah, I remade this track off of King's Catalog.
5:03:53 - 5:03:53
A lot of people told me it sounded like church music.
5:03:54 - 5:03:56
I think that was because of the drums.
5:03:57 - 5:03:57
Fucking tell me what you guys think.
5:04:05 - 5:04:09
I don't know. Go live on Tuesday.
5:04:26 - 5:04:28
Like that organ. Yeah. Yeah. Yeah. Yeah.
5:04:28 - 5:04:30
Yeah.
5:04:30 - 5:04:32
Yeah.
5:04:32 - 5:04:34
Yeah.
5:04:34 - 5:04:36
Yeah.
5:04:36 - 5:04:38
Yeah.
5:04:38 - 5:04:40
Yeah.
5:04:40 - 5:04:42
Yeah.
5:04:42 - 5:04:44
Yeah.
5:04:44 - 5:04:45
Yeah. I said I feel like it goes. Trapped inside the walls of my soul, looking close.
5:04:45 - 5:04:47
And I'm liking the output.
5:04:47 - 5:04:50
The studio's my only source of output.
5:04:50 - 5:04:54
To if you miss one song, there's a hope for the outlook.
5:04:54 - 5:04:57
Success and goals stress the dome.
5:04:57 - 5:05:00
Too many people homeless, can't invest in them.
5:05:01 - 5:05:04
Some girls sell like soul and then route the streets.
5:05:04 - 5:05:07
Dive them stas. My of all so out the meat.
5:05:07 - 5:05:10
I hate to see a man lose his life for the pipe,
5:05:10 - 5:05:14
For all the dro that I like, I think about it and I know it ain't right.
5:05:14 - 5:05:17
But, Lord, I'm scared to face the facts,
5:05:18 - 5:05:21
The hip hop is in my blood, I can taste the tracks.
5:05:21 - 5:05:24
But certain people want me to fail, see me in hell,
5:05:24 - 5:05:27
I want heaven though I'm living in hell.
5:05:27 - 5:05:31
Hole in this grief that I know I'm not able to wear.
5:05:31 - 5:05:34
Keep me a spot until my angels get there.
5:05:34 - 5:05:37
Yeah, I mean I feel all alone.
5:05:37 - 5:05:40
Like a little kid that can't call it home.
5:05:40 - 5:05:42
But you never answer.
5:05:42 - 5:05:45
Just pick up the phone, give me my sign
5:05:45 - 5:05:48
Look, just let me know that I'm not out of my mind
5:05:48 - 5:05:52
Cause kids in Africa, they dying from plagues
5:05:52 - 5:05:55
And in America, they're number one killer
5:05:55 - 5:05:59
And look, I got a few kids from a few different mothers
5:05:59 - 5:06:02
And when I'm born, I want them to know just how much I love them
5:06:02 - 5:06:05
Call us to test call them the testament, the testament, the
5:06:05 - 5:06:11
better the testament, so Jehovah all when he moving at X, and you know we did, I let
5:06:11 - 5:06:15
us in, he spin around, I'm thinking about that wildfire, stepping outside of my crib
5:06:15 - 5:06:21
like, ta-da, voila, you already know what I represent, and this is J.C.S., you fucking
5:06:21 - 5:06:26
talking to the president, but I be like, I feel like a ghost
5:06:26 - 5:06:29
Clapped inside the walls of my cellar for clothes
5:06:29 - 5:06:35
AGS ain't staying stressed
5:06:35 - 5:06:36
Climbing roads when veined
5:06:36 - 5:06:38
Next I'm a leopard, leaping with leopards
5:06:38 - 5:06:41
Left steps in the stomach, never run from it
5:06:41 - 5:06:42
Never or nothing, shepherds to summon
5:06:42 - 5:06:48
The sum of the efforts, still summer for never They flummox like forever flushing
5:06:48 - 5:06:50
But I can't get it Hit this off percussion
5:06:50 - 5:06:54
You say it sounds like church Light twisting Church hills, hills that I'm burning
5:06:54 - 5:06:59
Hurting like a burden Ernie heartbeat Never know it's hurting me to the third degree
5:06:59 - 5:07:03
Don't care bleeding out this burgundy I'm breaking the trust, erasing the touch
5:07:03 - 5:07:26
Making it up the taste in the blood It's tasting like rust, I'm def the trust, erasing the touch, making it up, the taste in the blood, it's tasting like rust, I'm the face of the days, just to face the flood, raising the sun like raisins in sun, grapes, apes, and I run, raisins and races to cut away from the summer rays, erasing the thunder that stays, I'm suffering like a lumberjack, I hear the, uh, hunting acts of a lumberjack, so I attract like lightning when the the thunder cracks I'm under attack, sick stop or relax
5:07:26 - 5:07:28
Give him a fact, chop and a hack
5:07:28 - 5:07:30
What up to west for that moon queen
5:07:30 - 5:07:32
And a beam, and I'm out on the atlas
5:07:32 - 5:07:34
Off this map, with kings of drums
5:07:34 - 5:07:36
And mexi off of crypto beat radio
5:07:36 - 5:07:38
Yeah, out to flex the
5:07:38 - 5:07:40
Songs of Eden, best believe him
5:07:40 - 5:07:42
Man, Adam and Eve, and even Adam
5:07:42 - 5:07:43
Couldn't add him up, control alt, delete him
5:07:43 - 5:07:46
Best to leave him
5:07:46 - 5:07:51
when I was at 8-bit when I was at 8-bit rush for my attack
5:07:51 - 5:08:08
I never gave a fuck about it in these streets of rage and other nigga out these beehives with all these bitches with age never gave a fuck about my age
5:08:08 - 5:08:14
doing the strip club, touching all types of bitches, getting my all aspects of all these bitches
5:08:14 - 5:08:17
some of these bitches be playing, you gotta watch these hoes though
5:08:17 - 5:08:20
you be like a bunch of bitches
5:08:20 - 5:08:23
I'm gonna talk about some magic with these bitches
5:08:23 - 5:08:47
I'm gonna get some of these bitches I'm gonna get some of these bitches I'm gonna real ass nigga. This is a free ass nigga, though.
5:08:47 - 5:08:48
This is a free style.
5:08:48 - 5:08:49
I'm a tip copy.
5:08:49 - 5:08:50
I don't give a fuck about it.
5:08:50 - 5:08:52
Bitches be giving that topic sloppy.
5:08:52 - 5:08:54
In my fucking home lab, like the Janabi.
5:08:54 - 5:08:56
Ooh, I'm like 50 Naxx.
5:08:56 - 5:08:57
Ugh.
5:08:57 - 5:08:59
And it's in there with the ooh.
5:08:59 - 5:08:59
Oh, the God.
5:09:00 - 5:09:02
Think about this nation of Islam proof.
5:09:02 - 5:09:06
I try to teach these young niggas, but they don't touch a group of truth.
5:09:06 - 5:09:07
Remember that shit, nigga?
5:09:07 - 5:09:09
Cause root the root, we missed the bust.
5:09:09 - 5:09:13
Sitting there watching the goof truth, pinky in the brain.
5:09:13 - 5:09:15
Sitting there watching the animal cats.
5:09:15 - 5:09:16
What a dude.
5:09:16 - 5:09:17
Thank you about that shit.
5:09:17 - 5:09:18
Put it down the hood.
5:09:18 - 5:09:19
And the fans come.
5:09:19 - 5:09:21
Put that just tuned out.
5:09:21 - 5:09:22
Remember that shit, nigga?
5:09:22 - 5:09:23
We down the whole clutch.
5:09:23 - 5:09:26
You just said, girl, I'm about to get real money, though.
5:09:28 - 5:09:55
Hey! Let it go down the hole.
5:09:55 - 5:09:56
Let it go down the hole.
5:10:03 - 5:10:04
Let it go down the hole.
5:10:06 - 5:10:11
Let it go down the hole. to go down the hole that was dope
5:10:11 - 5:10:19
again they call it where to go down the hole that shit would be crazy
5:10:19 - 5:10:23
yeah that sounds nice in the car too
5:10:23 - 5:10:25
that was fire Yeah, it sounds nice in the car, too.
5:10:27 - 5:10:28
That was fire. That was fire.
5:10:30 - 5:10:31
Let's go.
5:10:34 - 5:10:36
I'm going to clip that and play it on the show tomorrow.
5:10:36 - 5:10:37
Let's go.
5:10:38 - 5:10:38
Nigga, what?
5:10:38 - 5:10:41
We're going to call that freestyle plucky ducky.
5:10:41 - 5:10:43
That shit is up the ground.
5:10:43 - 5:10:45
Where they go down
5:10:45 - 5:11:26
that's in the sequence, we gonna do that for that ethnicity and chill, I'm natural for real, we lookin' for the top talent, if you come you got a shield. Just to build, pull out my chosen shield.
5:11:26 - 5:11:28
Move like Omen in the field.
5:11:28 - 5:11:29
You know that Roman's field.
5:11:29 - 5:11:31
Move like Roman Reigns.
5:11:31 - 5:11:32
I think I deserve a change.
5:11:32 - 5:11:34
Fuck, I deserve a belt.
5:11:34 - 5:11:35
Where's the move, niggas?
5:11:35 - 5:11:36
I need them move, Tigers.
5:11:37 - 5:11:38
I come with Quim and my men.
5:11:38 - 5:11:40
We roll up with like two snipers.
5:11:40 - 5:11:42
Stripe in the jungle like it's two Tigers.
5:11:42 - 5:11:43
Nigga, what's up?
5:11:46 - 5:11:47
Two Tigers. A true's two tigers, nigga. Let's go. Two tigers.
5:11:47 - 5:12:05
A true sniper. What's your you ain't no f***, boy. Let's go to the f***, man. I'm sick, man.
5:12:05 - 5:12:06
I'm sick, man.
5:12:06 - 5:12:07
I'm sick, man.
5:12:07 - 5:12:08
I'm sick, man.
5:12:08 - 5:12:09
I'm sick, man.
5:12:09 - 5:12:10
I'm sick, man.
5:12:10 - 5:12:11
I'm sick, man.
5:12:11 - 5:12:12
I'm sick, man.
5:12:12 - 5:12:13
I'm sick, man.
5:12:13 - 5:12:14
I'm sick, man.
5:12:14 - 5:12:15
I'm sick, man.
5:12:15 - 5:12:16
I'm sick, man.
5:12:16 - 5:12:17
I'm sick, man.
5:12:17 - 5:12:18
I'm sick, man.
5:12:18 - 5:12:19
I'm sick, man.
5:12:19 - 5:12:20
I'm sick, man.
5:12:20 - 5:12:21
I'm sick, man.
5:12:21 - 5:12:22
I'm sick, man.
5:12:22 - 5:12:23
I'm sick, man.
5:12:23 - 5:12:24
I'm sick, man.
5:12:24 - 5:12:47
I'm sick, man. I'm sick, man. I'm sick, man. I'm sick, man. I'm sick, man. got that speed in my veins think about that fifth train know, I saw, you can buy them, you
5:12:47 - 5:12:48
can listen to me.
5:12:48 - 5:12:51
Peace to the gods.
5:12:53 - 5:12:58
Peace to the gods, they made a card, but of course they copy, they zombies flows without
5:12:58 - 5:13:03
a heartbeat, prose McCarthy like a Murakami, atheist spits a form that's godly, they ain't
5:13:03 - 5:13:20
no G that's rich for Roddy, be careful, crosshairs might come for the head, look, fly stuck in a web, fabulous god in the flesh, call me Lazarus the way I summon the dead, one play I smoke the hate, I hope and pray I know I won't go wait, wait,
5:13:20 - 5:13:23
Asami victims, I say shit, go and pick them
5:13:23 - 5:13:25
A bigger part of the pictures
5:13:25 - 5:13:27
Fits within it like McCarthyism
5:13:27 - 5:13:29
The six is a line like a Judas smile
5:13:29 - 5:13:31
I'm gripping a knife, give him some light
5:13:31 - 5:13:34
I don't know, we're just passing him like ships in the night
5:13:34 - 5:13:38
Hey yo, I read your baby
5:13:38 - 5:13:39
Make me fix your weight
5:13:39 - 5:13:40
Pop, what's up, me?
5:13:41 - 5:13:43
Break your boots like you rock
5:13:43 - 5:13:44
I chop the motherfuckers up
5:13:44 - 5:14:06
I chop these Asian bitches Your eyes look like a happy party I can't even rhyme about this I What a More than I told you better The thing about the new weapon
5:14:06 - 5:14:08
Yeah, I'm real nigga, I ain't lying man
5:14:08 - 5:14:10
That's how I got my turn too
5:14:10 - 5:14:12
Now I'm a two kid father
5:14:12 - 5:14:14
Working on my next one
5:14:14 - 5:14:16
New bitch now, since you weren't gonna have to
5:14:16 - 5:14:18
Be good boy next to you, next to you
5:14:18 - 5:14:20
Why not?
5:14:20 - 5:14:22
We don't live one time YOLO
5:14:22 - 5:14:24
About to be a big YOLO
5:14:24 - 5:14:26
I'm a YOLO And I don't give a fuck about that Yolo with the Yola in the Toto. Toto on that shit, go with Gritgo.
5:14:27 - 5:14:29
Shit, I'm about to be that Gritbag.
5:14:29 - 5:14:30
Shit.
5:14:31 - 5:14:33
I'm spectacular, flow worse than 50 in the Massage.
5:14:33 - 5:14:36
Passage at 56 and I'm stabbing the next messenger.
5:14:37 - 5:14:39
Killing me willingly, gave the pussy, I ain't asked for her.
5:14:40 - 5:14:43
Believe it, I seeded all over, a grudious Maximus.
5:14:43 - 5:14:46
A milli, a milli, no dashmaster, just a filly, really
5:14:46 - 5:14:49
I hop a wheel on a big wheel like I'm a hillbilly
5:14:49 - 5:14:52
The wind is out, so mama make this summer real chilly
5:14:52 - 5:14:55
I'm the commission like Charlie Jigger and Biggie
5:14:55 - 5:14:58
You figure, you know what, nigga, come on, smoke like a switch
5:14:58 - 5:15:01
And I do that shit like, really, shout out to Dizzy
5:15:01 - 5:15:04
You know we get busy, we killin' up every city
5:15:04 - 5:15:05
Move in like Spider-Man, I got a plan when I'm in hand Really, shout out to Dizzy, you know we get busy, we killin' up every city, movin' like
5:15:05 - 5:15:11
Spider-Man, I got a plan with I'm in hand, you already know that shit blasts like Rocket
5:15:11 - 5:15:16
Man, or that's a Rocketeer, we lockin' head, nigga use a bitch like Heather Locklear, that
5:15:16 - 5:15:22
shit be old, baby, niggas be so scoopy, I'm on your roof like the old Snoopy, nigga this
5:15:22 - 5:15:25
penis, I give you planets, These niggas on their 51st
5:15:25 - 5:15:27
date thinkin' Adam Sandler. You don't
5:15:27 - 5:15:29
remember nothin'. Niggas just got
5:15:29 - 5:15:31
in leisure. I beat you to a leisure
5:15:31 - 5:15:33
who wake up in the seizure.
5:15:33 - 5:15:35
There, I do this in my leisure.
5:15:37 - 5:15:37
Hey, yo.
5:15:38 - 5:15:39
Hey, yo. I be that
5:15:39 - 5:15:42
on the roof. Shoot, shoot,
5:15:42 - 5:15:43
shoot. And vote
5:15:43 - 5:15:46
like pooping. I don't give a fuck. Shoot, shoot, shoot and vote like i don't give a
5:15:46 - 5:15:53
fuck shoot shoot shoot look for me
5:16:00 - 5:16:00
Hey everybody,
5:16:00 - 5:16:02
I'm
5:16:02 - 5:16:03
I'm
5:16:03 - 5:16:04
I'm
5:16:04 - 5:16:06
I'm
5:16:06 - 5:16:08
I'm
5:16:08 - 5:16:10
I'm
5:16:10 - 5:16:12
I'm
5:16:12 - 5:16:14
I'm
5:16:14 - 5:16:16
I'm
5:16:16 - 5:16:18
I'm
5:16:18 - 5:16:20
I'm
5:16:20 - 5:16:22
I'm
5:16:22 - 5:16:24
I'm
5:16:24 - 5:16:25
I'm playing test not checky bitch
5:16:25 - 5:16:26
The real ass
5:16:26 - 5:16:28
45 with a 45
5:16:28 - 5:16:31
One
5:16:31 - 5:16:45
One One One One One One One One One One One One One One One One One One One One One One The way you hit that hit the bullseye was crazy, bro. That was crazy.
5:16:49 - 5:16:49
I did not see that coming, the way you said it.
5:16:53 - 5:16:53
The only thing I could think of that wrong with whatever, the Rocketeer.
5:16:55 - 5:16:57
Yeah, the Rocketeer, that was it. I'm like, what's he going to do with this bullseye?
5:16:57 - 5:16:59
I knew he was going to hit that bullseye.
5:16:59 - 5:17:00
Like, Black Pierre.
5:17:00 - 5:17:02
That's so fire, bro.
5:17:03 - 5:17:04
Somebody run.
5:17:11 - 5:17:15
I'm dying. I said some real hot shit at the end. Yo, Coop, we can't hear you, but you rugged.
5:17:15 - 5:17:19
You rugged a bit, so I can hear like, Coop, Coop, whoop, whoop, whoop, whoop, whoop, whoop.
5:17:19 - 5:17:21
Coop, do you have an iPhone?
5:17:22 - 5:17:23
He's on his Android.
5:17:23 - 5:17:25
He's on his Android time.
5:17:26 - 5:17:27
Yeah, I said
5:17:27 - 5:17:29
I mean Mufasa, y'all don't even
5:17:29 - 5:17:31
understand a double entendre.
5:17:31 - 5:17:32
What the fuck?
5:17:33 - 5:17:35
It's too glitchy to catch
5:17:35 - 5:17:37
everything, but what it did catch
5:17:37 - 5:17:37
was fire.
5:17:38 - 5:17:39
It's act as fall, bro.
5:17:41 - 5:17:43
That's my last word. I said I'm not
5:17:43 - 5:17:44
lying, man, Mufasa.
5:17:45 - 5:17:46
I'm not lying, man, Mufasa. That's fire. Mufasa, yo, that's my last word I said I'm not lying man Mufasa I'm not lying man Mufasa that's far
5:17:46 - 5:17:47
Mufasa
5:17:47 - 5:17:49
yo that's crazy
5:17:49 - 5:17:50
you know the slang
5:17:50 - 5:17:51
we say man
5:17:51 - 5:17:53
DC niggas say man
5:17:53 - 5:17:54
so you know
5:17:54 - 5:17:55
as a man
5:17:55 - 5:17:57
I said I'm not lying man
5:17:57 - 5:17:57
Mufasa
5:17:57 - 5:17:58
you're not lying man
5:17:58 - 5:17:59
yeah I get it
5:17:59 - 5:17:59
I get it
5:17:59 - 5:18:00
I got you
5:18:00 - 5:18:01
I follow
5:18:01 - 5:18:03
you got the main
5:18:03 - 5:18:04
and main
5:18:04 - 5:18:04
and main
5:18:04 - 5:18:05
you know so good it's so good.
5:18:06 - 5:18:07
It's so good.
5:18:09 - 5:18:11
I just want to say it's so good.
5:18:11 - 5:18:13
The whole thing, we all of us running off.
5:18:13 - 5:18:14
I can't hear it again.
5:18:14 - 5:18:15
Please, somebody run it back.
5:18:16 - 5:18:19
I started making this beat right before the space.
5:18:20 - 5:18:23
It's not even close to being done, but I'm willing to play it right now.
5:18:24 - 5:18:26
It's just like four tracks.
5:18:26 - 5:18:28
All right, we're all willing to free stage over.
5:18:28 - 5:18:28
Let's go.
5:18:30 - 5:18:31
All right, well.
5:18:32 - 5:18:33
Oh, shit.
5:18:34 - 5:18:35
Wave Root just died.
5:18:36 - 5:18:38
Fuck, Wave Root's going to fall off the stage any second.
5:18:38 - 5:18:39
I got you.
5:18:39 - 5:18:39
Let's go.
5:18:39 - 5:18:41
I still have to roll my butt.
5:18:41 - 5:18:43
Yeah, I got a whole studio.
5:18:44 - 5:18:45
Hell yeah, dude.
5:18:46 - 5:18:47
Four minutes.
5:18:47 - 5:18:48
Spark it up.
5:18:48 - 5:18:50
220 coming in.
5:18:51 - 5:18:52
Three minutes.
5:18:53 - 5:18:54
Three minutes.
5:18:56 - 5:18:56
Break up that weed.
5:18:57 - 5:18:58
Roll that blunt.
5:19:00 - 5:19:03
He's going to break up his weed right now.
5:19:10 - 5:19:13
Ladies first. Ladies first. he's gonna break up his weed right now ladies first ladies first no i'm not really going i was just being funny yo crypto beat radio
5:19:13 - 5:19:17
i love i love when people just try to when you know
5:19:17 - 5:19:23
the inside production you ready to come something up
5:19:23 - 5:19:25
mo queen you know you be rapping and singing in the shower.
5:19:26 - 5:19:28
I'll tell you a funny story
5:19:28 - 5:19:30
at the Digi house
5:19:30 - 5:19:31
at
5:19:31 - 5:19:33
our Basel.
5:19:33 - 5:19:35
All the Digis came in and we had
5:19:35 - 5:19:37
Dr. Bruce was there.
5:19:38 - 5:19:40
We had Mose and Mojo
5:19:40 - 5:19:41
and Mental.
5:19:42 - 5:19:44
Cristiano and a couple other homies.
5:19:44 - 5:19:45
I was there.
5:19:45 - 5:19:47
You had the family there.
5:19:48 - 5:19:50
Everybody got nowhere crypto there, yo.
5:19:51 - 5:19:52
It was funny
5:19:52 - 5:19:54
because they started freestyle.
5:19:54 - 5:19:55
They started
5:19:55 - 5:19:58
playing the beats. Cristiano, I put them on.
5:19:59 - 5:20:00
And none of them
5:20:00 - 5:20:02
were freestyle. So they put
5:20:02 - 5:20:04
the beat on. And I just started
5:20:04 - 5:20:10
being silly. And I was like, like dr bruce he can't rap and just like i don't know just clowned him
5:20:10 - 5:20:14
and then all of a sudden they started laughing and then they just got like whatever their flow
5:20:18 - 5:20:25
i was kind of drunk too so it was perfect yeah that's. Freedom Fest, that's all it was.
5:20:25 - 5:20:27
I swear, that was like a 24-hour freestyle
5:20:27 - 5:20:28
spree.
5:20:29 - 5:20:31
And I'm on mushrooms.
5:20:32 - 5:20:33
Yeah, it was a good time.
5:20:33 - 5:20:34
It was all on mushrooms.
5:20:34 - 5:20:38
If I would have went to Freedom Fest, I would have embarrassed myself
5:20:38 - 5:20:40
because I would have got drunk as a bitch and tried to
5:20:40 - 5:20:41
fuck all the girls.
5:20:41 - 5:20:42
It would have been bad.
5:20:42 - 5:20:43
It would have been bad.
5:20:43 - 5:20:48
We would have had your back, Coop.
5:20:49 - 5:20:50
Everybody would have been like,
5:20:50 - 5:20:51
Ryan's a creep.
5:20:51 - 5:20:54
We would have sent you to the proper tent.
5:20:54 - 5:20:55
You know what I'm saying?
5:20:55 - 5:20:56
You would have been like, this nigga.
5:20:57 - 5:21:00
There were tents for those kind of things, Coop.
5:21:00 - 5:21:00
You know?
5:21:01 - 5:21:02
My niece, like, you cool?
5:21:03 - 5:21:03
What do you mean?
5:21:03 - 5:21:05
Like, we should be there.
5:21:06 - 5:21:07
You mean like
5:21:07 - 5:21:09
all the slutty-ass, molly-ass
5:21:09 - 5:21:10
throwing assholes and shit?
5:21:11 - 5:21:13
Hi, I'm Wes.
5:21:13 - 5:21:15
Oh no, show up next year, man.
5:21:15 - 5:21:16
We'll figure it out.
5:21:19 - 5:21:20
I'll be like, hi,
5:21:20 - 5:21:21
I'll be like, hi, my name is Ryan.
5:21:20 - 5:21:23
my name is Ryan. Here's my little dick name,
5:21:22 - 5:21:23
Here's my little dick name, Ryan.
5:21:23 - 5:21:23
Ryan.
5:21:28 - 5:21:30
Oh, what happened to the Waveroot account?
5:21:30 - 5:21:31
It did.
5:21:31 - 5:21:31
It fell off the map.
5:21:32 - 5:21:33
Fell off the map, bro.
5:21:33 - 5:21:34
The phone died.
5:21:34 - 5:21:36
It was on 100% when we started the space.
5:21:36 - 5:21:38
Usually I don't do like seven hour spaces, guys.
5:21:38 - 5:21:39
I don't want to tell you.
5:21:40 - 5:21:40
I apologize.
5:21:41 - 5:21:43
Yo, those seven hour spaces, man.
5:21:43 - 5:21:45
Those are, holy shit. I just guessed. I don't know if it's actually spaces, man. Those are... Holy shit.
5:21:45 - 5:21:46
I just guessed it.
5:21:46 - 5:21:48
I don't know if it's actually been seven hours.
5:21:48 - 5:21:49
I think it has been.
5:21:49 - 5:21:50
It feels like it.
5:21:52 - 5:21:53
But I've had a lot of fucking fun with you guys, man.
5:21:54 - 5:21:56
It's been five or more, right?
5:21:56 - 5:21:57
You getting up there.
5:21:57 - 5:21:58
You just checked it.
5:21:58 - 5:21:58
Yeah.
5:22:00 - 5:22:01
Nine o'clock.
5:22:01 - 5:22:03
10, 11, 12, 1, 2.
5:22:03 - 5:22:03
Fuck.
5:22:03 - 5:22:06
It might be the universe telling you to close up with.
5:22:07 - 5:22:09
I was just counting on my fingers.
5:22:09 - 5:22:11
Yo, after like 2.30 a.m.,
5:22:11 - 5:22:13
usually I'm just like waking up for work
5:22:13 - 5:22:15
in like 20, 30 minutes, you know?
5:22:15 - 5:22:17
So this is...
5:22:17 - 5:22:17
Fuck it up.
5:22:17 - 5:22:20
These weekends fuck me up.
5:22:20 - 5:22:21
They fuck up my sleep.
5:22:21 - 5:22:22
Fuck it up.
5:22:22 - 5:22:23
4.20 in the world somewhere.
5:22:29 - 5:22:33
You're right, it is 420 somewhere holy hey yo you know what i was just thinking about as i'm rolling my blunt right now y'all
5:22:35 - 5:22:40
what's that what's up were you waiting for us to say what
5:22:40 - 5:22:42
To say what
5:22:54 - 5:22:58
Hey look it's always in the it is the highest in the room that come up with the most
5:22:58 - 5:23:02
Introspective thought we like hey you guys, you know, we should always that's you
5:23:00 - 5:23:03
You guys you know we should always that's you bro
5:23:07 - 5:23:11
Rolling a blunt right now in my car with the windows down it's breezy outside feel nice
5:23:13 - 5:23:15
And then it's like crickets
5:23:20 - 5:23:33
It's too many distractions, yo, it's like internet PlayStation 5 pussy
5:23:33 - 5:23:45
PlayStation 5. Wait, wait, wait. Just doing a back four.
5:23:45 - 5:23:47
PS5.
5:23:49 - 5:23:50
Tops for three different levels of interaction.
5:23:52 - 5:23:53
That puts a different twist on PS5 right there.
5:23:55 - 5:23:55
It's not about the pussy.
5:23:57 - 5:23:59
It's about the interaction with the world, yo.
5:24:00 - 5:24:00
Yeah, I feel that.
5:24:00 - 5:24:01
Totally.
5:24:02 - 5:24:04
You got to get in your zone.
5:24:04 - 5:24:06
Bro, I'm telling you, when I be creative in the zone,
5:24:06 - 5:24:08
I put my phone away.
5:24:08 - 5:24:09
I don't care if it's three days.
5:24:10 - 5:24:13
You know when I make the best music
5:24:13 - 5:24:14
is when I'm fucking depressed.
5:24:16 - 5:24:18
Man, I make the best music in the morning
5:24:18 - 5:24:20
when I'm tired and hungry.
5:24:21 - 5:24:21
Yeah.
5:24:21 - 5:24:22
When I'm hungry.
5:24:22 - 5:24:26
I can't have no bitch laying in my bed cuz I'm gonna wanna fuck the bitch
5:24:27 - 5:24:31
After I get bored with my music so I gotta have no bitch laying in my bed in the studio
5:24:31 - 5:24:37
No bitch can be laying in my pussy bed in my studio. You got a pussy bed
5:24:40 - 5:24:42
Bullies got two beds
5:24:42 - 5:24:44
He's got two beds
5:24:44 - 5:24:46
No, no, no. I only got one pussy bed.
5:24:46 - 5:24:48
I got two TVs. I got the 100-inch
5:24:48 - 5:24:50
next to my bed. And then I got
5:24:50 - 5:24:52
the piano studio right next
5:24:52 - 5:24:53
to my other bed.
5:24:54 - 5:24:55
Then I got the
5:24:55 - 5:24:57
HDTV in front of the bed for the
5:24:57 - 5:24:57
porno.
5:24:58 - 5:25:00
I love you, Coop. You're a character, bro.
5:25:01 - 5:25:02
You think I'm lying.
5:25:03 - 5:25:04
I ain't got no lie, bro.
5:25:04 - 5:25:05
I know you ain't lying. You ain't character, bro. You think I'm lying, nigga? I ain't got nothing to lie about it, bro. I know you ain't lying.
5:25:05 - 5:25:06
You ain't lying, bro.
5:25:07 - 5:25:08
You give me a quick face, man.
5:25:08 - 5:25:10
My sons are going to hear this shit.
5:25:10 - 5:25:10
You know what I mean?
5:25:10 - 5:25:11
Fuck you.
5:25:12 - 5:25:13
Nobody thinks you're lying.
5:25:13 - 5:25:14
I promise you.
5:25:14 - 5:25:15
Nobody thinks you're lying.
5:25:15 - 5:25:17
I ain't got nothing to lie about.
5:25:18 - 5:25:18
I'm a gangsta-ass nigga.
5:25:18 - 5:25:21
You got a special TV performance.
5:25:21 - 5:25:23
The other thing is at a red light.
5:25:23 - 5:25:26
Listen, I'm not going to make this up. I was at a red light
5:25:26 - 5:25:33
Smoking the blunt and I was driving down the road right before I got to the red light and I heard this nigga cursing at this black woman
5:25:33 - 5:25:36
He was like fuck you bitch. I hate you. I'll kill you something something
5:25:36 - 5:25:41
So I pulled up to the red light and I recognized that I was still next to this nigga talk
5:25:41 - 5:25:49
He's bad-mouthing this black woman. Yo light-skinned nigga, right? Man, I got out my car. I was drinking this shit. I had the gun on me and everything I walked out
5:25:49 - 5:25:51
I ain't pulled a gun out on left it in the car
5:25:51 - 5:25:56
But I walked right up to this nigga's car on the side where the girl was sitting at the red light and I said nigga
5:25:56 - 5:26:02
You know stop belittling this black woman or something. He was like man fuck you
5:26:02 - 5:26:10
Real loud and lights are angry. He pulled off all mad and I got back in my car nobody hit me, but the lady next to my car say hell
5:26:11 - 5:26:18
Black man, she was like fuck. Yeah, thank you was standing up for that man bad-mouthing that woman like I don't know
5:26:18 - 5:26:24
I just felt like it was in my DNA to like be like man fuck you for talking to that woman like that Joe
5:26:24 - 5:26:25
It was bad. He was like verbally abusing his black woman and I was like man fuck you for talking to that woman like that Joe It was bad
5:26:25 - 5:26:29
He was like verbally abusing his black woman and I was like man fuck you
5:26:29 - 5:26:37
I was the only man here the only red light I got out my car walk all the way two lights over and say man fuck you
5:26:37 - 5:26:38
Two lights over
5:26:38 - 5:26:42
Two lanes I meant to say lanes
5:26:42 - 5:26:43
You know what I'm gonna say bro
5:26:43 - 5:26:46
I'm gonna say man You sealed up traffic and shit.
5:26:46 - 5:26:48
Right now as I'm talking to God, man.
5:26:48 - 5:26:50
But for real, I real live did this.
5:26:50 - 5:26:51
And right before I did it,
5:26:52 - 5:26:54
I looked up at the sky. I was like,
5:26:54 - 5:26:56
God, don't let me get shot if I do this shit.
5:26:57 - 5:26:58
I said, don't let this nigga
5:26:58 - 5:27:00
have a gun. That is the thing, bro.
5:27:00 - 5:27:01
You got to be careful.
5:27:01 - 5:27:02
Exactly.
5:27:02 - 5:27:03
Yo, that's a real thing.
5:27:04 - 5:27:06
Especially if you're in a open carry. Oh, you gotta be exactly
5:27:08 - 5:27:10
It was an open carry Oh, man, I was like man
5:27:10 - 5:27:16
This nigga should not be talking to this black woman like that and I got out my car and I sure enough walk right up to that
5:27:16 - 5:27:22
Niggas car and said fuck you and then the lady next to the car that I did it to was like hallelujah black man
5:27:20 - 5:27:22
that I did it to was like, hallelujah,
5:27:22 - 5:27:24
black man, she gave me my kudos.
5:27:22 - 5:27:24
She gave me my kudos like yeah
5:27:24 - 5:27:24
Like, yeah.
5:27:26 - 5:27:28
So I felt good, but he could
5:27:28 - 5:27:30
honestly had a gun and be like, pow.
5:27:31 - 5:27:32
And that'd have been the last
5:27:32 - 5:27:33
time I heard from Coop DeVille.
5:27:35 - 5:27:35
Yeah,
5:27:35 - 5:27:38
that's true, though, man. You gotta be careful with stuff like that.
5:27:38 - 5:27:40
States, like he was saying, open carry.
5:27:40 - 5:27:42
Like, I'm in Nevada, so we have open
5:27:42 - 5:27:43
carry out here. You know a lot of people.
5:27:43 - 5:27:45
I was just thinking, the way he was talking to her, I was like, man, fuck that nigga, man. I realized stood up for the woman. I come into my house so we have open carry out here. You know a lot of people
5:27:48 - 5:27:52
The way he was talking to where I was like man fuck that nigga man I've realized stood up for the woman didn't know what was going on. I just was watching that shit
5:27:52 - 5:27:55
I was like man when I seen it at the first light
5:27:55 - 5:27:59
I was like alright, but we came up to that second red light. I got out my car
5:27:59 - 5:28:04
Welcome to that they can see man. He's a bitch. So why are you talking to that black woman like that Joe?
5:28:04 - 5:28:07
And then they can start mouthing off at me. I have my gun on me
5:28:07 - 5:28:09
I have my gun in my car at the time
5:28:09 - 5:28:15
But I ain't have it on me right then then I was standing outside my car three lanes over but I don't know man
5:28:16 - 5:28:18
Just some real nigga shit to happen. Yo
5:28:19 - 5:28:21
Just figured I tell y'all niggas and shit, man
5:28:23 - 5:28:26
She's probably cheating on his angry ass.
5:28:26 - 5:28:27
I don't know, man.
5:28:27 - 5:28:29
That bitch could have been a sorry ass bitch.
5:28:29 - 5:28:30
Nah, I'm looking into a situation.
5:28:32 - 5:28:33
I'm a fool. Don't listen to me.
5:28:34 - 5:28:36
That's how nigga moments happen,
5:28:36 - 5:28:37
though. You know, you've seen the boondocks.
5:28:38 - 5:28:38
Yup.
5:28:39 - 5:28:41
Nigga moments happen fast.
5:28:43 - 5:28:43
Yo,
5:28:44 - 5:28:45
classic show right there.
5:28:46 - 5:28:48
Yo, guys, I fucking love you guys.
5:28:48 - 5:28:50
It's getting late, 2.30 a.m.
5:28:50 - 5:28:52
I got my daughter's birthday party tomorrow.
5:28:53 - 5:28:56
So, I mean, it's not an early party, so it's cool.
5:28:56 - 5:29:00
I'm frontin' like I gotta be up super early.
5:29:00 - 5:29:03
But I think I'm gonna shut this space down.
5:29:03 - 5:29:05
I appreciate all you guys pulling up tonight.
5:29:05 - 5:29:13
We're going to do this again tomorrow, same time, 9 p.m. Shout out to everyone. And I don't know,
5:29:13 - 5:29:15
Max, you got any last words before we close?
5:29:17 - 5:29:23
No, all good. It's a fun night. Look forward to tomorrow. Appreciate everybody showing up.
5:29:23 - 5:29:26
Shout out to Thanos.
5:29:28 - 5:29:30
I mean, like, everybody here. Phoenix for being here the whole time. Good night.
5:29:33 - 5:29:34
CBR?
5:29:35 - 5:29:36
Any final words?
5:29:36 - 5:29:38
I don't know where the fuck y'all gonna go, but y'all
5:29:38 - 5:29:39
gotta get the fuck out of here.
5:29:41 - 5:29:42
Yeah, I mean, I'm gonna go to
5:29:42 - 5:29:44
I could just leave the fucking space running.
5:29:44 - 5:29:46
I don't give a shit, but it's going to be hard to get people on
5:29:46 - 5:29:47
stage and
5:29:47 - 5:29:49
I'm going to go to sleep.
5:29:49 - 5:29:51
Hey, look, I'm rolling my blood.
5:29:51 - 5:29:54
I see I'm lighting my blood. I'll stay and co-host it
5:29:54 - 5:29:56
until I'm tired. No, we can migrate over
5:29:56 - 5:29:58
to Freestyle Friday. You're good, kid. Get that rest, bro.
5:30:00 - 5:30:01
Yeah, do that.
5:30:02 - 5:30:03
Fucking love you guys.
5:30:03 - 5:30:05
I wasn't going to actually keep the space open
5:30:05 - 5:30:06
I was just entertaining the thought
5:30:06 - 5:30:09
shout out to Moon Queen Krem
5:30:09 - 5:30:11
Songs of Eden, T-Bags
5:30:11 - 5:30:14
don't get fucking T-Bags by T-Bags
5:30:14 - 5:30:15
guys, Thanos
5:30:15 - 5:30:17
always putting it down, shout out to Phoenix
5:30:17 - 5:30:19
everyone in the listeners
5:30:19 - 5:30:21
Mexi the amazing co-host
5:30:21 - 5:30:22
shout out to Chainfluence
5:30:22 - 5:30:24
and have a good night
5:30:24 - 5:30:25
somebody's playing some tunes in the background shout out to chainfluence and uh have a good night somebody's playing
5:30:25 - 5:30:31
background shout out to shout out to coop in the pussy bed who missed coop
5:30:31 - 5:30:42
oh another thing let's not talk about the pussy bed to be continued to be tbc
5:30:42 - 5:30:46
yo the last bitch that slept in the pussy bed.
5:30:46 - 5:30:47
I never heard from her, yo.
5:30:47 - 5:30:48
All right.
5:30:48 - 5:30:50
Ending in three, two, one.

Host

Speaker

Doodle
Roc
๐Ÿงฑ Songs Of Eden ๐ŸŽต MiDi Punkz Fam
Phoenix Crypto ๐Ÿฆโ€๐Ÿ”ฅ
แ™ขรธรธฮท๐–ฐส‰ั”ั”ฮท -ster๐ŸŒ™๐Ÿ‘‘
Alexโ˜๏ธ๐ŸŽ™๏ธluc, Unruggable inc ๐Ÿดโ€โ˜ ๏ธ๐Ÿ’€ ๐Ÿงช๐ŸŒ๐Ÿฆฃ๐Ÿปโ€โ„๏ธ๐Ÿป
Crypto Cam
W3ST
Moon
Krem๐ŸŽš๏ธ๐Ÿฅท
Bobto Shio
Coopdville.quantum (Coop D'Ville)
BeSwift
The Public Bored ๐Ÿ”ฅ
Lady
celestine sunday
WOLFY_1
Meta Guardianz
Robb Allen
ROJASโค๏ธโ€๐Ÿ”ฅ
Mike
Lark
NateDogg
USV
TeaBagz ๐Ÿ”บ๏ธ
IAmThanos
Ocean Racing League
๏ผซ๏ผ‘๏ผค๏ผค๏ผถ๏ผ“๏ผฎโ™ข๏ผญใ€€๏ผˆใ‚ ใƒŠ็…™๏ผ‰
WavRoot
Digibluntz
โšกCryptowinnerโœŒ๏ธโšก
๐‘€๐’ฅ โ˜˜๏ธŽ ๐’Ÿ๐“ฎ๐”ฐ๐’พ๐‘”๐“ƒ
jav
MIKE
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